Quotes of All Topics . Occasions . Authors
When young comedians ask me for advice that's the one thing I always say is if they're improvisers I'm like do improv, don't make that your sole thing. And at the end of the day when you do your best work you also just kinda, by definition flush it down the toilet and never do it again.
In this business, if you take too long, the landscape changes. So the opportunities that were there when I decided to take a break weren't there when I came back. It's like, 'Wait a second - what happened here?' It was a real learning experience. I've paid my dues, I will tell you that.
I definitely have a spiritual outlook. I don't usually read self-help books, but I read a great book by a guy called Wayne Dyer, 'The Power of Intention,' which I loved. I'm not a religious guy, in fact I'm probably agnostic but I thought what this writer had to say was really powerful.
I met my grandfather just before he died, and it was the first time that I had seen Dad with a relative of his. It was interesting to see my own father as a son and the body language and alteration in attitude that comes with that, and it sort of changed our relationship for the better.
I thought I'd get over being insecure if I became famous, but it hasn't happened. It just gets worse, really. You get more and more on edge, more nervous. These are all the things I'm dealing with. You think if you get famous, fear will go away and problems will go away. But they don't.
I know from my experience in theater that the crowd is different every night; the reactions, the tension. But it's true for film as well, going from country to country and culture to culture. The difference between California and New York responses, for example. It's really fascinating.
There are so many burning issues to be dealt with that it's completely understandable and natural that a character is struggling with these issues themselves. In that struggle, you inform the audience. The thing about this writing is that it's very easy to learn. Good writing always is.
[My mother] worked at thrift stores and she didn't have a high school education. She sacrificed everything she had for me and my brothers. I never went without. She showed me that she could put food on the table, buy us Jordans, we had the best clothes and she worked two-three odd jobs.
Education to me is the most important thing that we've got going in this country. I mean, a lot of my family are teachers. I was the recipient of a great public education, and I see that's one of the first things that we're going to go, 'What are we going to raise?' The ignorant masses.
As an actor, there is room for a certain amount of creativity, but you're always ultimately going to be saying somebody else's words. I don't think I'd have the stamina, skill or ability to write a novel, but I'd love to write short stories and poetry, because those are my two passions.
After we'd filmed one series of 'Kiss Me Kate,' everyone was saying: 'The guy's got great comic timing,' - that was the first I'd heard of it. I'm not a comedian, I don't want to depend on a singular box of tricks. I like story and characters, to take on world views that are not my own.
In 1977, while I was performing in a play in Cardiff, a friend introduced me to a striking redhead called Myfanwy Talog, famed for her appearances on Welsh television with the comedy duo Rees and Ronnie. We were instantly smitten and eventually moved in together, sharing 18 happy years.
I've had the chance to work with Christopher Plummer, one of the great stage and film actors, a couple of times, including on 'Prototype,' the first TV movie I ever did. It was science fiction in the Ray Bradbury sense, written by the famous team who created Columbo, Levinson, and Link.
It has to be said that the bad guys are often more interesting than the good guys because you get to indulge part of your nature that hopefully gets subsumed most of the time. But I just like playing interesting characters, and variety's the spice of that, as it is with life, I suppose.
Is it possible to get a cup of coffee-flavored coffee anymore in this country? What happened with coffee? Did I miss a meeting? They have every other flavor but coffee-flavored coffee. They have mochaccino, frappaccino, cappuccino, al pacino...Coffee doesn't need a menu, it needs a cup.
I would think that the drumstick is probably pretty good. Because you can put that anywhere. If you are a strong guy, you can put it in the throat, the nose, the mouth, the ear. It's also easily concealed. The guitar is pretty good, but you have to break it. And that's pretty difficult.
I have no idea. I get involved because I think there's value in the project and because I love the character that is presented to me. I love the opportunity to examine a character, and to have him examine me, live inside me and move my hands. I love that. It's irresistible. It's a drug.
Kissing on screen is just, funny enough you're just acting so you're distracted by that more than anything. Or at least I am. I'm actually always coming away from those things going like, 'I wonder how I kissed just now.' Because I have no idea! I'm just thinking about what's happening.
At a party in L.A., I met this middle-aged gentleman who I was talking to for ages when I asked, 'So, what do you do?' Turns out I was speaking to legendary music producer Quincy Jones, who worked on Michael Jackson's hits. And there was little old me rattling on - I was so embarrassed.
I'm straight, but the character was too important to me to muddle his world with my private life. As a nobody, I got away with that deflection. I think it may have helped to introduce Brian as a believable gay man. Maybe not. However it played, it's been out of my hands for a long time.
I like writing and I enjoy it. It's painful. You can't get around the pain of writing. I'm still trying to balance on what I think is my creative habit. It varies, but I do know that I need to continue. It helps me with my acting, and the writing helps me be invested in a different way.
There's times when I'll see a show, or something cooking on TV, and think, 'That can really be fun when it's working.' But it's a grind. I did that at NBC, it was five days a week. I was doing 'Talk Soup' and 'Later' at the same time. It's a hard job, more difficult than people realize.
One of the nice things about being me is you show up in a town, you meet somebody interesting and entertaining, and for 48 hours, what a wonderful person to be around. You mess around, and all of that is super, super fun, and you don't have to deal with the long-term consequences of it.
I did a comedy with Al Franken about his character Stuart Smalley, which was really about alcoholism and addiction and codependency. It had some painful stuff in it. When we showed it to focus groups, some of them actually said, "If I want to see a dysfunctional family, I'll stay home."
Even under the best of circumstances men are hard creatures to trap. Women who flatter themselves into thinking they've trapped one are like people who believe they can get rid of the cockroaches in their kitchen. They're in for a big surprise late one night when they turn on the light.
