Quotes of All Topics . Occasions . Authors
I mean, it was a rough place ["Wild Bill Hickok"], and you had to wear this kind of cloak that you were a badass, and the most efficient way to do that was with your language. Swearing was just a part of how you got by during the day, and it was quite historically accurate, that depiction.
Medicine really matured me as a person because, as a physician, you're obviously dealing with life and death issues, issues much more serious than what we're talking about in entertainment. You can't get more serious than life and death. And if you can handle that, you can handle anything.
I'm a huge fan of Canadian rock-and-roll. When I was growing up, Rush came out with a record called Hemispheres, and I must have listened to that record for two years straight. Even when I was asleep I had it on. So, yeah, whenever I hear a Rush tune, the first thing I think of is Toronto.
It's been interesting that a diversity of roles have come my way, and that I've had the opportunity to do them. To me, it's about going for a good role that has something to say, and that's a challenge. I've been lucky enough to play everything from a homeless guy to this crazy male nurse.
For 'The Rise of Cobra,' I was dieting more and using protein powder to help supplement my meals. For 'Retaliation,' however, I opted for more natural protein. I had a chicken breast and broccoli meal about five times every day. I also drank plenty of water and made sure I got enough rest.
I want to live in an America where we are able to marshal all the resources we have at our disposal and that we - people like me, and companies like Apple and Intel and others - can make it our business to put a tablet computer in the hands of every single kid in America. Every single kid.
If I was discovered by anyone, it would be Stephen O'Neil, who saw me in a play at Williamstown and introduced me to my team who I'm still with today. He was the first person to introduce me to the film and TV world. Other than that, I just assumed I would be a theater actor my whole life.
I love watching Billy Bob, just as a punter anyway. I like his work. But working with him is really easy and really straight-forward. He's immediately good. He doesn't have to work up to it. He doesn't make your life difficult. He listens. He's a very good listener, in terms of his acting.
For me, my preference for comedy is grounding it in the psychology of the character, and not just kind of making faces. Even when it's a crazy character, grounded comedy resonates more with people because it doesn't look like you're watching someone do vaudeville. No offense to vaudeville.
A lot of acting requires you to be a charming version of yourself. A lot of what happens in the industry is that you are cast based on other things that people have seen you do, or how you are perceived to look or sound. If everyone thinks you're bizarre and creepy, then you play bad guys.
Something like 'Without a Paddle' does really well at the box office and I'm like, 'Oh, here we go.' In 'Without a Paddle' I'm the romantic lead - great! A comedy and that's what America wants. Then it did nothing for me and I went into kind-of a work abyss. I just didn't get another shot.
No offense to the other people that we work with, but we spend 14-hour days with each other. You're dying for some sort of new rhythm to play with and another person to have fun with. It's like, "Oh, I can't wait to hang out with Zoe Lister Jones today and not deal with that Jake Johnson."
Phone calls are much more personal than texting and then when you get a girl on the phone, it's like you ask a question and you get a response back. For a text message, they can read it and get back to it whenever they want to. So that makes a difference, almost like a power play in a way.
I saw 'Taxi Driver,' and 'Taxi Driver' kind of saved my life. The scene where Robert De Niro is looking at himself in the mirror saying, 'You talkin' to me? You talkin' to me? Who the hell else are you talkin' to?' That's the scene that changed my life by changing my attitude about acting.
I was born Maurice Joseph Micklewhite. Imagine signing that autograph! You'd get a broken arm. So I changed my name to Michael Caine after Humphrey Bogart's 'The Caine Mutiny,' which was playing in the theater across from the telephone booth where I learned that I'd gotten my first TV job.
Nowadays, especially in big commercial films it's much easier for the audience, and they tend to get spoonfed. It's much more interesting to me, people leave the theater and they start asking themselves questions and find their own moral compass about what these characters have been doing.
Some jobs pay better, some jobs smell better, and some jobs have no business being treated like careers. But work is never the enemy, regardless of the wage. Because somewhere between the job and the paycheck, there’s still a thing called opportunity, and that’s what people need to pursue.
It's [high school] an interesting time in your life because you're trying to act older and mature but you really have no idea what you're doing. You're scared and it's okay to be scared. It's okay to not know completely what you want or what you should be doing and to stumble a little bit.
I'm not a stereotypically beautiful woman, and I'm so happy that I'm not. I've seen those ladies - the need to be attractive at all times is ghastly. Also, in your twenties, if you are beautiful, everything comes to you, so you never need to develop a personality. I never had that problem.
And from the moment that I saw you, I knew you was trouble, But I disregarded detour signs, And did not stop til you was mine. I guess God was like, 'Aight, fine.' Careful what you wish for, cause you just might get it in heaps. Try to give it back, He be like, 'Nah, that's yours to keep.'
I do believe, as a person of color, the disparities are great. A lot of the roles that were sent to me were 'Gangbanger No. 1.' And when a role did come up that I felt carried and represented my community in the best ways, I wasn't the only one that knew it existed. So I'd have to compete.
I don't know if people really care about my opinion on things or how I come up with things, and maybe that's an insecurity and why we're comedians in the first place, so I think with that you keep doing the material, you keep trying to be funny cause you think that's all you're wanted for.
I have dogs, and it's no secret that I find reptiles interesting, but the thing about reptiles is that they really just wanna be left alone, and I understand them. It's, 'Don't pick me up, stop holding me, don't look at me, just leave me alone.' I have to admit, sometimes I feel like that.
I saw this thing years ago, where somebody filled a gymnasium with ping-pong balls and mousetraps. And then somebody threw just one more ping-pong ball in there, and literally, in five seconds, the room was popping. And then it was dead. And that's how it was with 'Dallas.' Just... 'boom!'
