Quotes of All Topics . Occasions . Authors
When you go somewhere like Kenya and you see how the children don't have pencils and pens, and all of these things are considered luxuries, and what a privilege they see education as and how hungry they are to learn, I wanted to give my brother and sister long lectures. That definitely stayed with me.
I think my greatest insecurity would just be standing in the middle of the room and having everyone watching me thinking that's what I want. If I am interesting to you because of who I am, then that's incredible. But if I'm interesting to you only because of what I am, then let's not bother, you know?
I was never one of those surly teenagers who doesn't smile. My lovely godfather said it was always lovely to see me because I was the only teenager who smiled. And I was so in awe of him, I thought it was one of the best things anyone had ever said to me. So it made me want to live up to what he said.
My career only took off because of one football game. I thought it was funny. 'Playboy' called and offered me a cover just like that. I turned them down initially, because I was nervous about it and my boyfriend at the time didn't want me to do it, but they kept coming back , so I eventually said yes.
I think the beauty of chat rooms is that you can have your anonymity of course, and you can choose to be raunchy and sexy and bold. Or you can actually go into certain chat rooms and maybe have an incredibly soulful, meaningful conversation that will change your life or change the other person's life.
Everything you've heard about Canadians apologizing profusely for things they shouldn't be sorry about is absolutely true. It is both sweet, endearing and worrisome at the same time. Having someone apologize for no reason actually makes me feel as though I should apologize for their need to apologize.
Brexit for me was really interesting because I was in the heart of Yorkshire, which is a "leave" area. It was quite odd actually, a real deep sense of unease. You felt very odd for your country. You have lots of people that are angry. It's a very physical and public stand that these people are making.
I am exactly where I want to be now. You can't go backward. I'm not going backward. I'm grateful that I'm here, blessed to have what I have. Nobody can be prepared for anything. If you end up in a place where you can look back and go, 'It happened, but I'm so lucky to be sitting where I am sitting...'
The arts were a big part of my childhood. We went to the theatre and opera a lot as a family. We were not at all wealthy, but it was at a time when the arts were publicly funded and there were free tickets available. For someone like myself who wasn't that academically inclined, it was a great escape.
Technology has already opened the door a bit wider for filmmakers, with smaller digital cameras making production less cumbersome. Social media is allowing self-distribution, and girl groups like Spark Summit are leading the way in calling for fewer Photoshop image alterations of girls in print media.
I think when you love a child, it's a different kind of love. You think, 'I love more every day. I love more every day, more every day, I couldn't possibly love any more, I'm going to blow up.' And then you blow up. Your chest actually starts to hurt. You love so much, you think I can't love any more.
Sônia Braga reacted in a beautiful way to the draft I sent her, so we just made the film ["Aquarius"] as I had written it. Emilie [Lesclaux], my wife and producer, told me, "This is not a two-hour film. This is going to be longer." And I said, "Well, let's try and make it work, whatever length it is."
Of course, I was a little concerned about it being over two hours [in "Aquarius" ]. "Neighboring Sounds" was two hours and eleven minutes. This is two hours and twenty-five minutes, and I did try bringing it down. For instance, I considered cutting out the sequence with the family looking at pictures.
'Lost' holds a very special place in people's hearts and I wouldn't presume to say that 'FlashForward' will replace 'Lost.' I think it provides a lot of the same adrenaline and fascination and entertainment. It will help ease the pain of losing 'Lost!' I think it will appeal to the very same audience.
[My work] just develops and develops, and I'm very nicely served by the universe: just as I'm ready to take the conversation further with myself, some other individual pops up, like David McKenzie did, with this idea of making this film [Teknolust], and provides exactly the leap to the next adventure.
I heard that someone asked Mother Teresa what was most important in her work. I thought she'd say the Rosary but she said, 'My nuns and I take very good care of ourselves so we can tend to the lepers and do whatever we need to assist.' If you're strong, or at least not hurting, you can inspire others.
I've had experiences where I wasn't allowed to change words around at all because you have to say everything, exactly as written on the page. That's not fun for me. For me, part of being an actor is being able to contribute to a character's rhythms. If there's room to explore, you find a happy medium.
