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In my stand-up, I've always been loose. If there's a curtain onstage, I'll use that in my act. If there's a door, I'll use the door. I always like to use everything at my disposal, which makes each show a little different and a little more fun.
I was really into artwork in high school and my art teacher made it clear to me that it's not really a career. She insisted that if I wanted to make a living this way, I would have to find a career that might actually reward me for the artwork.
I think people look at me and realize that I am definitely not in line to the throne. It feels very easy living in Great Britain. The world is a much smaller place than it used to be, it doesn't feel like a huge cultural difference living here.
Louis Tomlinson, who is a member of One Direction, his mum was a chaperone on 'Fat Friends.' So Louis used to come to the set with his mum, and since I was the only sort of young person around, we would kick a football around, things like that.
I enjoy catching our show whenever I can. It does get very weird to watch myself, it's always been that way, but at the same time, it's part of my job to see what kind of job I'm doing and to get a perspective on where I'm taking the character.
As an actor you make choices that are either right or wrong, and you find the ones that are right for you. As an understudy, the choices have been made, so you have to make those choices right. Going into the role, you can't really question it.
I generally get challenged; I haven't been typecast, which is really, really, nice. It's not something that every actor gets, really. It's luxury. Most actors are capable of it, but they aren't afforded the opportunity to express their variety.
I can watch SportsCenter on a loop, like, five times in a row until my girlfriend is like, 'Seriously? It's the same highlights!' It just brings me peace, I think. Any kind of game - college basketball, college football, obviously anything pro.
I think I would cope like anyone copes with any tragedy. I'm sure I would be very upset for a while and then there would come a point where I would either have to stay in this place of darkness and anger, or I'd have to accept that it happened.
What I love about [TV] is this: It's a specific thing to be able to tell a satisfying, rewarding story in less than 25 minutes. Not everyone can pull that off. There's something really cool about giving lit people a bunch of little mini movies.
'Super Troopers' did well but not crazy-well theatrically. But it did so well after that it - in ancillary markets - that it became impossible for us to get away from it. We'd get pulled over by cops who would thank us and then would let us go.
I would love to [do theater], but there are go-to girls for theater. I am learning that, upon moving to New York and inquiring. There are go-to girls that will get the role any day of the week. It's true. Some people won't even let me audition.
I never starved. And you know, whatever talent I have, I've relied on that, versus image or star. I have just said, 'Hire me if you want somebody good.' I tried to be as good as I could be every time out, and that's kind of bridged the decades.
My part had three lines. I said, 'You look wonderful, sir,' three times. All my friends said, 'Do not take that role - and do not understudy. You'll regret it the rest of your life.' I did both of those things, and I've never regretted it once.
So I continued through my next school, which takes me up to the age of 17, moving from the bottom stream of one year into the bottom stream of the next year, all the way through. I showed other talents which gave me self-respect, which is fine.
There are writers' rooms that will write episodes all together, who will break into little groups and write certain scenes. Everyone's process can be a little bit malleable. Everyone tries to get into a groove or find what works for their room.
My daughter, Jennifer Grey, was in 'Dirty Dancing,' which was shot in the Catskill Mountains, where the great old Jewish entertainers used to appear. It was the first time she'd been to the Borscht Belt, and I don't think she's been back since.
I used to throw up before I went on stage, every time. Even though it's only 200 people in the audience, and a movie like RoboCop is going to be seen by many, many people, I know I'd be much more nervous doing a play than being on set shooting.
I'm not one of those actors who likes to analyze things too much, so I trust what the writers are doing with the characters, in order to give them their journey. My job is to come in and try to make those words on the page come alive on camera.
I got used to [ Lars Von Trier] doing the narration for 'Dogville' and 'Manderley.' And I said to him I do these narrations for you but you never put me in a film! So he called my bluff and put me in 'Melancholia' and I was thrilled about that.
I'm essentially the result of other people's imagination. And that's fine. Because of other people's imagination, I've played parts I would never have thought I could do. Still, I've never had a hankering or an ambition for any particular role.
It's a delightful thing to do, to entertain kids. They're a completely different audience because of their total lack of irony. You're always after a total suspension of disbelief, but the only people you can really achieve it with is children.
Joining 'ER,' I felt like that kid who got the golden ticket in 'Charlie and the Chocolate Factory.' I've been offered chocolate bars all these years, but there had been no golden ticket. Just the stomachache that was called 'Jake in Progress.'
When I first met my girlfriend, Mercy Malick, she asked me if there was anything I should tell her that could put her off me if she found out later. So I told her that I was a total 'Star Wars' geek and had boxes of 'Star Wars' toys in storage.
I just want to open up the avenues for people to express themselves. That's what the media ought to be. It shouldn't just be a conveyer belt of shiny products to buy. It should be a way that we're all communicating and understanding each other.