There are so many issues that this country [the U.S.] has, and that the world faces, that it's important that we sit down and recognize our commonality. When we do that, we can actually work together to overcome some of the problems that we have. That, to me, is just a good starting place.
In high school, I was crazy in love, and I would make handmade construction paper valentines every month for our monthly anniversaries. Then I'd go early in the morning and tape one to her car. It sounds sweet, but let's be honest: it was a little weird. I was probably crossing some lines.
I need to work with great directors and actors, people who are better than me, so that I am challenged. It is like playing sports - surfing, basketball, it doesn't matter what it is, if you play with people who are better than you, then you get better too. It is the same thing with acting.
I was spending three days literally just kibitzing with Jack Nicholson at a table! It was heaven! And talk about a normal guy. My God, he was just so real and cool and relaxed and fun. And he was a great performer. He's such an actor. He really was so focused on every moment. It was great.
'Mariah' was the first series-regular role for me, and that really came about because of 'Secret Honor.' That really was a direct result of that. Because now I had an agent and was submitted for that part, for James Malone. And... I was the casting director's first choice for James Malone.
Being on a Paul Thomas Anderson film, the best decision an actor can make is to listen to Paul Thomas Anderson. Because he's probably not going to steer anyone in the wrong direction. I would always say go with your gut on any other movie set, but with Paul, I would say go with Paul's gut.
I try to get to the gym at least a few times a week, hopefully more. I also play hockey in a pickup league. I grew up playing, so it's nice to get on the ice whenever I can. With all that said, everyone should have cheat days or days off. You need to balance the unhealthy with the healthy.
I looked to animal and insect imagery to develop the lack of substance and wasted motion that my Terminator has. I tried to tap into the killer instinct inherent in animals, where they are locked onto a target and will walk through anything that gets between them and their intended target.
I can see it now: Osama bin Laden goes up to the pearly gates where George Washington comes out, starts beating him and is then joined by 70 other members of the Continental Congress. Osama will say, Hey, wait! Where are my 71 virgins? And George will reply It's 71 Virginians, you asshole!
For me, comedy and drama are all the same thing. How the comedy ever even started in my life was that moments got uncomfortable and I felt uncertain of what the outcome was going to be, so I found a way to deflect what I was feeling, or what everyone else was feeling, by creating laughter.
I've got really good friends and family. My parents, after 30 years, are still incredibly in love, still make each other laugh, which is a beautiful thing to see. And my brother and his fiance are completely happy, so if I feel a bit lonely, I just go and sit with them and feel their love.
Research states that we have a two-week window to act after being inspired by an experience, before the brain is compelled to move on. I have always thought that while some documentaries I have seen have educated me, they have failed to engage and drive me to act in support of the message.
I took a break after 'Confessions.' I was real picky. And then I suddenly realized I hadn't worked in a year. And I was sort of, like, not really happy. I think people are happier when they have structure, you know? You realize that as you get older. You have to have rituals and structure.
It really was a unique experience to me to have a television show, Comedy Bang! Bang!, that I really cared about so much, and to know that it was the end, and know that that was the ending of it. We had a wrap party, and we thanked everybody. You don't get that a lot, especially in comedy.
After the comedy boom of the '80s, there was a certain formula that comedians had to do and could do in order to be successful touring comedians, and those were mainly observational comedians who had a very strict structure of what made an act, and I think it was very performance oriented.
The editing process, for me, is both the most fun and the most frustrating. It's the most fun because you get to see it actually piece together. But if one thing is off, it can be frustrating trying to figure out exactly what it is that's bumping you, so you try a hundred different things.
I've always had a love affair with New York City, and I've threatened to get an apartment there one day. But it just made sense for me to set 'Burlesque' on the Sunset Strip in Los Angeles. It's a place I know intimately well and love, and I think there's a great story to be told with L.A.
I like comedy, but I like comedy as a device in drama. It's more interesting for me to use comedy to seduce people into thinking about something serious. If you want to hit a beat in a drama, you can distract people with a little comedy, and you can punch them in the gut with some emotion.
If you're driving your car and someone winds the window down and gives you the finger and calls you an asshole, instead of giving him the finger back and calling him an asshole back, you just pull a funny face, and he doesn't know how to react to that, because you're using different rules.
I knew I wanted to be in show business so I took the path of least resistance. I loved comedy. But you never know you are funny until people laugh. It's just what I was interested in. I could make people laugh, I guess, but doing it at school and doing it onstage are very different things.
I'm very fond of the British cinema. I'm a big fan of Martin Campbell and Daniel Craig. I actually find Daniel very inspirational, especially on the physical side of things. He really inspired me to get back into shape when I started to add on a few pounds. I think he's a great role model.
I was a sports nut. I stayed after school probably three hours every day - from fall, to winter, to spring. I went from football to basketball to track and it started all over again. I loved all of it. I just loved being an athlete and all that it entailed. It really accounts for who I am.
But look, I was born in 1956, the peak year for births in US history. I think I'm very representative of many of the thought processes my generation have been through and, by and large, people of my age have had their imprint planted on the consciousness of western society for a long time.
New York is still the most glamorous city I've ever been to, but it's starting to feel older. The sirens still wail; the paths in Central Park still pulsate with joggers. The Manhattan schist still trembles beneath your feet. But weirdly, it's starting to feel, dare I say it, a bit quaint.
I probably complained more when I was younger. The movie industry can be frustrating but I think sometimes I could have been more helpful, approaching a film as a partnership rather than being critical of a director's ignorance. I wasn't sensitive to the fact that it's very hard to direct.
It strengthens the acting muscles to tap into other parts of yourself. When you can accomplish something that's unexpected, for you as well as the audience, that's really important. It's also very important if you want people considering you for other projects to broaden their view of you.