Quotes of All Topics . Occasions . Authors
I would like to be remembered as a good father. A good husband. A good brother. A good friend. A good man. But that is simply not going to happen. Like it or not, I have reached the point of infamy when I am going to be remembered simply as 'Ronnie Biggs', whatever or whoever he is in your mind.
Youth theatre isn't just about a precocious child that wants to sing and dance in front of people. It's for everyone; it's about a community, it's about being supported by your peer group. You learn skills - not just acting but all the other sides - working in the TV, film, and theatre industry.
I've learned to be more reserved, watch what I'm saying; I got in a little bit of trouble. People tell me 'Never lose that, never lose that,' but then I get in trouble so I have to lose it. I'm trying to keep a little bit; I'm never going to lose who I am, I just gotta tone it down a little bit.
There is no grand strategy. My sensibilities push me in a certain direction. Other actors have different sensibilities. That's all. I think it really is that simple. There's no grand strategy. There are so many variables that I have no control over. I sign on to movies I want to watch, as a fan.
A movie is a creative process from its conception, through its writing, to its execution, to the editing. I think with the best films there is some kind of contribution from one person all the way through that. The best films are made by people who write, direct, and edit, so there's continuity.
I felt different from everyone else - like an alien. The looks I received when I was 320 pounds were ones usually reserved for three-eyed monsters, half-man half-woman reptiles, creatures with hideous rolls of skin that sweated profusely and jiggled when they walked. That last one really was me.
My mother was gentle and warm. She was the sort of person you could really open up to. I was the eldest and her only boy, so I guess I was treated differently. She did bring me up as a Catholic, and at one time I was an altar boy, but I lost my faith, as did my father, when my mother died at 45.
I look at improvising as a prolonged game of chess. There's an opening gambit with your pawn in a complex game I have with one character, and lots of side games with other characters, and another game with myself - and in each game you make all these tiny, tiny moves that get you to the endgame.
Like we were saying, the fact that the relationships on the show are love-based, and in the sense that I wasn't aware of how special it was in contrast to a lot of the other TV shows that are on right now. It was our audience members that pointed out the love that you see in the show is special.
Basically, from the pilot of the first season of 'Togetherness,' I was strategically losing weight all the way through and then all the way into Season Two. So luckily, I had the plan, and I had a lot of time to do it. But it's definitely not easy, because I'm from New Orleans and I love to eat.
Yeah, it's been pretty gnarly. It's fun. It can only be fun, unless you're really squirmy about that. Honestly, during that guts episode, they didn't tell Andrew and I anything. They just put trenchcoats on us and said, "All right, just stand right here and we're going to put this stuff on you."
There's a million more pros than cons, for sure. Obviously, the privacy thing is a little different. It's not normal to wake up and have 12 paparazzi cars waiting outside to follow you to Starbucks in the morning. But, there's a lot more pros, and I'm willing to put up with those cons, for sure.
Centuries-old habitats such as coral gardens are destroyed in an instant by bottom trawls, pulverized by weighted nets into barren plains. And global carbon dioxide emissions from human activity affect the ocean, changing the pH balance of the waters in a phenomenon known as ocean acidification.
It's because you have no power. You give them all the material and the cinematographer, the director, the editor, boy what they can choose... You better hope they like you because they can slice and dice and make you look like a damn fool when your face and body are up there on a 30-foot screen.
If I'm in Maui, I play soccer and tennis and go kite-surfing. I prefer doing a sport as opposed to going to a gym. I'm not big on gyms. When I did 'Rampart,' I lost 30 pounds because I felt it was better for the character. I worked out constantly, maybe twice a day, and minimized caloric intake.
In marriage people get in fights because they don't communicate, because you don't want to hurt the other person. If you do want to hurt the other person, then shame on you - you're an asshole. My wife and I do not argue. We communicate. We talk. But we've never fought in our entire relationship.
