Quotes of All Topics . Occasions . Authors
I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.
I think it's a shame when the arts have to suffer because of corporate greed. People will always strive to make film, and the only important thing is that we keep trying to make ourselves heard and keep making our films, no matter what the climate is.
I think carrying your gut, or your instincts, through all the learning, is one of the most important things. You learn to prepare for a part in different ways, you learn to experiment, what you do for the character - you try working in different ways.
The dueling maturity levels in high school is such a source of comedy to me. I was always such a late developer. I was last to walk. I was last to ride a bike. I was last to have sex. That's why it's fun to portray one side of your childhood onscreen.
I'm not a sci-fi lover; I wasn't from the start. So perhaps I miss that passion for other worlds, other dimensions, that sort of scope and that magnitude of storytelling; that's not my thing though I meet plenty of people whose thing it definitely is.
George Carlin maintained that anything and everything is funny given the right context. This context also includes your own history with a given group. What I can get away with and where I can go is not a problem with my audience because they know me.
I think 'No' is a very powerful word in our business that is very hard to use early on in your career. But I also think I was pretty arrogant when I was younger... I used that word maybe too much, but it did help me with finding roles that I did like.
It is more difficult to maintain friendship with people that you work with five minutes ago, than from many years ago. For some reason we've just remained friends, we talk to each other all the time. For a while, for years, we spent New Year together.
I think what I'm gonna do is keep being international and not being grounded to any one particular thing. As long as I'm entertaining people in one way or another and maintaining some sort of adventurous life with my family in tow, then I'll be happy.
Certainly, when I left New Zealand, there was no career there as a comedian. I was doing more live gigs than anyone, and I was maybe doing three a week. Even then, it would often be the same people in the audience, going, 'I saw you on Tuesday, mate!'
I'm very, very fortunate to be in the job that I'm in, and I would love for it to continue forever, but it won't. I have to financially and emotionally prepare for the day that 'Mad Men' will go away, because who knows what my next job is going to be?
I don't really like to watch myself [in movie] very much, even afterwards. I kind of feel that when I've finished shooting, that's my job done, really. It's not my business what happens to it next. I just do what I do and that's what I love: doing it.
I think most of our religious institutions are pretty corrupt, so they're not reliable. I think the Christian religion that I was brought up with has very little to do with Christ, really, and more an institutions that have built up around the church.
I meet human beings who are flawed, who are mentally ill and have enormous problems, but I don't think I've ever met someone who was a totally dark energy that had no humanity or sense of love or affection for anything in their life. That's very rare.
All depends really on what kinds of assumptions you make. When you're forecasting things that will be happening 50 to 100 years in the future, it's really hard to predict what's going to happen that far out, so you have to make a bunch of assumptions.
Robin Leach is a guy who, when he has the time, goes quietly to his house in Connecticut and sits looking into the fire with a good glass of red wine in his hand. And when I wake up in the morning, I wink at myself because I like me - I know who I am.
Politically, I don't care what party you're from, offer a point of view and let's see what happens and really debate the issues rather than use personal attacks. Really talk about it, talk about immigration, talk about education, talk about pollution.
I've never considered being a cop. I could be a teacher, I could be a minister, a social worker or a professor. As long I don't have to see blood and see people die every day, if I could inspire or help in their lives, that's something I'd want to do.
I like working with actresses, and I like women a lot, not for obvious reasons, but just in that that theres so much about what they bring to the scene that keeps it so interesting. Their instincts are so different, and they never explain them to you.
I was in love with the British 'The Office', so even though I love Steve Carell, when they were going to remake it, I was like, 'This is not going to work. I'm going to completely veto this show. I am not going to watch this show.' But now, I love it.
[Hunt for the Wilderpeople] people seem to be just finding it hilarious in Sundance. I would think that judging on the feedback I get; it's a very warming film. It's not sentimental, but people are sort of heart warmed by a message that's pretty rare.
The biggest challenge for everybody to realize out there is that we're in a very complicated business world and that were all under one umbrella and it's very challenging for everybody to figure out where the priorities lie and where the loyalties lie
The biggest fear you face, as an actor, is whether people are going to like you. When you learn to let go of that fear, you can go so much deeper into the role and really take much bigger risks 'cause you're not worried about trivial things like that.
If anything, 'Friday Night Dinner' is quite mean. All these pranks that we play on each other, there's a lot of hitting and slapping and jumping at each other trying to scare each other. But underneath it all it is a family, so we all love each other.
We feel closer to the drawings on the walls of Chauvet than the painting of, say, an Egyptian mural. These artists are not remote ancestors; they are brothers. They saw like us; they drew like us. We wear essentially the same clothes against the cold.
Both me and Edgar are firm believers in never underestimating or talking down to an audience, and giving an audience something to do, to give them something which is entirely up to them to enter into the film and find these hidden things and whatever.
