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The thing is, when I had my first success it did coincide with the end of my first marriage, and because I went on to have a very, very unhappy two years, I don't think I equate career success with personal happiness.
I'm a complete egomaniac. It makes me feel terrible to say [being interviewed] is hard. It's taxing in a way. Just 'cause it's a lot of mental energy just to keep focused. I actually think it's harder for journalists.
I've gotten to go to a lot of places that I never would have been able to go and been able to meet a lot of people. And every now and then you'll be doing something and you're like, "I can't believe I get to do this."
My advice is for veterans to seek out mentors, people who are doing what you want to do. You have to decide what you want and have a goal. Don't worry about how you're going to do it. Just trust that you'll get there.
When you go on a movie set, there used to be one woman: script supervisor. Now they were in all capacities in addition to heading studios. So that's the biggest change of all from the early '50s, when I first started.
It's a wonderful feeling when your father becomes not a god but a man to you - when he comes down from the mountain and you see he's this man with weaknesses. And you love him as this whole being, not as a figurehead.
Too often in the past, U.S. leaders have forced Israel to pay the price for American strategic interests in the Middle East - through concessions in the peace process as well as passivity in the face of Iraqi attacks.
Monty Python crowd; half of them came from Cambridge, and half of them came from Oxford. But, there seems to be this jewel, this sort of two headed tradition of doing comedy, of doing sketches, and that kind of thing.
We still have a tradition certainly in English television; it's faded a bit in the last five years, but we still have a tradition where the important thing is the quality and the challenging nature of the programming.
I'm convinced to do improv. All you have to do is listen to what people are saying to you, and then just add more information to what they've just said. That's all there is to improv, but it's the hardest thing to do.
If you break up with a girlfriend or a boyfriend, you're in this vulnerable state where you're still kind of half in the relationship with them, but you're single, and it takes a while to feel solid in yourself again.
We don't watch the film anymore because we've seen it so many times, so we'll introduce it, walk out and we'll come back in right about when I wake up in the morning and walk over to the shop and everything's changed.
The core to what makes Fincher really interesting - all the technique and all that, that is not in the center even if it's a big big part - what is in the center is the characters, and he really is interested in that.
When I finally got the chance to do 'The People v. O.J. Simpson,' my peers embraced me with the same attitude. They didn't make me feel small or insignificant. They treated me as a peer. It was a wonderful experience.
Because I went from the Daily Show where I was a fake news guy on a fake news show to Bruce Almighty where I played a news guy to Anchorman where I played a news guy, now I'm...yeah, I tend to gravitate towards suits.
You're an investigator - can't nobody find stuff out like a woman. Y'all put the police to shame, make the little investigative tricks they show on CSI and Law & Order: SVU look like counting lessons on Sesame Street.
I was homeless. I lived in a car for a couple of years. That was the worst. But nothing was worse than when I was 40 and my mom passed away. My mother was the best person I ever knew. Those were the two lowest points.
I felt like I've needed to ask my parents up until about four years ago about everything. They have helped me tremendously, I came out of college with no debt. Everything they made, they just poured into my education.
I got to go to New York Comic-Con. I've never been and I've heard it's crazy, so I'd love to see it. To be quite honest, I'd like for people to want us to be there, too. I'm hoping. I'm knocking on wood, so we'll see.
The biggest and most interesting crisis in the world is the human crisis, and it never gets boring. It goes back to Shakespeare. You don't need a gimmick; it's just man against man and their intolerance of each other.
In my last scene in 'Breaking Dawn,' Bella has just died and I run outside and crumple to the ground and just lose it. I'm bawling. That was my last scene of 'Twilight' ever and I definitely had some extra motivation.
One that always stings is "Grow up." And it stings most when you have the suspicion that it is justified, that you have just done somethingchildish and you got nailed for it. It's probably been said to me a few times.
After going to theater school, and then subsequently dropping out, I would say that when I first went to Chicago and learned long-form improv, that was a far better acting workshop than any acting school I've been to.
There is still a great deal of self-hatred that we refuse to deal with because we are still measuring ourselves against the norms of a masculine, heterosexual world. That is the backdrop with which we measure the man.
It's a road movie [Valentine]. I mean, yes. We film it here and it takes place from basically Colorado to Louisiana. That's the road trip. So we're all over the place. We go through bits of Texas and bits of Oklahoma.
