Quotes of All Topics . Occasions . Authors
In TV, you can really get into not only great characters, but also the relationships. There are all of the backstories and all of the relationships that you have with every person in your life, and the relationships those people have with each other. It's just more dense and there's more time to tell stories.
I don't want to know about the lives of other actors and I don't want people to know too much about me. If we don't know about the private lives of other actors, that leaves us as clean slates when it comes to playing characters. That's the point, they can create these other characters and I can believe them.
'Pump Up the Volume' was a film and character that I really responded to. That was a movie about a guy trying to take down the establishment using a ham radio. I feel 'Mr. Robot' has a similar value. This show is about taking down a global empire. I was an anarchist then. I'm getting to be an anarchist again.
Actors sometimes immerse themselves into it so deeply that the line between who they are and their character can become blurred. For me, I think it's just about getting clearer on my whole life and who I am in order to make it possible for me to play whatever character is presented to me at a particular time.
I get a lot of invitations, and sometimes it's far away, it's in Montana or something. "We'd like you to come to our daughter's wedding." These are people I've never heard of. I get a lot that. "Will you come to my son's graduation?" No...I guess when you're in stuff, it's almost a feeling that they know you.
Look, we want freedom and we want liberty in this country. But we've also got to have the guts to stand up and run a tight ship in America. Morality is now a word that many people consider very square and outdated. But if we don't stand up for it, we deserve what we will get in the end - unprincipled anarchy.
Children teach you that you can still be humbled by life, that you learn something new all the time. That's the secret to life, really: never stop learning. It's the secret to career. I'm still working because I learn something new all the time. It's the secret to relationships. Never think you've got it all.
If you're into a leather-jacketed crime fighter and his artificially intelligent robotic supercar, tune into 'The Good Wife.' If, on the other hand, you prefer the misadventures of a freelance itinerant trucker and his simian sidekick, check out 'The Walking Dead.' Or DVR them both and go talk to your family.
I suppose where I am sort of reflects the work I have chosen to do. Are there occasional frustrations because I can't work with a certain director because it's a big studio movie, and I don't have enough of a studio profile? The answer is yes. But generall... generally, I have the career I have chosen myself.
Even people who say that black people are minorities, there are a billion black people in the world. A billion white people. What part of that is a minority? If you separate yourself, then maybe. But I see black people as one man. When I see people beaten on the streets of America, that hurts me. I feel that.
I don't come from a comedy background or a stand-up background, but I think that sometimes there's a misconception that an actor who works primarily in comedy is a comedian. There's nothing wrong with being a comedian, but I'm absolutely not that. I can't think of anything more terrifying than doing stand-up!
TV was the boogey man when I was growing up. Video games are the boogey man now. The novel was once a boogey man. Books about lowborn people doing lowborn things were once considered a real assault on people's morals. Maybe some day video games will be looked on as a good thing, but personally I don't see it.
I'd like to be that chameleon. That's really ultimately what I want to hear from people eventually: 'I really love when I see him in stuff, but I never know he's gonna be here.' I want to be that actor that surprises you when you see him in a project, and you go, 'Yes! I love that guy. He's in this? Awesome.'
Whether it's writing a monologue or writing standup or writing a screenplay or writing a play, I think staying involved in the creation of your own work empowers you in a way, even if you don't ever do it. It gives you a sense of ownership and a sense of purpose, which I think as an actor is really important.
I've just directed a film called The Great Debaters, which is inspired by a true story about a young college debating team in the thirties and two of those people are still alive and we put them on tape on the film and I'm sure that will be added to the DVD, and to get the opportunity to do that is very cool.
One of the defining things about my career on camera is I like to play different characters. That gets difficult to do. People don't trust you to do something different. In animation, it's all about trust and how far can you go away from yourself. It's a really marvelous environment that's extremely creative.
The dream would be to work with my two favorite actors, Daniel Day Lewis and Cate Blanchett. Or playing Joaquin Phoenix's brother in a film. Basically anything where I get to act opposite actors like these; ones who bring a certain caliber to their work and literally morph into the character they are playing.