I put my parents through mini hell with my laziness and poor grades, so I love making them laugh when they see me on television. When I work, I'm always thinking, 'Would my mother find this funny?' The belly-laugh jokes will hit her every time.
Walter [Hill] basically brought me into that ["Wild Bill Hickok"], and it was one of the great experiences. It was extraordinary stuff. He wrote this kind of American Shakespeare. But I played my part for four episodes, and the rest is history!
That is one of the first things my family, my mother and my grandfather, had taught me about acting: Use your eyes! Not being able to do that physical aspect of it, and having to put it all into your voice? That was a little bit of a challenge.
I suddenly received a call from my agent offering me the chance to do 'Strictly' and I had to make the decision within an hour or two. I was doing a different job towards the end of the year so I had to change my plans, but it was a no-brainer.
We still live with this unbelievable threat over our heads of nuclear war. I mean, are we stupid? Do we think that the nuclear threat has gone, that the nuclear destruction of the planet is not imminent? It's a delusion to think it's gone away.
I'm an old guy, so I started out playing 'Pong' with my brothers, and 'Mario Bros.' and whatnot. But we really got involved and got intense when 'Tecmo Super Bowl' came out. That's when we really started playing video games, and it got intense.
When I would see my friends with their kids, I was envious that you can use children to get out of just about anything. If you don't feel like going to a dinner party, you could say, 'My kid's sick. I can't make it.' Who's gonna argue with you?
Every other day I read a book. It takes me two days to finish a book. I like reading because if I'm not doing anything, then I read. If my mom tells me to go take out the trash, I'll go take out the trash, and come back and start reading again.
These characters, they have to evolve. They're getting older on the show, these are things that happen in everyone's life. People do get married... this is just a natural evolution. I wonder if we'll have 'Big Bang' babies in the season finale?
We all are capable of many different emotions and behaviors and thoughts and abilities and the way we sometimes respond to something is just very, it could be very, very different. You can one day feel this way, and the next day, feel that way.
I came up around people who took acting seriously, who cared about acting, cared about the theater and, in the '70s, made movies that said something that mattered. I came up with those people, and I was a kid. Their ethos and credo became mine.
I became politicised in my mid teens, at the time of ska and 2 Tone and the Anti-Nazi League, when I'd get dressed up for a night out in my white socks and loafers, and the last thing I'd hear is, 'Have a good night - be careful of the police.'
I sometimes have to look back and say, "Wow, this is amazing what has happened to me. I have been able to fulfill a lot of these dreams that I had when I was very young." It's a pretty amazing feeling. But at the same time it becomes addictive!
I believe, you know, as history unfolds, certain films will disappear, and certain ones will stand the test of time. And you never know which ones those are. And you've just got to go for the opportunities of films you think might be memorable.
Hamlet is a remarkably easy role. Physically it's hard because it tends to be about three hours long and you're talking the whole time. But it's a simple role and it adapts itself very well, because the thing about Hamlet is, we all are Hamlet.
With action movies, that's just fun stuff for me. That's me being a kid again. Same with 'The Best of Me' and these romantic dramas. It's such a freedom from reality and social constructions. You get to just have fun and play and be in a movie.
It's one day at a time, that's all there is to it, and so I don't have to worry about it. All I do is, okay, I do not have to drink. And if I feel like it, I postpone it for ten minutes, and that way I find something else to do in the meantime.
I don't have regret about things I've done that are successful or not successful or what people perceive or don't know or whatever. I just know for me it had to be the right choice at the time. Sometimes that choice is just about getting a job.
With indies, all they have is their script and it's very important to them. The characters are better drawn, the stories more precise and the experience greater than with studio films where sometimes they fill in the script as they're shooting.
In a way, making Martin Ellingham the way he is was a corrective exercise for my acting - to keep a bit still and show a little control. I do like it - it's like having an instrument that you can play and that you can pick up and enjoy playing.
[Ed Grimley] lives in a retirement home in New Jersey. It's called the Retirement Home in New Jersey for Characters Who Were Interesting in the '80s for About an Hour. He's there with the Whiners, Gumby and Jon Lovitz's 'That's the ticket' guy.
I've always liked Southeast Asia a lot. It's a wonderful place, an easy place. People are great, there's a lot of history and culture, and I like the serenity of Buddhism there. It's very beautiful. I find that to be a very nice place to visit.
I don't think anything could prepare you for whatever fame is. Fame is a very hard word to define cause it means different things to different people for different reasons so I never really think of it as fame, I think of it as part of the job.
I am writing from the heart and having a fresh approach to things. We [Theocracy] are obviously not trying to musically re-invent the wheel here, and you can certainly hear our influences, but we also don't sound like a copycat of any one band.
All the writers and producers around us that gave us the environment where we could play. They were able to provide us with a place where we could take chances to play with things, go against the grain and do things that people don't always do.