When I was 15, I had a crush on this guy who was really good at magic, and so I learned to juggle, thinking it would impress him. I spent hours and hours practicing, planning to show him. And then I never even saw him again. But at least I learned how to juggle.

I always wanted to be a Broadway girl. But once I got Tony-nominated, it really messed with me, because it was like, yes, I'm getting this affirmation that you're right where you're supposed to be, but there was still this voice saying, 'You're not good enough.'

To me, I don't think it does anybody any good to just hide something or cover it up or lie or whatever. I think ... that's what being a role model is all about. It's not about being perfect. It's about speaking about your issues and inspiring others to get help.

When you have a big life change, it takes a long time to get used to either the new format or the understanding that you need to create a new dream. Or if things didn't work out, mourning the death of that dream. It's hard, because that's a very private journey.

I don't want to be vain or fearful, and I don't think I'll do anything [in terms of plastic surgery], but if I want to do something, I will. From my perspective, there's no reason to be afraid of aging, because if you age, you're lucky! The alternative is death.

Almost six years ago, before I was given the incredible opportunity to be in 'Leaving Las Vegas,' I was going through a long period of artistic confusion. I'd spent years doing work that hadn't pushed me enough, and I was beginning to wonder if I had any talent.

Diablo Cody wasn't writing a script about a 16-year girl that got an abortion. She was writing a script about a 16-year old girl that got pregnant, decided to have the baby and give it to a young yuppy uptight couple for adoption. That's what the movie is about.

Brian really kicked back on his own when Amanda was a baby. We had a long talk about it, and he was spending a lot of time in California working there and he didn't really want to spend all his time out there and have his children and his wife on the East Coast.

I got the part [in Into the Forest], I started taking ballet again to try to regain my strength back. I actually love that it was changed to Crystal Pite's modern dance. And I wouldn't even really call it modern dance because it feels like it's in its own genre.

I'm in a very fortunate position, in that if I had an idea, and I could do it on a web budget, I could probably get it made; it's just a question of finding the time to really develop it, because I don't want to make anything that I don't believe in 100 percent.

I got cast playing the best baseball player anybody's ever seen. I don't know how to play any sport, including baseball, but I trained really hard. They had these great coaches, and they started saying, "Wow, you have some like really untapped athletic ability."

If we can just let go and trust that things will work out they way they're supposed to, without trying to control the outcome, then we can begin to enjoy the moment more fully. The joy of the freedom it brings becomes more pleasurable than the experience itself.

I'm, like, the only actor in New York who's never, ever been on any 'Law & Order.' And I've auditioned for so many. The sad thing is I love 'Law & Order.' I'm really obsessed with it. And they always said to me, 'You seem like you're making fun of the material.'

I love live performance and have huge admiration for people who can really do it. It's the same with music: I'll play a record and think that I'm not really into country or ragga. But, if it's live and the musicians are good, I'll listen to pretty much anything.

I have to struggle to change people's perceptions of me. I grew very frustrated with the perception that I'm this shy, retiring, inhibited aristocratic creature when I'm absolutely not like that at all. I think I'm much more outgoing and exuberant than my image.

I started working professionally as soon as I could, doing weddings and things like that in high school, while everyone else was having keg parties. I just felt destined to do it and really committed and driven; it was something that just felt right all my life.

As much as I appreciate people putting me in the category of these very acrobatic belters, I feel like my strength is my... interpretation and my truthfulness with songs, and I don't want young people to think it's all about the high notes that they have to hit.

I loved Morocco. It's very exotic and different from anywhere I've ever been. I had an amazing day there in the high Atlas Mountains near Mount Tamadot, when I rode by donkey into a Berber village and drank some mint tea with a Berber family. It was exceptional.

I'm not about my breasts; I'm just about good health, OK. I'm not afraid of doing what I need to do to stay here. I really don't understand women who are in denial, who don't want to go for a mammogram. I think it's stupidity. Sorry. I have no patience for that.

You know, as I get older, personal happiness is all about love. It's all about love. You know, how I'm loved and how I love my family and my husband. That to me is happiness, when I feel like I am loved and I have a place to love deeply. That to me is happiness.

I honestly think vulnerability is a beautiful thing: it's tenderness, authenticity, and risk-taking. It means you're living a life where the stakes are high and you are continuing to push your own boundaries and learn new things. It keeps you flexible and young.

I left my apartment in London and I sold everything. I literally had $1000 and a suitcase when I got on the plane. The next day I enrolled in my first acting class. We had some great people, Jim Carrey, Ellen DeGeneres, Molly Ringwald. It was very inspirational.

I can still impress my family, yeah. In fact, I always text my family when I meet someone famous. I ran into Anna Faris and I texted my niece, and I said "Just hugged it out with Anna Faris," and she was like, "Oh my God! OMG! OMG!" She got a big kick out of it.

I think being a guest star on an ongoing TV show can be a nightmare, and I've done it a lot. You're walking into this family who's very comfortable where they are, and you have to jump on the train and be artificially comfortable. That's a very hard thing to do.

