Quotes of All Topics . Occasions . Authors
I listen to other guitar players, yeah. It gives me new concepts and shows me where the instrument is going for the future and it is going some places. There are some musicians who are really putting out a good vibe with new theories. I try and keep up.
One of the first things electric I ever saw was a guitar. I was living in a house with no electricity until, at 7, we moved to a house that had it. It had electric lights, but the previous owners had even taken the light bulbs with them when they moved.
We [My Chemical Romance] didn't push ourselves to that next level. I think we purposefully held ourselves back, feeling like maybe in order to advance, we need to regress. There was definitely a sense of fear within the band about taking that next step.
With my daughter, who at the time was one, my domestic life needed to take more precedent and really with my own self I needed to develop quite a bit more. So that put Blur down the list of priorities quite a lot by the time I came to thinking about it.
I view music as entertainment. When I'm on stage, I don't look at that as a platform for sharing ideology. Otherwise I'd be a zealot myself. That's why, when people ask me, 'Do you think you can change the world through your music?' I say, 'I doubt it.'
I feel like gender lines are changing. A couple of years ago, it wasn't nearly as OK for guys to like girly-sounding music. But all of a sudden a lot of my guys friends who would like have been really disdainful of female singers are way more accepting.
I think that humans have a huge capacity to carry pain and sadness. There are things that haunt us our entire lives; we are unable to let them go. The good times seem almost effervescent and dreamlike in comparison with the times that didn't go so well.
Not that the writers weren't good. I believe in those books and those writers very much. It's just that in the climate it's really hard to keep the lights on and the doors open when you're selling poetry and literature that appeals to a fringe audience.
I'm not cross about the idea of baptism; I just think the idea that when a child is born it is inherently sinful and carries sin and needs to be cleaned in order for it to be all right and all good with its creator, I just think that's an absurd notion.
I don't know that I can give a definitive answer to that, I can only say that if we create the right climate those who are producing those products will have the opportunity to move into a higher value product if changes are needed if we get this right.
I can't think of any more important issue. If we get this right, we'll not only preserve our landscape for future generations we'll be able to generate I think more investment and more job opportunities in the inland and we sure as hell need those jobs.
'Heel Turn 2' is about a person who's in a match, and he's playing as though the match were real. But it is real! If you're standing in the middle of a ring, and you're playing the villain, and everyone is booing and throwing things at you, that's real.
Then we did what we called basically I suppose a club tour in England, which was the time I think that our second album came out, we club toured around the whole country where the venues were hold to five hundreds upwards to that sort of thing you know.
That's the choice they allow you - now the outlet is being a pop star, which is really what I'm saying on the album in 'Working class hero'. As I told Rolling Stone, it's the same people who have the power, the class system didn't change one little bit.
Just having the pain of being alive without anything else, whether it's good or bad. There's a lot of serious songs on the record, you know. That song is just about feeling like a fish out of water, feeling like you don't belong on the planet sometimes.
I guess the best thing about marriage is the fact you've got the coolest partner you can imagine by your side for all the things you're going to face in your life. So far, Juliet's been there for me. She's been good for my voice, good for my everything.
I would prefer it if people thought that I didn't work hard, that I just played the guitar for three minutes a week and was like, 'Check out this song - what do you think?' That would be ideal. I would prefer telling people that I'm just truly talented.
I've been sleeping through my life Now I'm waking up And I want to stand in the sunshine I have never been ecstatic Had a flower but it never bloomed In the darkness of my wasted youth It was hiding in the shadows Learning to become invisible Uncover me
I just want to be the biggest artist that I can be, and I want to make a difference. I feel like Michael (Jackson) made a difference with everything that he did. He was so charitable and just always on-point. I just want to be where he is, as an artist.
People can be in a prison of their own mind. [There are] people who don't have their hearts open to other people's ideas, and can't listen to other people's ideas without feeling like they're being slapped in the face. Those people are more in a prison.
The love for a child is more an unconditional sort of love ... Although some parents are really narcissistic. In general, I think there is an expectation that love will be unconditional, but obviously it's not - even after living with someone for years.
Sonic Youth, for better or worse, is/was a machine that carried me along through pregnancy, motherhood, and creative opportunities I never would have achieved on my own. I'm grateful and surprised that we were listened to, loved, ignored, and overrated.
One thing I loved when I was growing up, you maybe saw one review from a magazine like 'Rolling Stone,' but now there are 150 reviews before an album even comes out. There are so many opinions out there, but the only one that really matters is your own.
If a kid is old enough to drive a car or buy a gun, isn't he old enough to be held personally responsible for what he does with his car or gun? Or if he's a teenager, should someone else be blamed because he isn't as enlightened as an eighteen-year-old?
I suppose because I have a good ear, I could pick out harmonies and learn by ear. I still think that you have to have an ear for music to really be able to feel and understand what you're playing. You can learn by watching and listening to other people.
