I love doing 'The Price is Right.' It's so much fun. I love meeting everybody and giving out prizes, especially when it's not my money. It's really a happy place, and everybody is all jazzed up.

If we could sell 100,000 units every album, that would rock. We'd have a big cult following, we'd have a built-in fanbase so we could pretty much play anywhere, people would show up and rock out

That's a traditional Samoan dance. I was lucky that I was able to fly my cousins, who are professional dancers, up from Hawaii and they were able to be in the movie with me. We had a great time.

When Bush first got elected, the very first time there was talk of going to war with Iraq, the mainstream media gave his position total credibility. I didn't get it then, and I don't get it now.

Don't be afraid of fear. Because it sharpens you, it challenges you, it makes you stronger; and when you run away from fear, you also run away from the opportunity to be your best possible self.

I consciously decided not to be a 'London' actor. Those gangster movies made a lot of East End actors think they were movie stars. And I was very aware that they were going to go out of fashion.

We must come to terms with our responsibility to be the gatekeepers to end childhood hunger. Our love for life can propel us to share and provide a secure future for the children of our country.

I don't think you should sit around and wait for people to give you an opportunity to express yourself or do your work, or whatever. Actors have to be producers and writers have to be producers.

The first time I had sat down to a meal I had grown on my own, along with a bottle of wine that we had made, I burst into tears. To be in touch and be in tune with that is an extraordinary gift.

We don't think about pilgrimage in this country. We don't think about meditation. The idea of taking a six-week walk is totally foreign to most Americans. But it's probably exactly what we need.

Particularly in television, we can stereotype ourselves. You realize that we all have a lot of voices in our head. We have angry voices, we have voices of doubt, and we have moments of strength.

If you know people who are suicidal, or if you know people who are bipolar, depressed, have panic attack disorder, just be there for them. They're going through something that's very, very hard.

My grandfather taught me generosity. He sold snow cones in Harlem. I went with him at 5 and he let me hand out the change and snow cones. I learned a lot in the couple of years that we did that.

Well that's the point: People don't normally take away things from films anymore. You go and see a $100 million film, half an hour later, your biggest concern is what are you going to be eating.

Someone, I don't know who- it might have even been me- said, Any man at the age of twenty-five who is not a Communist has no heart: any man who is still is at the age of thirty-five has no head.

A lot of American actors when they do Shakespeare put on a phoney English accent and it drives me crazy. You're always fighting against the idea that only the British know how to do Shakespeare.

I started acting, when I was 15, in commercials and guest roles. I was definitely a working actor, so I was thankful for that. But I never had to work at a store, although I would have liked to.

There is one confrontation scene toward the end of the picture. In the middle of the scene, I thought, That's Sean Connery! I don't know how else to describe Sean Connery. I still feel that way.

I want to keep pushing my boundaries. One of the biggest things I learned from 'Unbroken' is that you can go a lot further than you think you can. We often underestimate our actual capabilities.

I actually started in comedy, but then after 'Deadwood' I started concentrating on the dramas more. But then I just got tired for raping and killing and figured, 'It's time to do another comedy.

It's a hard job. It means giving up some things, but on the other hand they keep saying you can have it all. You can't really have it all so easy. You can do a little of this and little of that.

I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.

I'm not so funny. Gilda was funny. I'm funny on camera sometimes. In life, once in a while. Once in a while. But she was funny. She spent more time worrying about being liked than anything else.

I know what my limitations are as an actor, but my strength is putting myself into a well-written part. When I get in trouble is when I have to fix it, or when I have to carry it on personality.

I was born into Sudan's civil war, and before I could read or write, I was using an AK47 in the conflict between the Muslim north and Animist/Christian south over the land and natural resources.

I was amazed and upset by the looks I got just walking around the studio... It illuminates the ugliness and the beauty that exists within each of us, and that's what this story represents to me.

I see a lot of actors for whom life becomes one big schedule. I guess I try to be more sensitive to my private life - to take a breath of fresh air and be in the countryside or on a golf course.

Ever since I was a child, I have loved being the centre of attention, but similarly, I can't remember a time in my life that I haven't battled with all sorts of quandaries, fears and weaknesses.

When I listen to my scene partners and listen to their breathing allows me to be connected to them in scenes. I am not trying to multi task, not trying to talk on the phone, but in my character.

My mother told me I was begging her to be an actor when I was four. My father and my grandfather saw at least one or two movies a week; they were film buffs, so I guess it just rubbed off on me.

What's sad is that there is an addictive quality to that, to believing your own hype; to allowing yourself to become validated by others and no longer by yourself. That's the danger of celebrity

My childhood dream was always to be on Broadway. I wanted to end up in TV and film. It's kind of flipped, and I'm not mad about it, but my childhood dream is Broadway and I want to end up there.

I went to school in the Bronx. I learned to constantly try to cover up the fact that I was gay. That facade of being somebody I'm really not just to protect myself definitely helped with acting.

Before I went to New Orleans, I was a little scared of New Orleans. I don't know why. I had only been there a few times. Something about it made me feel nervous, knowing a bit about the history.

If people offer me decent roles in good films, of course I'll take it. But I just didn't like the actor lifestyle. You end up focusing all your energy on trying to get parts you don't even want.

I realized that my righteous indignation was a form of entertainment for me. I loved getting pissed off at injustice. I didn't do anything about it, I just liked the feeling of being pissed off.

New Brown America represents a whole generation of kids that are descendants of either immigrants or immigrants themselves, that are coming to America, enriching what it means to be an American.

I know there are a lot of people who like to get very involved in their characters, but I, personally, find it too involved. I just like to do it as a job - and it's my job to make it look real.

For Sunday breakfast, I make orange and ricotta pancakes, crepes and eggs. You know men, we usually go for breakfast because it's the easiest thing to cook and then we try to make it seem fancy.

In all honesty, I have a few irons in the fire in the TV world, but mostly, I'm working on having the most amazing life I can possibly have, and hopefully my career will come along for the ride.

I'm from the disco era where everybody thought they were John Travolta... What song is going to get me on the dance floor? Anything from 'Saturday Night Fever,' and you're up there like a demon.

I'm never running for office. I love being able to speak to members of Congress or members of the Senate and floating on either side, because it takes all of us. It's going to take both of them.

Nobody likes a celebrity DJ for the sake of style, so I don't do that - I try to be good at what I do. It's all about resetting, it's my escape. It is work, it's a job, but I just love doing it.

I want to go to Sierra Leone with something - whether it's some sort of contribution to healthcare, or to the entertainment industry. My cousin is a nurse; we are talking about opening a clinic.

Mel Gibson is losing it. I don't know how people still supporting this dude's movies like it's all good. That dude is nuts. All you gotta do is shut him down and don't support any of his movies.

I grew up watching Grease, and Grease 2. I fantasized about walking through school halls and busting out in a song. At that time, I was too much of a chicken to do so. Id love the challenge now.

Sometimes a bit of distance can be very healthy. You can go away by yourself on a trip and come back very glad to be with your partner because you've cleared your head out of all the negativity.

I thought of myself as part of the general filmmaking effort. And as my scope broadened, I began to think about directing. I wanted to be the guy who got to say whether the dress is red or blue.

So I'm in that half-hour business where the most money is, so that eventually I feel like the people that put on the Dupont show, like maybe my artistic effort is going to be a little different.

We were talking about the kissing in the movie just recently. Clearly, it's pretty challenging material, but Ang said two men herding sheep was far more sexual than two men having sex on screen.

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