If you write a written book, you're gonna get slowed up by lawyers wanting to see what you say about this person, that person - I couldn't be bothered with it.

People forget that a huge proportion of our jobs still depend on agricultural production in Australia so of course there are exports. That's easily overlooked.

I think it's the best thing I've ever done. I think it's realistic, and it's true to the me that has been developing over the years. I like first-person music.

At the (record company) meeting Paul just kept mithering on about what we were going to do, so in the end I just said, 'I think you're daft. I want a divorce.'

I had a lot of it in my day, but I don't like it. It's a dumb drug. Your whole concentration goes on getting the next fix. I find caffeine easier to deal with.

I don't want to date celebrities, I don't want to roll out of clubs absolutely steaming, make an idiot out of myself. I want to concentrate on my music career.

The good part about being a pessimist is, when something bad happens, you're never really devastated by it. And when something good happens, it's such a bonus.

I think any band we played with would be a weird match. We're on our own, a little out there, but it's a good thing. I think we're complimentary to each other.

It started when I woke up, all I wanted to do is jump out of the window. I didn't want to eat anymore, because I was afraid that I might poison myself somehow.

Fibers in a variety of colors protrude out of my skin like mushrooms after a rainstorm. They cannot be forensically identified as animal, vegetable or mineral.

For me my work is always being compared to my heritage. It has been quite a challenge unto itself just to drop into my voice and develop my individuated sound.

I'm just trying to get rid of all the mystery surrounding me and let people see what I'm thinking. So they can understand me and stop assuming things about me.

We're trying to set up a movie for me in the near future. It's going to be similar to the story of how I got discovered. Kinda like my own version of '8 Mile.'

It's really funny - when I'm depressed or I'm having a hard time, I'll write really fun stuff. And then when I'm really happy, I write really depressing stuff.

'Beautiful Loser' had a lot of great records. It had a lot of really heartfelt songs on there. But I felt, at the time, it didn't have it's own cohesive sound.

When you're in the music business, everything is very personal, because you are invested in everything; there's a very deep, personal attachment to your music.

I've always had an interest in doing something that was outside my comfort zone; I had this thing about standing on the edge of the cliff and deciding to jump.

I knew nothing of the life of a real musician, of course, but somehow I seemed to see myself standing in front of great crowds of people, playing my accordion.

I'm such a fan of anime and manga to this day, but I never really like got to know all the characters and everything, so I don't think I'd be able to pick one.

Paul persuaded me to join the band. I would never have had the courage otherwise. It was fun at the beginning. We were playing just for fun, with Paul's group.

I'm not that knowledgeable with the guitar - I just find ways that are pretty creative, but it's all within the framework and the limitations of what I can do.

My attitude is that you very rarely come in contact with someone of Master Ren's level, so every opportunity I could get to learn from him I wanted to do that.

For a while, I felt a little self-impelled to write Lou Reed Kind of songs. I should have understood that a Lou Reed song was anything I wanted to write about.

I spent quite a lot of time pissing off my friends because I could get girls with a British accent, despite the fact that I was tubby and, like, not very cool.

The balance between good and evil, and the choices we make between them, are probably the single most important aspects shaping our personalities and humanity.

I spent hours flipping through the stations, watching Pat Robertson preach about society’s evils and then ask people to call him with their credit card number.

The thing is, dressing up, going to church, dropping a twenty in the offering plate, those things are all well and good, but that doesn't make you a Christian.

Black with flames, that's how I always envisioned a roadster. That was the classic hot rod. I used to draw pictures of roadsters with flames on them in school.

Typically what happens is, somebody drags an idea from the past that worked in an old set of logics that they try to apply to the new one. And it doesn't work.

I remember when I was very young, I read an article by Fats Domino which has really influenced me. He said, 'You should never sing the lyrics out very clearly.

The most important thing is to follow your instinct and get involved with some friends who have similar taste and aspirations and like music as much as you do.

For me, I feel like, if the right movie comes along, I'd do it again. It's not about the budget. It's about whether it's something that I'm excited to work on.

Live shows were always religion for us. We never played a show - whether it was in front of 15 people or 15,000 - where it wasn't everything we had that night.

I have a very strange relationship in general with women around my music. There's some that understand it and some that think there should be a law against it.

I've got my own style on the guitar, sure, and I play rhythm in a certain way, and I use certain inflections. People have said that to me, and I understand it.

We tour the world and my carbon footprint is massive. I feel like it's my responsibility to do something - not just to offset it but to help make a difference.

I like how our records go from super poppy to heavy then electronic, and next I'd like to make a bunch of records where each of them has a distinct vibe to it.

If we get a few solid festival shows then I will have no problem booking the lads for as many quality club shows around them to make a nice tour come together.

I'm a pretty hands-on dad and make the most of my custody. I take care of my little one whenever I can, and she determines what I can do and where I can do it.

One of the things that upset me was some of the criticism leveled at Simon and Garfunkel. I always took exception to it, but actually I agree with a lot of it.

Pop music was supposed to be a flash in the pan, but here we are 50 years later and it means something to us, and it always will do. It's incredibly important.

In the midnight of a soul's unsleeping, hear the waterfall of women weeping. Hear the distant noise of traffic stalling, hear the prostituted children calling.

Songs came first. I started out in 1965 trying to copy the Beatles, Bob Dylan, and the Stones, like most kids I knew. I'm still trying. Songs are hard to beat.

I think it does surprise me a bit when people have a very fixed idea of what I'm like, based upon the work that I do, which is something that is very separate.

Long ago life was clean, sex was bad and obscene, and the rich were so mean. Stately homes for the Lords, croquet lawns, village greens, Victoria was my queen.

I'm susceptible to that sort of thing - to walls and flowers. You can probably get something more from a wall than a person sometimes. It's just put somewhere.

When you turn on the news, they don't say, "Hey, 2 Million kids went to school safely today...40,000 flights took place without incident." They don't say that.

When I cut myself I feel so much better. All the little things that might have been annoying me suddenly seem so trivial, because I'm concentrating on the pain

I can't hang out as loose as I used to, but I can still go down Jefferson Avenue and look in the faces of winos, pimps and junkies, all the things I'm made of.

I think the challenges for me was to go into the studio with these incredible jazz players and come up to their level of excellence. That's always a challenge.

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