Quotes of All Topics . Occasions . Authors
I'm always surprised when a sequel is not as good or better than the first one. I never understand that. You've already set your own bar. You've already done the hard work. It should be easier to make the second one, but a lot of the times, it's not.
The record business is dangerous to the health of bands and individuals, which is something I'm just now learning. But it's not dangerous in any of the ways people think; it's not that they try to make you compromise your art. That's not the problem.
As an artist, I want it to be so simple that anyone can understand it. No matter what age you are, you're going to feel it because it's real. I don't like to sugar coat. There's not too many artists that can tell stories and be vulnerable on the mic.
To fans in a festival setting it's like a picnic. You want to have a good time with your friends in that crowd. And in the background you hear the band play, 'Oh, that's my favorite song!' everyone is there to enjoy the afternoon and that's about it.
We still have to evolve, that's how we're created, we're created to evolve so you can believe in that the answer is in this book or in this one idea that the masses most believe in, each individual must evolve themselves, spiritually and consciously.
But what you realise after you've been in the business for a while is that people develop opinions about you that don't have anything to do with your music, they like or dislike you for a million reasons, they like or dislike you for your last record.
I feel like now if you're going to start a band you have to have an Instagram full of yourself looking a certain way, lined up like five dudes in mugshot alley, hanging out by the bridge or up against the wall, or "We're in a library for some reason!"
It was disturbing to me that an idea or a song could become something so different from what you originally intended. It's like if a friend took a stupid picture of you at a party on their phone, and the next thing you knew, it was on every billboard.
Whether I get adequate attention or not, people here do know the work I have been doing systematically and without compromise for over 40 years. I get tired of people making excuses for guys who don't continue the art because they can't make a living.
I think people are born bisexual, and it's just that our parents and society kind of veer us off into this feeling of 'Oh, I can't'. They say it's taboo. It's ingrained in our heads that it's bad, when it's not bad at all. It's a very beautiful thing.
I get more out of life just being myself, by just being a human being. Not by being a rock star, not by being whatever. Sometimes I act like a jerk, but I think people respect me for being myself. That's the ultimate thing about the Smashing Pumpkins.
Although cover notes for classical music albums tend to say that the trill of flutes suggests mountain streams and so on, I don't think anybody listens to music with the expectation that they're going to be presented with a sort of landscape painting.
So, then you find yourself in a situation where you have to do things because they're on offer to you, because you don't have much self-respect left. You just can't say no, even to something that you've never done before. You just can't help yourself.
I think, for some artists, the fear of taking on a political identity stems from not wanting to be pigeonholed as political actor or a political musician. It becomes this thing where somehow your art can no longer exist on its own and be multifaceted.
The fact that people go to Portland to visit a tiny feminist bookstore-no matter what the impetus is for them getting there-the fact that they go in there and look around and shop for books or stationery or whatever, is a major source of pride for me.
Making music and art is about expressing something that's universally human, maybe even beyond human, at best. To make it about the artist and to dwell upon biographical information can only make it singular, and I am really, really disgusted by that.
They always say that the entertainment and restaurant industries are the only businesses that don't sink during a depression or a recession. I've done both, and I recommend to anyone who wants to be a rock star, if that doesn't pan out, become a cook.
I like things that don't sound particularly processed or mechanical or made by machines. I like music that contains human elements, with all their flaws. There's air in it, and you can hear a room of a bunch of guys playing. Those are the magic parts.
It's love. It's two men - two strong, very virile men - finding that space in life where they can let go enough of their masculinity to feel the passion of love and respect and trust. Friendships are based on those things, and you seal it with a kiss.
So many people in the world would rather stay in a situation that's painful but familiar because they're comfortable with it. Not a lot of people have the strength or heart to realize when something's not good for them and to turn around and be alone.
Emo is pathetic. It's a tired attempt at making bad music cool, all while rocking dumb haircuts and unisexual belts. Furthermore, adding the suffix '-core' to a description doesn't make it innovative. It makes you look like a tool with no imagination.
Some of us, I think, us small, pompous arty ones probably read too much George Steiner and kind of got the idea that we were entering to this kind of post-culture age and that we'd better do something postmodernist - quickly, before somebody else did.
Games are quite shy at talking about different things. Most are about facing hordes of monsters or saving the world or whatever; few games actually talk about the real world, about real people, about their relationship, their emotions, their feelings.
I think a lot of bands go on way past the point where they're relevant. Some of them keep doing it because they're making millions of dollars. Or people are afraid - they don't know what else to do. It's scary to get out of a relationship of any kind.
I like "God Give Me the Strength" very much. It's not really a blues and to call it a ballad is absurd. I don't know, its mid-tempo. Mark (St. John) actually wrote it and I think its very telling of our lives in the 60s. Its just a good song, ya know.
It would be too frightening for me to consider myself a role model. But I like the idea of not being afraid of letting your imagination rule you, to feel the freedom of expression, to let creativity be your overwhelming drive rather than other things.
