Quotes of All Topics . Occasions . Authors
One of the real worries I had before the first season of 'Treme' aired was that, man, people in New Orleans really hold movie and television shows up to a high standard in how they depict the city.
My encounters with racism are sort of second-hand situations where I might be standing around with a group of white friends and someone makes a comment that they wouldn't make at my family reunion.
When I've had my periods of unemployment, I'll get these e-mails from my father: 'I've read that the LAPD has a reservist program. Perhaps that's something you'd be interested in taking a look at.'
I was trying so hard. I would memorize the entire script, then I'd be lipping everybody's lines while they were talking. When I watch those episodes, it's disgusting. My performances were horrible.
I think slavery was an awful, awful period in our history, but when I look at what's become of black culture since emancipation, I think you have to admit, maybe the Confederacy was on to something
I remember standing outside of the dorm by the little terrace. I was going to do this job that I wasn't 100 percent certain of, which ended up being much more fun than I expected [in So Notorious].
I want to be working with directors who are at the top of their game. I want to be raising the bar for myself, and to me, the best way to do that is to prove to them that I'm the best for this job.
I rode a shark once. I wouldn't recommend it. It was fun, but I thought I was going to get eaten the entire time! Nothing against sharks. I love sharks. I just don't think we are meant to ride them.
Sure, I like to win when I play basketball or board games or video games, but my day isnt ruined if I lose. Im always up for a rematch. In all seriousness, thats something thats nice about maturing.
Something I learned in the Marine Corps that I've applied to acting is, one, taking direction, and then working with a group of people to accomplish a mission and knowing your role within that team.
In the military, you learn the essence of people. You see so many examples of self-sacrifice and moral courage. In the rest of life, you don't get that many opportunities to be sure of your friends.
What is a struggle is that acting isn't a place where you go to work and you do that thing. There aren't set boundaries, like an office, where you go and work. For me, the work is always on my mind.
My favorite thing to do is to wind those guys up by hitting on their girlfriends. I say, 'I think your girlfriend's gorgeous, but it's all right, I'm gay.' They get very nervous after a few minutes!
I think the least stereotypical gay character on television is probably Matt LeBlanc on Episodes. He just plays it so straight-faced. They never talk about the fact that he's such a huge gay person.
I got to see Jack White. I love his new album. There's a song on the album called 'I Think I Should Go to Sleep' that my son loves. We play it on a loop around the house, and he just bounces around.
The only reason I got into stand-up was because my brother told me to. I had no idea what I was going to do with my life. I was 17 and my brother went to a comedy club and he said - you can do that.
What guides me is to do work that's more avant-garde - things that I think are special. You can easily become a celebrity and get caught up in all that blur. I just want to work and surprise myself.
I feel like a bit of a phony sometimes - I started acting because I didn’t know what else to do. I filled in all these university application forms and honestly didn’t want to do any of the courses.
No man or woman of the humblest sort can really be strong, gentle and good, without the world being better for it, without somebody being helped and comforted by the very existence of that goodness.
I had a role in 'DodgeBall,' where I played a pirate who played dodge ball. I'd say 80 to 90 percent of my lines were 'Garrr' or 'Arghh.' And it was all about what the quality of your 'Grr-arr' was.
There's still a place for marching for instance with the Black Lives Matter movement, we've seen the importance of causing a scene, being on the streets and making your demands and your voice heard.
My standard for the women in my life is like, 'If no man can treat you better than I can treat you, they can't come.' You gotta step up to the plate. With respect, with acknowledgment, with support.
As far as my contribution to this industry, I want to be like Dean Devlin, John Rogers, and Chris Downey. I want to give people jobs and put them on great shows. I want to create careers for people.
People are always going to identify with what it's like living in society and have people judge you in certain ways, and how you can be strong enough to be your own person and all those good things.
I plead with my Moonlight fans to give this show a chance if they let me give it a chance. I can’t do Moonlight again — it’s finished. The bottom line is that my true fans will follow me where I go.
