Quotes of All Topics . Occasions . Authors
When you're a kid, you're just not equipped to deal with some of the stuff that life brings you. It's why you have parents. And then, when you don't, there better be somebody who fills in that gap, or you're going to be rudderless for a while.
I've never had issues with popularity. I was always a popular guy... I've always had friends and loved ones and everything, so it wasn't like, "Oh man, I gotta fill some void that was left by high school." I had a great high-school experience.
I've never had issues with popularity. I was always a popular guy... I've always had friends and loved ones and everything, so it wasn't like, 'Oh man, I gotta fill some void that was left by high school.' I had a great high-school experience.
I hope that one day, the world gets to a place where you don't need to politicize your sexuality any more than someone needs to politicize their race - that we can just act and we can exist in this Zeitgeist, telling stories about one another.
There's certainly pressure to find your audience early. You need to paint the picture, but it's tough trying to find the balance between a show that people can tune in on any given week while still grabbing the people who are there every week.
I grew up on a farm, so there were rifles around. Every March around springtime, there's a big hunt that goes on, and you go out and hunt down all the pheasants. I actually never shot the pheasants; I'm not a big fan of killing animals myself.
I think Paul Newman had an amazing career. I also love what Tom Hanks has done. He has always made very grounded movies that have something to say. He has found a way to make blockbusters that are about something and that is what I want to do.
That is a big danger, losing your inspiration. When I work in film and television I try to do each take a little differently. I never want to do the same thing twice, because then you're not being spontaneous, you're just recreating something.
You have to have something in your life that's more important than the work. People don't really like to admit that. I think that you have to find something else. I don't know what it is. Is it yoga or God or politics? For me it's just family.
We really don't rest if we think our kids are drifting, or if we think they don't have the right work ethic. It drives us crazy. Because we ultimately want them to succeed and, until they do, we feel in some way that something is not complete.
I was always big on laughs, giving and receiving. It wasn't necessarily good for my teachers. Of course there's times where you go too far. My mom had to tell me, "Boy, if I have to come down to this school one more time, you're gonna get it."
[Washington, DC] feels like you're watching performance art. A lot of the time. I don't believe them, I don't believe what they say, I don't think they're being absolutely sincere. I think it's performance art. And most of them are bad actors.
When you study, as I did, every theatrical beginning in this country, none of them have been greeted well. The Royal Shakespeare Company was a disaster, Peter Hall was a disaster, Richard Eyre was a disaster, Trevor Nunn was always a disaster.
As I look around, I get this sinking feeling that we're off track, that there's something sick in the soul of our country. I examine the fruit that's hanging on the tree of America, and I can see that it's rotting. And that concerns me deeply.
About 25 years ago, I was in an apartment, and next door, they put on the radio, so I struck the wall with my fist, but they did not put the radio down. I took a tool and banged until I made a hole through the wall. It was like a comedy movie.
I went to the University/Resident Theatre Association auditions. Deans come and watch you in this theater. You have three minutes, and you have to do two contrasting monologues - at that time, this is 2003 - one classical and one contemporary.
For many people, the age of 20 is when they first reach adulthood, and it's a time full of ideals and dreams. But when I was 20, a lot of misfortune came along. I spent a year in the hospital and couldn't move, and I was forced to think a lot.
We were both [ with Russel Crowe] hand-plucked to do [The Quick and the Death]. He had done Romper Stomper and I had done Gilbert Grape and so we were hand- plucked to do this big budget film. So we were both very bright-eyed and bushy-tailed.
No one I knew in Sydney was thinking about how they might come to America and become a movie star. That would be considered delusions of grandeur. My parents were supportive, though. They just told me to keep at it as long as I was having fun.
I do read some of the scripts from America and, even though the themes or subject of the film is very interesting, and some of the scenes are very interesting, there is a tendency that they have to explain everything. There will be no dilemma.
The problem is that you can't really read a script saying, 'Hmmm, I'll just see what this is.' You have to go right into it; you have to get engaged with it, and once you are engaged, you want to do it! It's really difficult to get uninvolved.
I'm terrified about psychic people who have their little shops. I always walk across the street and go somewhere else. Imagine if one of them came out with their face all pale and said, 'Hurry up and enjoy yourself.' No one wants to know that.
You can't hold back. You can't think of the subtleties of playing. You just have to get out and really bare it all, and hopefully you don't fall off the plank. And if you do, hey, pick yourself up, dust yourself down, and start all over again.
In my experience on 'New York Undercover,' where I played a dad, I was 26 years old, and I didn't have kids then. And at that time, it would blow me away that people said they became a better parent because of watching my role on that TV show.
The sculptor Frosty Myers and I met when we were bidding against each other at an auction. He's an eccentric, a liberal with a collection of rifles, and his stuff is big art. We share a love of tractors. I'm trading him one for a piece of art.
