Quotes of All Topics . Occasions . Authors
I made a handshake agreement with my best friend in college, Michael Shamberg, who is now a movie producer. We used to write shows together, and we said, "Let's only do what's fun. Let's never take a job where we have to dress up in a suit."
I heard so many stories from Gaomi's peasants that I had an irrepressible urge to write them down. Today, Gaomi's peasants know that they have become famous around the world through my writings, but I think they are a little puzzled by this.
It was the typical paranoid experience [to hide coke]. As soon as I knew my hiding place, I thought the whole world knew it. I'd write clues to my hiding places in code, then forget the code and spend the rest of the day looking for my coke.
Beethoven was just music, and it didn't matter if he could hear it or not - he could feel it. He could hear it in his mind. He could write it down hearing it in his mind. He was just music. Yeah, he's one of my favorite writers of all times.
I want to write about spiders. To me, this is the one theme that cuts right across and scares just about everybody. Spiders, to me, are just about the most horrible, awful things that I can think about. I think everyone is afraid of spiders.
If I hear a conversation and somebody says something intriguing, my first thought is, Is that a song? I write all year long, and at the end of the year I pull these forty or fifty things out and say which of these things do I want to record.
As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.
Every word I write is like a drop of my blood. If it's flowed passionately and long, I need time to recover from the emotion spent before I began a new story. My characters are my life. I have to respectfully and carefully move between them.
I'm often just writing just to write. I'm not writing with...If I write, like, sitting down with a goal in mind, it's always, like, the worst. It turns into a ska song even if I'm trying to write like a horror movie sound track or something.
It is an incredible thing to see how many crazy things get thrown out that people then often write commentaries about how happy they are or how disappointed they are about something that's completely false. But, it's a lot of noise, frankly.
One of my moments of coming to writing, of needing to write to attempt to create myself, to attempt to absolve and understand my past passivity, came when a girl I loved very much, who I had been estranged from for some time, killed herself.
I hope I am not too old to take it up seriously, nor too stupid about machines to qualify as a commercial pilot. I do not feel like spending the rest of my life writing books that no one will read. It is not as though I wanted to write them.
A book is not only written - after it's finished it starts writing you, the writer. You become its notebook, its sheet of paper on which it forces you to think and rethink your original ideas, your topics, your research, actually everything.
The advice would be the same for any kind of fiction. Keep writing, and keep sending things out, not to friends and relatives, but to people who have the power to buy. A lot of additional, useful tips could be added, but this is fundamental.
In the tale, in the telling, we are all one blood. Take the tale in your teeth, then, and bite till the blood runs, hoping it's not poison; and we will all come to the end together, and even to the beginning: living, as we do, in the middle.
I'm not a tech fan. I don't get that charge that comes from having the new little gizmo in your pocket. Maybe I'm a dinosaur. There's nothing battery-operated that will help me write songs any differently from the way I've done it for years.
But the sensibility of the writer, whether fiction or poetry, comes from paying attention. I tell my students that writing doesn't begin when you sit down to write. It's a way of being in the world, and the essence of it is paying attention.
It's suggested that enlightenment has some tremendous compassion, some driving necessity to help humanity. I don't think that's the case at all. I think humanity wishes it were the case since it's humanity that writes the various scriptures.
Man at last knows that he is alone in the unfeeling immensity of the universe, out of which he emerged only by chance. Neither his destiny nor his duty have been written down. The kingdom above or the darkness below: it is for him to choose.
Translating Candide into tweets has really deepened my appreciation of his writing - it wouldn't work so well with nineteenth-century authors. Every single sentence in Voltaire seems to advance the story, and yet stand alone as a sound-bite.
I only performed a song so I could not write an essay. I just enjoyed being around bands, and around musicians, and, I didn't want to be the girl who followed the band around. I love singing, I love performing, but it's never been this goal.
[Writing is] largely a matter of application and hard work, or writing and rewriting endlessly until you are satisfied that you have said what you want to say as clearly and simply as possible. For me that usually means many, many revisions.
Every man feels that his experience is unlike that of anybody else and therefore he should write it down-- he finds also that everybody else has thought and felt on some points precisely as he has done, and therefore he should write it down.
Whether you've done anything wrong or not people will write whatever they want, so it's just a matter of not reading it, not buying into it, and hopefully the people that do read it realise that it's just fictional stories for entertainment.
Very conscious of the fact that an effort was being made to destroy my mind, because I was deprived of books, deprived of any means of writing, deprived of human companionship. You never know how much you need it until you're deprived of it.
