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I can't believe, even in 'The Guardian,' people ask the questions, 'Where did ISIS come from?' 'How did this happen?' 'Why do young Muslim women go off to join them?' Maybe because we've been degrading their people since 1917. Maybe their teenage years are a little bit more stressed than that of Christianity.
Poverty feeds into the clean-water crisis, which contributes to hunger, and so on. There's undeniable interconnectivity among these issues. Just one of these problems can be deadly on its own, but in the most disadvantaged areas there is a perfect storm of problems. And it takes its greatest toll on children.
Some things, you just like what you like and you stick to it. Other things, you like what you like, but the things that come with celebrity or success comes more options. There's was nine, all of the sudden there's ninety-nine things to say "yes" to, which you didn't have the option to say "yes" to yesterday.
I think what is British about me is my feelings and awareness of others and their situations. English people are always known to be well mannered and cold but we are not cold - we don't interfere in your situation. If we are heartbroken, we don't scream in your face with tears - we go home and cry on our own.
I was the only human in 'Underworld.' I didn't really get the full gauge of what it is to be in a sci-fi/fantasy project. But 'Almost Human' presented that opportunity for me and the fanbase that is in that world at Comic-Con and, honestly, cons all around the world - you can't deny the power of that fanbase.
My understanding, when I think of immigration, is like... you know, this country was built on immigrants: the German, the Polish, the Italian, the Jewish, the Russians, the Eastern Europeans. So, all these people came in, and I don't know who decided like, 'No, that's it! There's a cap on it! No more people.'
We had a thing there where you could turn in - it was some sort of recycling program - the bottle caps of RC Cola. You'd turn in 12 of them, and you'd get a ticket to see a movie. That's how I started going to the movies. Running around the neighborhood looking for bottle caps. We were like little scavengers.
I took my job for Nickelodeon very seriously, and back then, it wasn't certainly as big of a network as it is now, culturally, and people my age didn't know much about it. But I loved my time there. I really put everything I had into doing 'Guts,' and it actually taught me a lot about how to work really hard.
I get up every morning and say, 'Father, give me strength today, not strength so I can lift 500 pounds, but give me strength, Lord, so when I speak, my words might motivate, might inspire somebody, Lord, when they see me, let them see you. When they hear me, Lord, let them hear you. In your holy name I pray.'
I'm the kind of guy who, I need a watch that tells me what day it is. I need to know it's Friday on my watch. I need to look at it and go, 'Friday today.' Tomorrow I will not know it's Saturday until I look at my watch. My watchband broke, I was crippled. I have no concept of time, I have no concept of dates.
I tell you, 'Firefly'? Best job I ever had. Heartbroken when it was canceled, but had it not been canceled, I never would have gotten 'Serenity'. I think 'Serenity' is the most incredible thing I've ever been able to actually get my hands on and do. I can't even tell you how much love I have for that project.
I was raised by my grandmother. She instilled everything into me. She taught me right from wrong from day one. I remembered everyday, being 4 or 5 years old, and walking to school, she would be like, Raise your right hand and stay on the right side of the street and make sure you do the right thing in school.
When you live the life of a comedian, it's such a state of arrested development. I can't deal with anything very maturely. I'm still really bad at paying bills or doing anything that would be considered semi-adult. I'm really bad at it. It's weird I can create and run a TV show, but I can't pay my phone bill.
I don't have a mullet, but going into season one on 'The Walking Dead,' I asked to have a mullet, and everybody talked me out of it. Because I'd have to wear a mullet when we were not shooting every day. I have that motorcycle, wings on my vest, the crossbow... Maybe a mullet would've thrown me over the edge.
There is nothing worse than when actors come to a set - and it happens a lot with big stars - and they are too aware of where the camera is. They are the show. And that becomes apparent and it affects the production. I am like 'You should not know where the camera is - you should act, and I will do the rest.'
I'm not making fun of it because I want to make fun of it. I'm making fun of it so I feel better. I don't want people to think any time there's a tragedy that I'm going to make a joke about it. It's only funny to me because it's personal to me. And that was always the goal. It wasn't to be this insult person.