And I thought that was the best way for me to participate, because standing in the crowd and listening is a fantastic education, but it's not my nature. I need to be involved. So I did that instead.
I was prom king. Which is actually saying I was the sixth most popular, because the five who were on homecoming were automatically disqualified from prom, so of course I have to look at it that way.
It's so much nicer to be able to do your job with someone who's helping you, and you're helping them. Then, it becomes a tennis match where you're hitting the ball back and forth, and you're a team.
The nearer emotional life approaches to hysteria, to continual outward show, the less genuine it becomes. Feeling becomes equated with vehemence of expression, so that insincerity becomes permanent.
I did a play I think my first six months on the show, called Bullpen. Then I got involved with Theater Forty and did this play called Plastic which is about two male models coming to a casting call.
With voice overs... you're not thinking about the camera. So your voice becomes this thing that you can manipulate. And depending on the character you're doing, it's all concentration on your voice.
There are some directors, lesser in confidence or skill, who make the actor feel very uncomfortable because you feel you're auditioning for them, every day, and that's a terrible feeling on the set.
Most of the wrestling happens in the South, so I had to ask myself how I was going to be received as a Jewish boy named Goldberg. Then again, I have never, nor would I ever, hide my Jewish identity.
Im also performing regularly in Southern California with two bands. As a solo artist doing acoustic sets and a member of the Jenerators, my rock n roll band that has been around for a long time now.
I always feel like there are a lot of different types of favourites. There are some that I look to for interesting things, some that I look to for acting things, others that I watch again and again.
I like that message for my own children that you don't have to go with the flow, go with the crowd. That you can be your own person. You can be an individual, and that's valid, and that's important.
The greatest danger in life is not taking chances. There are so many negative people wanting to grind you down, but you can't let them. If people say you are mad, you know you're on the right track.
However, we couldn't focus on the films much during the series because we're dumb. Individually we're smart guys, but together we're one big dumb guy, and couldn't concentrate on two things at once.
I think naturally, if you're an actor, there's a high level of assertiveness that you need to have to survive this business. There's boldness in being assertive, and there's strength and confidence.
I would say I'm pretty much the exact same as the stereotypical American kid. I mean I'm really lazy, I play a lot of video games, I like girls. I like, you know, the violence and action type thing.
The reason I got into acting was not to explore myself. I was a reader, I didn't care about acting. I got into it in college, but I had no interest really in that, in getting up in front of anybody.
When I was a freshman in high school, my drama teacher, an incredible, inspirational genius, the guy who got me into acting, he encouraged me to get the lead in a musical. They didn't have any guys.
I sort of became infatuated with soldiers. I got to know some of them and got a little perturbed with Hollywood making a spectacle out of them and making them look like they have screwed up somehow.
I'm writing the book to a children's musical. I got a note from the producers saying, "Can't you make it campier?" So now, I'm trying to determine the camp sensibility of the average eight year old.
We get a successful television series or something, and next season they give you less time and less money, which is something I've never really understood. That doesn't happen with Game of Thrones.
There's no nobility with war. It's tear-'em-up destruction that leaves you frustrated, bitter and angry... If you really knew what it was like for an hour, you wouldn't want anyone to go through it.
I do not wish to lose my temper because very shortly I will lose my head. Nevertheless, upon leaving this spark of earthly existence, I have this to say: I shall see you all very soon ... very soon.
Over the years I have discovered that ideas come through an intense desire for them; continually desiring, the mind becomes a watchtower on the lookout for incidents that may excite the imagination.
The thing about film is it is a very precise form. You know if you have it and you know if you don't have it. There's not really a middle bit where you're like, "I think we kind of have that scene."
I feel that I don't have to wait around for good scripts anymore, that I can get things moving more quickly. I can ring up directors I like and say I'm keen to work with them, which is pretty great.