Pulp Fiction' was probably one of the first films I ever saw that really kind of took effect on me. I was about four years old - obviously wasn't supposed to be seeing that film; my sister kind of sneaked it out and we got to see it. She's older than me. That was something I always used to watch.
Some people look for a certain structure in their lives that they're comfortable with. People who work hard on the road as truckers, people who work hard using their hands. Then there are people who are fortunate enough to have my life, people who play these characters who embody these qualities.
I went in for a checkup, and when my doctor had me stand on the scale, even he was surprised. Seeing that number (which I'll take to the grave) was a turning point. I knew I needed to make a change. I cut out white flour and starches and worked with my doctor and a nutritionist to develop a plan.
Success has nothing to do with box office as far as I'm concerned. Success has to do with achieving your goals, your internal goals, and growing as a person. It would have been nice to have been connected with a couple more box office hits, but in the long run, I don't think it makes you happier.
When I am asked about influences, I always say I bow down to Fred Astaire, because when you look at him dancing you never look at his extremities, do you? You look at his centre. What you never see is the hours of work that went into the routines, you just see the breathtaking spirit and freedom.
Let's say [Warren Beatty] wants you to speak louder in a scene. He won't stop playing the role and say to you as a director, "Will you speak louder on the next take?" He'll say it as Howard Hughes: "I can't totally hear you. Why don't you speak up a little bit?" To kind of keep this rhythm going.
I don't actually feel multi-talented. I just feel that I'm in this business where we give ourselves 100 titles and gold statues. It's like, lawyers aren't like, 'You're incredible! You're a professional arguer in front of the judge! You're great at paperwork!' No, you just get credit for one job.
I think the actor has a tribal role as the archetypal story teller. I think there was a time when the storyteller, the priest, the healer, were all one person in one body. That person used to weave stories at night around a small fire to keep the tribe from being terrified that sun had gone down.
I mean the most important thing you can have as an actor, writer, director, or whatever you are, poet or whatever it is, is life experience. Life experience doesn't mean you have to live 50 years to have it. I mean you know a lot of people have huge life experience by the time they're in college.
You have to really respect what your kids are doing with their kids and how they're raising them. You can't push your way into areas where you shouldn't be saying anything. You have to always remember they're not your own kids. Play with them, love them, spoil them to death - then hand them back.
That's the most important thing to me - that if I'm gonna spend however long it takes to make a movie, give up 14 hours a day for however many weeks or months, then it's very important for me to know that I'm working with people who I respect and enjoy and that we're going for something together.
I've learned to take care of myself. You know, I try to stay conscious of whatever my energy is at all times, really. I mean, I come home from work, and, depending on the day or depending on what was going on, if I needed to adjust, I'd just meditate, or play guitar, or watch some 'Monty Python.'
Some people would view Jackie Robinson as a very safe African-American, a docile figure who had a tendency to try to get along with everyone, and when you look at his history, you learn that he has this fire that allows him to take this punishment but also figure out savvy ways of giving it back.
People of African descent, most of us grew up accepting and loving Spider-Man. I still love Spider-Man. I still love the Incredible Hulk. I still have those characters that were white role models, superheroes, heroes - whatever you want to call it. You basically had no choice but to accept those.
I grew up in an environment where it was permittable to use violence to solve a problem. But it was not permittable ever to call the police under any circumstances. That was the kind of doctrine of my household. My dad was a career-long criminal, and you weren't calling the police for any reason.
With the tone of the show, like a lot of the films, the Marvel creative team has found a way to bridge really exciting stuff that has real stakes. They balance some of the action stuff that the fans of the comics really want to see with characters that people can relate to and who are very human.
Over my career I played some badass characters. So, people sometimes think I should have a .44 magnum. But that's not true, I don't have that. But I do fire them and I do enjoy target shooting and all that sort of thing. I'm not much of a hunter. I don't like killing animals, but I love to shoot.