I am a big gamer. I am kind of in the beginning stages of creating a graphic novel entity that would encompass a game and a movie. I would die happy if I could be a voice in a game that I would actually play and create easter eggs with the team. That's my dream.

I don't know if this is true of everyone, but I have this relationship with my parents where, despite however mature or articulate or grown-up I think I've become, as soon as I go home, I turn into this petulant 13-year-old, especially with the tone of my voice.

People say that the best part about doing animation is that you don't have to dress up to go to work, but I don't believe that. I dress up to go to work. I dress up for an airplane. I think it's just focusing your skillset, focusing on your voice and the comedy.

Be present. I would encourage you with all my heart just to be present. Be present and open to the moment that is unfolding before you. Because, ultimately, your life is made up of moments. So don't miss them by being lost in the past or anticipating the future.

Either you like a person or you don't like a person. I don't have to love somebody to work with them. I'm a professional person. But when you get the bonus of really liking someone and really connecting with them and really enjoying them, it's a fantastic thing.

With computer science, I had to go through that uncomfortable process of my brain establishing a hash table, if you will - the coders will get that - for this new information, because I didn't have one. So I had to establish a brand-new file system from scratch.

I try to shield my children as far as possible from the public glare. I want them to have a normal childhood like we had. We went to school by the school bus, had school food... There was no special treatment given to us. The same applies to my children as well.

I've had young women come to me and say that before they watched 'Voyager' it didn't really occur to them that they could be successful in a higher position in the field of science; girls going to MIT, girls pursuing astrophysics with a view to a career in NASA.

I think you have to have a sense of humor about every movie that you're doing. Your character needs to be relatable in a way that, even when you're doing the most bizarre things, sometimes a bit of tongue in cheek is necessary to keep up the believability of it.

Working crew made me realise that the actors are a very small part of a very big machine, with each part being vital to make the show work. It so important to remember that it's not about you, it's about the show, and working crew hammered that point home to me.

Whenever you're blessed and given a second season, you can really let the characters evolve. That first season, you're setting everything up. It's background, where they're coming from, what they want to do. And then you get to marinate in it that second season.

Like my little sister and brother, I always play them my music because I want people like them to be able to relate to my music. They always know what's going on; they're up on what's new. For me, when they hear my music and they like it, I'm on the right track.

Easy? You men have no idea what we're dealing with down there. Teeth placement, and jaw stress, and suction, and gag reflex, and all the while bobbing up and down, moaning and trying to breathe through our noses. Easy?Honey, they don't call it a job for nothin'!

I feel like everyone directs their own career according to their taste, what they migrate to emotionally and what kind of artists they want to work with. And I'm lucky enough to be in a position where I can wait six months for a project that really interests me.

I think I'm a bit less inhibited, and not thinking too much before speaking. It's not about being shameful, I'm just a bit more unabashedly myself because of this thing, and it probably started at age 15. I can be around people and say what I think without fear.

There are a lot of times when Jessica Jones is alone in her house, and there's no dialogue. She's rough around the edges, so getting to spend that time with her and see her be vulnerable and process the weight of her world is what makes the character so likable.

My family is the most important thing in my life. I would love passionately to have my own children. To have a baby inside me - it's one of my dreams in lie. I would love to hold my children, to run to them, to give them the same happiness my family gives to me.

People want to go to a musical to be razzled and dazzled, so to have an opportunity to do a musical that feels serious and moving is exciting to me. Especially since people think of me as a silly, funny person, so I like to be able to show that other side of me.

Take charity work for example; the motivation of my various charitable activities is neither for fame nor profits. It is my sincere wish that, through my efforts, more people can realize how important it is to protect our planet and to start to act for a change.

As we at all times criticise the Premier for his management of home affairs, call Mr Butler a fool for his Budget, find fault with Beecham's conducting, or Gielgud's performance, can we not, sometimes, say that our cricketers are not quite so brilliant as usual?

My mother told me when I was a kid that each time we get to what feels like the edge of a cliff, we have two choices: to turn around and run, or to jump. I have learned over time to jump - and though it is scary, I know somewhere inside me that I will be caught.

I've chosen all my films very carefully. I know that I've had better parts in some films than in others. But the films I do are the ones I want to see when I read the screenplays. I guess you can basically say that I've just done things I loved when I read them.

Reruns are wonderful because it usually indicates that they had something going for them to begin with and that's why you're still looking at them. And in both my shows, The Dick Van Dyke Show and the last one, they were so well written and so good they hold up.

My grandmother raised five children during the Depression by herself. At 50, she threw her sewing machine into the back of a pickup truck and drove from North Dakota to California. She was a real survivor, so that's my stock. That's how I want my kids to be too.

Very rarely am I attracted to characters that are 'woe is me.' I'm not a big fan of women that have to be the victim and need to be saved, at all times. I don't necessarily think that's how it is, in real life, and I don't think that's how it should be in films.

My husband is like, "Oh, thank God we didn't have a boy, because there's this train set that I've always wanted, and these Star Wars spaceships . . ." They say, "Don't spoil your kids," but it's one thing spoiling your kids, it's another thing spoiling yourself.

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