Quotes of All Topics . Occasions . Authors
One of the deep fundamentals of poetry is the recurrence of sounds, syllables, words, phrases, lines, and stanzas. Repetition can be one of the most intoxicating features of poetry. It creates expectations, which can be fulfilled or frustrated. It can create a sense of boredom and complacency, but it can also incite enchantment and inspire bliss.
The gospel has but a forced alliance with war. Its doctrine of human brotherhood would ring strangely between the opposed ranks. The bellowing speech of cartoon and the baptism of blood mock its liturgies and sacraments. Its gentle beatitudes would hardly serve as mottoes for defiant banners, nor its list of graces as names for ships-of-the-line.
Why, man of idleness, labor has rocked you in the cradle, and nourished your pampered life; without it, the woven silk and the wool upon your bank would be in the shepherd's fold. For the meanest thing that ministers to human want, save the air of heaven, man is indebted to toil; and even the air, in God's wise ordination, is breathed with labor.
Summer set lip to earth's bosom bare, And left the flushed print in a poppy there: Like a yawn of fire from the grass it came, And the fanning wind puffed it to flapping flame. With burnt mouth red like a lion's it drank The blood of the sun as he slaughtered sank, And dipped its cup in the purpurate shine When the eastern conduits ran with wine.
I thinke it not amisse to forewarne you that you thrust as few wordes of many sillables into your verse as may be: and hereunto I might alledge many reasons: first the most auncient English wordes are of one sillable, so that the more monasyllables that you use, the truer Englishman you shall seeme, and the lesse you shall smell of the Inkehorne.
I have a thousand brilliant lies For the question: How are you? I have a thousand brilliant lies For the question: What is God? If you think that the Truth can be known From words, If you think that the Sun and the Ocean Can pass through that tiny opening Called the mouth, O someone should start laughing! Someone should start wildly Laughing Now!
The peculiarity of sculpture is that it creates a three-dimensional object in space. Painting may strive to give on a two-dimensional plane, the illusion of space, but it is space itself as a perceived quantity that becomes the peculiar concern of the sculptor. We may say that for the painter space is a luxury; for the sculptor it is a necessity.
I was roommates with 2 of the guys who were influential in forming the Black Arts philosophy. I called them "goons," and [Amiri] Baraka took offense at that. But if you read his autobiography, the night we went up there for a fundraiser, he talks about how he wished that some violence would happen to us. How do you like Baraka as a gracious host?
The whole thing is this: If you don't use just basic grammar, if you don't get the language down, you're not going to have access to a tool that people use as a weapon against you. The only reason I was never taught to read and write was because it was easier for them to lead me. But the second I learned to read and write, I began to lead myself.
O Solitude! if I must with thee dwell, Let it not be among the jumbled heap Of murky buildings: climb with me the steep,-- Nature's observatory--whence the dell, In flowery slopes, its river's crystal swell, May seem a span; let me thy vigils keep 'Mongst boughs pavilion'd, where the deer's swift leap Startles the wild bee from the foxglove bell.
Nature, at all events, humanly speaking, is manifestly very fond of color; for she has made nothing without it. Her skies are blue; her fields, green; her waters vary with her skies; her animals, vegetables, minerals, are all colored. She paints a great any of them in apparently superfluous hues, as if to show the dullest eye how she loves color.
I would like to believe this is a story I’m telling. I need to believe it. I must believe it. Those who can believe that such stories are only stories have a better chance. If it’s a story I’m telling, then I have control over the ending. Then there will be an ending, to the story, and real life will come after it. I can pick up where I left off.
My father was a forest entomologist, which means he was aware that spraying forests for spruce budworm was counterproductive in that it didn't really work, and it killed everything else in the forests, and it wasn't good for the people who were exposed to it, either. So he was an early proponent of not doing that, but, of course, nobody listened.
Not that I play guitar anywhere near as well as she sings, but I think I have always had a tendency to play solos the same way, in emotional relation to the structure of the song. I choose simple lines, and only play what seems emotionally relevant, and often express that emotion in time, that is in play or resistance to the set time of the song.
The sign work of the Orient it runneth up and down; The Talmud stalks from right to left, a rabbi in a gown; The Roman rolls from left to right from Maytime unto May; But the gods shake up their symbols in an absent-minded way. Their language runs to circles like the language of the eyes, Emphasised by strange dilations with little panting sighs.
In working well, if travail you sustain, Into the wind shall lightly pass the pain; But of the deed the glory shall remain, And cause your name with worthy wights to reign. In working wrong, if pleasure you attain, The pleasure soon shall fade, and void as vain; But of the deed throughout the life the shame Endures, defacing you with foul defame.