I did a guest appearance on 'Entourage.' That was horrible, because I'm used to analysing the characters, working with all the details... and they said, 'No no no, walk and talk, walk and talk! It's energy energy energy!' - so it didn't quite suit me.
I didn't come from a wealthy family. I had no money. Maybe it goes back to naivete which is your greatest asset when you're young. If I was starting in comedy today and if it didn't work the first time, I'd probably quit. But I kept at it, kept at it.
The thing about the banjo is, when you first hear it, it strikes many people as 'What's that?' There's something very compelling about it to certain people; that's the way I was; that's the way a lot of banjo players and people who love the banjo are.
I am happy with my family and my colleagues and want to continue making my own kind of cinema. I have never belonged to any camp and have no friends in the industry. Most of them will pay lip service, but when it comes to doing, they tend to shy away.
We follow a certain pattern, a maze, if you will, every day, tracing our steps into certain districts and neighborhoods and back home. So it's easy for people to relate to clichés. That's why comedy routines are based on mutual experiences of clichés.
I was the Head Boy of East High School in 1999. I represent 303 - the area code, not the band - Mile High, until I die. I'm 31, a comedian; I juggle, but I don't glove it. I think waxed mustaches run a very thin line between hipster and 1800s barkeep.
I get nervous before everything - dates, filming, award shows. I just don't want to say something stupid. But as soon as I step out on that stage, or as soon as I show up to a date, it all goes away, and I just have a great time with whoever I'm with.
I know that everyone wants to know about 'Downton Abbey,' but the truth is that it was only a few days out of my life. Still, you play a distinctive part on a hit series, and everyone suddenly knows who you are. Isn't it crazy how this business works?
I mean if you look at the Charger and you compare it to other cars, the way the lines work, the tires, in 3-D it's gorgeous. One thing that we found was that the reflective surface was weird. It does funny things in 3-D. So you have to deal with that.
I've done some stuff with Thomas Jane and Tim Bradstreet in the comic world and it was interesting to me how close to a screenplay a comic can be. Certainly a four issue comic can be a four act structured screenplay and so I would totally be for that.
Performing on stage is my first love - it's why I wanted to be an actor in the first place - and 'Arcadia' is the highlight of my career so far. I love the intimacy of a live theatre audience - you can really squeeze every last drop out of each scene.
I don't need much of a character in my life. I've already got one; my family knows who I am, and I don't have a reason to make an impression on the world around me unless it's in a professional context. Acting is not a personal experience; it's a job.
If I ever stop being grateful for gigs, I just need to stop. Because this business is... you know, it's just so kind of job-to-job, and the fact that I've continued working... I'm just incredibly thankful for it. And I never, ever take it for granted.
Having a daughter makes you see things in a different way. This is my only girl. So I don't care what it takes to protect her. You can call it what you want to call it. As long as you treat her the same way I treat her, like my princess, I don't mind.
When you don't have crazy ambitions, you're always happy just kind of getting by. Our expectations were always kept low. And so I feel like we appreciate it all the more to have all this good fortune come our way, which we hadn't really been planning.
Once you learn the idea of what a good guy is, you want your dad to be a good guy, and when your dad lets you down and doesn't act like a good guy, it's disappointing and can make you angry as you see it happen, which is beautiful and very believable.
I am flattered that they think that many people would enjoy my work. I don't approach any genre a different way than I may approach another one. I treat every role I do like a role worthy of applying whatever kind of tactic, process and talent I have.
Sometimes I've been more emotionally disturbed by the experience of shooting a comedy than a drama. After 'We're the Millers', I think playing this battered loser who's confidence was at zero for 90 percent of the movie, I did genuinely feel that way.
I am telling folks that the Country as a whole is "Sound," and that all those who's heads are solid are bound to get back into the market again. I tell 'em that this Country is bigger than Wall Street, and if they don't believe it, I show 'em the map.
Now I'm seen by more people in one episode than I was in 20 years of theatre and movies. It's gratifying to have an impact on 25 million people a night, but I can say goodbye to my lunch-pail life as a working actor. I'm scared I might be a celebrity.
I was always working. Maybe you weren't aware of the movies I was making, or the television I was doing, or the shows I was creating, or the books I was writing; there have been thirty. But I have always been solidly at work, running as fast as I can.
James DeMonaco is one of my favorite directors I’ve ever worked with. I think he shoots really well and all that, but the work environment he creates – he makes everyone feel respected, he makes everyone feel appreciated, and he’s a true collaborator.
I have to be fully committed to do a project nowadays, because if I say yes to something, it means the whole family are going to have to move for the job. It's a lot of upheaval. So, it has to be really worth it. Otherwise, I'd just as well not bother.
Actually, we got signed in November of 2000 with Dreamworks which is the most amazing label. We have friends on other labels and though we are not selling millions of records, yet, they treat us with tons of respect and give us some very good guidance.