I may be on set acting, I may be in the studio recording, I might be teaching dance class all in the same day - so how can I manage all of those needs, prepare for all of those things, and still grow and train in all of them? The best you can do is, when you're focusing on one, be there and be present.
I could suddenly see the pressures all around; these endless magazines and cheap reality TV programmes poking at women, humiliating us for every flaw. It makes me so angry. I really wonder what it is we are doing to ourselves, because I do think women can be the worst ones for picking each other apart.
What a person feels within themselves and about themselves radiates from them. Trust me, I have worked with people - both men and women - who are not what most would consider conventionally attractive, but who exude such a magnetism about them that people are compelled to watch them on stage or screen.
I love saying 'yes' and I love saying 'please.' Saying 'yes' doesn't mean I don't know how to say no, and saying 'please' doesn't mean I am waiting for permission. 'Yes please' sounds powerful and concise. It's a response and a request. It is not about being a good girl; it is about being a real woman.
I started to respect older actors when I was young and then contemporary actors later on. Then I learned respect for comedy. When I was first doing theatre, I thought of it as just a means to become Sarah Bernhardt or someone like that. But acting with young people has been a great learning experience.
For narrative games, and also for the sake of the medium, we have to treat performance that way, as actors. You have to have a sense of ownership over it and believe that you're bringing something meaningful to it - because that's what all of the developers are doing, and that's what the story demands.
I don't want to become more famous than what I am. I'm not interested in being in movies that are going to be shown all around the world and get a massive audience, so I'm interested in doing foreign movies as long as it stays an exceptional case and is exotic, but I don't want to go there [Hollywood].
I miss 'EastEnders.' I loved it. But I was exhausted when I left. They asked me to go back recently - they've asked a few times. I am tempted! But my husband Scott says you have to really think about it. Because, towards the end, I was so exhausted and not sleeping at night. I'm not quite ready for it.
Find your self-respect now. Don't dumb yourselves down. Think of yourself as capable and worthy of finding a guy who is going to respect you, too. It's so important, I mean, and the confidence you get from feeling smart and tackling something like mathematics, which is a challenge, right? Math is hard.
As a matter of fact, I've been to Italy many times before I met my husband, which he can't even imagine that I could possibly know anything about Italian food. But, you know, Italian food's really basic, and there's so many different variations on it that what my husband did is he broke it down for me.
Oh my God the fantasies are my favorite thing that we do each episode by far. And the great thing now is that instead of one an episode sometimes we do as many as two. We did one in each of the mini-series. And so far - I mean I keep thinking I can't have another favorite and then they keep topping it.
I wanna get back To the old days When the phone would ring And I knew it was you I wanna talk back And get yelled at Fight for nothing Like we used to Oh kiss me Like you mean it Like you miss me Cuz I know you do I wanna get back, get back I wanna get back, get back I wanna get back, get back Get Back
I personally battled with my own body image for years. I used to tell myself, You can't wear anything sleeveless or strapless. And all of a sudden I was like, What if I just didn't send such negative messages to my brain and said, wear it and enjoy it? And now I'm more comfortable in clothes than ever.
Producing is so exciting because you can enable things to happen, whether it's like discovering a filmmaker who you're taking a chance on, protecting a battle and driving home at the end of the day just going, "I'm so glad I stayed late at work and fought hard for that. Had my passion. Won that battle.
Both my best and worst memories are of my time in Nicaragua. The experience as a whole was totally redeeming and amazing. It sounds so cliche, but I don't care because I'm saying that from the heart. I stayed with a host family and went back to the same kind of rural farming village outside of Managua.
I’d like to discover life. Quite frankly I don’t know how to be happy. I have not a clue. I only serve — and I don’t say that with any grandeur. I just serve others through entertaining. That’s when I am happy. I’m not just delighted with myself when I’m entertaining, but I’m happier than when I’m not.