There are instances: [Henry David] Thoreau read [John] Wordsworth, [John] Muir read Thoreau, Teddy Roosevelt read Muir, and you got national parks. It took a century for this to happen, for artistic values to percolate down to where honoring the relation of people's imagination to the land, or beauty, or to wild things, was issued in legislation.
Doubt is a precipice on the way to God. Blessed is he who is freed from its bonds. He who fares without any doubt, adhere to his footprints if you do not know the way. Cleave to the footprints of the deer and advance with care that you may reach the musk-gland. By means of such trekking, even if you walk on fire, you will reach the luminous peak.
Very high, very grand, and very wise is the ocean of God, the Water of Life. You went after the form and were lead astray. How can you see it? You abandoned the truth. Sometimes it is named "tree," sometimes "sun," sometimes "ocean," sometimes "cloud," one thing from which scores of discoveries arise, its slightest definition an everlasting life.
I don't think I ever had a morning where I woke up and said I'm going to be a professional poet. I know I've always loved poetry, I've always loved writing poetry and I've always loved sharing poetry. I've also always known that I wanted that to somehow be a very large part of my life and I'm very fortunate that it's such a large part of my life.
There are moments of despair that come sometimes, when night sets in and a white fog presses against the windows. Then our house changes its shape, rears up and becomes a place of despair. Then fear and rage run simply--and the thought of Death as a friend. This is the simplest of thoughts, that Death must come when we call, although he is a god.
Really, whatever I was seeking and looking into in those days like creative arts, chant, the muse being in touch with the muse for poetry and writing and music. It's all part of the spirit and if we look particularly at Hinduism and Buddhism, the tantric stream of those traditions totally embraces all aspects of human life and life on this world.
Pittsburgh was the first chance to be in a classroom with other writers, to have conversations with other writers. In fact, after graduate school, I lived in Japan, Ohio and New Orleans, and only upon leaving Pittsburgh did I see what a special community it was for poets, so I was eager to come back. It's a strong arts community across the board.
A wound in the friendship of young persons, as in the bark of young trees, may be so grown over as to leave no scar. The case is very different in regard to old persons and old timber. The reason of this may be accountable from the decline of the social passions, and the prevalence of spleen, suspicion, and rancor towards the latter part of life.
The perfect mystic is not an ecstatic devotee lost in contemplation of Oneness, nor a saintly recluse shunning all commerce with mankind, but "the true saint" goes in and out amongst the people and eats and sleeps with them and buys and sells in the market and marries and takes part in social intercourse, and never forgets God for a single moment.
'Storm Warnings' is a poem about powerlessness - about a force so much greater than our human powers that while it can be measured and even predicted, it is beyond human control. All 'we' can do is create an interior space against the storm, an enclave of self-protection, though the winds of change till penetrate keyholes and 'unsealed apertures.'
To me a book is a message from the gods to mankind; or, if not, should never be published at all. A message from the gods should be delivered at once. It is damnably blasphemous to talk about the autumn season and so on. How dare the author or publisher demand a price for doing his duty, the highest and most honorable to which a man can be called?
Of little use, the man you may suppose, Who says in verse what others say in prose; Yet let me show a poet's of some weight, And (though no soldier) useful to the state, What will a child learn sooner than a song? What better teach a foreigner the tongue? What's long or short, each accent where to place And speak in public with some sort of grace?
What so pure, which envious tongues will spare? Some wicked wits have libell'd all the fair, With matchless impudence they style a wife, The dear-bought curse, and lawful plague of life; A bosom serpent, a domestic evil, A night invasion, and a mid-day devil; Let not the wise these sland'rous words regard, But curse the bones of ev'ry living bard.
I am going a long way With these thou seëst-if indeed I go (For all my mind is clouded with a doubt)- To the island-valley of Avilion, Where falls not hail or rain or any snow, Nor ever wind blows loudly; but it lies Deep-meadow'd, happy, fair with orchard lawns And bowery hollows crown'd with summer sea, Where I will heal me of my grievous wound.
If wine disappeared from human production, I believe there would be, in the health and intellect of the planet, a void, a deficiency far more terrible than all the excesses and deviations for which wine is made responsible. Is it not reasonable to suggest that people that never drink wine, whether naive or doctrinaire, are fools or hypocrites....?
Satire, whilst envy and ill-humor sway The mind of man, must always make her way; Nor to a bosom, with discretion fraught, Is all her malice worth a single thought. The wise have not the will, nor fools the power, To stop her headstrong course; within the hour Left to herself, she dies; opposing strife Gives her fresh vigor, and prolongs her life.
One of the qualities essential to being good at reading poetry is also one of the qualities essential to being good at life: a capacity for surprise. It’s easy to become so mired in our likes or dislikes that we can no longer recall that person who once responded to poems—and to people—without any preconceived notions of what we wanted them to be.
