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No, I chose the name Jane Seymour because I was doing my first film, 'Ode to Lovely War,' and one of the top agents in England spotted me dancing in the chorus. I was a singer and dancer in that movie with Maggie Smith, um, and he told me he couldn't sell me as Joyce Penelope Wilhelmina Frankenberg.
You never go into a marriage expecting to get divorced. You go into a marriage expecting it's going to last forever, and you have a lot of ways you dream about the future. You have all these expectations, and then you have to adjust those expectations, and it can be a very unnerving, confusing time.
Something about family and trying to relate it to the movie with, 'Oh, if I was to have a child how many kids do I want?' And 'do I want a boy or a girl?' I didn't realize you could place orders, I honestly didn't realize it was like a drive-through, that you could talk to a little electronic voice.
How do I let the director know how obsessed I am and willing to do anything for the movie? Like, I wanted to write this one director a letter, so I wrote him a handwritten note. But then I was like, 'How many people are writing this guy handwritten letters? Is it going to seem cheesy? What do I do?'
His background and knowledge can't be transplanted overnight, ... I'd make a point that unless you sat on the throne, you don't know what it's like to be king. In reality there are a lot of things that you do and people you influence that other people don't see and that impact is there for the city.
You shouldn't be told you're completely irresponsible and be left alone with too much medication. It's too easy to forget. You take a couple of sleeping pills and you wake up in twenty minutes and forget you've taken them. So you take a couple more, and the next thing you know you've taken too many.
My greatest sense comes from the experience of performing in the movie. When I have a great experience, that becomes a perfect movie. If it makes a nickel, it's still perfect. The same is true with a movie that's a bad experience. If it makes a bejillion dollars, I will hate it till the end of time.
I don't have the luxury of sitting around any more. I must have had bags of spare time before I had children, but I don't know what I did with it and I didn't appreciate it. But it's such a terrific trade-off. I don't have time to get a pedicure, but I sure am happy. Who cares if your feet look bad?
I'm comfortable wherever I am, and I can be anywhere and feel comfortable after three weeks. I adapt, and I'm like a chameleon. If a country doesn't have Internet, then I get used to not having the Internet. I could basically live anywhere. I'm a nomad at heart. Nothing is more boring than monotony.
'Beauty Queen' is the weirdest, strangest, and most perfect play to do before 'Hedda Gabler', because there are so many similar issues for Maureen and Hedda. I had played leading ladies before but couldn't really hook into them. After 'An American Daughter' and 'Beauty Queen', I had all the ballast.
My very first acting job ever, the first time I got paid to be an actress, was in 2001, right between my sophomore and junior year in college, when I was just 19 years old. I got paid $250 every two weeks, 10 shows a week, to be in the Utah Shakespearean Festival. I was Calpurnia in 'Julius Caesar.'
When I was a kid, you went and saw movies. You knew very little about the actor's personal life except what would be, like, in Photoplay or something. We didn't hear "The Making of..." every single movie, and actors didn't have to put this tremendous piece of work that they'd done into a sound bite.
I feel there's so much pressure, especially for women, to declare what their life's going to be and what their career is, and are you married yet? Are you single? But you're 30. And girlfriends are so important. You can have a boyfriend or husband when you're 30, but you still need your girlfriends.
I've played Latin, I've played Italian. And I've played the all-around regular girl. I think the thing about the way I look, is that I can look like many different things. People sometimes ask me if I'm Russian. I don't think I specifically look like a Puerto Rican or an Italian. Wouldn't you agree?
In LA you can't tell the teenagers and the moms apart, which is so strange to me. And then it's like, "Who is leading who?" Are the moms emulating the daughters? In which case we're going backwards - that's not how it goes - the mothers teach the daughters how to be. It's a very strange thing to me.
I'm baffled when young actors aren't familiar with current film, television and theater, or aren't interested in older films or plays and the history of the craft in general. If you don't know what's out there, and what came before, then how can you picture yourself working, and how can anyone else?
