Quotes of All Topics . Occasions . Authors
I am a fairly physical guy I stay in shape and do a lot of karate and that kind of stuff. I prefer to do my own stunts if it's possible. I'm not jumping off burning buildings or something, but rolling around and getting knocked down and stuff like that I get a kick out of.
I usually need to read emails to actually wake up. I'll read these and Twitter, and my brain will start to get going about what a narcissistic monster I am. I read on Twitter who is talking about me. I'll also start making jokes for the day based on what I read on Twitter.
The Hollywood image of the movie business is all about ambition and high achievers like James Cameron. But the British film industry is much more about men who wear cravats and work with model trains and hope another series of 'Thomas the Tank Engine' will be commissioned.
Creativity is absolutely for everyone. I firmly believe this. I think if you're the driest accountant with the plastic pocket pen protector it's in how you interact with the world. There is artistry in everything that we do and there is expression in everything that we do.
If you're into comedy, you will know what the show is about. We have so many comedy geeks, comedy enthusiasts, fanatical people who go to comedy festivals and follow comedians, and really treat it like rock 'n' roll - which it can be, but more like the geeky rock 'n' roll.
I had been laughed at my whole life through school, and I never really thought of it as a vocation. I mean, I started off as a soldier, and then I went into the university thinking I was going to be a journalist, but comedy kind of fell on my head and demanded I pursue it.
I listen to a lot of podcasts, which are split down the middle between comedy and board game podcasts, and a couple of eclectic ones like 'The Dinner Party' from NPR, where they take an event that happened that week in history and give you a cocktail recipe inspired by it.
The political nonsense of network television and the culture of a set and all the problems that that can create, I can take. I can't take betraying the truth of what I'm doing. It cuts to the absolute core of everything that I do in the craft, in this world that I live in.
Under the current system, all children under 17 are treated equally. However, while some films may be appropriate for older children to see with parental accompaniment, some are inappropriate for younger children under any circumstances. This problem needs to be addressed.
Im thinking of buying a monkey. Then I think, Why stop at one? I don't like being limited in that way. Therefore, I'm considering a platton of monkeys, so that people will look at me and see how mellow and well-adjusted I am compared to these monkeys throwing feces around.
Dad's Jewish and Irish, Mom's German and Scotch. I couldn't say I was anything. My last name isn't even Downey. My dad changed his name when he wanted to get into the Army and was underage. My real name is Robert Elias. I feel like I'm still looking for a home in some way.
I've always remembered something Sanford Meisner, my acting teacher, told us. When you create a character, it's like making a chair, except instead of making someting out of wood, you make it out of yourself. That's the actor's craft - using yourself to create a character.
I grew up in a small town where I went to the movies a lot and fell in love with all these people. I also fell in love with the movie business. So all I saw were actors on the screen so I thought, well, that's what I have to be if I want to be a part of the movie business.
You can't think about how people will perceive you or your character. All you can do is focus on your work. The rest is up to the universe... I've been acting for 16 years. I've done 55 movies and, in all seriousness, there's maybe five that are good and the rest are crap.
It's a creative enterprise, just like art, just like painting, music. Creating something can be done in different categories, so to do it in film is just another expression, which is great. Because it translates so well because so many people see the work, if you're lucky.
If I asked you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell.
The biggest cardinal sin is not being in the moment, whether in life or on-screen. You owe it to your fellow actor that if they feed you something, you give them an earnest response to what they've said to you as opposed to what you wanted to do before they ever showed up.
I learned acting by doing it. And although I had never taken an acting class, it didn't take long to learn how to be on the stage. All you have to do is to be humiliated in front of an audience a few times. If you don't like being humiliated publicly, you learn how to act.
I enjoy racing historic motorcars from the '50s and '60s. The seed of my interest was planted when I was about 12 years old and took over my mother's Morris Minor. I drove it around my father's farm. But my favorite car is still a McLaren F1, which I have had for 10 years.
My attitude toward friendship has remained the same. I will support and encourage you with all the love in my heart, but if it's not reciprocal, I gotta go. If your friends are bitter about your success to the extent that they act out, don't expect them to change. Move on.
The overall commentary on what I'm doing is saying, 'Hey look! I get to create whatever persona I want to, and it's all up to me. And the truth is, we are all - basically the universe - pretending to be humans for a brief moment of time. With a little self-induced amnesia.
I have a vision of a world where we don't continue down senseless paths, where we care for our fellow human as much as we care for ourselves. I believe the mere striving for such a world is in itself a part of the liberation, and a foundation for inner and global security.
I've studied a technique called the Sanford Miesner technique, that teaches you how to focus. It's mainly about daydreaming. And the technique's really about imaginary circumstances. Using your imagination to sort of daydream about stuff. It makes you emotional in a scene.
I'm not sure anybody's ready to see me in a drama. And loving movies so much, I've seen a lot of comics try to make that transition too fast, and it can be detrimental. And I don't think I've had as much success as I need in the comedy genre to open up those opportunities.
