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I started out doing music videos and photography, and I always loved writing. Filmmaking seemed to be a good compilation of all these skills in a way that allowed me to tell a story “greater than the sum of its parts.”
I started out doing music videos and photography, and I always loved writing. Filmmaking seemed to be a good compilation of all these skills in a way that allowed me to tell a story 'greater than the sum of its parts.'
It's interesting going between small parts and then bigger roles where you carry the film. If the writing is good, and if the people involved have integrity, then you'll do it, even if it's only five minutes on screen.
I think it's good news that cable television is so, so supportive of the Louis C.K.s, the Lena Dunhams, the Matthew Weiners, and the Vince Gilligans. There's just so many people fearlessly making their stuff, you know?
The nightmare of a film career, or at least the challenge of one, is that you're rarely going to get the opportunity to explore character because once people see you in one thing, you know, they want to see that again.
We're going to shoot one Polaroid per show. I'm going to sign this before it even develops because I know that once it develops with my signature on it, it's worth a fortune. I'll make this a work of magic warlock art.
I've often been described more than once in my life as very much like a golden retriever. Just sort of happy and excited to do whatever it is even if it's as simple as retrieving a ball and bringing it back ad nauseum.
Yeah, I think everybody has the crises of questioning themselves at some point or other in their lives. Is this where I should live? The job I should have? The girl I should be dating? Is this the friend I should have?
I believe that I'm going to have a long career, as long as I want, and I think by me going out into the world living a little bit made me... gave me more depth, so when I do go, going into movies is much easier for me.
I think real life reflects your movies. In your life, you pick stuff that influences what movie roles you wanna pick. I think if you've got an interesting life, you wanna do interesting movies about interesting things.
You get those occasional moments when you're absolutely calm, and you've just done something that would have scared you shitless earlier that day, and you've just done it like it was nothing. I find that very relaxing.
When the Second World War finished, I was 23 and already I had seen enough horror to last me a lifetime. I'd seen dreadful, dreadful things, without saying a word. Seeing horror depicted on film doesn't affect me much.
Look, I hate to sound like Pollyanna, but I literally can't wait to get to work in the morning. I've got steady jobs, I've got my health, and I'm here in the greatest city in the world. I'd be a pig not to be grateful.
Having that college-town atmosphere with a live repertory company available was a real gift. I found myself gravitating toward the theater from about the age of nine. I guess it was the environment that got me started.
I think having worked in a department store setting, if my life had not taken a drastically different turn when I became an actor, there's a very high probability I would have continued to work at the department store.
If you have the same drive and passions that everybody else has - for example, if you're trying to do the right thing for your family and do the right thing for people you employ - then you can be forgiven quite a lot.
There's a passion about this because people take it very close to their hearts and they have grown up with James Bond - and so have I. But I was being criticized before I had presented anything, so it was name calling.
I just moved into the world of Xbox Live. And I've discovered that everyone on the Internet is a lot better than me. I spent half an hour the other day designing a boxer, and I got knocked out twice in the first round.
There is always this thing of will you get too old for your part? But people are playing a lot younger than they actually are in real life. I don't think it's as big an issue as a lot of people are making it out to be.
Women's fashion is a subtle form of bondage. It's men's way of binding them. We put them in these tight, high-heeled shoes, we make them wear these tight clothes and we say they look sexy. But they're actually tied up.
Maybe our young people are not as vacuous as we would like to lead ourselves to believe - that all they're interested in is hairdos and looking at other beautiful people. Maybe they're interested in learning something.
Not every film I do is going to be like 'Selma,' but every film I do can be edifying, can be something that points toward I believe to be true. I'm not one to shy away from darkness in movies as long as there is light.
Hollywood has done some of these films, and some of them are ginormous biblical movies, but you can tell the people making these are not invested in the truth of what those stories are biblically. It shows in the work.
With the success of the last three or so years, when a lot of people start treating you differently, there's a danger that you may start to think of yourself differently. You rely on your friends to say, 'Hey, wake up!
I think Varga is a manifestation, certainly, and someone who can thrive and profit from the world's failure and has worked out the operation, whatever the operation may be, that he's about, which will remain a mystery.
I've had varying luck with comedy in the past, but I'd really like to give that another go. I don't know if I'd chase down a part, but if the right thing came along I could certainly see myself stepping into that zone.