You like to live life without regret but that’s what the good Lord intended for me – that’s just the way it was. My goal was to make it in the NFL, I played with a lot of great players in college who went on to have illustrious, incredible careers and in the end it just didn’t happen for me. I failed at that.
I was approached to do something for seven years, and it was a quality project. I did seriously think about it, but I didn't want to be away for six months of the year. I've never done the L.A. thing where you go and have loads of meetings; I can't say to my wife, 'I'm going to wait by a pool for six months.'
I did two matches for WCW, for 'Saturday Night' and for 'WorldWide.' Scott D'Amore was booking the extra talent. I remember I was really torn about it. I was like, 'Hmm... I don't want to do that. I don't want to just be an extra guy. I want so much more than that,' but I was flat broke, and it was 500 bucks.
I think people would be up in arms. I think we would most likely have a similar situation to what happened in the 60s. I don't know if it would be as violent, I think it would be difficult to say that. But I think that, from what I can understand, our nation as a whole is largely against the war as it stands.
When I was in my 20s, I started frequenting record stores, and there was one in particular called Tropicalia in Furs in New York City. It's closed now, but it was one of those magical places where you would walk in, and the owner would start playing you records and not let you leave. It was such an education.
At home in L.A., Sunday is lazy. It's the wife and me lying in bed with coffee, watching 'The Soup' or something funny on TiVo. The kid will occasionally join us. Eventually, breakfast is at a place down the street called Paty's. And we always have some kind of great dinner - my wife makes a great roast beef.
This happens to a lot of kids from different backgrounds - they lose a lot of their parents' and grandparents' teachings, language and culture because they have to deal with another language and culture 24/7. By the time I was 44, I was terrible at Spanish. I was always intimidated whenever I had to speak it.
I'm not in a situation where you get a thousand scripts. You want to make a living, you want to put your kids through school. I'd rather do three bad films that pay well than do one good film every three years that doesn't pay well. ... To me, if you can get a steady check in this business, you're doing okay.
In my spare time, I’ve been playing a lot of piano. I’m trying to learn classical piano, Mozart and Beethoven and stuff. I took lessons when I was younger and now I sort of sight read the music and play it by ear. It’s fun. It takes up a lot of time. I practice a couple of hours a day, but I find it soothing.
Housing Works is the coolest thrift store in the world, because not only are they the best thrift store - they're not the most thrifty thrift store - but they have amazing stuff and all of their proceeds go directly to kids, mostly homeless kids, living with AIDS and HIV in New York, in the metropolitan area.
I believe in all the qualities of being a liberal. I keep going back to all the great social events in our country's history, starting with the Salem witch trials, where the conservative view was that they're witches and should be burned at the stake, and the liberal view was there's no such thing as witches.
It was only when I went to acting school that I was like, "You are absolutely such a pigheaded freak show that you thought you, at the age of 12 or 13, could have a better understanding of Stanislavski. Why did you think that you didn't need to go to school?" It was quite funny. But, I was certainly inspired.
My biggest inspiration is black America and what they've done in the arts. I have always felt like an outsider in America, and what black Americans have done to add their chapter to this book called the American dream, and to be so unapologetic and true, and have added so much to art and culture in the world.
I used to pre-rehearse everything and then bring my pre-rehearsed performance to the set. Now, I'm learning to let it happen in the moment. American actors are much better at that than British actors. If I knew how to trust myself, I would have been much more relaxed. Maybe I would have less gray hairs today.
As far as standup, everybody has a vehicle they are driving. If what you do works, it's like playing golf. If you can master that one swing over and over again, you will be successful. That's what standup is. You have to have a central move and it has to be yours. You have to own your comedy, own what you do.
But you need to strive to try and communicate and try and change things in a similar way. And then people can think that's pretentious or whatever, but it's your life's work, and you've decided that. That's what they made us believe. So we have a pretty high standard, which is at times great and at times not.
First, I wanted to be Chris Farley. When I was growing up, Chris Farley was still on the stages and fun to us. In my house, John Belushi was king. I didn't grow up when he was - I was born in '78 - the reruns of Belushi in 'Animal House,' and knowing he was at Second City, he was viewed as a king in my house.
