Quotes of All Topics . Occasions . Authors
I had been in a film, playing a young British aristocrat. My wife told me that she was invited to a dinner and she invited me to dinner and the hostess had seen me and said, 'You cannot bring him.' but I think that I've done enough to shatter the image
When I was younger, I jumped out of a moving car. I would do anything. Now, being a father and knowing the political state of the world, there are certain things which potentially could be religiously volatile that I would probably avoid, but not much.
The height of my athletic achievement was in 8th grade when I was the point guard for my Jewish day school basketball team. We played in a public school league and, amazingly, went undefeated. I say 'amazingly' because our power forward was 5 ft. 6 in.
Someone told me about drama schools, and they seemed like mythological places - you can really go and be in drama classes all day? I inadvertently entered into this world where people wore bicycle clips and did song-and-dance routines in the corridors.
My whole thing is, if you love this person as much as you say you do and you spent this much time together, you owe it to that person to have a conversation with them about opening up the relationship one way or another before you go and you act on it.
I'm always going to judge somebody on their work ethic, and whether or not they made me feel something, or whether or not I felt they did a good job. To me, it's important to try to block anything personal out and look at the performance, in any field.
One of the interesting things about motion capture technology is kind of how it's all put together. The idea is to make it as much a "normal" acting experience as possible and then being able to do all these amazing technical things with it afterwards.
Sometimes, you don't know what's going to happen to your character until the night before you shoot the scene. So, sometimes, you get a great big surprise at the very last minute, which is scary sometimes. You don't have a whole lot of time to prepare.
At the end of the day, my life isnt about other peoples work. Ive got to stop giving stuff away. Ive got my own stories to tell, and a great need to tell them. Ive got these images, these thoughts in my head, and I need to find a way to cope with them.
When you repeat yourself so many times, even if you're speaking the truth, the repetition starts to feel false. Sometimes, you just feel like the words you're speaking, even if they once had meaning, have lost it. And that makes you feel kind of silly.
Hartford had the Mark Twain Masquers, which was fantastic. They had been in business I don't know how many years. They knew how to build sets and sell tickets and put on a play. My day started at night. When I left the office, that's when my day began.
I remember making the all-star team in Little League when I was around 11 years old. I was not a great athlete, but I loved it, so making starting second base in the all-star was great for me. I think someone must have been sick and they slotted me in.
I have a 10 year old boy and a 6 year old boy and the stuff that they watch, it's always... I mean, it could be because we're a funny family, but they love the humor and combining humor with space action, I mean, you know, there's a winner right there.
I think some of the big characters, you know, they do these adventures, but they've got something about them, they've got this charisma, and they've got to have a sense of humor. Because whether it be very dry, or very silly, they've got to be likable.
I can't stand going to those sandwich bars where you've got to choose your own stuff, because I don't know what goes together. It does my head in. I'd rather them tell me. I'm not the expert. I haven't spent years learning these different combinations.
When I read 'Stand By Me,' it was like, 'This is a look back at the same time period when I was growing up, and it was about kids, but it really felt like what it was like to have those powerful feelings of friendship at age 12.' That's what got to me.
I just love the Corps. I love the brotherhood, the camaraderie. I thank anyone in uniform who serves their fellow man. I love this country for so many reasons. We have such a great country here, and it's worth defending, and it's worth sacrificing for.
When you're leading Marines, you don't screw around, so the comedy is limited in uniform. And when you're a comedian, you can't be heavy handed and come across with tales of gore or material that people won't understand, so I try to keep them separate.
In 15 years or something - I like the idea of just one paparazzo coming out and trying to get a picture, and I just beat the shit out of him. I mean - out of nowhere - when my picture's not even worth...and I've spent all my money, so you can't sue me!
When I started, I was an artist; I wanted to be an artist. I became an actor almost by accident. I acted for fifteen years and tried to produce. I looked for stories that were the story beneath the story that you thought you knew, like 'The Candidate'.
I like working with actresses, and I like women a lot, not for obvious reasons, but just in that that there's so much about what they bring to the scene that keeps it so interesting. Their instincts are so different, and they never explain them to you.
I saw some amazing, beautiful, invigorating parts of America, but I saw some dark parts of America, an ugly side of America, a side of America that rarely sees the light of day. I refer, of course, to the anus and testicles of my co-star, Ken Davitian.
I was traveling a lot as a young actor, and while in a new city, I'd want to see the place, so I would just put on my trainers and go for a jog. And the more I did that, the more I found I was traveling longer and longer distances. I just fell into it.
For me, I guess music has always been the through-line. You know, I played guitar from a really young age, and my dad played, and my cousin gave me a drum kit when I was 13, and I played bass guitar, so, you know, it was definitely always in the house.
Each week we usually have one person who's never done the show before. Last year we had close to 60 who'd never done the show before. We're constantly booking new people, sometimes to the consternation of people who live here who do the show regularly.
