Quotes of All Topics . Occasions . Authors
The thing I love about sketch is sometimes it leads you as opposed to you leading it. So, I don't go out there [thinking], "Oh, I want to make this as silly as possible." In fact, sometimes I get the most enjoyment out of a sketch that plays very real - and it's so real that it's just funny.
The music is just so rich and part of the culture there. I suddenly felt like I needed to go on this mission to make sure we save New Orleans because - not that I can save anything - but it's so much part of what this country is, this whole mix of people coming together and doing this thing.
The first memory I have, anyway, I guess - I think it was my second birthday and the cake came out with the candles and I was very excited and I was, like, "Oh! A cake!" and then my cousin blew out the candles. I was so disappointed. It just broke my heart. And so that's stamped in my brain.
47 Ronin is a very special movie for me. Not only a Samurai thing. Not only a Hollywood fantasy. It has a very special mixture between Japanese traditional culture and Western culture for the costume, set, story. Everything. I believe it will be a very special film that no one has ever seen.
I think one of the things I always loved about the comics was this idea that this character, when he goes berserk, that white, blind rage makes him incredibly powerful, but it's also a great flaw. It's almost like he loses consciousness of what he's doing. During that he can do great damage.
When I was a small boy, 10, 11, 12, probably somewhere around there, when I first heard a blues song on the radio, it was a jolt of electricity. It grabbed me by the throat, it made me shiver. And I knew from that moment that this was for me and this would be with me for the rest of my life.
When you grumble about a taxi being dirty, people your own age will absolutely agree with you, whereas younger people say, 'You should be so lucky to have a taxi - I walk to work!' So I have lots of young friends, who fortunately don't treat me as a guru, a person that knows all the answers.
When you think about rock at its origin, and you think of the Beatles and millions of kids screaming as loud as they can and running as fast as they can towards the Beatles, there's no one who is that kind of lightning rod, who commands that kind of power and has that kind of creative magma.
On one show before a live audience, I had to look out the door and call for Will Smith to come in. The audience couldn't see him, but there he was with his naked butt staring me in the face. I didn't normally hang out with twenty-something practical jokers, so sometimes he was a little much.
I like to consider myself a star - a star, that when you look in the sky, it's always there. And on a clear night... a shooting star comes by, and get a little thrill, and you make a little wish. You need both types of stars, the shooting and the constant stars. The heavens include them all.
Women pay attention to how men drive because it's a good indicator of what kind of character you have. They want someone who's going to be intelligent and cautious and assertive and confident when you need to be, but not overly aggressive and reckless, and also not timid and overly paranoid.
I've always felt bad that I never had more information to give people when they asked me about it, but I guess people kind of got frustrated by that and they just started kind of making up their own sort of "well, we haven't heard that much" or "news hasn't changed so it must be going away".
Our job, as actors, is to just try to be as accurate and as mindful of what the audience is going through and receiving and processing. If it's a situation where the character should look a little bit out of control or do something stupid, it's your job to act into that, in a believable way.
It's kind of appropriate to me that Batman is still a part of the 'Justice League Dark' story. I think it would be strange if any of the other 'Justice League' characters were involved in putting together this kind of motley crew of dead people and mediums and ghosts and demons and phantoms.
I could take my grandma and put her in a cape, and they'll put her on a green screen, and they'll have stunt doubles come in and do all the action. Anybody can do it. They're relying on stunt doubles and green screen and $200 million budgets - it's all CGI created. To me, it's not authentic.
I go to this gym full of stunt men. There aren't any TVs or treadmills there. This is a spit-and-sawdust kind of place. It has a lot of great training aids - trampolines and bags and every weapon ever invented to do harm to a human being. If you want to know how to throw a knife, it's great.
My mom said to me when I was a little kid, "You don't have to hate your job. Just because you see all these unhappy grown-ups doesn't mean you have to be one of them." She said, "Find something that you would do for free and find a way to get paid to do it." That's been my guiding principle.
