Quotes of All Topics . Occasions . Authors
I think I've made some choices that maybe I wasn't so sure about for some reason or another. But I'm one of the lucky ones. Even when I was young, I played Bird, and that's a role people wait for their whole lifetime.
I've been trying to understand conflict and violence ever since I was a kid. You know. There were a few things that happened even on my block - the Black Panthers used to be right around the corner from where we were.
I think if you're artistic in any way, you're probably born with it. I guess it's a talent that can be learned here and there, but I think the instinct to tell a story or to create something happens maybe in the womb.
The last thing I thought that was utterly brilliant was the season finale of the last season of 'Homeland'. I was just completely and utterly speechless and I think my friend was poking me going: "What did you think?"
When you play a character that is so emotionally closed there are times when you ask yourself if you are doing enough and if it's reading. That is where you have a director, who is the barometer of what you are doing.
What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.
I'd be lying if I said that I didn't want to do a TV show or movie, but life comes first, and then there's business. If this business doesn't allow me to have my life, then I'll do something else and be a happier man.
Lots of things are hard work, but I think writing, for me, after I started acting at 13 years old. I like writing now much more than I do acting only because well, partly because the scripts that are offered are junk.
Yeah, well, the F-bomb - it's become as ubiquitous as the word 'like.' People just throw the word 'like' around as punctuation. And I think in a lot of everyday speech, the F-bomb has become a kind of dash or a comma.
Look, it's very easy to sit here right now with some films in the bank that I like and think I have a shot and feel pretty cocky. But, you know, three years from now, I could very easily be saying, 'Paper or plastic?'
I like owning dirt. You know, I spent a lot of time broke when I moved to California. So deep in my soul is still this idea of being unemployed. To me, owning land means you could sell it at some point and have money.
I was making a film called The White Tower at the foot of Mont Blanc - the one thing I learned from that experience was that it's more difficult to go down a mountain than to go up. A lot of people don't realize that.
For me, choice is the most important thing because I'm going to be an adult actor pretty soon. So I've got to be choosing the right roles now so that by the time I get to that age there will be wide options available.
Employees who are controlled cannot respond caringly, you need superior knowledge and real leadership, not management. Because of this we specifically developed a selection process for leaders; we don't hire managers.
I don't like to be challenged in the way that often happens, where somebody writes something and then you, as an actor, are expected to really make it up in your imagination. That's not really an ideal way of working.
Talking about an X-Men Kissing scene I had to lay down there and think of England as one by one they bring out the girls. It was a very tough morning... After each girl had finished, the crew would hold up scorecards.
I am a person who is trained to look other people in the eye. But I can't look into the eyes of everyone who wants to look into mine; I can't emotionally cope with that kind of volume. Sunglasses are part of my armor.
I hope this series is good work, but it is in the half-hour medium, which is limited to a kind of mediocrity that sponsors are just dying to have right now, and the public, for some reason, is unconsciously demanding.
On working with his father in Pursuit of Happyness: It was fun having that experience with my dad 'cause he really taught me a lot of the stuff that he knows. Almost everything he knows about acting in that one movie.
That was one of the things I hadn't really put together. Since the first movie and this movie, the rest of us have been living that revolution, largely engineered by people who were Tron fans. That's pretty deep, man.
The more people you run into, the greater your exposure, the easier it is to understand and empathize with other people. So if you are living in a much smaller ecosystem, it's probably easier to have simpler feelings.
To be the leading man it's about the celebrity and the looks, and it's tough to do that. People who do it great are people like Tom Cruise and Will Smith - they're built for that. I ain't. I'm more of a character guy.
Being home schooled is awesome because you can make your own schedule, so as far as time management, it's up to you how much you get done and when you get it done. It's all got to get done; how you do it is up to you.
I would love to tell you I've found the secret to eternal youth. I go to the gym and avoid too many chips. I love to eat, hate to work out, but if you can't count all your ribs from a distance you're considered obese.
I look for three things. Number One is does the film promote the beauty and dignity of the human person? Number Two is does this film promote the transcendent moral order? And three, does it promote natural affection?
I've certainly auditioned for big budget studio films. I don't know if it's because there's so much money involved, but a lot of times the pressure overwhelms me and engulfs me. I end up falling apart in the audition.
