Quotes of All Topics . Occasions . Authors
Sometimes, a person who likes your work and a person who don’t will show up within milliseconds of each other to let you know how they feel. One does not need to cancel out the other, positively or negatively; if you’re proud of the work, and you enjoyed the work, that is what’s important.
My brother's my best friend, without a doubt. Me and my big sister get along so well. She moved to East London, though, so points off, but she's wicked. And then my little sister is a little genius. She's super talented and such a great person, always been far more mature and cool than me.
I can fully appreciate the fury and anger that a person can feel when put through a humiliating experience by a cop, but I would recommend strongly that a person maintain his cool, and in no circumstances lose his temper. If you lose your temper, you are playing right into the cop's hands.
At one point, I was in a place where it didn't feel like it was going to happen and I was feeling pretty down on myself. But I stuck to it, and now I have a hit comedy on my hands. You've got to keep plugging away at it. If you really believe in yourself, you can definitely make it happen.
As far as writing or directing a film, I've worked with enough people who have done that that I know it's just a whole other level of responsibility and chaos and murder that I could not see happening. For now, I'm just going to see what comes. I know what I like and what direction I have.
'Entourage' was a show that existed around wish-fulfillment. People watched it because they wanted to believe they could go on private jets and be hanging out in Hollywood, but as a show, comedically, it was not funny. Not a funny show. It's funny, ironically, because of how terrible it is.
There was a time when 'Batman' really kept me from getting some pretty good roles, and I was asked to do what I figured were important features. However, Batman was there, and very few people would take a chance on me walking onto the screen. And they'd be taking people away from the story.
Never say 'no' to pie. No matter what, wherever you are, diet-wise or whatever, you know what? You can always have a small piece of pie, and I like pie. I don't know anybody who doesn't like pie. If somebody doesn't like pie, I don't trust them. I'll bet you Vladimir Putin doesn't like pie.
I like the acting. It's how I started, and I sort of feel that if I don't give it a little shot now, and I go back, then I'm pretty much done with it. I mean, at what age am I going to do it at? Although, when you see Christopher Plummer and Max von Sydow doing it, I guess the answer is 80.
With 'Hail, Caesar!' it was about all the skill sets I had to learn, but each movie requires a different way of working. You're a piece in a new world, and there is always a difficult part within that world. For me, it's not consistent from movie-to-movie, each film has a central challenge.
I've always freelanced as an actor, and you always have to worry about the next paycheck. When I booked 'True Blood,' I promised myself I would take advantage of the fact that for the first time in my career, I could afford to turn down big money to go and do small, character-driven indies.
Frankly, I think that's something that black people in America have often done - finding ways under very, very difficult circumstances to be subversive, but also to push things forward. And I think that applies to music. I think it applies to dance. I think it applies to a number of things.
What was funny, going to the gym, you see all these guys who are just massive. There's no way a person can naturally get that way. In the gym, you meet these guys and you talk to them, and everybody's really willing and open to explain to you what cycle they're on and to help you get on it.
I try to do romantic gestures all the time. For instance, this morning I work up early -- earlier than I would have normally liked to have woken up. Elizabeth [Chambers] was still asleep, so I just laid in bed and cuddled with her for an hour. I just ran my hands over her body. It was nice.
There's something advantageous about having people underestimate your intellect, insomuch as a lot of things are revealed to you. They assume you don't know what you're talking about, then all of a sudden, you do. And the next thing you know, you have information you wouldn't normally have.
I appeared several times on Atlantis while I was doing Stargate. And they've mentioned to me before that they'd like me do some, but right now I have nothing specific to report. I know Amanda Tapping is a regular now on the show. But I have no plans to do that as we speak. But I don't know.
I believe veganism can be beneficial for the individual and the world, and of course the animal, but belief is like laying in the dark with someone and telling them you love them and hearing nothing back. So I've never had the confidence to get on a soapbox and tell someone else what to do.
I was undervalued so I stopped stripping. I was 18 years old and I worked three jobs. This was just one of them, and I really enjoyed performing. It was probably my first performing job ever. I really like to dance, obviously, but then I didn't really love taking the clothes off at the end.
Moses is the keystone to every man's ethical code. He was the first man of record in history to conceive of the law as separate from the will of a ruler, to choose whether a man should live by grace of law, or law by grace of man. In a literal sense Moses lives at every council table today.
My family is certainly very vocal. They're very Italian. A lot of our holidays end with people screaming at each other across the room. And everyone's very opinionated and intelligent. A lot of my aunts and uncles are wildly educated, and their opinions reflect that. We're all very liberal.
I'm kind of loath to pick one project over another or whatever. You go into every film sort of thinking it'll be your best work, and that's necessary. I think in this business, you really have to be forward-looking the whole time. I think nostalgia is sort of the death knell for any artist.
In Jiu-Jitsu, every instinct you have wants to do everything but relax or breathe when someone's attacking you, and learning that takes a long time. I think that's why a lot of people stop at blue belt because it's really hard to do. It's hard to take that next step. It took me a long time.
My acting started with musicals in elementary school, so singing is something I've always done, never done professionally - so you're not going to find me on "The Voice" or anything - but it is something that I have a lot of fun doing, and can do well enough to keep up with people in shows.
I knew that I needed to do something that I desperately loved. There was a period where I did question if it was acting because I knew that I would be making things hard on myself. I knew that there was going to be a little bit of a hullabaloo because of my dad being who he is and all that.
We all have our own paths. That's the important thing of this movie. God's waiting there for everybody. Be true to who you are and true to your values - not to media, not to the influence of friends necessarily or people even that you admire. Be true to your heart and you'll find that path.