I have an important message to deliver to all the cute people all over the world. If you're out there and you're cute, maybe you're beautiful. I just want to tell you somethin' — there's more of us UGLY MOTHERFUCKERS than you are, hey-y, so watch out.
I made a lot mistakes that I'm grateful for, because I won't make them again and I won't let my artists make them, or I'll tell them, 'Don't do this.' A lot of them still make them anyway, but you can't be told things when you're doing your own thing.
To sweat is to pray, to make an offering of your innermost self. Sweat is holy water, prayer beads, pearls of liquid that release your past. The more you dance... the more you sweat, the more you pray. The more you pray, the closer you are to ecstasy.
If I feel love, I just want to feel more love. And if I feel a bit of peace, I want to feel more peace. But I don't really have any great ambitions. I feel very happy. I've got a lot of good friends. I just want it to be better and more of it, really.
It does bother me when they [tabloids] drag friends of mine into it and talk about them and lie about them. My friends have no part in it; they're not celebrities, so why should they have to accept the downside of celebrity? That worries me for a bit.
I remain hopeful that science, innovation and kindness will come to the fore as things become more and more tense in parts of the world. I think what you are seeing in the world right now is kind of a leveling or an attempt to level the playing field.
If I think of the audience too much, then I'm going to start catering to them...and it turns into entertainment. And I've got time for entertainment; I'm just not at all that interested in doing it myself. I'd rather go for some pretty raw expression.
I came out of an electronic music scene that based all its music on software. It was a real boys thing, a real testosterone thing - software and the relationship between music and the software - to the point where it was like a closely guarded secret.
I had a great acting teacher in high school. But I didn't like acting because it took too many people to get the job done. You have to talk to too many people and listen to others' opinions. With music, you get a few friends together and just make it.
If I was in the gutter, and my kids lived on the kerb, I'd go and get a job in B&Q before I'd reform the Roses. I gave everything I had to the Stone Roses and ended up hitting a brick wall. I'm never going to give anyone a foothold on that wall again.
Of course, the majority of us would speak up in the face of outrageous bigotry, but do we speak up in a social situation when someone casually refers to something as 'gay'? If we don't, we are standing with the homophobes whom we are quietly fighting.
I used to look at older people who bothered to still attend nightclubs and couldn't help but wonder why. Didn't they realise how foolish they looked? Of course, now that I'm one of those people myself, I have decided that such rules don't apply to me.
Where I grew up, I could be a punk rocker and a jock. But in college, it became apparent that those two worlds didn't mix. When I brought my guitar back to school after Thanksgiving break, a friend handed me his bass and said, 'Listen to the Ramones.'
I have enough of a fan-base that I don't feel it is going to evaporate. I don't feel like I have a fleeting fan-base. I don't feel like it is coming from some trend-driven thing where I'm no longer going to be hip. I've come and gone through all that.
I went to a vocational high school, which is where they basically train you to go out and dig ditches. You gotta learn a trade. Well, why do you gotta learn a trade? Because you're not smart enough to go to college. That was the underlying gist of it.
No, we'll never get back together. We'll remain friends, but I see her going in a completely different direction than me musically. But she'll end up doing really well if she continues on the path she's on. Because she's doing something very original.
People don't analyze Britney Spears' lyrics 'cause they're so obvious, you know? And her image is so kind of blah and mainstream that who really wants to read between the lines, because it's all so out there in front of you and boring and white bread.
Since I was gay and loved disco music, it was kinda pre-programmed that my first experiences with house music and acid - which I first heard in the late 80s, mainly through Düsseldorf's ruling clubs, Relaxx and Ratinger Hof - completely mesmerized me.
There have been several occasions during the course of Fleetwood Mac over the years where we've had to undermine whatever the business axioms might be to sort of keep aspiring as an artist in the long term, and the 'Tusk' album was one of those times.
My mom was always a big fan of Elvis. She made me listen to Elvis when I was a kid. I hated it. And I think now I've kind of grown up to fill in some of the sort of controversy that he created back in his day, but in a much more extreme, modern sense.
As an artist, you tend to gravitate to the opposite. I know, when I finish a song or an album, I'm interested in doing something completely new. It doesn't always happen, but that's the idea. My poor fans - I don't know if they love that or hate that.
He wanted to play accordion on something of mine and I said you can play accordion, but I want you to play piano and organ on some stuff. He came over a couple times a week for two weeks and gave me therapy as to whether I should do The Thorns or not.
In the end, the whole Internet thing kills me, because you can use it as a positive thing or you can read into all the negativity. And I think you've gotta put out positive energy, put out cool viral stuff, and then just stay out of people's opinions.
I think you need something to take care of in order to figure out who you are as a person, and in that way, being a dad has levelled me out more than anything. You've just got to be good for that person no matter what's going on in your head that day.