Quotes of All Topics . Occasions . Authors
The only thing I think I can be accused of about paparazzi is being really naive. I didn't think about it coming along with the job and I never, during my three years at drama school, fantasized about one bit of it.
I know an actor who would play one type of part but could never get cast as tough. Once he got cast as tough, as a cop, he only got offered cop roles. It's a funny business in that regard. It's all about perception.
I remember once in high school the umpire called me out at third base when I was sure I was safe. I got so mad I took out my glass eye, handed it to him and said, 'Try this.' I got such a laugh you wouldn't believe.
It's not so much that I want to direct but that I have to. When I write something it terrifies me that if I give it to someone else and it doesn't turn out as it could have done, I'd feel as if I'd orphaned my baby.
I used to spend a lot of time alone as a kid, creating characters and doing voices in my room, and I thought to myself, I'm either going to go absolutely nuts, or I'm going to find something to put that energy into.
I think, for a love story, the most important element is the music, since you don't have action sequences or item numbers. It really draws in the audience and adds to at least 70 percent of the opening of the movie.
I had been doing summer stock every summer while I was in college. We did a showcase, like most good conservatories do - monologues and things that agents and casting directors come to see. From that I got an agent.
I am being embezzled by a monstrous ring of accountants, estate planners and lawyers who are mercilessly slandering me and trying to kill my career and, I believe, murder me in order to gain control of my royalties.
When you're a co-host, you've got to consider what the other person is saying and take the next step and get the laugh or get to the end of the story. You've got to make it happen and then move on to the next story.
At my age the only problem is with remembering names. When I call everyone darling, it has damn all to do with passionately adoring them, but I know I'm safe calling them that. Although, of course, I adore them too.
I've made more millions than I can count. But you know, it's a faerie gold - the tax people take most of it, and the rest goes to people you need to stay alive, places to live, conveyances to get from here to there.
I have five television sets. (I like to think of them as a set of five televisions.) I have two DVR boxes, three DVD players, two VHS machines and four stereos. I have nineteen remote controls, mostly in one drawer.
When the folks at Holiday Inn Express handed me a pancake with my very own face on it, I knew I had finally made it. Then, I grabbed a knife and fork, and tucked into my face. And I'm happy to report: I'm delicious.
I was kind of like chasing my tail and trying to do the right thing, and was a little bit stupid. Or irresponsible, which is the same thing I guess. It's just been really busy and I had a lot of great opportunities.
I have some friends that just stick to the same criteria over and over again not realizing there are lots of other kinds of people and that may be what you like. People get in that mindset and put their blinders on.
He's meant to be that classic Homer, Ulysses, Hercules - a character who goes out or has some gift of some kind. He goes on a journey of discovery and part of that is falling into darkness - the temptations of life.
I grew up in Tuscany in a very poor family. My father was a farmer and my mother was a farmer, but, my childhood was very good. I am very grateful for my childhood, because it was full of gladness and good humanity.
And some people say Jesus wasn't Jewish. Of COURSE he was Jewish! 30 years old, single, lives with his parents, come on! He works in his father's business, his mom thought he was God's gift, he's Jewish! Give it up!
With mountain biking, it's always that constant thing, negotiating singletrack, which I like, but for a road ride that rhythm is really Buddhist. When you get a good pedal stoke, it's that thing of everything works.
I change clothes at least three times a day. It's the only way I can justify all the shopping I do. Prada to the grocery store? Yes! Gucci to the dry cleaner's? Why not? Dolce & Gabbana to the corner deli? I insist!
I started out in this business in rock and roll bands and stumbled into drag. Drag just happened to be my vehicle for my creativity. So, you know, it's afforded me the opportunity to create new shows, to make music.
When I go out, I'm always dressed up. Not in drag but always prepared to be 'on.' Just in case somebody's going to take a picture. Everyone has a Facebook page, so no matter what, I'm prepared to service the public.
I think about death a lot, like I think we all do. I don't think of suicide as an option, but as fun. It's an interesting idea that you can control how you go. It's this thing that's looming, and you can control it.
Fortunately, now I've got myself in a position where things are about story and not money. In my earlier career, it was more about getting my foot in the door and to get enough money to live, to be perfectly honest.
I think I might have been a more interesting actor, had more of a career earlier on, if I had more formal preparation. When I see something ten years later that I was in I think, 'Boy, would I love to do that over.'
