Quotes of All Topics . Occasions . Authors
I am not on tumblr. I can barely spell tumblr. However, there does seem to be someone on tumblr (who copied my reddit user name) who is apparently trying to impersonate me. I like the idea that people are pretending to be me. I spend most of my time pretending not to be me.
MEN WALK ON THE MOON. To me, this speaks of a time when America wasn't just about the almighty buck. The Russians had put up Sputnik, and the U.S. would not be outdone. I admire that about the American spirit. There's only one spot in history for the first ever of anything.
'Heroes' was such a big production. When I was there in the second season, it had been expanded so much. Fans of the series will remember, and many of them were upset about it, but they had expanded so many new characters that they were actually running two different units.
I'm not afraid of death. What's to fear? Once you're dead, that's it. Nothing. I don't believe in heaven or hell. That's baloney. What matters is the here and now. Yes, I'm 88, and there are things I can't do: I can't run a race or climb Everest. But isn't life magnificent?
A journalist once asked me what I would like my epitaph to be and I said I think I would like it to be 'He did very little harm'. And that's not easy. Most people seem to me to do a great deal of harm. If I could be remembered as having done very little, that would suit me.
I wanted to do a naval film and I flirted with different ideas, most of which ended up being too intense. So when the idea of 'Battleship' was first suggested, I was instantly drawn to the challenge - could I invent a movie around the idea of five ships fighting five ships?
I think acting, oftentimes it's not about lines, it's about spaces in between lines and expressions on people's faces and their relationships. You can tell your own story, or a story that you're interested in, even if the lines don't necessarily point you in that direction.
With a lot of shows, what you'll see happen is they start off really well, and they're very original, but they become sort of a version of themselves. They stand outside the show... they become a cliche of the show they once were. That's the whole 'jumping the shark' thing.
They wouldn't take me in the navy because of my glass eye. So I joined the merchant navy, who allowed monocular crew if you worked in the kitchens. You're not wanted on deck or in the engine room with one eye, but you're good to fire up the ovens and cook hundreds of chops.
I'm an actor first and foremost. My producing credentials are just to say, "Yeah, I love this story and now let's bring the people, the ensemble together," and I get out of the way. I have no desire to check on schedules and shooting schedules and money and stuff like that.
As I've gotten older and I've watched people in productions, I go to the theater when I go back to London and see friends in Broadway, I think maybe there might come a time here to get back up there and prove oneself. It's just an itch; it's a nagging itch to go back there.
I'm an actor first and foremost. My producing credentials are just to say, 'Yeah, I love this story and now let's bring the people, the ensemble together,' and I get out of the way. I have no desire to check on schedules and shooting schedules and money and stuff like that.
I have forty-six cookbooks. I have sixty-eight takeout menus from four restaurants. I have one hundred and sixteen soy sauce packets. I have three hundred and eighty-two dishes, bowls, cups, saucers, mugs and glasses. I eat over the sink. I have five sinks, two with a view.
There's no way to play it cool when you meet Paul McCartney. You just start sweating, you trip over your words. Everyone kind of reverts back to being a 10-year-old girl. You can't help it. He's one of the only people on planet Earth that everyone knows who he is. Everyone.
There's no way to play it cool when you meet Paul McCartney. You just start sweating; you trip over your words. Everyone kind of reverts back to being a 10-year-old girl. You can't help it. He's one of the only people on planet Earth that everyone knows who he is. Everyone.
I had just left 'Saturday Night Live' when I came to 'The Daily Show,' and it just felt like Jon was on my side. I'll always be grateful to him for that. I just got the impression he wanted me to succeed, and then I wanted to succeed for him. I think that's good leadership.
I just think that beautiful people don't have it as hard, you know? They just don't know what rejection's like. That's why super models aren't good actresses, because they don't need anything. If someone is beautiful and she's needy, she's probably had a terrible childhood.
His [Frank Sinatra] voice defined not only a certain period of time, but America and what America meant to the world. Sinatra grew up, as my grandparents did, when being Italian was very, very prejudice against, but they didn't let it bring them down or use it as an excuse.
Tatiana Alvarez, who also became a queen of the wheels of steel in L.A., has now sold her incredible cross-dressing, reverse 'Tootsie' story to Warner Bros. in Hollywood, and hotshot producers Mike Medavoy, Brian Medavoy and Erwin More have reunited to turn it into a movie.
I really do feel like Los Angeles is my home now and, as cliche as this sounds, I felt like I found myself here and I really know who I am now. There was a long period like I was drifting or floating through life, and now I feel like I have a definitive target - and future.
I enjoy some physical stuff. But if I had a choice between playing a scene where it's raining, it's terribly cold, I'm wet and I'm being drowned and playing a scene with dinosaur eggs in a laboratory, I'd probably take the latter. It's warmer and generally more comfortable!
I think the writing and the casting and all of that has so much to do with actors becoming their characters. I think if an actor is right for a role, casting sees that and the words that are on the page, depending on how it's written, can really help your character develop.
It was a small farm in a little rural town by the Indiana state border. I lived there from ages 5 to 12, I would say, before we moved to Dallas. We had chickens and a vegetable garden, and I had to get up to milk the goats at seven in the morning or do it at seven at night.
I was raised as an upper-class WASP in New England, and there was this old tradition there that everyone would simply be guided into the right way after Ivy League college and onward and upward. And it rejected me, I rejected it, and I ended up as a kind of refugee, really.
I started to book good television jobs in 2010. I started to get really close to exceptional jobs in 2011, and then I got 'Arrow' in 2012. I know how lucky I am because just getting the lead in a pilot doesn't guarantee that that pilot is going to turn into something great.