Most everything I do on a creative level is beyond the fame and money. I sort of work as an actor... and take care of my family and mouths to feed and all of that. I don't really care about fame, but our business means money sometimes and financial success, which I can pass on to my family.
God does not judge us by the multitude of works we perform, but how well we do the work that is ours to do. The happiness of too many days is often destroyed by trying to accomplish too much in one day. We would do well to follow a common rule for our daily lives--DO LESS, AND DO IT BETTER.
You know I got kicked out of high school and I used to go to Hendrix concerts. I used to go see Marvin Gaye and B.B. King and so here I am on television as an actor playing the part of this really sweet wholesome all American boy. The reality was I had a much different kind of teenage life.
I won't look online. The whole fan thing makes me self-conscious, which is not to say I don't appreciate it or understand it. If Mickey Mantle were around, I'm sure I'd have a ton of questions to ask him that might make him uncomfortable. I get it. That doesn't mean it's not really awkward.
I was friends with Cube; he was also a fan of mine, and I a fan of him. Even before Balistyx happened I was hanging out with him, taking him to 'The Arsenio Hall Show' for his first time. I was like, 'Ice Cube, I've got a plus 1, you should go,' and I took him. Cube wasn't known at all yet.
I like America; I enjoy being there. Some people can't stand the insincerity - I love the waiter asking me how my day has been, the can-do culture there. I love the fact that again, you are visible in America. You turn the TV on, there are black politicians, black policemen, black soldiers.
My parents are very hard working people who did everything they could for their children. I have two brothers and they worked dog hard to give us an education and provide us with the most comfortable life possible. My dad provided for his family daily. So, yes, that is definitely in my DNA.
I went to Northwestern in Chicago, in Evanston, and then I ended up trickling down in Chicago theater. I did a bunch of plays, but I was non-equity. For a lot of people, non-equity means you're not yet professional. But for me, if you're in a mainstream theater, you're doing something real.
Jimmy [Dean] was the most talented and original actor I ever saw work. He was also a guerrilla artist who attacked all restrictions on his sensibility. Once he pulled a switchblade and threatened to murder his director. I imitated his style in art and in life. It got me in a lot of trouble.
I always wanted to be an actor. It's something I always secretly wanted. You know, I had the experience of being picked on as a child, and I would tell people, 'You're gonna be sorry when I'm famous!' And then I learned after they kicked the stuffing out me that you don't say that out loud.
A lot of times, we also have to live and work. You have to make money to pay rent. In that respect, I don't think you can be so demanding. Those great stories are not the normal stories that come on a daily basis. It's a struggle to land those roles. Everybody is looking for the good parts.
I never think of this business as fun. I don't know why. I think I've actually said something about it being fun, but I don't think of it that way. It's not fun, doing it. It's joyful, it's passionate, it's rewarding, it's a pursuit of truth, but I don't think of it as fun. It's not a game.
[London is] one of the best cities in the world. There is just so much culture there and so much history and so much diversity. It's just a perfect place to grow up. I studied at the Guildhall every Saturday so I'd always be in town every weekend doing that. I was kind of a city boy really.
Wrestling has to be more aggressive. It has to be bigger; it has to translate to the back of a football stadium. With acting, when that camera is up close, they can see your nose hairs twitch, and you have to pull back everything for it not to look clownish. There is that different mindset.
I think the place fed me completely. Not only was I in Uganda, but I was around many people who had a personal relationship with Idi Amin. I was eating the food constantly. I was culturally hanging out with the people. You can't help but absorb the energy, and try to get inside the culture.
When people, especially from France, would ask me to talk about or so they could write about New York Jewish humor, I'd say I don't know anything about New York Jewish humor. I know who Zero Mostel was and I know Mel Brooks, but that's about all I could tell you about New York Jewish humor.
I just saw dialogue, in the audition, and had no backstory. I was like, "I'm just going to be myself because I have no idea who this is or where he's coming from." The typical questions that actors have to ask themselves were very hard. I had to imagine, a little bit, and just made it work.
When you have a director who has work you can identify from the past, it gives you some reference point as to what their interpretation of the story might be, and how that might jibe, right or wrong, with how you see it. But with a first-time director, you don't really know where you're at.
'Cold Case Files' and similar shows do bang up business, which points to a certain thirst for details in the viewership, but it seems like all the news chat shows continue to force the myth that Americans can't stand detail and have no interest in an idea that can't fit on a bumper sticker.
You probably can't name more than a handful of comedies that would qualify for Best Picture. I can think of a lot of comedy screenplays; Woody Allen has had numerous nominations for his screenplays. But most comedies are calculated. They tend to pander. They're not about anything important.
I'd like to be remembered for being a fairly pleasant person and for having gotten along for the most part with a lot of the people I've worked with. And for having a wonderful life and for having enjoyed practically every minute of it... I think I'm one of the luckiest people in the world.
I was exposed to a mix of cultures, lots of different religions and beliefs. I was a spiritual kid and went to Indian powwows and Buddhist temples. But over a period of time, with reading and thinking, I started to feel it was all so absurd: The whole idea of life after death is ridiculous.
We're actors at the end of the day. I don't take it home with me. My experience outside of work, I love... when I hear wrap, it's the most exciting part of my day. I'm the first to have my make-up off, in the car, out. I've gotta go home. I want to get back to my life. I love it back there.
People have this belief that actors are able to go out there and say, 'Oh I choose this job,' but most of the time we're just taking the job we can get. We don't just get offered thousands of jobs; we might earn one job a year and that's the one we'll take because we've got to pay the rent.
There is anxiety, but it comes after you've finished filming because it's out of your hands; people are editing it, they're cutting it, marketing it. And it's... part your career sort of rides on that. But when you're actually filming it's a team thing and it really feels good there for me.