Because acting was my only professional outlet, I put a ton of pressure on the roles that I did. I overstepped my bounds, I tried to control things that were out of my purview as an actor and in some cases even tried to direct my scenes because I felt I knew how they should run rather than trust the director.
It's hard enough to just be a good actor. When you're on set, there's everything going against you. There are walkie talkies going off, the camera is creaking and moving, there are boom mics, and you have to hit your mark and make sure you don't shadow the other person's face. It's a really technical process.
Ours was a very progressive Protestant family, but my parents were God-loving rather than God-fearing. We went to church, and I still go with my mum and dad when I return home - it's a family thing. I played flute in my dad's marching band, but I had an integrated upbringing. We had a lot of Catholic friends.
Idris Elba saved my butt in a point in my career that he can do whatever he wants, and I will back his decision no matter what. He got me one of my first pretty big studio gigs, and we had never worked together... It was a time in my life where I really needed it. So whatever Idris wants to do, I'm down with.
For anyone in our industry, one of the toughest things about having a relationship is how much time you get to see each other. The fact that we see each other every day, no matter what, has really worked out nicely for us. She's such a great girl. She makes what I do so much easier and so much more enjoyable.
As a kid, I was scared of losing my mind. In Terrell, Texas, where I grew up, there was a guy that would walk down the street talking to himself. And I used to watch him and feel uneasy. And there was a sanitarium where people would say, 'That's where all the crazy people go.' It really sort of frightened me.
I put on about 20 pounds to play Washington, and that was really enjoyable. That's probably the most fun I've had preparing for a role. There were only two weeks between 'Sons of Liberty' wrapping and 'Complications' starting, so I had, basically, two weeks to drop 20 pounds, and that was the opposite of fun.
Movies are this thing that came into my life, and it still feels pretend in some way. I kind of do this thing, and I never really accepted this idea that I'm a film actor. That's what I do. I feel like I'm a theater actor that started doing films. Most people have never seen me in a play. They're fun, though.
Churchill faced his own diminishing capabilities and increasing irrelevance by maintaining the sense that he was the only one who could solve whatever problem was before him. He was very often wrong, of course, but then he had spent so much of his life overcoming appalling mistakes, disasters, and rejections.
A lot of the motivation for doing the 'Make 'Em Laugh' on SNL was because I had just finished shooting 'Inception,' where there were zero-gravity scenes and I got into really good shape and was training and did all these stunts. Coming off of that, that instilled me with the confidence to do 'Make 'Em Laugh.'
To go from working with a group of people in a sketch-comedy show on a small network, where it was all about just creating funny stuff, to being on a network show, and the pressures of that, and getting to know the new people who were involved in it. There was a learning curve for me. But it was an education.
When I started acting, doing theater stuff at a young age, I was always the comic relief-type roles, so I knew I had a funny bone and could make groups of people laugh, but I didn't really take it seriously until I started getting paid on a weekly basis; then I was like, 'Oh, well, this could be a lifestyle.'
I always wanted to be an actor, even when I was a little kid. When I used to run away from home, I'd go to movies and sit all night watching Kirk Douglas. When I was 16, I tried getting into the Actors Studio, and they told me to get lost. I said 'I'll come back when I'm a man,' and I came back when I was 30.
Obviously, we suppress things, emotions, things during the day - thoughts that we obviously haven't thought through enough, and in that state of sleep when our subconscious, or mind just sort of randomly fires off different surreal story structures, and when we wake up we should pay attention to these things.
I had to weave and play around with a honey bear, you know, and I could wrestle with him a little bit, but there's no way you can even wrestle a honey bear, let alone a grizzly bear that's standing ten feet to eleven feet tall! Can you imagine? But it was fascinating to work that close to that kind of animal.
When it finally came my way and doors opened up for me to do it and to be on stage, it felt like a natural thing to try out. And it just so happened to speak to me. I really couldn't do what I needed to do in the most fulfilling way in Hayward, Calif., or in the Bay Area, that it required me to go off to NYU.