Quotes of All Topics . Occasions . Authors
I went backwards and forwards over it until I was 22. And then in the past few years I began to say to myself, OK, look, I'm not messing around. This is something I want to attack, instead of thinking, I'll just see what happens with it.
When you do a lot of interviews, you find yourself telling the same stories over and over. After you do it for a whole day, you say, 'Christ, I've said this five times today.' It gets fun when you get so bored you start making it all up.
There is never a specific theme or anything I have interest in. Really, I make decisions based on decisions that are made by other people and whatever is presented to me, and I do it on a first come, first serve basis, and go from there.
When I'm working in America, I wake up with an American accent and stay with it all day till makeup comes off. I just want everyone to be at ease, and not have the show's creators think, 'Oh my god, he's so English, why did we hire him?'
I think it's useful, as a famous person, to have as little separation between the perception of you and how you really are - because otherwise I'd be sitting here thinking I'm keeping secrets, and wondering when you're going to find out.
Girls and guys are like a bus stop - they come and go. You never know, like, who's going to be the right one, and what I've been taught is you really gotta figure out who you are first before you can really give yourself to someone else.
American television, for all its faults, still has a black presence in shows and even in commercials. You'll see black people in automobile ads, black women starring on their own television shows. We don't see that on British television.
When I was sent the script for 'Homeland,' I didn't think anything of it. Three months later, my manager rang and said: 'They are interested in you.' I read it and I realised, 'Yes, I do want this.' Then I got an email saying I'd got it.
The difference between men and women seems to be this: I can argue with my promoter downstairs, accuse him of ripping me off, and 20 minutes later we'll be playing golf together. With a lady, the same argument can go on for, like, years.
Never stop learning and adapting. The world will always be changing. If you limit yourself to what you knew and what you were comfortable with earlier in your life, you will grow increasingly frustrated with your surroundings as you age.
I find that male directors are more interested in what the film looks like as opposed to what the film is about emotionally. My job is not to make the film look pretty, and I don't feel drawn to making myself look pretty within the film.
My fun as an actor and my task as an actor is to transform myself to become other people. I enjoy becoming characters but I don't enjoy becoming caricatures. The research I do is only necessary in so far as we move into other dimensions.
People talk differently. You can say some things some places you can't say in other places. But me as a film maker, no words are ever going to be off limits in something I write. As long as people use the words, I'm going to report that.
I like playing human beings - I don't believe in good or bad. I don't believe in black and white. I believe in different tonalities. I believe in different layers of emotions and states of mind. I believe in characters that can be human.
I wrote a little autobiography about how luck has to do with everything. It's called "My Lucky Life In and Out of Show Business." A publisher came to me and said write a book so I did. I wanted to call it "Everybody Else Has Got a Book."
Victory with honor and integrity is the real goal of sport. Sometimes it happens that others are better than you. I could never beat Carl Lewis in a hundred-yard dash, but my victory might be in running faster today than I did yesterday.
When I was younger, I looked a lot older than I was. They have these working laws in England where you have to be 16: if you're over 16, you don't have to be restrained by working hours and things like that. In America, it's actually 18.
Let The Rock understand this, he beats your ass in cage match last week and now your the number 1 contender? Well The Rock knows exactly why that is; you've got a three foot nose you turn it sideways and stick it straight up Vince's ass!
My mom cleaned toilets for a long time, and she'd seen a lot of terrible things, but she was still the strength of our family. And there are women like that all across the country - all around the world - who show that type of fortitude.
By 1990 I went back to no gasoline; I was just riding around on my bike, taking the bus. I had a tiny little electric car that didn't go very far or very fast. People thought I'd lost my mind. Even my own family thought I'd lost my mind.
This is a deeply spiritual issue...Do we want to spend more time trying to care for our fellow man or do we want to just pursue more virtual reality? That's the issue before us.. and it's being played out in the world of the environment.
If I've been an architect of my own career in any fashion, one thing that I've attempted to do is not get typecast, in order to be able to play all different kind of characters. I think I've done a pretty good job of that over the years.
My father was military, so I traveled a lot, so I had 13 to 15 first days in new schools. Bullies transcend culture, unfortunately, and I had to deal with them wherever I went. I knew how to defend myself. But I didn't know how to fight.
But work that's got real substance does make people feel, "There's someone else out there who relates to my experience, or who just helped me understand my own experience a little bit better." And I think that's still got enormous value.
As much as my primary vocation is that of an actor, if anything, I feel like I am more excited about filmmaking in general, so it's not always a specific role that I'm attracted to, but rather an entire piece that I want to be a part of.