Any time, every time, you can damn the Prime Minister and so long as it is not a lie and a criminal lie, nothing happens to you. You can say a lot of things. You can write books about him, damning him. So long as it is not a libel, go ahead.
If a context and a goal is defined I could say if it's good or bad. But overall I don't view things as good or bad. So I'm like a robot or computer in that sense. So maybe that's why people don't think they know me when they read my writing.
Success is just hanging out with my kids. I mean, I always say if you have options, you're rich. To me, success is the fact that hey, I just did a movie and maybe I'll do some stand up, maybe I'll will write a book or maybe I will do a play.
People I admire have two qualities: a kind of simplicity, and generosity of spirit. It seems to me that the more impressive people are in what they have done, the simpler they tend to be in how they talk to you, or in what they say or write.
I can fairly be called an amateur because I do what I do, in the original sense of the word - for love, because I love it. On the other hand, I think that those of us who make our living writing history can also be called true professionals.
The writer must be in it; he can't be to one side of it, ever. He has to be endangered by it. His own attitudes have to be tested in it. The best work that anybody ever writes is the work that is on the verge of embarrassing himself, always.
I think God calls us to small things, to faithfulness right where we are, to just do the next thing. I was simply writing out our family stories in my online journal, scratching out what I want to remember, what I was wrestling out with God.
We trusted the writers and showrunners [in Westworlds] so much because they're so brilliant and the writing's so incredible. It really was like playing Marco Polo, where you just kind of followed their voice and they would lead you to water.
As long as no more than a small minority are capable of reading and writing, universal alphabetization seems like a messianic project. Only once everyone has this ability does one notice the catastrophe that almost no one can do it properly.
To attempt to write seriously is always, I feel, to fail - the disjunction between my beautifully sonorous, accurate and painfully affecting mental content, and the leaden, halting sentences on the page always seems a dreadful falling short.
Groupon as a company - it's built into the business model - is about surprise. A new deal that surprises you every day. We've carried that over to our brand, in the writing and the marketing that we do, and in the internal corporate culture.
I got to draw monsters, robots and write funny stories. I loved doing that stuff and working with the actors. But it got to be less and less that stuff and more about trying to be everywhere and not being able to do one thing very enjoyably.
I write at a standing desk, which has helped me be much more productive and solved some back problems, but mostly all my quirky habits have to do with procrastination and avoidance rather than with work. I'm slowly trying to stamp those out.
The extraordinarily facile and in literary terms long lived works tend to be about ordinary people. Even Sappho writes about the utterly insignificant . What art can do is make the extraordinary more ordinary and ordinary more extraordinary.
I knew my destiny from a young age. Something happened when I was very young and I didn't know what it meant. And slowly but surely I know this is only getting better. Writing I love. The acting will carry on as long as I can remember lines.
Literature was not born the day when a boy crying "wolf, wolf" came running out of the Neanderthal valley with a big gray wolf at his heels; literature was born on the day when a boy came crying "wolf, wolf" and there was no wolf behind him.
I think even the characters that are fundamentally evil and wrong, I want people to really love them. I think that's important to writing believable characters. They don't have to be likable but they have to be loved, at least by the author.
So the real drama for me is balancing live performances and writing, and one of the ways I balance it is I write in hotel rooms. That's not exactly balancing. Actually, writing in hotel rooms means that I'm refusing to deal with the problem.
There is still the feeling that women's writing is a lesser class of writing, that what goes on in the nursery or the bedroom is not as important as what goes on in the battlefield, that what women know about is a less category of knowledge.
I would rather do a good hours work weeding than write two pages of my best; nothing is so interesting as weeding. I went crazy over the outdoor work, and at last had to confine myself to the house, or literature must have gone by the board.
Finally, if you want to write, you have to just shut up, pick up a pen, and do it. I'm sorry there are no true excuses. This is our life. Step forward. Maybe it's only for ten minutes. That's okay. To write feels better than all the excuses.
When I started writing, I didn't have the common sense to use a pseudonym, so I write under my own name. If I did have a pen name, though, it would be something very historical - something that sounds very sort of Regency... Sophia something.
I think it's time to have a celebration of life and renew our vows. And this time we're going to write the vows because they're going to mean a lot more. We certainly put the 'in sickness and in health' vow to the test the last year and half.
All the stories I would like to write persecute me. When I am in my chamber, it seems as if they are all around me, like little devils, and while one tugs at my ear, another tweaks my nose, and each says to me, 'Sir, write me, I am beautiful.
When I write, I use an Underwood #5 made in 1920. Someone gave me an electric typewriter, but there's no use pretending you can use machinery that thinks faster than you do. An electric typewriter is ready to go before I have anything to say.