Quotes of All Topics . Occasions . Authors
There is a shortage of hard R. It was the story and the character. He's never played a character like this and so that was the thing that really won him over. The story itself, on the surface - Patrick and I love actors almost in a geeky kind of way.
I turn to my wife for everything. Her success has never affected her as a person - she's incredibly loyal. We laugh together; we share everything, and she still surprises me. When I saw her in 'Sweet Charity,' I was so proud to say, 'That's my wife.'
It bothers me when people say 'shock comic' or 'gross-out' because that was only one type of comedy I did. There was prank comedy. Man-on-the-street-reaction comedy. Visually surreal comedy. But you do something shocking, and that becomes your label.
Prior to Saving Private Ryan I never worked with men. I was always working with some babe, and it was always about falling in love, and it just got turned around. I'm not looking for any particular kind of story. I wait until it comes across my desk.
I don't want to be quoted as 'Tom Hiddleston, psychologist says...' But there is a psychological aspect to being an actor. We are particular students of human nature - not every actor is, of course, but that's what fascinates me about being an actor.
In America, celebrities who go to see your show will come backstage and introduce themselves. Meeting Annette Bening and Ethan Hawke that way was amazing, but when Tom Hanks came, it was really special - I've loved him since I first saw him in 'Big!'
There's no private side to acting, which some people find hard. I've drawn inspiration from athletes. They manage to be themselves under the pressure of public scrutiny, and they have it much harder - they have to perform with people yelling at them.
The Black Lives Matter movement, the various Occupy movements in Spain and the rest of Europe, in this country, and elsewhere serve as an example of what can be done, and how strong the voices for positive change and truly democratic progress can be.
Every movie, especially when you get involved... takes something out of you. You learn something, but you give something to the movie. And after the movie, if the experience has been intense and a true experience, you're a little different afterward.
Horsemanship through the history of all nations has been considered one of the highest accomplishments. You can't pass a park without seeing a statue of some old codger on a horse. It must be to his bravery, you can tell it's not to his horsemanship.
I mean, comedy's hard. If you go back and look at the first season of Seinfeld, it's a work in progress and that's what happens. It just take time for people to figure each other out, and figure out timing, and to develop creatively with the writers.
To do panels where you get to interact with your fans, in a really intimate, awesome way, and to let them ask all of the questions, is fun to me and it shows them that you care about their opinions, their thoughts, and their passion for your project.
I'll watch a Pixar movie over and over and over again. I'll be with friends of mine who have kids, that want to watch 'Finding Nemo,' and I'm like, 'Yeah, okay, let's watch 'Nemo' again, for the seven billionth time!,' because they're amazing movies.
I guess I was maybe in little league baseball as far as I wanted to be good at that. But school, I certainly wasn't the best at that. But comedy thing and making movies and stuff, I love it so much that I do get driven to push myself as hard as I can.
My parents have raised me with a sense of what's really important and have given me decent values, and I'm comfortable, but I haven't lived an excessive lifestyle in the least. And I've kept my expenses to a minimum so that I have the freedom to wait.
My own rapping skills are quite good, actually. You get this thing, I think it's called Songify or AutoRap, and you talk into them, and they auto-tune it and make it into a quite interesting musical number. And I got one where it builds it into a rap.
In 'The Goods,' I'm Ed Helms' dad, and I was known all those years as Kirk Cameron's father, and now I'm known as Robin Thicke's father, so I find myself playing myself a lot and, frankly, living up to expectations of what the public's image of me is.
Steven Spielberg seems to have wanted to be a director from 13. He put his dog in a certain position and made him eat at four o'clock. He liked to direct it. But, to me, directing is tedious. Especially if you're acting in it. And I'm inherently lazy.
I'm really fond of 'Real Life' because I think it anticipated a whole movement. And people forget, they talk about 'Spinal Tap,' but that wasn't... this was a mockumentary a long time before that. It was one of the early, early sort of mockumentaries.
I'm constantly looking for ways to learn and elevate your craft, patience for yourself, and patience for this business. It's not a fair business. You may be great, but it may take years for someone to notice what you're capable of because of politics.
Often in films, you have no idea where you're going to be six months from now. And I grew very weary of that. And television, although it wasn't necessarily as creatively diverse as filmmaking can be, it was the lifestyle choice that I needed to make.
Baseball players practice, runners practice, so how can you practice being funny? You get up onstage. You train as an improviser, playing make-believe, using the vernacular of improvisation, saying 'yes and' to other people's ideas, making statements.
I can pretty much call anyone, whether at the White House, in a company or in the media. I have access, because of the silliness of the entertainment world and how people react to it. It gave me an enormous opportunity to do anything I really want to.
For me as a Welsh actor, Richard Burton is one of my biggest idols. And I've got so many: Peter O'Toole, Laurence Olivier and Oliver Reed. If they got 'Hunky Dory' and 'Citadel' offered to them, they would do completely different jobs on both of them.
I'm the youngest of five kids, and I wanted attention. And in Santa Barbara, there was lots of theater going on, so for that area, it was a little bit like playing Little League baseball. There were dance classes, theater classes, and I just loved it.