'Venus in Fur' is very Polanski: you have the knife of 'Rosemary's Baby'; you have Thomas disguised as a woman as in 'The Tenant,' when Vanda puts makeup on him, it's like 'Cul de Sac'; the dress of Tess and other details that are very Polanski. He fell in love with the play because it was so much him.
I was a huge fan of video games; I wanted to write something, and I saw the tools at my fingertips to upload a video to my audience, and thats why Im here today. I think that freedom and the lack of gatekeepers, combined with peoples passion, is what really the true spirit of Internet geekdom is about.
I've been fortunate to play many different types of characters thus far. However, I really enjoy playing roles that are different than who I am personally. You can have these small fantasy worlds where you can be people you would otherwise never get to be: a doctor, a lawyer, a ruthless business woman.
I do cook a lot for myself. I tend to cook from scratch, a lot of stews and things, lots of beans, because beans have got lots of protein in them but not fat. I am partial to a bit of cheese - I try to limit myself in my cheese intake, but I do enjoy a good smelly cheese. Stinking Bishop is a good one.
When I was six years old my friend was auditioning for 'Annie,' and I decided I wanted to audition with her. My mom was worried I would fall flat on my face because I'd never opened my mouth to sing, so she sent me to vocal lessons. I did the audition and fell in love with the entire process of a show.
We are all human beings, and we all have insecurities, but it's about being healthy and happy with yourself. I'm not perfect, and I will indulge in pizza and sweets on occasion. The goal is to make the majority of your decisions good for your body. So listen to your body, and treat it like your temple.
We have to nurture our young women and understand the beauty and the strength of being a woman. It's kind of a catch-22: Strength in women isn't appreciated, and vulnerability in women isn't appreciated. It's like, 'What the hell do you do?' What you do is you don't allow anyone to dictate who you are.
The wholesome is definitely intentional and drilled into me. I mean, we weren't allowed to pierce our ears growing up. We didn't wear makeup. We couldn't have layers in our hair, perms, or color, or manicures. My dad didn't think it was ladylike. My dad just felt like his daughters should be wholesome.
I picked up an issue of Cosmopolitan the other day that had tips for job interviews, because I was like, 'I need to get better at interviews.' The article was basically about how to get someone not to hate you in 20 minutes. Every single thing they told you not to do, I was like, 'I do that every day.'
Greece has got something like 1,400 islands. There is so much of Greece you can't know even if you're Greek. It's sprinkled out all around the edge of the Aegean, all over the place. It's already a secret place wherever you go, even if it's somewhere huge like Athens or Corinth. The place enchanted me.
I don't understand executives that pit women against each other, the fact that they brought in 'Body of Proof,' Dana Delaney is a friend of mine, and the two of us were just rolling our eyes, it's like, of course, you finally have two great female leads and you're going to put us on against each other.
It's not difficult to take care of a child; it's difficult to do anything else while taking care of a child. Trying to clean up the kitchen after you've had a baby is a nightmare because you have to wait for the baby to be asleep, you're exhausted, and you really don't want to clean up the kitchen now.
Why I talk so seriously about art is that art is the only thing that helps people stay alive, and it is the only thing that has allowed people to create joy in this insane, suppressive universe. And art is the only thing that they can't get rid of. They've tried, but ultimately they can't stamp it out.
I was quite eager to work, anytime somebody was offering me a job, if I liked the role. Because I was always very discriminating from the very beginning, in the sense that I had absolutely no problem saying no to jobs when they came along if somehow they didn't fit into my universe - whatever that was.
I'd never put all my chips anywhere, because I don't want to close any doors, but I was raised in a very blue-collar family. I was raised by parents who said, 'If you don't go to work every day, you're not contributing', so that's my mentality. I have to work every day; I have to bring home a paycheck.
When doing a revival, you have a lot of people asking you questions about someone who played it before, and to me that's neither here nor there - it has no bearing on the material that I have to use. The material that is written down in a score and script that the writers originally used is what I use.
There's a real careful line you have to walk there because your first job [therapist] is to create safety for the client to feel safe enough to turn their vision in towards themselves and their experience in the moment and to reveal things that usually carry a lot of shame or that kind of stuff around.