The process of creativity and life is one of death and rebirth, that's constantly happening over and over again. Whether it's an actual death or just a shift in perspective, that cycle is forever continuing. As an actor and person, that's just something you have to accept.
For Scary Movie 2, we had a due date and had to work fast. And though there's a lot of pressure, as artists, we just block it out. So really, the pressure comes from us. That's how the first movie happened. There was no outside pressure: we wanted to hit the audience hard.
I want a partner in crime and a Bonnie to my Clyde. I've just been so focused on my career. Women don't like being number two, so I've been glad to keep my distance so I could focus on me, get my life together and take care of my mom without disappointing the woman I love.
I started acting long before I decided to pursue it. I started acting as an amateur when I was a kid, but I wanted to become a diplomat. It was self-centered and weird, but I had this idea of going out in the world and solving conflicts and making the world a better place.
There's nothing worse than people who are confused when deciding about something, so hopefully we can clear up any questions folks have. I know a lot of people are confused as to what the options are for White County so if nothing else, we will try to explain the scenario.
I've never had the luxury - or the nightmare - of having something just blow up and be this huge success and then have everything thrown at you. Being 'the best friend' lessens the responsibility, 'cause I can still go do another movie after something that doesn't do well.
So even these stages of progression, whether it's your career or whatever, you get somewhere, but then it always brings a new host of issues that are relative dissatisfactions to a certain degree. I think it was a great philosopher who once said, "Mo' money, mo' problems."
I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
Taking even one therapy session is just one step in the right direction to getting help and getting better, so I think it's great. I love it. I've convinced a lot of my friends to get into therapy, and they've given it a shot. Sometimes it's not for everybody at that time.
To have a director that loves his actors is something that you can see in the film and in the fruits of that labor. You can see that translated in the film. When you watch this movie, you can see a director who loves his actors, and it shines through the movie, in my eyes.
I'm one of those actors who's going to have to create a space for themselves. It's very easy to be the young Tom Cruise, because Hollywood knows what to do with you. But if you're someone who's bringing someone slightly left of center to the table, you're not a sure thing.
A lot of directors are great and they are fine but you know I think that Harry really takes a special point to really engage the actors and really make it feel like a safe place for them to explore whatever it is they want to explore in whatever scene with their character.
There's no way that I could have known about a 72-oz. steak challenge in Amarillo unless thousands upon thousands of locals and travellers alike had attempted it. I guess if 'Man V Food' is me paying homage to these legends, then I suppose 'Man V Food Nation' is the legacy.
How do I speak Spanish? Not too well. Paz taught me a few words that, if people weren't nice to me, I could tell them a few things. I got to study with [chef] Thomas Keller, who we all love as a guy and Jim had a relationship with him at [his restaurant] the French Laundry.
I'm used to working with a rehearsal process and your body. It's a different thing to just be a voice. It's liberating, on one hand, because you get to show up in sweatpants and with Doritos on your fingers, but on the other hand, it's limiting because it's just your voice.
If you don't listen deeply, the connection won't take place.... [You have to be] willing to be changed by the person you're listening to, where you're not just waiting for a pause so you can say your thing, but you're actually letting them have an effect on you if they can.
With the best intentions, the job of acting can become a display of accumulated bad habits, trapped instincts and blocked energies. Working with the Alexander Technique has given me sightings of another way... Mind and body, work and life together. Real imaginative freedom.
[ Being director] is really reassuring to me that it's just about who is right for that role and less about if you ace the audition. It's just about getting to know people, not about who's a better actor a lot of the time. It's about who fits that particular suit, you know?
There are some times when you make films and you travel places, and the take that people in the business have is that the worst way to see a city is to shoot there, because you work these long 12, 13 and 14-hour days, and you go home to the hotel, you eat, and you pass out.
The structure of my life has changed a little. But we no longer have the time that we had, to be with family. Sometimes you can't even spend any time with friends because you are working so hard. You're either on tour or on promotion or suddenly we're taping the soap opera.
I love theater work because of the immediate effect your performance has on the audience. And I love the repetition, I love getting on the same stage for more than a month and reciting the same lines, trying to make a small or large step towards an improvement in my acting.
I love theater work because of the immediate effect your performance has on the audience. And I love the repetition; I love getting on the same stage for more than a month and reciting the same lines, trying to make a small or large step towards an improvement in my acting.
I've always liked American actors particularly. Because that was my first impression. I was very enamoured of America when I was a kid because we were surrounded by American soldiers during the war, the accent was very strange to me, it was very exotic and very captivating.
I did a film, 'X+Y', in which I played somebody on the autistic spectrum. It's a subject I didn't know very much about, but being an actor gives yourself the opportunity to really immerse yourself in that world and learn things. It's one of the great things about what I do.
There's two different disks recorded at two different shows. And they're two very different shows. The San Francisco disk was in front of 450 people and was a real professional show where people did their best stuff. So to some people that's going to be their favorite disk.
When you are in your 20s and you're not married with kids, you're having fun. But when you're in your 30s and you're not married and don't have kids, you begin to develop a Peter Pan complex. As you grow older, you have more responsibilities and you have to step up to them.