I spent two years at the Guthrie Theater in Minneapolis, and then some New York types saw me there as Benvolio in 'Romeo and Juliet.' They sent me some enticing letters - about why didn't I come to New York? - and since it was well below zero that winter in Minneapolis, it didn't take much to get me to leave.
If I had the money, I would love to open up a movie theater that just played images and colors and beautiful music. For me, there's nothing like listening to a beautiful opera sometimes - on a record or seeing it live - just to be sleepy and let those beautiful voices take me somewhere I've never been before.
Money has never been my drive. I have never seen the shortage of money in my life, so for me, I don't want to buy a silk pillow or a private jet... My drive is to achieve more than what my grandfather achieved; my drive is to make a name for myself, get rid of this 'star son' tag that has been attached to me.
I did, of course, eventually find my way into television, taking all kinds of jobs, climbing the ranks rung by rung. Anyway, it was several years later, when I was working nationally in Hollywood as the announcer and second banana on ABC-TV's late-night entry, 'The Joey Bishop Show,' that I had my big moment.
Timing is a very important part of being a father. You should never show your kids things before they're ready. Especially with movies. Toys like Lego are okay because the fact that your 3-year-old can't understand the instructions ultimately leads you to constructing it yourself... the secret plan all along.
If I go and try to watch a movie by myself I'll be completely transfixed the whole time, concentrating one hundred percent. But if I'm with another person on a date or something, within two minutes I'll be like 'This is rubbish, this is rubbish. We should leave and do something else.' I don't really know why.
I grew up in Glen Ellyn, which is about 20 miles west of Chicago. I attended Glenbard South High School and University of Illinois. I didn't study acting until I moved to Los Angeles after college, but the fact that I was raised in the Chicago area set the stage for all of my comedic and acting sensibilities.
It's a piece that is so interactive, and relies so much on these five men in the room, that I think will appeal to the life experiences every person has, in some small way. Every aspect of the play will in some way touch somebody or they'll know someone that has a likeness... very representative of real life.
On YouTube, you know, if you say something, you know, that triggers somebody, it becomes a whole controversy, a whole thing - and all the comments and everybody's upset, whereas a book, there's no comment section. There's no - there's nowhere for the audience to, you know, get mad at you for saying something.
Having emotional connections to things that don't really exist, like looking at a green ball and really loving that green ball, and being sad whether it's around or not. Stuff like that. I've never done acting at this level before so it was a huge challenge for me. It was a hurdle to overcome just to survive.
I was going to become a youth worker because I do voluntary work with the kids in the little village where I live. I make little films with them and stuff when I'm not working. I thought, I'll pack it in then and go and do something I love doing, and get a regular job because I've got two kids and a mortgage.
Toilet paper - and no baby wipes - in the bathroom. If they're using dry paper, they aren't washing all of themselves. It's just unclean. So if I go in a woman's house and see the toilet paper there, I'll explain this. And if she doesn't make the adjustment to baby wipes, I'll know she's not completely clean.
Some days are more intense and quiet, and then other days, you feel more relaxed and are able to open up on set. It just depends on what you're doing that day. I like to imagine that all the choices you make during the day that you're doing a particular scene are going to feed into the creation of that scene.
The average movie set is the least political arena on Earth. Nobody bothers talking about politics because, one, we all love the job so much. You don't talk about current events. You talk about old show business stories and whether or not there's gonna be French onion dip at the craft services table that day.
By and large, the making of motion pictures is all about, 'Let's ratchet it up.' And I always think, 'We don't need to ratchet this up.' If you do, don't call it 'Captain Phillips' or 'The Maersk Alabama.' Call it something else, and then you have carte blanche to do anything, down to sea serpents and aliens.
I went to university in the north of England at University of Birmingham to do an English literature degree, and I knew I could do extracurricular stuff with theater and drama. I started a theater company, called Article 19, and I did it with a bunch of friends. I wrote and directed plays. I had a radio show.