My job when I'm acting in a movie is very limited to playing a role. I'm not evaluating somebody. I'm only evaluating them insofar as they're interacting with me, but I'm not evaluating their skill set and I don't watch the movies, so I'm not aware of the way they're putting things together.
I walked around my apartment with food in my mouth asking myself: "How do I come up with this voice?" Then I found the voice. I called the director and said on the phone: "Guess who you're talking to Chris? Sid, that's right Sid!" And that's how I came up with the voice. That's a true story.
For a while I wanted to be a professional baseball pitcher, and then I wanted to be a musician and then sometimes I think I'd like to start a store for gift-wrapping Christmas presents... But I feel I could do most things I set my mind to, except mechanical things, I'm not very good at that.
When a movie like 'Superbad' or 'Moneyball' comes out, people make you feel like you're the most important person on the planet. The truth is, you're a billion percent not the most important person on the planet. It's all insulated in your world and no one could care less. It's just a movie.
When I was growing up, my parents asked me what I wanted to do, and I said that I wanted to live in Springfield. They were like, "Well, that's not how it works. There is an actor who play Homer, and someone who writes what Homer says." So, I was like, "Well, I want to write what Homer says."
I grew up in Westlake Villiage, a suburb of L.A. There was a guy there who was a fighter and was like, 'I'll teach you to box.' I started a little bit of boxing, then it crossed over into jiu-jitsu. I was into it for a little while, but then I started doing basketball, baseball, team sports.
It's more interesting when people overcome inner turbulence, but at the same time I do like the innocent. Have you ever read The Idiot? I think Dostoyevsky created a brilliant character there. He doesn't have any self-inflicted wounds. I love that. People don't like him because he's so pure.
The moment I was introduced to my wife, Emma, at a party I thought, here she is - and 20 minutes later I told her she ought to marry me. She thought I was as mad as a rat. She wouldn't even give me her telephone number - and she wrote in her diary: "A funny little man asked me to marry him."
The moment I was introduced to my wife, Emma, at a party I thought, here she is - and 20 minutes later I told her she ought to marry me. She thought I was as mad as a rat. She wouldn't even give me her telephone number - and she wrote in her diary: 'A funny little man asked me to marry him.'
I haven't had a chance to pick up a good book in a long time, because I've been either reading scripts or learning them or writing them. And so, by the time the day is done, I usually just want to click on The Bachelor and fall asleep. But I gravitate toward biographies and things like that.
My show 'The Big House' was picked up; they flew me to New York. I'm about to step on stage to announce Kevin Hart's 'The Big House.' And a hand grabs my shoulder, 'Kevin no, they just decided to cancel it.' It's a serious smack-in-the-face business, and either you can take it, or you can't.
Sometimes you walk away from playing somebody and you think, "Wow that was far as from my own experience as I can possibly be." And sometimes you walk away thinking, "Wow. There are qualities in that character that I didn't realize I had." And those can be both interesting and uncomfortable.
Mozambique is having an economic resurgence but still four out of 10 people there have HIV or AIDS...There's astounding conditions but what I was left with...was the power of the human spirit there and the fact these people have been through so much and they were still dancing in the streets
I feel like the books were just written like a movie. You read it and you can just kind of see everything. Before I went in to read with the director, I read the first book and I loved it. I didn't realize how good the writing was. And then I went in and read with Gary Ross, and that was it.
I've always looked at famous actors and hope that once they get a part that they have success in, they would reprise it every few years in the way a pop singer will reprise their hits. Like Bob Dylan singing 'Blowin' in the Wind' until he's fed up with it, finding different ways of doing it.
For me, I look at a pilot and go, 'I see the landscape. I see the characters. I see the direction and the potential of the story.' And I also go, 'That didn't work. I could change that. Maybe that works. I don't know. We'll see.' For me, I look at it, as an actor, as what can I improve upon?