When I get a beautifully written piece of material, I immediately start imagining how I would interpret it. I love just daydreaming about it for months, breaking it down, seeing where I can spin something. How I can turn this into the most fun ride for the audience that I can make it? That's my job.
The best thing about the Nikita show is that there's so many layers. Even after the pilot, the next four have a twist. Don't think that you've seen it all or that you know it now, and that it's not going to have any more surprises. There's a surprise in every episode, so it's a lot to keep track of.
There's a reason that girls cut off all their Barbie doll's hair and dye it and do things like that. I destroyed my Barbie dolls, and I know other girls did as well. And that's kind of the way they see kids movies and child actors in kids movies, as something that you've moved on from. It's babyish.
I got a reputation for being sort of nuts and difficult, because I was at that point, so I wasn't much in demand. And also, on the basic level, I'd made a lot of movies that didn't make money. And if you make movies that don't make money - I mean, it is a business, after all - you are not in demand.
I don't really have a method or a technical process. I studied [Sanford] Meisner, and that's the thing that really works for me. That sort of instinctual, in the moment, what the other actors do, working off them and letting the story unfold, as opposed to having an idea of what the story should be.
Listening is everything. Listening is the whole deal. That's what I think. And I mean that in terms of before you work, after you work, in between work, with your children, with your husband, with your friends, with your mother, with your father. It's everything. And it's where you learn everything.
The career I chose was a drama major in college, at Yale, when I played a 90-year-old woman. One of my most celebrated roles. Then I played a really fat person. I played a lot of different things. That's how I thought I loved to wrangle my talent, my need to express myself. I like to do it that way.
Director Park asking that if there was a pocket on one side of the piece of clothing then there should be a pocket on the other side. They were a little uncomfortable to wear, yes, because there were a lot of tight, high-waisted things so it was great at the end of the day to slip into some pajamas!
It was weird that most people knew me as someone let go from 'SNL.' I had the best time there, and in retrospect, it was the perfect amount of time. The only thing that matters is what you do with yourself in that moment after. If you decide, 'I'm the girl who was fired from 'SNL,' you're just that.
I'm like, "Well, damn, that means that I have to carry a flag." I don't have the freedom to just do anything, because I have the political weight of having this last name and my heritage. It's not like I've transcended, Will Smith-style. It takes a lot to pull that off, to cross over, and transcend.
I'm Indian-American and I think that when I think of myself as being culturally Indian, it had so much to do with when I lived with my parents and was a kid because they would take me to the Diwali festivals. They would take me to the temple, and they would teach me about all the different holidays.
I'm probably an actor that tends to, instead of putting things on, think about it more in terms of taking away what's not in the character, until I'm left with what is. If that makes sense. That's probably a particularly American way of working, but maybe not. The end of any movie is a readjustment.
I don't know that any woman could ever not think about that at some point - even making the choice not to do it and getting to the place of peace of choosing not to be a parent, there would have still been some struggle in between. I'm not a man but I don't think it would occupy their minds as much.
I don't need a boyfriend to be happy. If I meet someone and I want to be with him, then I will be. I'm very confident in being single until I find someone who I'm extremely crazy about and who I want to devote my time and love to. Until then, I will just be on my own and I am totally fine with that.
As we women know, there are so many other hurdles that we have to cross that I would love it if we could stop having the race conversation so that we can get women further on. You know, a female president now that we have an African American president. Maybe we can get an Asian female, a gay person?
There are so few roles out there. And even if it is a film that could be led by a black actress, how many times is that film going to get funded? Let's just be real. But it's not just black people. It's Asians, it's Hispanic people if you're not Salma Hayek. It's hard. It's hard to get films funded.
I want to pick good projects, I want to work with great directors and try not to put too much pressure on myself and just read things for the story and recognize when I'm drawn to something for the right reasons and try to maintain some sanity. Sanity would be good. I'd like to have a little sanity!
I grew up in Burbank - but not the Burbank of valet parking and TV studios. In the late 1950s, there was a small apartment complex on Elmwood Avenue that rented mostly to families on welfare. I lived there from age 3 to 11 and again from 14 to 18 with my mother, Shirley, and my younger sister, Toni.