I've had a fair amount of experience with snakes, and I find them to be pretty honest in terms of how you read their body language and emotions. They'll tell you when they're grumpy. They'll tell you when they're okay.
I'm not like Henry Fonda. He lives to act. I've just had a dedication to do the best I could. When I don't have challenges, the days get long. But I do enjoy being on stage. If I do good work, I get a kick out of that.
I think action movies bring more excitement than tears, but I always want to take it to another level. I mean I think if one appreciates anything in life to a certain degree, it could possibly bring tears to your eyes.
I gained a lot of confidence after 'IP Man' as being a true actor. I went on to tackle what it is an actor is supposed to do before a film. Do a lot of research, get into the character. That's what I did with 'Dragon.'
Libertarians are essentially what the Republicans were 30 years ago. Abraham Lincoln, Teddy Roosevelt, Richard Nixon, Ronald Reagan. They'd all fit more under the Libertarian label than the modern day Republican label.
Getting any movie made is just like trying to push a giant boulder up a mountain, and there's so many moving parts. Obviously, there's the creative side, and then there's the logistical side, and they're both colossal.
I feel like J.K. Rowling's world is one that is owned by everyone in some ways. People have grown up with it and have such a sense of that universe that there's something kind of wonderful seeing everyone get involved.
Do I know A.J. Styles and I could have an amazing match? Seth Rollins and I could tear it down and have a classic? Yeah, if it were me at 35, not me at 45. And not me at 45 not having stepped in a ring for eight years.
The con movie is a little bit different where maybe we tell you what we're going to do but it never goes down the way you expect because there's so much double-crossing and cheats and lies going on along the whole way.
We all deal with a certain amount of stress, on a day-to-day basis. I probably smoke too many cigarettes, which isn't a very good thing. I don't have any extraordinary coping mechanism. I certainly don't talk to a dog.
Growing up, my father was a financial analyst for an oil company. He was just a regular dad. And when I would say, Hey, come see my play, hed say, Sure. Hed see one, Oh, good play - you know, very typical dad reaction.
I think most actors go into the business thinking, 'I can play everything. Why can't I play a black woman? Just give me a chance.' Then you grow up and realize it's probably better that they cast an actual black woman.
Do I have to see movies and television about the English throne or the Holocaust every year? There are multiple multi-million dollar movies with the same backdrop. But our Holocaust - meaning Latino - aren't ever told.
We're fascinated by things that scare us, and one of the things that scares us is violence. Violence exists. It's a real part of our lives. We are obsessed with what we're scared of, but it certainly doesn't define us.
A lot of parents tell their children that if they want to be an actor, that's fine, but they should do something else first, so they've got something to fall back on. It doesn't work like that, as far as I'm concerned.
Marlon Brando was the major influence in my life, though I never met him. And my father - we didn't get along, but he was an influence in terms of honesty and work ethic. That's the greatest compliment I could pay him.
I was just talking about women, just in terms of understanding them as much as we can ever understand the opposite sex. I'm trying to let go of certain male approaches to things that you inherit, that you grow up with.
It seemed really easy waving your hands around, it wouldn't make any difference if you were moving it left or right, but I wanted to do it realistically. I think you can tell if someone doesn't know what they're doing.
Maybe that's partly why I'm an actor, I'm a fairly empathetic, emotional person, so I get very, very involved when it's really, really great when I'm watching - so it takes me a second to click back into reality again.
We gave each other a hug, [Richard Pryor] said how much he admired me, I said how much I admired him, and we started working the next morning, and we hit it off really well, and he taught me how to improvise on camera.
Lots of things are hard work, but I think writing, for me, after I started acting at 13 years old. I like writing now much more than I do acting only because, well, partly because the scripts that are offered are junk.
I like roles that are on the extreme ends of the spectrum, and there's special appeal in exploring these slightly forgotten plays that people might think of as subjects for academic term papers instead of live theater.
Some people are very good at being themselves and being very natural on screen or being very sexy or handsome or whatever. I like that, and I aspire towards that, but I don't know if I always make it. I work very hard.
My biggest fear is doing the same things 10 years from now. That would be a failure. It's something you have to constantly reassess, and asking yourself what you are going to do next makes it a good, long full journey.