Quotes of All Topics . Occasions . Authors
I'm never certain of a performance - my own or the other actors' - or the script or anything... But to me it seems there's only one place in the world the camera can be, and the decision usually comes immediately.
Why would I, in a million years, want to do anything even remotely having to do with child molestation on a children's show? See, I take having a kids' show real seriously. I think it's an enormous responsibility.
I've always been one foot in, one foot out of this game because I'm not comfortable with being on the pedestal or the poster. That's just not who I am. I'm more like the grunt. I want to be the guy behind the guy.
Writing is getting killed by too many chefs. Back in the Bogart days, it started with great scripts. You had a writer, and he wrote a script, and that was your movie. I think that's been watered down a bit lately.
I'm makin' a lotta dough, everyone knows who you are, and who the hell cares whether you're typecast or not? Also, there's something wrong with complaining about being typecast in something you really enjoy doing.
The fact in acting, you can tap into your darkest moments in life to your lightest moments. And people will watch it, and appreciate it, and even engage with you because of that. That's the greatest job one Earth.
I was on the set of 'Braveheart' and my mate says to me, 'Do you think this film will be any good?' And I really meant this, too, I told him 'Let me put it this way - It won't win any awards.' Cut to: five Oscars.
Children change you. You have this overwhelming feeling of responsibility, of love - they're everything. They're yours. You know when you're cuddling them, cradling them, and you can smell their hair. I love that.
Every job, once you get there and start doing it, you approach it the same way. And it does become a serious thing, because it's not easy to do, even something silly. You still have to be professional and perform.
I had so many local shows before I came back to New York, which is the ideal place to do a national syndicated show. Then I spent five years trying to convince people to give me a shot in the syndication business.
When I grew up, one of comedy idols was Rowan Atkinson, who of course is Mr. Bean and uses physical comedy. Same with Jim Carrey. Both of those guys. And Peter Sellers. Most of my comedy idols are physical comics.
If you grow up on the good side of the tracks, you're going to belong to something over there. If you grow up on the bad side of the tracks, you're going to belong to something over there. It's not rocket science.
There are fans of some of the old movies that'll mention those, and there's people that have little kids that'll look at me and say, 'Wow, I just watched 'Honey, I Shrunk the Kids' 35,000 times, and here you are!'
This is the Bond of the new millennium. Everything is updated, from the action sequences to the interaction between the characters. All the elements reflect changes that have occurred in the world in recent years.
I have two brothers, and we used to always laugh at oblivious people. People who are so cocky and full of themselves that they just don't realize how stupid they are. And those kind of idiots really make me laugh.
I grew up watching 'Power Rangers,' 'Ninja Turtles', 'Batman.' You name it, I was a huge fan. And that's what I used to play with my friends. We would have the masks and the swords and pretend we had super powers.
Mediocrity is my biggest fear. I'm not afraid of total failure because I don't think that will happen. I'm not afraid of success because that beats the hell out of failure. It's being in the middle that scares me.
I grew up with a lot of people whose whole prime mover was dad rage. I never really had it - it always seemed so empty. It always seemed to be masking something else, which was really their own lack of initiative.
I don't even know if Stephenie Meyer could tell you why she was so fixated on this very, very contained story [The Twilight] with obsessive characters. It's just an anomaly. That's a terrible answer. I don't know.
Usually I like to improvise. Sometimes, depending on the nature of the piece, I like to improvise because I think it brings a certain freshness and a reality to it, as long as it doesn't go too far out of the box.
Burnout comes easy in the high-pressure world of television, and when the opportunity arose to move to Las Vegas and bring my friends and star chefs to open their restaurants at the Venetian, I made the move here.
I think 'director' is a very broad term. I like to think of myself as the head collaborator, not the director, because I think, for a lot of people, 'director' connotes giving orders and telling people what to do.
In terms of the character itself, I can't really say that I find anything really difficult. I enjoy the character so much I don't perceive difficulty in trying to be him. It's just a matter of how do we get there.
Drag threatens people because it exposes and mocks identity. Because most people believe that they are what it says they are on their driver's license. But the truth is we are all born naked, and the rest is drag.
The secret of success in every field is redefining what success means to you. It can't be your parent's definition, the media's definition, or your neighbor's definition. Otherwise, success will never satisfy you.