I'd been wanting to work with James McAvoy since I was in drama school. I suppose there are parallels in that we're Scottish, we went to the same drama school and share the same agent, but aside from that, he's someone I've looked up to.
Seinfeld [show] had been so huge for me. It was one of those things where I discovered Seinfeld really early and was making sure everyone I knew was watching it. I would tape it on VHS and show it to people that hadn't seen the show yet.
[Jack Nash from The Andromeda Strain] was not in the original film, but he was kind of a Geraldo Rivera almost kind of reporter that had a drug addiction. We start the story in rehab, and then he gets the roots of the story. I loved him.
I always kind of dreamed locally - I never really ever dream that I would be south of the border; I dreamed about being a theatre star in Toronto, and maybe I'd do Stratford and regional stuff. I always thought it would be a slow growth.
There was a time when history was written by a few people, the winners. Now, history is written by all of us all the time... That's the thing we keep telling our 14-year-olds, you know: anything you do right now, it's not going anywhere.
As an artist, it's a great opportunity to play a character like this [Ugandan dictator Idi Amin in The Last King of Scotland]. And then, as a person, I had never been to the African continent. So, I knew, personally, it would reshape me.
I want it all... fast. I want to be married, I want to live together... and then somewhere around a year or two years, I get freaked out. I freak out emotionally and then I actually feel like 'Oh my God, who's this stranger in my house?'
For some reason, juggling things makes everything work better. That's just how we operate. It just makes the other project more of something to look forward to. I think the more you keep things going, the more it helps the other project.
There are plenty of actors who've caught the singing bug and vice versa, but with musical performers, you're constantly a persona - which is something I love about acting: you play a character, you leave and you get to be yourself again.
No, there isn't a particular type of genre that I'm drawn to. I'm more drawn to the possibility of creating different characters, or being able to go from one genre to the other and to show that I could do it, that I could be good at it.
I don't consider it jumping ship. The 'Star Trek' philosophy is to embrace the diversity of the universe, and 'Star Wars' is part of that diversity. I also think 'Star Trek' and 'Star Wars' are related beyond both having the word 'Star.'
I've just got into the convention circuit in the last couple of years and it's great to see all these people who are still interested in the show. It's so gratifying to hear that so many people enjoyed the work that Erin and I have done.
Acting is ephemeral. It's not like making a painting that lasts forever. You're doing something, and the very action which comes and goes, is being demonstrated in front of you. Within that process, you're trying to go against the grain.
Most actors are very deeply passionate about their line of work. I suppose there are probably people who sell insurance policies that are passionate about it, but I'm thinking the ratio is a little higher for actors. But, I may be wrong.
I can understand why it takes some people a long time to really be a singer. You have to find out, 'Why am I singing? What am I doing this for?' I do it because I enjoy it, and philosophically, music is a catalyst. It's a refining agent.
Well, we are not doing that film actually. At least I am not at the moment, but we are making an effort to get it done; I don't know whether we'll get the financing for it. The old story we had it, it fell out of place and this and that.
[D]on't grow old. With age comes caution, which is another name for cowardice.... Whatever else you do in life, don't cultivate a conscience. Without a conscience a man may never be said to grow old. This is an age of very old young men.
I did green screen for the first time! I wouldn't like to do a whole movie of green screen, though. You kind of forget the plot a little - like being in a Broadway play and doing it over and over and forgetting your line halfway through.
When I was working at Teleflora, I got booked to do 'Talladega Nights,' so I went and did that. That was really my first big break ev-er. I made as much from my per diem during the three-month shoot as I did for the entire previous year.
I used to be very quick, I would be able to leave the room and be back before you noticed. When you can't do that anymore you need to change the style of how you do things. But I'm very interested in life and you don't want to lose that.
After 'A Good Day to Die Hard,' I had a bit of an identity crisis as far as where I wanted to place myself in the business. When it's all new and fresh, there is a lot of pressure to know what you represent, and I didn't really get that.
I remember being in college knowing I didn't want to go anymore. I wanted to try and become an actor. There is a something in me, with a risk of sounding cliche, that I just had to do it. I knew from an early age that acting was my path.
I think the weather here is a big attraction for anyone. But also, there are more creative people per square mile in L.A. than anywhere in the world. They make 'The Simpsons' here. Anywhere they make 'The Simpsons' is a good place to be.
With my guy, every now and then, he puts on a mask and does that, but he isn't that. Most of the time that we see him, he isn't that. Most of the time that we see him, he's fun to hang around with. I think that's unusual, to that extent.
You're a white male living in America, brought up in one of the richest cities in the county, Palo Alto. You went to high school with Steve Jobs' daughter, and your journalism teacher is the mother-in-law of Sergey, co-founder of Google.