Senior year in college, a kind of confluence of events came together to have me pursue a career in acting. I was planning on being a lawyer; I double majored in history and political science. I took the LSAT and did horribly on it, and that was one thing that made me rethink a new direction.
I certainly like the rumour that I was the father of Elizabeth Hurley's baby. It made me think I could impregnate women in a different way to everyone else. Elizabeth and I were never alone in a room together, so I must be a very powerful man indeed. Actually, I'm thinking of suing the baby!
[Kyle Chandler] taught me how to listen very well and reacting. There's a lot of improv. And to be able to do that on the spot you really have to be in tune with what the other person is saying instead of just waiting for your cue line or waiting for a word for you to deliver your next line.
An actor is looking for conflict. Conflict is what creates drama. We are taught to avoid trouble [so] actors don't realize they must go looking for it. Plays are written about...the extraordinary, the unusual, the climaxes. The more conflict actors find, the more interesting the performance.
The big budget films have money to do things that are not necessarily essential but sure are comforting. The catering is usually much better. And you have way more of anything you could possibly need. You definitely get a trailer. My shirt and suit for 'Million Dollar Baby' were tailor made.
We live in such a consumer-based world. Everything we do, someone else has provided for us, so there is something really empowering about knowing that once I have found the right pieces of wood, I can start a fire and keep myself warm and skin an animal to eat and make its skin into leather.
Mariah is a beautiful and talented person, and I've had a crush on her for as long as I can remember. Every day, my respect for Mariah continues to grow higher. She's a caring, warm and funny person. People have no idea how funny she is! I feel like I've always known she was my forever love.
If you're a 50-year-old guy, and you're sitting around the house with - you know, and just getting fatter, feeling sorry for yourself, get up and move your body and see what it does to your life and to your mind and to your happiness and to your energy levels. And I get all that from boxing.
From my experience and observing a lot of other people that often times that only happens - a transformational experience or shedding of the skin - happens when we are at the end of our road and there is pain involved. We have to change or we continue to live in that almost intolerable pain.
You've got to have confidence and trust in your cast. You have to have confidence and trust in your director, in your editor. It's such a team effort; I really think you have to pull yourself out of it and just trust. I think the number one thing you can do is just trust everyone around you.
It's my mission to get the New Zealand accent into a Hollywood show. I'm proud of the way we talk, and I'm here to represent it. Kiwis are everywhere: they're in every city of the world. I've checked. We have a voice... it's a bit of a funny one at times, but it's one that I want to promote.
Sometimes great stuff comes quickly and sometimes it doesn't and you've got to dig in for the long haul, don't loose heart, and wait for something to come along. Which is something you learn the more you do it, that if it isn't coming straight away just hang in there and something will come.
My mother worked for a woman, Maria Ley-Piscator, who with her husband founded the Dramatic Workshop, which was connected to the New School. My mother did proofreading and typing and stuff or her, and as part of her payment, I was able to take acting classes there on Saturdays when I was 10.
I think that no matter whether you're Quentin Tarantino or any other kind of a rebel, or whatever, everyone who makes movies still wants to win an Academy Award, because it's like the Pulitzer Prize or the Congressional Medal Of Honor. It's the best endorsement you could get as a moviemaker.
There's an excellent movie we have on TCM called 'It Happened on Fifth Avenue,' which was originally going to be directed by Frank Capra... but just before he was going to start working on it, he came across this story called 'The Greatest Gift.' And that turned into 'It's a Wonderful Life.'
Here's the best birth control in the whole world, if you really, if you have no pills, if you have no diaphragm, if you have no other form of contraception. Use it for ladies, if he comes at you with that little thing in his hand, just laugh at it. They can't deal with it, OK, it'll be gone.
I've always had a lot of time for servicemen. Yet there's been this bad relationship between civilians and the armed services. We say to soldiers, 'We want you when we want you, but stay away in peacetime. We're proud of you, but keep away from my daughter and don't come drinking in my pub.'