We've had hassles, ups and downs, ins and outs, failures and triumphs. We're human beings, and we're not perfect. And we're mortal. But the Beach Boys is musically a tremendous body of work that transcends individuality and time and national boundaries.
Writing a song is almost like cheating-writing because you don't have to finish your sentences, you don't have to use any punctuation, no one's going to edit your work. It's so wide open. People just grunt and that's a song. You can kind of do anything.
And if I can't be with you I would rather have a different face And if I can't be near you I would rather be adrift in space And if the gods desert us I would burn this chapel into flames And if someone tries to hurt you I would put myself in your place
The thing for me about Ayn Rand is that her philosophy is the only one applicable to the world today - in every sense. If you take her ideas, then take them farther in your own mind, you can find answers to pretty well everything on an individual basis.
It's not about being upset about the things you might have said or done yesterday, which is quite appropriate at the moment. It's about looking forward rather than looking back. I hate people who look back on the past or talk about what might have been.
I think I've been skeptical of violent passion for a long time. I think 'Pinkerton' is about that a lot - seeing how, every time I've felt really passionate for someone, as soon as I 'acquire' them or feel like I've acquired them, the passion goes away.
I like to say that I do covers of my own songs. And I have about a dozen bands all over the world. That's no exaggeration. I have a South African band, an Australian band, Swedish bands, English bands, American bands. They're all notable musicians, too.
The ephemeral part of this work is that in music production, the sounds evolve so much faster than it used to, which means that you really have to put in a lot of work and effort in constantly designing the next sound that will move the culture forward.
One of the beauties about going solo was being able to start from scratch and say, 'What do I really want? What kind of band do I really want? What kind of live show do I really want to stage?' Without any of the baggage of being something with history.
Nobody is going to invest a fortune into good orchard land, all the farming equipment necessary, the fertilizer, the seedlings, the nonstop Herculean work effort needed to grow apples, then bring them to the fruit stand for people to take home for free.
I like England more than I did when I left. It's become a bit of a better country in the last ten years, in the attitude of it. A bit more Americanized, which is both good and bad. At least when you order a cup of coffee they don't give you a hard time.
But then there was Hendrix, man. Jimi was really the last cat to freak me. Jimi was playing all the stuff I had in my head. I couldn't believe it, when I first heard him. Man, no one can ever do what he did with a guitar. No one can ever take his place.
Like, a song could be really tricky and intricate and be really intellectually stimulating, but I don't think that's the song that that I'm going to throw on 80% of the time. The songs that I really want to listen to are the ones that I can really feel.
I read a book recently by a psychiatrist who was able to interview a few serial killers and she had a thesis on how you could figure these people out. And she thinks that there are things that could tell you whether someone has the potential to do that.
Everything that we put into our bodies should also be of nature, a part of that cycle of nature. Once you start messing with that - as I said, everything is connected. Once you start messing with psychological well-being, we get more and more messed up.
Blues purists never cared for me. I don't worry about it. I think if it this way: When I made 'Three O' Clock Blues,' they were not there. The people out there made the tune. And blues purists just wrote about it. The people is who I'm trying to satisfy.
If you look at an old piece of sheet music, there's all kinds of text on it, there are ads, there are proclamations of the greatest songs' success, there's artwork. So there is a tactile, physical experience of learning the song and the way it's notated.
I'm not trying to be evasive, but when I say yes and no, I say 'yes' because there are narrow-minded people that won't look past the logo and 'no' because 'American Idol' put me in front of millions of people and I would not have a career without 'Idol.'
Old New York City is a friendly old town From Washington Heights to Harlem on down There's a-mighty many people all millin' all around They'll kick you when you're up and knock you when you're down It's hard times in the city Livin' down in New York town
I was so urban-centric once. I did not want to see a patch of grass. I did not want to look at a tree. I didn't want to be anywhere near a sparrow, or a squirrel, or a pigeon, because I just wanted to be consumed by the asphalt-jungle aspect of New York.
Well, in some ways I had sort of the opposite experience of other people that are sort of dreaming of being in a rock band. I was dreaming of like corporate lunches and just like, and I'm not really joking. Like the whole idea to me was really appealing.
I think if I lost an edge, or the music didn't have the aggression or whatever, which is maybe one of the hallmarks of what I do, if indeed it is, I still think if you have something original in what you do and you keep doing that, then you're all right.
You can make a thousand promises to yourself that you'll take that same fantastic love and give it to someone else, but the moment you see that person with someone else, it's like a gut full of razorblades. It never gets easier. And it shouldn't, really.
There's such a huge difference between a great arrangement of riffs and a song. Sometimes the two can be the same. But the difference is a song doesn't necessarily need a riff, whereas a riff doesn't necessarily mean you've got a good song on your hands.
There's when a phrase circles in my head in a number of ways for any number of days, weeks, or months, and then that eventually becomes a song. There's a slow permeation of the idea and then that leads into a bunch of themes and becomes a bunch of lines.