Quotes of All Topics . Occasions . Authors
That's the best thing about being an actor. If you're in a baseball movie, you walk away knowing way more about baseball, or if you're in a sci-fi film, you learn way more about Comic-Con, and so I loved all that.
People take years learning how to act; it's a skill, not just a job. If I tried it out and thought I'd be OK, then perhaps I'd go for it, but it's not the kind of thing you can get into just because of your looks.
I'm comfortable in any situation. I don't have fears about a lot of things. It's not a survival thing, but on a farm, you always look after yourself. You're very independent, but you're still very family-oriented.
I tell people, if you're thinking about suicide, all that stuff I've attempted and thought about it. If you think about it, life gets better. The key to life when it gets tough is to keep moving. Just keep moving.
Partly because the town is just finicky, there are strange Catch 22 clauses in the consciousness of this community and one of them was that you, I found out, you can't do a comedy unless you've just done a comedy.
Toronto Film Festival is one of those festivals where there are 400 movies, and unless you have a distributor who is super confident and puts a lot of money into it, sometimes movies can go unwatched or unnoticed.
I never fancied myself having a prejudice towards people with tattoos. I personally don't have any and I don't think that I do, but I do see that people treat me differently with tattoos. People get out of my way.
When I was born in 1970 with a rare genetic disorder called spondyloepiphyseal dysplasia congenita (SED), medical science wasn't what it is today and my mum and dad were treated terribly by the medical profession.
I probably suffered from ADHD, but they weren't so quick to diagnose it back then. For PE, they'd drop you in the woods with a compass and a pack of matches. It gave you confidence that you could rely on yourself.
I hate going into the audition room. I find it the most nerve-wracking, inhumane experience, and I think it's such an inhospitable environment to give an honest account of the character and, I guess, your ability.
I was born because it was a habit in those days, people didn't know anything else ... I was not a Child Prodigy, because a Child Prodigy is a child who knows as much when it is a child as it does when it grows up.
Andrew Jackson was the first one to think up the idea to promise everybody that if they will vote for you, you will give them an office when you get it, and the more times they vote for you, the bigger the office.
I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
To say I live a cursed life is an understatement. I have to get up every day and work with people who are not as successful as me nor will they ever be as successful as me. Nobody knows the struggles I go through.
V-necks are great because you can get a little fat and you still look kind of good - and I like to get fat sometimes, so it's nice. I like to fluctuate between the world of skinny and fat, so V-necks suit me well.
As artists, when you have people that care about what you do, I think you should care about those people who care about what you do, and give them really cool interactive experiences to make them feel appreciated.
That's the great thing about university: you've got people around you who are taking a risk and trying things out themselves. It gives you the confidence to try and take it to the next step, which was drama school.
It's a different thing to just be a voice. It's liberating, on one hand, because you get to show up in sweatpants and with Doritos on your fingers, but on the other hand, it's limiting because it's just your voice.
My favorite thing about making movies is that it's the only area of human life that I've ever discovered where I can walk away from somebody in the middle of a conversation with somebody and they won't be offended.
I was doing a late-night round as a milkman in 1978 when I heard a radio DJ announce that he was leaving. I marched straight to the radio station and told them I could do better. For some reason, they gave me a go.
The two things I hear wherever I go, literally walking down the street, through airports, or in restaurants - it is either 'You raised me,' or 'Fellow Canadian.' Not even a paraphrase - those are the exact remarks.
An era that I specifically like is sort of late 50's, early 60's. I guess mid 50's too. I like these types of films that deal with post WWII America and this more complex leading man that kind of emerges from that.
It's funny: the reason I did 'Beautiful Creatures' was the same reason I did everything else - even though it was a genre film and existed at a more studio level, the script and the characters were so well written.
Like I said about Freaked, people tend to find these films, and I think that in the end the cool thing about a movie is that it can be sort of burnt temporarily, but then it's burnt into the fabric of your culture.
Life is crazy. You travel and you're busy and there's so much going on that it's important to have the moments where you can breathe and you can just be present with the person or the people that you're there with.
For me the march was a labor - a labor of love - but I was busy handing out flyers for the National Association of Black Social Workers, so I really wasn't standing in the crowd listening and observing. I was busy.
