I can be very stubborn. I'm very opinionated and if people cross me at work - if people who don't know about the job try telling me what to do - I become very stubborn and really rather unpleasant.

It sounds very pretentious, but I don't lie. It's too uncomfortable. A lot of people think because you're an actor that makes you a good liar, but one of the things I can't articulate is a bad lie.

I think it's still hard for me to turn down work if it's really good because for so many years I was so desperate to get a job and couldn't and so it's kind of an anathema for me to turn down work.

I love the stuff that makes you laugh and cry. It kind of sucker-punches you a little bit. That's the thing that most interests me as a performer, in addition to telling the most captivating story.

I've got incredible support from my wife and family and people around me. I've got great people around me who handle anything on the outside, business-wise, who help free me up to create in my job.

The Dead was cool, It's a great horror story. I went to the casting director of this movie and talked to him, then they called my agent and had me come in and read for it and they wanted to use me.

Well, I was lucky enough to be involved in about 19 failures at an early age, so I'm realistic about the success I'm having and how quickly it can go away. What's important is to be smart about it.

I was getting my Ph.D. in Holland - I speak Dutch - for a number of years before I moved to France because I had one of those offers you couldn't turn down. They offered me to come and do my films.

I'm extremely blessed. There's a lot of people trying to exactly what I'm doing, but I'm a part of that 9.1 percent that's actually having their dream come true. I just don't take that for granted.

My mother's in my life, but at the time you imagine your mom passing away, not being there ... as a kid you try to think of something that hurts you the most ... It was just a tool [in "Hardball"].

The first season of a show's always a rollercoaster because nobody knows what they're doing. You gotta rush through the season trying to figure out: What is this show? And who are these characters?

You know, it's amazing. I don't even have a car, would you believe it? I had a motorbike and it got stolen last year. So I've got to buy another one of those, I suppose. I can treat myself to that.

I always feel very connected to Canada. My reference for everything is my Canadian background, my life in Canada. Particularly on this issue of refugee immigration: I couldn't be prouder of Canada.

Gobbledygook may indicate a failure to think clearly, a contempt for one's clients, or more probably a mixture of both. A system that can't or won't communicate is not a safe basis for a democracy.

You want to earn respect in your old age. You want to walk into a restaurant and have people say: 'There's Mickey Rourke. He was great in 'The Wrestler.' You don't want them jumping out of windows.

When you work for other people you'll find ... that they do know what's best for them, and for the company. And you should listen to them and be respectful, but they don't know what's best for you.

I try to keep my mind active. I'm a solitaire and puzzle addict. I exercise religiously. I don't do many things religiously and I've taken up golf to have something to do when I have nothing to do.

I've got a full plate, yes I do. That iPod, that's nice. A phone recorder? Nicely done. All right I'm a bit of a tech geek. I have a subscription to Popular Science and I keep up on all this stuff.

It's much easier to put yourself out there under the guise of a character. You get a different name, different habits, different words. When I have to just be Nathan, that's when I feel vulnerable.

By the time I was 14, I was about six foot. I remember going into auditions, and they'd look at how tall I was and say, 'Well, you're taller than the lead actor, so there's no way we can cast you.'

The only person I've worked with on my album was Kanye. And between the stuff that I've done and the stuff that he's assisted on and produced for me for this album, I don't even need anything else.

Someone once pulled me aside and said it was all right to succeed, and I realised that I knew what failure felt like, but I didn't know what success felt like. I've carried that with me ever since.

Music was not a big deal to me when I was in middle school. And then I slowly became a big jazz fan. Even more than concerts, a lot of my high school time was spent going to jazz clubs in the city.

I don't get nominated, and I have to say, I've probably gotten the greatest mass of press in my life through not getting nominated. It's definitely been a winning situation as far as I'm concerned.

Well, it was very interesting to play a character and stretch it over such a long time - 12 episodes. I had never done a TV show before, so week to week it was unclear what we would be asked to do.