To be a soldier one needs that special gene, that extra something, that enables a person to jump into one on one combat, something, after all, that is unimaginable to most of us, as we are simply not brave enough.
I remember Julianne Moore talking about acting and she said, "I'm just looking for truth. When people watch, they're not looking to see me. They're looking to see themselves." That's one of my new favorite sayings
Like the Elizabeth I play, Queen Elizabeth is a monarch who actually moves with the times. She gets new information, assimilates it, and changes in order the fit in with the way the world is moving. I admire that.
I think there's just some fundamental decisions at the beginning that are going to make it different. Our show The Right Now Show is going to be specifically different than Mr. Show because of the talent involved.
Sports is so hard for me to wrap my head around. I never played any sports, I don't watch any sports, I hardly know the rules to any sporting event. Really, I'm borderline mentally damaged when it comes to sports.
There's more of a family connection when you're working on a TV show. That's not to say that you don't make great connections when you're working on films, but it's different unless you're there working every day.
It's easier to play a dim character, for me, because I have a natural bent for comedy. It's not intrinsic for me to be crafty, so I would have to go outside for a source of origin. I think of myself as pretty dim.
We always spend the summer together. My wife and kids, we always go back to Massachusetts and spend the summer there near where my wife and I both grew up. I wasn't willing to sacrifice the summer to go elsewhere.
You really don't want to go to court and have the judge decide based on whether or not they're your friend, because you don't want to be thinking that the (judge's) friend is on the other side (of the court case).
I made some truly awful movies. 'Stop! Or My Mom Will Shoot' was the worst. If you ever want someone to confess to murder just make him or her sit through that film. They will confess to anything after 15 minutes.
I guess winning an Oscar is the ultimate dream. A lot of amazing actors go their whole career without even being nominated. So that would definitely be a goal to reach. It's a difficult one, but I'm aiming for it!
At the time, my 6-year-old kept thinking my character's name was "Sam Alone," which is kind of brilliant. The funny came out of Sam's sad core: the alcoholic, the sex addict, the person who thinks he's God's gift.
When I was a kid out here in L.A., I was homeless, I didn't have any money and I was living in my car. I wasn't averse to going down to Santa Monica Boulevard and letting a guy buy me a sandwich. Know what I mean?
Twitter is maybe the worst thing. It's cool when you can tweet out your show and be like, 'Hey, come see my show,' or 'Check out this Kickstarter,' but it's also this weird 140-character vehicle for insidiousness.
I grew up as normally as any other kid. Between that small TV part I did at five and when I turned professional actor at 18, I stayed away from the limelight, so I was just like any typical kid who went to school.
I am well aware of my good fortune, and I only hope to diversify so I can do what I'm already doing for more people as opposed to being so large and so great that I no longer want to do the thing that got me here.
I have no illusions at all about being a sex symbol. None of my former girlfriends ever thought of me that way, and I don't have any packs of women chasing me down the street like a Brad Pitt or someone like that.
You have to understand that during the course of our show, we were a family for five hours a day, five days a week, maybe four days a week. And we experienced the same things that we experienced in our own family.
It's such a cool group of people that it [being a part of the DC Universe] feels like, for lack of a better analogy, being back on something like [Harry] Potter. We're working with a really tight, talented family.
When I was younger, I was emulating David Letterman. David Letterman would yell out of his office window with a megaphone, and the next thing I'm doing is standing on the roof of a parking garage with a megaphone.
At Christmas, individuals are apportioned their roles in the family script - you're either the funny one or the sensitive one; or you either do the cooking or the washing up. And those roles aren't easy to change.
It is so rare as an actor to be allowed the chance to revisit a role and to go back to a character that you already built, and lived inside, and understood. To take it further to another stage is a huge privilege.
I've learned by hanging out in Hollywood, where I disagree politically with most people, that most people's hearts are in the right place, and the only thing we have to argue about is the way to solve the problems
There's an undeniable tradition of sexism in this country that ties into the move westward by people of European descent and different ways of looking at Manifest Destiny on the west side of the Mississippi River.
When I was a young kid, almost every other show on television was a Western. And some of them were part of my childhood, I loved them. Like, Rifle Man, I absolutely adored. So, I think everything comes in a cycle.