Since she got a cause and stopped being funny. I think she's real funny, but lately it's all been hearts and flowers and tears and saving teenagers and creating a role model. And that ain't funny. No giggles there.
I'm just an actor. It's the way the script is written, and it's easy. I don't have think about it. When you receive the script, you know pretty well how to play it, apart from little technicalities like the accent.
There's a lot of romance to sort of living by your own rules and sort of not subscribing to what society tells you to do, but society pushes back pretty strongly, so there's a lot of compromise that goes with that.
I got a good-enough adolescence. I mean, there's a sense wherein you skip a part of childhood, too, when you start working at that age I did; I was out working and out of home at 15, paying my own way in the world.
If you want to fight the evil you see in finance and industry, get to work reading the corporate filings, see if there has been fraud, and where you find it, report it to the SEC or write about it or blog about it.
I've always felt that acting is acting at the end of the day, so whether you're doing comedy or heavy drama or anything else in between, you always have to bring a semblance of honesty to it. It's all make believe.
From the age of four, I was a huge comic fan and still am. When Lost in Space came along it was like being in a huge comic so we jumped at the chance of being part of that project and it proved to be a good choice.
I loved 'Saturday Night Fever' when I was a kid. I couldn't believe people talked that way. It was just a whole new culture I didn't understand. I snuck into it. It was an R-rated film. So it holds a special place.
I guess I just don't see America as separate from Vietnam or Ethiopia. This mentality of 'our team's better than yours' - it's a high school idea. My kids don't see those dividing lines, and I don't want to either.
That's definitely a part of who Superman is and definitely who Clark on the farm is. It translates to how calm he is. I feel like I'm pretty calm most of the time and relaxed, which gives presence to the character.
The actor that taught me the most was Bernie Mac. I did my first big budget studio film with he and Angela Bassett, 'Mr. 3000' for Disney. Bernie taught me by example what creates success is humility and hard work.
Grew up in a small town where there was only one crazy guy. He didn't even go insane doing anything good, like going to 'Nam or having an extended acid trip. Turns out - legend has it - he just had some bad cheese.
I was always a visual person. I could see things visually. I had a harder time with numbers and logic, and I always had more of an artistic sensibility. So that I could do. And it was something that I really loved.
I've always thought that if Israel really wanted to solve the problem, they'd just start tomorrow and push right to the Jordan River, and anything in their way goes. They don't need America or someone else to help.
I had known Hal [Needham] for a while by the time he moved in, so I was sure we'd get along well, and we did. He'd go off and do his gigs and I would do mine, and when we were lucky we got to work on the same ones.
What is acceptable in our culture, I think, is really detrimental. I think we ought to have a little more ownership over the kind of material and the content that we put in front of people, especially young people.
You might have one thing in your head, but the things you're doing don't really lead down the right road, necessarily. When you're young, you don't want to hear that. You think you can do everything, be all things.
I watch these actors who when you go to buy a pint of milk you see them smiling on the cover of 20 magazines. Then when you see them in a film it's hard to believe the character because you just see them everywhere
In terms of pure physical effort, today was probably as hard as I've worked in any part. I spent the morning rowing, including the change of speeds Arrius [the Roman commander] test Judah with. A real bone-breaker.
It's a weird thing when you spend your life trying to find these great scripts and great parts. You are reading scripts, you are traveling the world, you are hassling your agent. You are trying to find that script.
My worst hairstyle was a bowl cut parted down the middle. It was the '90s. It was what you did. I had that from 4th grade until freshman year in high school. I'm glad the pictures exist. I had great hair back then.
Law and Order' is completely story-driven and completely characterless, really. If you do that format for five years and you're an actor, you're bound to get bored. It wears on you. And it was really wearing on me.
I'd always been the confident guy in school. I was good in math and English, but I was still shy. I couldn't get up and speak in front of people. I was asked to do it when I was 10 years old and I burst out crying.
I'm told I was acting in school plays when I was a tiny little boy at the age of three, so they must have seen something then. And even when I was practicing piano eight hours a day, I was still doing school plays.