I always went to Ireland as a child. I remember trips to Dundalk, Wexford, Cork and Dublin. My gran was born in Dublin, and we had a lot of Irish friends, so we'd stay on their farms and go fishing. They were fantastic holidays - being outdoors all day and coming home to a really warm welcome in the evenings.
I'm a very competitive person, but competitive with myself. I want to be the best that I can be, and if that means that I'm eventually better than everyone else, then so be it. But I don't go around comparing and contrasting myself with other actors if I can help it. It's also, I think, the key to my success.
It was incredibly daunting for me to go from 'Son Of Rambow' to 'Narnia' because of the natural jump that there is that is dictated by budget, and the number of people working on it. Even though a lot more people saw 'Son Of Rambow' than we expected, a lot more people were always going to go and see 'Narnia'.
Mysteries simply are a feast for an active mind. And while in my lifetime I've seen science make extraordinary inroads into solving the most complex questions of life, after all this time I admit that I am thrilled that there are some things that forever will remain a mystery. For example, do I wear a toupee?
I notice fashion on other people, I always enjoy it when people try and look their best, I've always been taught to try and look my best and that's probably my main influence, I'm not looking to influence fashion anymore than the next guy, but I do try and look my best when I'm out and representing my movies.
Television is a business and, financially speaking, they have decisions and considerations that go far beyond the creative merit of the show. But at the same time, you'd like to believe in a man's word. When he shakes your hand and says he's going to stay with it, and doesn't, it's really frustrating in a way.
Everybody's on their toes and focused on what we're about to do, and then there's this moment where you relax because you see that everybody is there to do the best that they can. Everyone opens up to one another right away. That's a terrific thing. I love that about actors. They know how personal this job is.
You can begin to see an amalgamation of cultures, the real beginning of one world. Ten years ago, it would have been impossible to imagine a Cockney singing group with a Southern Negro style and Indian and electronic music. I wonder if people have even noticed what a tremendous cultural signal the Beatles are.
My sister is raised to know her value and to know that she stands behind no man. You know, when she gets a husband, you stand side by side, equal partnership. You stand behind no one cause you have to lift each other up. You can't do that if you're 30 percent of the value in your relationship or the household.
I remember during my lifetime I would meet women, and it was almost like God would say to me, 'Now, this woman here is not the one you are going to end up with, but she is going to be a lot like this woman; look at this woman, study this woman.' And when my wife showed up, He was like, 'You recognize her now?'
I just spent a lot of time on 'ER' for that eight years. I also started working when I was 16, so by the time I left 'ER,' I was 40 years old, I had this incredible experience, my wife had this great company, we had four kids, it was like, 'Let's go to New York and live for a while and make that the priority.'
I always think that trying to push yourself as an actor in a direction that you've never been before, developing characters which are more difficult to get into the head of, or are more interesting and further away from yourself, is always a challenge. But, you want to take up that challenge and try your best.
I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
I think that Shakespeare had his male side and his female side extremely well developed. And this was a great quality of the Elizabethan, all-around Renaissance man. They were not afraid of their male side and their female side co-existing. This somewhere along the line got lost. And then it got misunderstood.
My character was a homogenization of various things, whether it be the attitude of a Bruiser Brody, or the look of Nikita Koloff or the way that Nikita looked at the people. I took a little bit of what I liked and what I had seen throughout the years from everybody that I was entertained by and made it my own.
I like to do an occasional guest spot, but it seems that everybody wants me to go the host route. ABC, NBC, CBS and most of the independents have talked to me about it - Carson himself once asked me if I was interested and added he wouldn't be there forever. But I wouldn't do it for all the money in the world.
A lot of people that are in the disease of drinking and using can be caught up on the denial aspect of it. I don't have a problem with that. I am very sensitive. I can just feel when things are getting out of control and I go, 'Oh, you have to deal with this. Because you can die.' I've always sort of had that.
We're getting the blues about having to walk away from this whole thing. We enjoyed it a lot and it all felt good. We had a good experience on it. We thought we could do good work together. And it is unusual to get the next one, straight off the bed. John is funny. When he gets moving, he moves pretty quickly.