As a kid, I really did want to hang out with the grownups, so it was hanging out with the hippest grownups in the world. This was the nicest bunch of people I've worked with in show business, with the exception of the people around 'A Mighty Wind.' It really was a wonderful eight years.
You think like a boxer and behave like a boxer, and you try to live your life that way, being in the gym all the time and being careful to push the plate away at the dinner table. You don't need dessert. When you're out having fun, you ask for agua instead of vodka. It's very important.
The most scared I'd ever been was the first time I sang at a rugby match, Australia versus New Zealand, in front of one hundred thousand people. I had a panic attack the night before because people have been booed off and never worked again... just singing one song, the national anthem.
When lifting, I'm always with a trainer because the thing that makes a difference is that last 20% in your training, and he very scientifically looks after my food as well, because when I'm going for a 'shirt off' shot, everything changes the month before, and I'm timed down to the day.
I'm reasonably easygoing. Messing up my lines or making a fool of myself is where you find my fears. Like a lot of English people, I'm prey to embarrassment - the dread that everyone's sort of sniggering at you, that you're going to look like an idiot. I think that sort of halts us all.
I believe that communal admiration of individuals is healthy for society. It facilitates, in one way, the base of our universal standard, morals, but also publicly espouses the virtue of certain practices that are kind of like 'inherently good' in some kind of ideas of what the good is.
For those that don't know much about 'American Idiot' or Green Day, just know that it's my generation's The Who's 'Tommy' or Pink Floyd's 'The Wall.' It was an album that really spoke to a generation. The theatrical show encapsulates that feeling and brings it to an even wider audience.
I had just finished working on a play, and we started to talk to the 'Happy Endings' folks. There was interest from both sides, which was exciting, because I thought it was very fresh. Adam Pally's just a really funny, talented dude. I thought I'd be great to jump on and do some comedy.
I wanted to be a visual artist because I grew up around a lot of painters and photographers and had a very artistic upbringing. And I fantasized about being a drug-dealer when I was a kid. I thought it would be a good opportunity; I knew that the market would be strong. Is that bizarre?
Being a dad, I certainly know what it feels like to give lots of love and understanding, and I also know what it feels like to be antagonized or to have my buttons pushed, at midnight when one of my kids just will not go to sleep. You've gotta just let them be what they are, ultimately.
Oh definitely. It'll be in a hot tub, with my entire head squeezed into a jet. The photos are going to be hilarious. Man, I really hope the internet sticks around so people can reference this article in my obituaries and see that what sounds like a joke was actually amazingly prescient.
A lot of the original people on 'SNL' came through Chicago - and Toronto, I'm sure - but Chicago was the center of it all. When I was there, Chris Farley - I knew him; we hung out and stuff - he went off to 'Saturday Night Live,' it was like, 'It's possible to be from here and make it.'
Long Island always seems to be the hardest place for some reason. There are always excuses. People will say, "Well, there's a lot to do in Long Island..." but you know what, if Jim Gaffigan was here, tickets would be gone a month ago, if Chelsea Handler was at the Barclays Center, gone.
Not many shows bring fans and artists together, and 'Rock Dinner' is one of the few shows that does it. Every opportunity I get to get closer to one of my fans - and get to know them and talk to them - I'm always going to take that opportunity with arms wide open and make it a priority.
All I know is that once you have children, you put them before anything you're feeling or going through. Today, my daughter walked into the room and I said, 'I love you, baby,' and she said, 'Well, I don't like you,' and I said to my wife, 'The meaner she is to me, the more I love her.'
It's something that people relate to - and I hope my kid doesn't relate to - but there's a level of believability in playing complex characters. You know, Christopher Walken has done some hilarious comedies, De Niro. There's great room for complexity and darkness to do well in comedies.
Sometimes, what's not said is just as important to the writing as what is said. As a writer, we have our voices heard. I think that, at oftentimes, the ability to allow the dialogue to recede properly into the world of the film is also a really valid sort of way to be a writer, I think.
Looking back now, I can see that my dad was a real fighter. A lot of people thought, 'Why don't you keep the Jewish stuff quiet?' They were anti-Semitic Jews. People who were afraid. People who came here and made it and anglicized themselves and didn't want to associate with their past.
Everybody is trying to make something real, something with a core of substance, and of course, an exciting action movie with a lot of terrific stuff and fantastic visuals and everything, but at the core of it, it's a movie with substance and something that is going to make people think.
Probably Lloyd in 'Say Anything' is the closest to me - or to who I was at the time. It was just a great love story about people in the '80s, and we all tried to make it feel as real as possible. It was such a wonderful time. We didn't leave anything in the gym; we put it all out there.
I've spent a great deal of my life doing independent film, and that is partly because the subject matter interests me and partly because that is the basis of the film industry. That's where the film-makers come from, it's where they start and sometimes its where they should have stayed.
I'm a huge classics fan. I love Ernest Hemingway and J.D. Salinger. I'm that guy who rereads a book before I read newer stuff, which is probably not all that progressive, and it's not really going to make me a better reader. I'm like, 'Oh, my God, you should read To Kill a Mockingbird.'
I grew tired of religion some time not long after birth. I believe in people, I believe in humans, I believe in a car, but I don't believe something I can't have absolutely no evidence of for millenniums. And it's funny, people think analysis or psychiatry is mad, and they go to church.
One of yoga's great gifts to making is the discovery of the link that exists between energy, breath, and mind. As you change one, you also change the other two. If you excite one, the other two become excited and, conversely, if you calm one, the other two respond by becoming calm also.
When my mother died, it sort of put a damper on things. My career didn't have the same significance or excitement. It had always been about doing well for my family - my brothers, sisters, father, mother. Then something interesting and important happened - I started doing things for me.