I think we are living in selfish times. I'm the first one to say that I'm the most selfish. We live in the so-called 'first world,' and we may be first in a lot of things like technology, but we are behind in empathy.
I had a calling, this is what happened, I've explained the story many times. I've had my priest on, I've had atheists on. When I explain my conversion to atheists, my personal series of events, they go, "Oh, alright."
I'm from the burbs. I've been in the hood, but I don't live there. I have lived in the hood, but I don't live there anymore. I lived in Harlem, and that was crazy, even though Harlem is a lot nicer than it used to be.
I think when I was a younger actor, I did carry that stuff home. When I did ...And Justice For All, I was afraid to drop the character. But when you get older, you learn to go, "Okay, that's it. Let's go have dinner."
Well, I was coming off of being on 'Law & Order,' and I was a little worried that it might be the end of my career - I've never been one of those actors with a lot of confidence that the next good job will come along.
I get a little freaked out when I'm around too many redheads. I only have about one or two red-haired friends, and when a bunch of us get together, I feel like there's going to be a fight that breaks out or something.
I grew up with two different parakeets - one that lived for five years, and one that lived for 13 years - so I always had a bit of an attraction to birds and it's an oddly good fit to be in a movie about birdwatchers.
I mean, it's the life lessons that I suppose you learn that nobody gets a free ride and that you do the best you can with the means that you can and try to open yourself to as much knowledge and all that that you can.
Pittsburgh felt like the perfect size of a city to me. There's enough to do, but it's not like living in a circus. I also really loved how sports-enthusiastic Pittsburgh people are: how proud of their sports they are.
I always felt so much more comfortable in the Western. The minute I got a horse and a hat and a pair of boots on, I felt easier. I didn't feel like I was an actor anymore. I felt like I was the guy out there doing it.
Death is a billion-dollar business. They can't even pass a law where it takes seven days to get a gun. Why don't you have to go through the same kind of screening you do to get a driver's license? It's totally insane.
If you find yourself running away from something and then suddenly you're isolated in a vacuum, then you have to deal with all the inherent truths and learning things about yourself and the people that are around you.
Sid [the character from 'Ice Age'] is a prehistoric sloth. Sloths move really slowly and they store food in the cheek pouches. That's where I got the voice that you hear. He had to sound as though he was storing food.
I don't think anyone takes the deaths in Midsomer as seriously as in say Wire In The Blood or Silent Witness. We're part of the old British 'whodunnit'. We're much more gentle and the deaths are sanitised, in a sense.
To be an actor for 30-odd years trying to become recognized, and to end up playing a full prosthetic and a character 3 foot 9′, or something like that, is... well, it just shows that you can get actors to do anything.
To be an actor for 30-odd years trying to become recognized, and to end up playing a full prosthetic and a character 3 foot 9', or something like that, is... well, it just shows that you can get actors to do anything.
I come from a very expressive family, so it's really not surprising that we became actors. There was a lot of real-life drama in our house. Some of it was drama, some of it was comedy and some of it was comic-tragedy.
Not being well-versed in that arena myself, it's a little bit frightening because I'm not very good in those situations with lots of people and lots of famous people and cameras and all of that. It's not my specialty.
Acting is sort of an extension of childhood. You get to play all of these roles and have so much fun. Playing an athlete would be so cool. Or where you get to shoot guns, ride horses. I wouldn't turn down any of that.
The world has wanted me to speak differently than I speak. You know, I speak like my mom; I speak like, you know, like the whitest white dude; I speak like a Def Comedy Jam comedian doing an impression of a white guy.
I'm a bigger fan of my directing than in acting. Acting is just harder. You know, not harder, per se, because directing is the hardest thing I've ever had to do. But it's harder to enjoy my work as an actor, you know.
Sometimes I don't want to go out and socialize; I just want to watch my favorite shows and comedians. But then I have to remember that it is important to participate in life if you want to portray real life on screen.
There's a lot of actors that I admire because they can just switch one second into the character. Then, they go back to jokes, and then they're doing something really dramatic. I can't do that. I have to really focus.
I wanted to meet Orson Welles. So I was like, whatever, somehow get me in on this. I'm able to get cast in it, but Orson Welles worked alone. He worked before all of us worked. He didn't want to work with anyone else.