I have new bodyguards ever since I got a TV show. I didn't know, but it's a lot like becoming president. They tell you every single secret, like who shot JFK. When you have a TV show, they not only tell you who shot JFK, but they assign you bodyguards.
The biggest challenge for everybody to realize out there is that we're in a very complicated business world and that were all under one umbrella and it's very challenging for everybody to figure out where the priorities lie and where the loyalties lie.
My friend Jim Parrack is in 'Child of God,' and we grew up together. Back then, we would watch old movies and go reenact them at a Blockbuster or a supermarket. We'd end up getting in trouble because you can't reenact movies. People think you're crazy.
Because I could throw so hard when I got to college, they made me a pitcher. If I had to it all over again, I would have stuck to playing in the outfield. I loved running. I can catch everything in the outfield. I could throw people out from the fence.
It's interesting in American culture. We like to build people up and then push them off the pedestal, and then we want to see them come back. Like Britney Spears, and a lot of people, it's what we do, and it's not like that in other parts of the world.
I've got a lot of weaknesses. One of them is that I often get scared and tense when I'm working - and fear is one of the big threats to any good performance, because it closes you down and makes it harder for you to produce life in front of the camera.
I am not a nationalist in any way, and I hate flag waving, and I don't think much good has come out of nationalism. I am proud of Scandinavia in the sense that we have actually managed to create a very tolerant and human society, which is very livable.
L.A. is only where you live, because otherwise it's just a sprawling mass of everything, and I think if you live in L.A., you get a little network of places you go, and people you see, and when you leave town, you do miss those places and your friends.
Growing up in New Orleans, when you're in seventh and eighth grade, and you're into music, and you're a dorky dude, you know, you listen to the entire Rush catalog and the entire Zeppelin catalog, and you go through these, like, phases of classic rock.
Being a judge is sometimes like raising children: litigants get the time they need, not necessarily the time they want, and you have to earn people's respect by communicating to them that you're going to listen, follow the law and make a fair decision.
Most of the kids that I meet in the street are serious hardened criminals that I meet in the street, never had a mother and a father to love them, to protect them, to teach them right from wrong and lead them out of crime and gangs and stuff like that.
Social media has created a legion of social delinquents, billions of people speaking not their minds but their spleens, venting everything from the gum-cracking snark befitting a hair-twisting mallrat to the froth-flecked rage of a bell tower marksman.
In the ring, if someone hits you too hard, you can only take so many of those, and you have to send back a receipt, meaning 'Hey, settle down.' If a guy has a bad night at the office and catches you in the chin, you pop him so he knows what's going on.
When I was in high school, I was doing all the plays. My drama teacher, Melody Duggan, was the one one who first made me do stand-up. She's the origin of the whole thing; it's all her. In high school in Denver, that was kind of the beginning of it all.
There's some things you just have to live with. Like twelve cars camping outside your house, and when you wake up in the morning, they're going to follow you wherever you go. It helps that I live in Valencia. It eliminates some. But they're still here.
There are pros and cons to everything but especially with what I have chosen. There are cons - the privacy level and everything that comes with it - but I feel there are a lot more pros. And I am doing what I love to do, so I am not complaining at all.
When I'm working, I look forward to weekends. Film sets give your time a structure; otherwise, one day can run into another. I often find myself in unusual locations, so Friday nights I might head out with some of the cast and crew to explore the town.
I think there's a value in people talking, it's just that we're in this culture now where everyone wants to 'out' each other at every moment, for their unconscious bias or whatever, and people then don't feel free to just talk. Do you know what I mean?
Steve Jobs is considered an amazing genius and made billions of dollars. Sure, we overlook that he didn't pay his share of taxes and didn't believe in charity. But other than these occasional rumblings of dissent, he is pretty much held in high esteem.
I find that, when I'm working, if I start the day with a run - outside, not in a gym, but just me out there in the elements, with only my own legs to propel me forward... It's something to do with just being in the world and getting out of my own head.
I think that's what happens when you get scared, and you're rushing, and you don't have time. Rather than cut things out and take a chance, and build things up you think are working, you cut everything down a little bit, and everything sort of suffers.
I think maybe because I do other things and they mean as much to me as movie acting, it takes the onus off me. It's not the end of the world if I can't get a film job, or if a movie doesn't turn out well - even though I don't like it when that happens.
We always see abhorrent behavior and say why, but then we get mad when somebody tries to answer. Just to answer the question why does not say I'm validating behavior. I'm just saying, if we're going to be a student of human behavior, be a true student.
There's a lot of great stuff on television and that's very appealing to actors who want to work, who do good quality and high quality work. But you're always concerned that the time demands on television will interrupt or interfere with your film work.
I pretty much choose anything I do in life based on whether or not I can work in my PJs. Certainly one of the perks of doing an animated film is that you don't have to go and get ready and wear wardrobe, and you just show up in whatever you're wearing.