You need to have new people, young people that are super excited and super eager to get in there anytime we're doing something dangerous action-wise. It's pretty annoying but I get it, I understand the enthusiasm, I just give it a little time.
Movies have kind of become a tad bit uninspired, in that the big studio movies are spending more money to chase the big money with all these franchises and superhero movies. Some of them have been great, but some of them are a little tiresome.
At fourteen or fifteen, I decided to earn my living when I grew up playing drums made from wooden beer kegs and leading a group called Keg Brando and His Kegliners. We organized a little band, but it didn't last long and didn't make any money.
It's a funny thing, 'The Office,' because millions and millions and millions and millions of people didn't watch it. But culturally, it is more of a phenomenon than almost anything else I can remember as far as British television is concerned.
I love that Amazon has this incredibly unique, diplomatic process where people's voices are heard, and we're using this great interconnectedness we have, via the internet, to weigh in and to have a say in what we want to see and what we don't.
I love shooting, when the character is interesting and the script is interesting, but the research beforehand is really fun. The whole process makes me anxious and restless, and I have trouble sleeping, just trying to figure out the character.
Evil is the shadow of angel. Just as there are angels of light, support, guidance, healing and defense, so we have experiences of shadow angels. And we have names for them: racism, sexism, homophobia are all demons - but they're not out there.
I've played sports pretty much my whole life, and that teaches you how to work with anyone, whether you like that person or you don't, and whether you get along with them or you don't. The circumstances don't matter. Team work is part of life.
I was known for being a bit of a clown. I remember my dad got me aside and said, "Just remember, everybody likes a clown, but nobody pays him." I've often been tempted to call him and say, "Remember how you told me...?" "Yeah?" "Yes, they do."
The key to empowerment is no more complicated than what Jesse Jackson said, 'We are somebody.' But the 'We are somebody' I would like to be in the larger sense: not just the urban African-American but homo sapiens in general - We are somebody.
I've always tried to be an actor who... I just plod on and try to keep my mouth shut, mind my own business. I find the whole thing about people's lives... I can't understand it. I'm always astonished that people want to know anything about me.
When I was young, I had a favorite movie star. One day, I saw one of his movies, and it was bad, and he was bad in it. I could tell he didn't care and only did it for the money. I felt betrayed. I never watched another one of his movies again.
I'm a project guy, but when my list of things to do gets too long or involved, it can stress me out to the point of catatonia. So I focus on the small stuff first and keep the larger picture as motivation - but not so close that it overwhelms.
A kid now can practically record a song or edit a short film on his way to school. I think that will produce, perhaps, more less-interesting things - or you'll have to search more to find the interesting things. But I also think it's exciting.
I think parenthood is a wonderful balancing act. On the one hand, you want to spend as much time with your children as possible. On the other hand, you want to set an example for them to see that you're fulfilled in your life and in your work.
Some things transcend politics and policy and the lust for power. Truth, honesty, integrity, decency and fairness are immutable values. They are the ethical substance of life. They ought to be cherished. To sell them out is to sell one's soul.
An actor must make his needs (goals, wants, objectives) so strong that he is willing to interfere with the other actor in order to get what he needs. Interfering means getting in their way so that what you want is stronger than what they want.
Came to acting pretty late. It looked wonderful, but I guess I was intimidated by my father. I look a bit like him, and he was so much bigger than life and so great, it took me a bit longer than most people to have enough confidence in myself.
I've always felt a bit of an outsider. It used to worry me that, in terms of TV, I did not look like 'the girlfriend' or 'the daughter'. That pushed me to write my own stuff, as I thought no one else was going to write me a lead in the sitcom.
I believe in helping the planet survive, and that includes reaching out to help some of the disappearing creatures whose habitats we're destroying. It's up to us to somehow reverse that trend. I don't know how we'll achieve it, but we need to.
I can play a bunch of instruments but drums? My brothers a drummer and Ive always been jealous that hes such a good drummer. I always try to play but its always kinda just bashing. I can keep time but no one really wants to hear me play drums.
I'm in a monogamous relationship and have been for many, many years. I think it's a choice. I don't think you can generalize, though, and what works for me may not work for other people, but I don't think everybody cheats. We're all different.
I don't want any description of me to be accurate; I want it to be flattering. I don't think people who have to sing for their supper ever like to be described truthfully - not in print anyway. We need to sell tickets, so we need good reviews.
Since being diagnosed with Asperger's, I'd been working with an acting coach who has now become a good friend. We'd been trying lots of improvisational techniques to help me with some of the problems I experience. But it's a very slow process.
People are like, "Why are you all dressed up? Did you dress up just for me?" I'm like "No, I dressed up because I'm an adult and I felt like putting on my suit." But I love it. Tom Ford and Ralph Lauren are my two heroes of clothing designers.