I'm kind of obsessed by Everest and all those men that mountaineer and take themselves to extreme limits. Having gone back to Scotland to work on Outlander, I've been climbing a lot and getting out in the Highlands.
I couldn't really take a girl from Berlin to live in Leeds. I love it here. I miss the Yorkshire sense of humor and things like bitter and Yorkshire puddings, but I can still get my hands on salt 'n' vinegar crisps.
A lot of West Virginia is untouched. It doesn't have as many strip malls, it has these old towns that feel like it used to be how it looked. Charleston has this river that runs through it, and it's really beautiful.
It's a fine line. If you withhold too much, you come across as wooden - as I've often been described in some movies. Fair enough. I believe that the best performances are the ones that an audience has to search for.
In the film industry, we tend to pick up where others have left off, and I'd like to think the influences I picked up from Bruce Lee, Jackie Chan, Sylvester Stallone and Jean-Claude Van Damme are visible in my work.
'Behind The Candelabra' is an HBO movie. It's the Liberace story. Michael Douglass and Matt Damon. I play a small part in it. I play a choreographer who introduces, brings Matt Damon to Las Vegas for the first time.
If you love acting and you've ever experienced theater, then you know that in a movie it's almost impossible to live out that experience, unless you're a Pacino or a De Niro or somebody who gets to pick their parts.
The media already attempts to assassinate my character in Scotland when I'm there, so my position is much more effective if I'm outside Scotland and am part of the voice of what the Scottish National Party is about.
I would tell high school Shane to just start writing down everything that was happening. It was so hard to think back to all those terrible moments. They all started clustering together into one big terrible moment.
Like behind the car or in the pub, to do a scene, a proper nice dramatic scene, it's always a treat. And they're usually shot as one, so you've got a big chunk of dialogue to learn, and you feel like you're working.
It's a fun world to exist in, and I relish doing those movies as much as I do the smaller ones. They're always immense fun. I don't know if I am - unless we do a Benji film, I don't think I am an action hero really.
I'm not Shakespeare. I have no delusions of who I am, as a writer. I wrote a simply beautiful script that's a fun-filled, joyous fantasy, and I was fine with making changes for the actors that made them comfortable.
It's a very familiar type of place where people either go to their house on the lake or they get together in different places. This was a normal, relatable place that I think a lot of people have in their childhood.
Providing for the ones he loves and care about, whether it's monetarily or with sweat equity, is part of a man's DNA, and if he loves and cares for you, this man will provide for you all these things with no limits.
We have as a nation been duped by those who use our guilt about how we treated the innocent pawns in the Vietnam War game - the soldiers - into missing the point once again about the utter senselessness that is war.
When I got into professional wrestling, I started, and I starved for two years, and I finally got some breaks. And then I got the biggest break, and I made the most of it and took wresting to its highest level ever.
My aunt put my cousins into a children's modelling agency, then my mum did it with us. Me and my sister got a few TV adverts, which was good pocket money. A director saw photos of me and asked me to do a short film.
When I did 'Tokyo Drift,' a lot of the philosophy that Han lived by I have actually gone through in my own life. As I got older, I realized that I really believe in those philosophies, like the importance of family.
I was not a vampire or werewolf fan at all. I'd never even heard of the series. I auditioned for the role, and as soon as I got it, I started reading the books. I'm not a reader, but I really did get hooked on them.
'Cheers' was great. They paired me up with Shelley Long on this tiny bar set for the final audition. That was my first really big one, and we just clicked instantly - I still think I got the part because of Shelley.
People ask me, 'Are you worried you're going to be typecast as a John Locke type of guy?' I say he's the perfect guy to be typecast as! He's vulnerable and ambitious and sort of unstable. It was a good actor's role.
Somewhere the glamour has gone because of the industrialization of this whole process. I wish it [filming] felt as magical and glamorous as people want it to be, but it feels like a routine people are going through.
If I'm going to put my name to something and commit to something that's going to take up a lot of my time, it has to be something that I know is going to be enjoyable and worth my while. Otherwise, what's the point?
The thing about Lucifer is that by the end of the first season, his world is falling apart a bit. Anyone that he could call an ally or trust, he now can't, and that leaves him in a place that he's never been before.
I think all comedy has victims, really. Even if it's not a victim that appears on camera, usually there's a victim. If it's political comedy, if you're talking about the president or whoever, there's a victim there.