Quotes of All Topics . Occasions . Authors
I've done a few movies where I really liked the project, but I wasn't sure about the director, and I still did it and my instinct was right, in the beginning. Even though it was a good story, the guy still didn't really know what he was doing.
I'm interested in directing, but it's a real headache. Directing can be a real pain in the ass, because you not only have to worry about yourself, but all these other people coming to you with their problems. I like just worrying about myself.
I believe that there are definitely creatures out there in this world that we haven't classified yet, and whether or not they can transcend dimensions is yet to be seen, but I... well, to put it simply, I want to believe in that kind of stuff.
The strange thing is, if I was speaking to drama students about the thing that you should do if you're lucky enough to know or to meet the character that you're playing, I'd say, 'It's obvious: you quiz them diligently about their experience.'
I was surprised by how forces in the community could mobilize against a community changing. There were many examples of this. In St. George, members of the Latino community proposed having a "Dixie Fiesta." The resistance to that surprised me.
I pattern my actions and life after what I want. No two people are alike. You might admire attributes in others, but use these only as a guide in improving yourself in your own unique way. I don't go for carbon copies. Individualism is sacred!
I have absolutely no dance background at all. Nor a singing background. People, for some reason, think I can. And I don't know why that is. I sort intoned in Moulin Rouge, through facial hair and buck-teeth, but I don't really call it singing.
Comedy people like other comedy people. People hang out and are friends and do shows together, and when you get something going like a TV show or a movie, you want your friends to be in it and make it funnier. That's just the way it should be.
Harry [Shearer] and I had an idea to do a movie about rock 'n' roll from the roadies' perspective, from backstage. Then Meat Loaf came out with a movie called Roadie and we thought, "Oh, we can't do that now." So we kind of discarded the idea.
I've driven all through America and I know there are a lot of clever people between the coasts. But they have a slightly old-fashioned view of the world. Whereas New York is one of the most multicultural, multiracial, tolerant places on Earth.
I've already felt that I want to direct. Being an executive producer is like the best job in the world because you make all these executive decisions and then you leave the money to other people. You don't have to be on set and counting beans.
People say that I'm a tree hugger, but I do a lot more than hug trees. I like having my drinking water without faecal matter, that's really nice. Or acceptable levels of strychnine. I'm an air breather, I've gotten used to that over the years.
I started doing comedy because that was the only stage that I could find. It was the pure idea of being on stage. That was the only thing that interested me, along with learning the craft and working, and just being in productions with people.
I stopped drinking when I had children because I wanted to be awake and aware. I did not want to be going, you know, daddy loves you and then drop my head on the table. I do not want to miss anything that they do or say. It is important to me.
I come from the best era of film I believe; when people were taking chances on films. It's time for us to bring more truth to the story and not necessarily carry a torch for every Black person in America; just tell a story, and a good one too.
The media has been nice to me so far, but if I get compared to Channing one more time... I'm taking it as a compliment, but it is crazy how many times people have compared me to him. I don't know if 'Magic Mike' is in my future, but we'll see.
As actors, we deal with rejection so much more than any other business. So I don't care how much of a genius you are, if you don't have the propensity to be able to get back up every time you get knocked down, then you're not going to survive.
I moved to L.A., and people said that I would never find work, that I would never find good friends, and I feel like I was fortunate enough to find the work, but it wouldn't mean anything unless I had a group of people who could appreciate it.
It feels nice to be loved, but let me tell you there are 10 times more better looking, stylish and talented guys than me. So there's no solid reason for me to be proud! I don't think I have done anything extraordinary to change people's lives.
'Outlander' is based on a group of books; there's a slight fantasy element to it, but ours is authentic - we try to stick to historical accuracy as possible. Ours is about a small group of people and a core relationship rather than big armies.
We have a philosophy of we'll keep putting it up until people get it. We did that actually these last three weeks with Cracked Out from New York. People didn't really understand them. We put them up three weeks ago and they just got stared at.
There's the old notion that where there's choice, there's chaos, and where there's no choice, there's clarity. If you've got no choice, you've gotta be there, and you've gotta have your heart in it. It leads to a much less self-conscious life.
I didn't run into racism until we moved to Nassau when I was ten and a half, but it was vastly different from the kind of horrendous oppression that black people in Miami were under when I moved there at 15. I found Florida an antihuman place.
It may seem like improv because it flows quite naturally, and a little bit of leeway for improvisation is good, but you have to be judicious with it. So it's good, but sometimes people deify it. You can't improvise your way out of a paper hat.
All I knew growing up was that my father was married to and loved my momma, period. He worked hard, made some money, and put it on the dresser. She spent it on the family, and he went out and earned some more. He taught me the most about love.
I always think back to my high school days and realize all the people who were so popular then are nowhere now and all the people who were steadfast and steady-going are somewhere. So high school doesn't necessarily translate to later in life.