Though a country be sundered, hills and rivers endure; And spring comes green again to trees and grasses Where petals have been shed like tears And lonely birds have sung their grief. ...After the war-fires of three months, One message from home is worth a ton of gold. ...I stroke my white hair. It has grown too thin To hold the hairpins any more.
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve nights when I was six.
the other guineahen died of a broken heart and we came to New York. I used to sit at a table,drawing wings with a pencil that kept breaking and i kept remembering how your mind looked when it slept for several years,to wake up asking why. So then you turned into a photograph of somebody who’s trying not to laugh at somebody who’s trying not to cry
We are guilty of many errors and many faults, But our worst crime is abandoning the children, Neglecting the fountain of life. Many of the things we need can wait. The child cannot. Right now is the time his bones are being formed, His blood is being made, And his senses are being developed. To him we cannot answer 'Tomorrow.' His name is 'Today.'
For God's love, take things patiently, have sense, Think! We are prisoners and shall always be. Fortune has given us this adversity, Some wicked planetary dispensation, Some Saturn's trick or evil constellation Has given us this, and Heaven, though we had sworn The contrary, so stood when we were born. We must endure it, that's the long and short.
When a writer receives praise or blame, when he arouses sympathy or is ridiculed, when he is loved or rejected, it is not on the strength of his thoughts and dreams as a whole, but only of that infinitesimal part which has been able to make its way through the narrow channel of language and the equally narrow channel of the reader's understanding.
...Haller's sickness of the soul, as I now know, is not the eccentricity of a single individual, but the sickness of the times themselves, the neurosis of that generation to which Haller belongs, a sickness, it seems, that by no means attacks the weak and worthless only but, rather, precisely those who are strongest in spirit and richest in gifts.
God does not weigh criminality in our scales. We have one absolute, with the seal of authority upon it; and with us an ounce is an ounce, and a pound a pound. God's measure is the heart of the offender,--a balance which varies with every one of us, a balance so delicate that a tear cast in the other side may make the weight of error kick the beam.
Who, of men, can tell That flowers would bloom, or that green fruit would swell To melting pulp, that fish would have bright mail, The earth its dower of river, wood, and vale, The meadows runnels, runnels pebble-stones, The seed its harvest, or the lute its tones, Tones ravishment, or ravishment its sweet, If human souls did never kiss and greet?
It's very hard to look in a mirror and see anything which resembles what one feels one's self to be. I think that discomfort, that dislocation, disintegration - that raw lack of feeling whole - that dysmorphia - is a very good place, in this moment, to hunt for the kind of experience which really requires the means of poetry to be grasped or felt.
As a young writer, I was on guard against the Latina in me, the Spanish in me because as far as I could see the models that were presented to me did not include my world. In fact, 'I was told by one teacher in college that one could only write poetry in the language in which one first said Mother. That left me out of American literature, for sure.
Each day look into your conscience and amend your faults; if you fail in this duty you will be untrue to the Knowledge and Reason that are within you. Keep a watchful eye over yourself as if you were your own enemy; for you cannot learn to govern yourself, unless you first learn to govern your own passions and obey the dictates of your conscience.
See with what force yon river's crystal stream Resists the weight of many a massy beam. To sink the wood the more we vainly toil, The higher it rebounds, with swift recoil. Yet that the beam would of itself ascend No man will rashly venture to contend. Thus too the flame has weight, though highly rare, Nor mounts but when compelled by heavier air.
I look up at the ceiling, tracing the foliage of the wreath. Today it makes me think of a hat, the large-brimmed hats women used to wear at some period during the old days: hats like enormous halos, festooned with fruit and flowers, and the feathers of exotic birds; hats like an idea of paradise, floating just above the head, a thought solidified.
Reading a poem is a real thing, a worthy thing. So to be there right with the reader at that moment is part of the effect of a title like "Poem for" something or other. Matt Rohrer does this a lot in his titles, and I think I might have gotten some of the idea to do this, or at least been reminded of how it can work, from his recent amazing books.
Who, if I cried out, would hear me among the angels'hierarchies? and even if one of thempressed me against his heart: I would be consumedin that overwhelming existence. For beauty is nothingbut the beginning of terror, which we still are just able to endure,and we are so awed because it serenely disdainsto annihilate us. Every angel is terrifying.
Once upon a Lammas Night When corn rigs are bonny, Beneath the Moon's unclouded light, I held awhile to Annie... The time went by with careless heed Between the late and early, With small persuasion she agreed To see me through the barley... Corn rigs and barley rigs, Corn rigs are bonny! I'll not forget that happy night Among the rigs with Annie!