I've always had this image of this strong, sprightly person who is undaunted by anything; on the contrary, I was one of the shyest, most unsure people you ever met in your life. But I have one very specific quality: I'm plucky. I really am. I would say that's a perfect description of my personality.
If you ever had anyone in your life who has been struggling with addiction or struggling with anything, it's about the resilience of love and how much you're willing to struggle with somebody to preserve your relationship and to try to preserve them as a person - and I think that's really important.
I spend plenty of time in London and it doesn't scare me, but it's a lonely place, even if you've got friends there. My job takes me all around the world, meeting lots of interesting people. But I think if I couldn't get home, if I couldn't get back to what I consider my real life I'd be frightened.
I was a West Hollywood and Laurel Canyon girl for years, and it was so central that I felt like we'd moved to Portland when we came to Malibu, but now I can't imagine living anywhere else. We have the best of all worlds, hilltop living, 15 minutes from town, with the beach at the bottom of the road.
I started, whenever I got to a city, just getting on Style Seat, which is the most incredible app for any girl who doesn't have 100 stylists at her fingertips. I can see who's well-rated and whose portfolio I like, and then book an appointment all from my phone, which made having bangs a lot easier.
I spent a lot of time thinking that I was some kind of foundling, that I had been a changeling, that I had been found under a bush somewhere, and that I couldn't possibly be kin - but the more I live, the more I feel absolutely like I come out of my family. I'm a sort of strange natural progression.
In the context of our world, sizes 8 and 10 are teeny, but not for Hollywood. I had to ask myself, 'Do I want to be somebody who worries about what I'm eating? Or do I want to find a balance where I can be healthy and not consumed by that and maybe have to buy some larger pants?' I bought new pants.
I have a lot of -- I struggle with a lot of shame over my past. There have been times when I've been incredibly embarrassed about the things that happened to me. I don't think that there is one human being in this world that would wish, you know, to be injured as a kid the way -- in ways that I was.
I have to say, doing theater, that's what you're trained to do. Doing film, when I first started doing it, felt like something else entirely. It felt like the difference between, I don't know, waiting tables and painting a great work of art. It's night and day. I didn't feel like it was even acting.
You go to something like the Golden Globes, and it's the most glamorous place you could ever be, but then you go home and you're still like, 'Urgh, this dress is too tight, I wanna take off these shoes and put on my pyjamas.' At the end of the night all the glamour goes away and you're just a human.
Watch it! It was robbed from other beings so it's HOT 'MERCHANDISE' and it's against the Law... the LAW OF DECENCY!!! Stay within this Law, steer clear of wool/pearl/silk/ fish bone/ fur/ivory/coral/ down/beeswax/honey/ cashmere/ lanolin/ feathers/ camel hair/flesh/milk/ eggs/ fish/ seafood/ other!!!
Every mistake that you make, or every thing that you might regret, you don't need to necessarily regret it, because it can be a step forward. You just move forward and let them go because there will be a lot of bad auditions, and there will be a lot of negative responses. But that won't last forever.
I think much of my inspiration comes from nature. I feel alive when I take a long hike with my dog or when I just spend time outdoors, appreciating the beauty of this world. I even feel alive and inspired when I walk through farmers markets appreciating and learning about local fruits and vegetables.
Hey, guess what? Turns out the free market? Not so free. Wall Street was hit hard Monday when Lehman Brothers filed for bankruptcy, Merrill Lynch was sold to Bank of America, and insurance giant AIG neared a collapse of its own. Basically, if your commercials air during golf tournaments, you're done.
I'm in a really good place. I used to be a right worrier, but being in a settled relationship has made a massive difference. I was on my own for three years before meeting David. I'm very happy with him, he's a fantastic man. But you never know what's around the corner, so you just hope for the best.
If people weren't watching, I'd be so much more eccentric. I know it makes me sound weak, but rather than make myself happy and wear the silly hat and say, 'Oh, I don't care,' I actually really don't feel like getting made fun of. So I put on something boring and navy and go out and try to disappear.