The conscious mind is the editor, and the subconscious mind is the writer. And the joy of writing, when you're writing from your subconscious, is beautiful - it's thrilling. When you're editing, which is your conscious mind, it's like torture.
I guess there have been a few questions about my sexuality, and I’d like to keep quiet any unnecessary rumors about sexuality. While I prefer to keep my personal life private, I hope the fact that I’m gay isn’t the most interesting part of me.
Sharks will scare me. I went out to Malibu a couple of weeks ago. Beautiful, clear day, out in five feet of water, going to surf, and there was this big ol' freakin' leopard shark... I'm looking at him and I'm thinking, 'OK, he won't hurt me.'
We played more rock music when we were writing the script. 'Renegade'. All of the Styx songs. All of the old '70's and '80's music, that's the stuff that's pounding in the background while we were doing this stuff. It's a part of those movies.
Everyone on 'The Apprentice' hates each other. They put you in a room, and they don't give you anything to do. They leave you there for 10 hours... they don't give you any food or water, and you start getting angry and arguing with each other.
I left school early in my last year before I took my A-levels. I wasn't expelled. It was just a mutual understanding. I wasn't interested in going to school and they said, 'You're not turning up,' so we severed ties. Both sides appreciated it.
You know that everyone thinks that in order to do South Park we must be wild, crazy, rock and roll stars. But the truth is we're just wholesome middle-American guys. We enjoy soda pop, baseball and beating up old people just as much as anybody
I don't like to work with directors who have taken an adoption from another script writer, because it's too much: one of them writes it and then has to explain it to the other, or maybe the director sees it in a way the writer doesn't want it.
I don't have a BlackBerry or whatever you call it. And there is something to be said for being isolated and out of phone range, because you can fall into a habit to such a degree that you don't even realise that you've lost something: silence.
People will like to say that 'Eastern Promises' is brutal, but the only reason they say that is because the scenes stick with them. They are realistic. They are in-your-face and you see the consequences. It's not a bunch of quick editing cuts.
Seeing the actual 'The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe', I absolutely loved it. It became one of my favourite films. It was a real Christmas classic, and it was one of the most popular films ever in British history.
My dad left when I was a little boy and I grew up with my mother's family. There were foundations in the U.S. where Jewish people got together and sent money to Cuba, so we got some of that. We were a poor family, but I was always a happy kid.
The Daily Show writers are incredibly smart and very well plugged-in but occasionally they would need me for certain specific things, and I'd be like, 'Yeah, I completely know how to do that; I can solve that problem,and then I'd be like, 'Mom?
My tenure at 'The Daily Show' started during the decade after September 11, and fear of Muslims was at an all-time high. Politicians and the media seemed to dial the fright, mistrust, and animosity up to a fever pitch to gain votes and ratings.
It was never the fame or fortune that drove me to act. It was something I love and enjoy doing it. A lot of people identify who they are by what they do and that's not me. It's what I do but not who I am. Who I am is a parent. I'm a family man.
Ever since I started acting, I've always spoken to our people about identity. I've spoken to kids, telling them: "Where do I get my strength to push through the barriers to get me where I'm at today? It's my culture and my traditions, you know?
I love travelling, and had the pleasure of being in the most developed country in the world and then parts of two of the most pristine natural areas of the world: the Galapagos islands and the Equador Amazon jungle. The contrast was incredible.
What I love about sketch is that the writing of it is idea-based. It's not story-based. It's like, 'This is a behavior, and we're going to write, in a small sample, the funniest way to heighten this behavior.' Sitcoms or movies are about story.
The evidence that things are changing fast can be seen in the dramatic increase in the influence of blogging. We should be collecting emails as we used to collect telephone numbers and using them to better communicate our message to key voters.
The different arenas that I've been able to do Iron Man in are fun, but some more than others. The anime that we did early on was tough. That was the hardest one. It was a reinterpretation of a reinterpretation. I don't think I'd do that again.
All middle-income families use carbs to stretch meals, across any ethnic group - whether it's kugel or rice and beans or macaroni and cheese. I remember having pancakes for dinner. But as kids, we thought, 'Breakfast for dinner? This is great.'
Don't be upset that it takes a long, long time to find wisdom because nobody knows where wisdom can be found. It tends to break out at unexpected times like a rare virus and mostly people with compassion and understanding are susceptible to it.
It's interesting, for me sappy means sentimental and something that gets you in your heart, gets you emotional. That's what I mean. Also, of course, it means that I'm slightly setting up the audience that there's a bit of fun involved, as well.
I'm not saying it isn't frustrating that my films haven't gotten a bigger release, but I'm really happy with them and if you just keep cranking and eventually, if you have a certain sensibility, some of your movies will hit and some just won't.