Asian people are very practical and come from a conservative world. The parents want their kids to be doctors and lawyers. There are casting calls for Asian children, but once the parents find out the children might miss school, they're opposed to it.
I had studied the violin to a certain amount of success. At some point, I realized that I didn't really like the violin. I was only doing it because I could, and I was good at it, and everyone was encouraging me. But I didn't have a great love for it.
I have been fortunate to get some really good scripts over the years and I haven't turned down anything that I regretted so far. And my manager who I've been with for over 25 years is very good at knowing what I should and shouldn't do a lot of times.
My parents were really encouraging. But I had to teach them the proper way you respond to an actor after seeing a play - regardless of whether you like their performance you tell them how great they are because they have to go on again the next night.
I've directed a fair amount of television series - so I'm always trying to learn new things. One episode was all hand-held and I'm trying to get better at when you should do things and when you should just shut up and watch what the people are saying.
I do live a very Hugh Beaumont existence. I'm up every morning, taking my kids to school and all that, which obviously does interest me. But then it's taking meetings with goofballs and auditioning for crap, and then I spend a lot of time on the road.
Any love involves loss, and that's the risk you take. And the greater the love, the greater the loss. I certainly feel that now with the woman I'm with, and the children that I have. But whatever the course may be, this time together is extraordinary.
I've always been at war with myself, for right or wrong. I don't know how to explain it more. It's universal. Some people are better at dealing with it, and they sleep with no pain - not pain, arguments. I've grown quite comfortable with being at war.
To break up with a girl: be direct. You have to behave the way you would want her to behave, and I would want the door to be closed. You have to be sensitive but honest. You have to be a gentleman and do it in person. You have to look her in the eyes.
But so long as we can keep this crew of fantastic people together and can continue to make real breakthrough films in this category, as well as characters that stay true to what we've done in this first film, I'd be more than happy to be a part of it.
I couldn't say no to jobs and I couldn't say no to drugs. I'd get high from a movie, I'd be somebody else because I didn't particularly like me, so long as I had a script in my hand, I was okay. As soon as the movie was over, I didn't know what to do.
It's cyclical. I'm riding a wave right now, and I recognize that. I wanna do as much work as I can, do the best I can. And when it's all said and done and they say, "Get outta the water, you're done," I wanna be so exhausted that I look forward to it.
I am made Hand of the King which gives me an enormous amount of power, which I use quite ruthlessly - but skilfully - and Dame Diana Rigg joins us [playing political mastermind the Queen of Thorns] and we have a couple of really good sparring moments.
If you get a bad script, then you start expending energy trying to make a silk purse of a sow's ear. When the script's as good as those on 'Game of Thrones,' say, I don't think there was a single occasion where any of us thought there was a bad scene.
'Be comfortable with who you are', reads the headline on the Hush Puppies poster. Are they mad? If people were comfortable with who they were, they'd never buy any products except the ones they needed, and then where would the advertising industry be?
Looking at the original lyrics [of "A Song For You" ] as I was preparing it, I thought, "Wow! I feel like it was written for me." That's what a great song does. You don't have to do a lot of homework. You can just say the words and it springs to life.
I became an actor by doing school plays and youth theaters, and then National Youth Theatre of Great Britain. And then I did study at the London Academy of Music and Dramatic Arts. For me that was a good way to enter the field, to work in the theater.
In the West, audiences think I am a stereotyped action star, or that I always play hitmen or killers. But in Hong Kong, I did a lot of comedy, many dramatic films, and most of all, romantic roles, lots of love stories. I was like a romance novel hero.
The street I lived on for the first handful of years of my life was lined with modest, lower-middle-class houses with small front yards and cracked driveways - your typical North Jersey neighborhood, with all the odd hidden darkness that that implies.
Hollywood, as everyone knows, glamorizes physical courage. . . . if I had to define courage myself, I wouldn't say it's about shooting people. I'd say it's the quality that stimulates people, that enables them to move ahead and look beyond themselves.
Music does have a very special place in my heart. I enjoy it very much. I suppose it is my first love and I do a lot of it. It seems to be when you are making a project it inspires you sometimes to jot down something that you think fits the situation.
In some ways, it's easier to be the lead. Week after week, scene after scene, the rhythms of filming force you to peel away a certain amount of artifice. When you're on set that much, there's a license to let the character emerge from the work itself.
I love Westerns and I remember as a kid climbing up on the couch and make it into a saddle and shoot guns and fall off. I would lay there after my death and my mom would tell me to eat lunch and I'd say, 'I'm still dead, Mom!' I was Method, even then.
The humor is essentially dark for a cartoon and sophisticated. But at the same time, being a cartoon gives the writers more freedom than in a normal sitcom. It always pushes the line that, despite human failings, the Simpsons are really decent people.
What I'm having is this conflict in my life right now, that in New York, I see my directing friends and I see acting friends and they've all got this level of passion about either or both of those directions that I've never really found myself having.