The Night Manager doesn't exist in the post-Cold war universe, it exists much more in the modern world, I think. There is more action. The bad guys don't have particularly political or national-political affiliations.
After I was fired from Disney, I did some of the worst movies ever made and I got professionally involved with a manager who said it didn't matter what you did as long as you kept working. I wound up completely broke.
We take what's shown on television as the truth, and it isn't. News isn't even the truth on television. If you look up the definition of what news is, it isn't that what we're watching on the new - it's entertainment.
In Hollywood, I think I get a bad rap for being a perfectionist. It's something that's not always welcomed in Hollywood, because you're always pushing people and you're pushing yourself to be the best that you can be.
I have always said that a conference was held for one reason only, to give everybody a chance to get sore at everybody else. Sometimes it takes two or three conferences to scare up a war, but generally one will do it.
The things that have been most valuable to me I did not learn in school. Traditional education is based on facts and figures and passing tests - not on a comprehension of the material and its application to your life.
Every actor has three versions of each scene - the one that you rehearse the night before, in your bedroom, the one you actually get to do when you're filming, and then the one you wish you would have done, afterward.
The advancement of technology has probably guided us more than anything else in one direction or another. I don't know, it's hard to say. We're so much more connected, but we've never been more fractured as a culture.
Every time I get on an airplane I have a routine. I cover the inside of my nostrils with anti-bacterial ointment. I'm popping Zicam like it's candy. And I drink, literally, from L.A. to New York, six bottles of water.
At 15 I auditioned for 42nd Street in Australia. Dein Perry was in that show. I actually got the job but I couldn't do it because I was only 15. Legally I needed to have another 15-year-old to cover consecutive nights.
The difference when you have kids comes up when someone wants to meet you out after 9:30 at night. You consider that giant sacrifice. You're like, "Do I do this? Do I stay out until 10:30 and be angry, all of tomorrow?
I don't like being on a horse. That's the only negative of doing a Western. I like the whole get up, and I look great in a hat. But I get tense around horses. So, if they could make a fake horse, then I'd do a Western.
I really enjoy those characters like 'Profit.' With those elements that are shady and dark, you're not responsible for being a likable character. Like some of Jack Nicholson's characters, you remember them for so long.
Never give up your day job. I do all sorts of things, but at the end of the day, it all boils down to The Today Show, and I love doing this thing, and they will have to blow me out of here with dynamite before I leave.
A lot of British actors will look at America as a land of opportunity. In England, there's such a small pool of working actors of color. There's such a small amount of work that is actually produced in the first place.
I think if the movie has resonance and stimulates the viewer to talk about it, you can have as large an audience as you want. The most important thing for me is that the movie exists. And that's success enough already.
Hitchcock was such a master of putting on screen things that made you uneasy. Somebody once asked him what frightened him most, and he said the police. He came from a poor background. I think he understood those fears.
I have learned more about love, selflessness and human understanding from the people I have met in this great adventure in the world of AIDS than I ever did in the cutthroat, competitive world in which I spent my life.
I am aware that as an actor, I can blame others for the failure of a film, the director, the script, choice of co-stars, timing of the release and so on. But now, as the director, I will have to shoulder all the blame.
I had spent many days hungry; had slept on railway stations at times because I did not have money to pay for a hotel room... there were moments when I felt I had compromised my dignity as a human being and as an actor.
Some of the subject matter is a little less weighty. When we were writing for Mr. Show, we were talking about how is this going to stand up to the test of time. Every little piece had to be this brilliant comedy jewel.
Different vodkas have different effects. Some make you feel a little... poly-lingual. Some make you feel like you want to talk back to someone who's giving you a hard time. Some make you feel like lifting kettle bells.
Anyone who can do the splits and come back up on the backbeat, as James Brown and Prince can, has my eternal respect. Prince, who is a genius of the highest order, can come back up while singing and playing the guitar.
When I read a script and have my first interaction with this character, do I feel like there's something I'm gonna' learn here? If I feel like it's something I've done before, then what's the incentive for me to do it?
I went back and researched the history of gospel; where it came from, slavery times, communicating with each other without their master knowing what they are saying, and that gospel artists view themselves differently.