My uncle Shawn used to stay with us when we were really young, and I used to come downstairs and see him break dancing on this piece of a cardboard. I probably always thought they were cool since then. I never knew his comedy, but I used to always see him break dancing. And he was terrible at it.
When you're in the position I'm in, you have two options: you can either shut yourself off from everybody, from the world, and not live a full life. Or you welcome everybody into your life and occasionally somebody will try to take advantage. And I'd much rather be that person who lets people in.
I'm getting fed up of living away from home so much. They look after you very well but it doesn't matter how well you're looked after, how nice the hotel is, if you're away from home constantly, the bloody dog savages you, thinks you're a stranger, the kid cries and the wife's stuck to your face!
Sausage Party is my first animated film, and there's a doll of me. There's a doll of all the characters. There's a doll of me, and I found it on Amazon. It just came out. I ordered it, and I just got it the other day. I was like, "I'm going to order 25 more of these." My daughter really loves it.
The thing about 'Harry Potter' is it's great fun because of the people - I was usually with Julie Walters and Mark Williams, Brendan Gleeson, Robbie Coltrane, and the kids. Wonderful, funny, amazing people. If you're going to hang around on a set bored, you might as well do it with Julie Walters.
In a sense, all actors are character actors, because we're all playing different characters. But a lot of the time - and I don't know, because I'm not a writer - but writers a lot of times write second- and third-tier characters better than they write primary characters. I guess they're more fun.
I was turning up at sets where inexperienced people were making these badly written films - but they were doing it; that was the point. They were getting their films out there. And they were paying me, so they obviously had access to money. I just thought, 'I can make something better than this.'
Rehearsals are set up so that you find out all the nuances about your character. You never want to beat yourself up. It's about finding the right direction, and most of the time, the right direction is not what you think is the right direction. That's why the director's there: to guide you there.
There are certain relationships in our lives that implode, and it can feel really inexplicable and terrifying. You don't know why, and sometimes relationships end for reasons that one person keeps from the other person, and it's just totally unclear, and it just goes south and it's heartbreaking.
I certainly thought of who [Tony from "I Don't Feel at Home in This World Anymore"] was. He was so different from anyone I've played. And it was so important for me and Macon [Blair] - this was on the page too - to not make a caricature. There's a version of Tony that I think could be heightened.
I think there's a certain objectivity that comes from being Canadian. You're partly British and partly American; you have a good bird's-eye view of both countries. So much of the comedy that comes out of Canada is impersonation - it's less 'look at me' than it is 'look at me playing other people.
I have been thinking a lot about what we see in villains, how we relate to villains, and what it is about certain villains that we actually empathize with. Like Macbeth. We're not supposed to like a guy who kills the king and takes over, but there's something about him we're really fascinated by.
It's a rare thing when you read a role and have this immediate ownership over it, you have this take and this connection, and it's not even that you feel that you're gonna do a good job, it's that you feel like you've found it. It fits, it's natural; it's like putting on a good shoe or something.
When I first started going to Portland, people told me about Stumptown. They were like 'Oh, it's the best coffee,' and I thought, 'How good could it really be?' I'm like, 'Sure, great, uh... I'd love to see it.' But then when I went, it truly, I am not kidding, is the best coffee I have ever had.
When you're in a band, you spend most of your time in a van. Like, there were four of us, we toured all the time, and you're stuck looking at three other people for a month straight. And all of those times, we all just liked making fun of people, doing impressions of people, coming up with songs.
There's no handbook for parenting. So you walk a very fine line as a parent because you are civilizing these raw things. They will tip the coffee over and finger-paint on the table. At some point, you have to say, 'We're gonna have to clean that up because you don't paint with coffee on a table.'
I worked two days in Texas and two days in Hollywood on 'Bonnie and Clyde,' and that was it. I had no idea how it was going to turn out. And when I saw it, I was so upset, or fascinated, or something, by the sight of myself on the screen that I could hardly pay attention to the rest of the movie.