Growing up, it was about finding a way to entertain myself outdoors. We spent all the summers on the beach, camping with my family a bunch, and traveling as much as we could. My parents wouldn't let me watch too much TV growing up or play video games, or anything like that.
You can play anyone if you're open enough. It's a form of possession. Each time you work on something, you allow yourself to be possessed by creating the environment for it. Then you allow the possession to happen - but not at the expense of your sanity or of your identity.
With correction, and given the chance, 'Terra Nova' can and will deliver seasons of transcendent images and story-telling. Failing to renew 'Terra Nova' is shortsighted, as myopic as it would have been to scrap the Hubble. 'Terra Nova' is the Hubble Telescope of television.
When I see things through my eyes, I don't want to ever just be really negative towards someone's performance. There are many ways to skin a cat. Sometimes I watch the guys, and they're doing different things than I would have done, but I don't ever want to be too critical.
I actually prefer Twitter as a medium, and I also got into Periscope for a second, but I'm still trying to figure out what to do with it. I can't figure out if the only important thing about it is the live broadcast, or if it's an interesting kind of way to log what you do.
I understand what 'Lost' was, and I count my blessings. I'm usually happy to talk to people. I don't think I've ever had anybody say anything negative to me about it except, 'I didn't get the ending. What the hell was that all about?' And I'm like, 'Talk to Damon Lindelof!'
If anybody ever needs to find me, I'm in the Glendale Whole Foods. I think it's the greatest Whole Foods on the planet. There are a bunch around the country, but this one seems like it has everything. Plus, everyone is super cool, the flow is fantastic, and it's in my hood.
When I was in New York, I took my bike everywhere for transportation. I didn't have a fixed-gear bicycle, like a lot of the messengers do, but I had a stripped-down deal - having lost a few good ones in New York - and I did 10 to 15 miles a day just getting around the city.
I think when you go in, with film or television, you want to tell this narrative. And with 'Joshy,' you want it to be grounded with moments - it's not like, 'Everyone be as funny as you can, quickly, at all times!' It's not like that. You have to pick the right improvisers.
When I started in the profession, there were very visible actors who were Scottish, Welsh, or regional. Lots of working-class-hero leading actors; it was not fashionable to sound posh. Now, I'm middle-aged; it's fashionable to sound posh if you are the generation behind me.
If you're the type of person who has to fulfill your dreams, you've gotta be resourceful to make sure you can do it. I came out to California when I was 21, thinking my New York credentials would take me all the way. I came back home a year later all dejected and a failure.
In film you have the script months ahead of time often, for a good film, but in television it seems like you might not get the script until a week or two weeks before you've got to film it. It's a little weird, but also quite challenging. It reminds me of repertory theatre.
The idea of the straight man is very important. But I'd rather it be somebody else, because it's not as fun. And when I say somebody else, of course I mean Jason Bateman. He's born to play boring characters because he's such a bore. He's one of the most boring human beings.
We're all embers from the same fire. Our ember winks out, we're ashes, we go back to the fire. I like that image. There has to be a unifying theory. I think there is a continuity of some kind, that my love for my wife will go on past the death of my body. Nature is perfect.
Sometimes you'll see people give performances in comedy with an ironic detachment where they'll sort of be remarking on the character from outside of it. They're sort of commenting as they're playing the character. I think it's hard not to do that. I've certainly done that.
When I was kid, yeah, my family, my parents wanted me to marry a Jewish girl because that was what they taught their children, and thought it would be an easier life for me to raise a Jewish kid. And I have a Jewish wife, I have a Jewish kid. They seem pretty happy about it.
There's a lot of 'Game of Thrones' stuff used in a lot of pastiches. I don't know if I've seen a Lego 'Game of Thrones' yet, but there must be one. And there's an animated thing that's been going on for quite some time, and Littlefinger is a newsreader in it, and it's great.
That's the great thing about New Year's, you get to be a year older. For me, that wasn't such a joke, because my birthday was always around this time. When I was a kid, my father used to tell me that everybody was celebrating my birthday. That's what the trees are all about.
My dad's one of my biggest heroes. I also think Paul Newman's an inspiration. I know a lot of people say that, but I love that he's a great role model and a humanitarian. I admire people who don't necessarily want to change the world, but try to make it a better environment.
The attempt to regulate relations between people too closely, by means of the law, in the name of an abstraction such as equality, leads to both absurdity and cruelty. The British are fast turning themselves into a nation of slaves, where even the slave-masters are not free.
I haven't been able to grasp the concept of putting your life on the line for whatever reason people go into the military for. Some people just want to pay their bills, some people believe in their country and some people do it because their parents did it, but that's rough.
As a child, as far as I was concerned, my dad had an amazing job, and we had all the money we needed. My life was so fun and carefree that I didn't realize at all that we weren't rich - until I met someone rich. Still, I've never met a rich kid who grew up as happy as I did.
I'm a huge nerd, I admit to that. I love to play video games, I love to read, and of course, I've gotta still get my studies in and all. I love to learn. But I also love to do stop motion animation with my little Lego figures. I love to play around on the computer with that.
I think [guys and girls] are often very similar, emotionally. Guys put on the façade that everything is cool, but deep down, I think they have some of the similar problems with image, popularity and fitting in - finding a girl and being loved and all those types of problems.
I really feel that's part of why audiences go to movies now is to take you to a world you have no access to, whether it's the world of Avengers or Middle-earth or bars in Boston you would be afraid to go into. You see characters there - they aren't hobbits but they're close.