I like to work with young people, because young people haven’t had their dreams kicked out of them yet. Full of confidence, and imagination, and vision, and when they score that all gets empowered.

Horrible things happen all our lives; we all experience loss and death and trauma. Usually, most people, I think, we just get on with it. We don't have a whole soliloquy in the middle of something.

The technical aspects of doing motion capture and actually, you know, capturing the motion, is very different. It's an interesting learning curve to be part of because you have so much gear on you.

Meeting Helen Mirren was a fabulous experience. I had played it out in my mind, how I should greet her when we would be introduced. But the way we met was funny because I just didn't recognise her!

I'll never know what my life would have been like if they hadn't made Lawrence of Arabia. What would I be? I would maybe have 10 children, a very fat wife. I would be very fat myself. I don't know.

I missed my home - like the physicality of my home, I missed my friends and my family mostly and just hanging out and being in your home country - culturally it feels right and that is what I miss.

Hollywood is Hollywood. There’s nothing you can say about it that isn’t true, good or bad. And if you get into it, you have no right to be bitter — you’re the one who sat down, and joined the game.

A lot of very successful businessmen share some of these sociopathic traits - a lack of empathy, seeing people as commodities, projecting an air of sincerity when everything is actually calculated.

Australian cattle dogs, are not like Labradors, where they just like to just sit around by the fire and get petted. They're working dogs, so they have a lot of energy, and they can drive you crazy.

You don't make a fortune doing cartoons. It's a lot of fun, it keeps you busy, and it's better than a kick in the pants, absolutely. But doing voiceover work doesn't make you rich. It just doesn't.

It was always acting for me, since I was about 15. My middle brother always wanted to be a news anchor, so we always felt that he'd be the one to take over for dad, so we could go and do our thing.

To me, some of the funniest movies would be probably categorized in the dramatic genre, and likewise, some of the most dramatic films, or films that have the most dramatic moments, are in comedies.

People are concerned over safety and spillage, especially for the workers. Were all really hopeful even though we remain deeply concerned over the safety and the efficacy of an unproven technology.

You might make a lot of money, but it's very hard to get out from under that rug. The more you can reinvent yourself, the better - and unfortunately TV is designed not to let you redesign yourself.

Well, in Twilight, I started out dying my hair blonde. And then, as the movie progressed, I wore wigs. The wigs went through a transformation. In Breaking Dawn, it's a little longer. That's my arc.

I had two ambitions: One was to be in The Actors Studio, and the other was to walk into a bar where actors hung out, and everyone would know that I was a professional actor and I would be accepted.

I couldn't stop to be upset or depressed about anything when I was at Tiger Stadium with Billy Crystal shooting for three weeks. I was going to enjoy every second - even though apparently I didn't.

There is a tension in relationships between wanting to return to the womb, but also wanting to be free. Because sometimes the woman's attentions can be overly maternal, and you want to go, 'Ahhhh!'

I think both Georges St-Pierre and Anderson Silva are establishing legacies just by how long they've maintained their championship runs. I think both of them still have a lot left in their careers.

When you watch it, you're like, Wow. I look like that. But it doesn't feel like that at all. It was about communicating with Gale Harold and getting across what I wanted to say about the character.

But I would like to think that it's the actor that makes the difference in these cases. Not the director, not the guy that wrote the book, not the guy that adapted it for the screen, but the actor.

My father thought Gandhi was a great man. I suppose subconsciously, consciously even, I was aware that I wanted to please him and Ma, so I thought doing something like 'Gandhi' would be phenomenal.

We, all of us, are awakening to the reality that how men have behaved toward women for eons is not OK. The rules are changing invisibly underneath our feet. I am playing catch up. Maybe we all are.

I've always turned down stuff where you had to be fat. I may be fat, but that's not why you play a role. If the guy has to be that way, I say get somebody else because I'm not doing any fat acting.

The real, raw, driven-to-tears type scenes have always scared me since I was very young working as an actor. And to this very day, I get tremendously neurotic making sure nothing is forced or fake.

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