Quotes of All Topics . Occasions . Authors
A vision is like an oasis in a desert. You can't have it all the time, as you need to keep on continuing your journey through the desert of life experiences, full of faith trials... I am not so concerned about waiting for a vision to appear because I know it will come to me when I least expect it... I still do have visions that inspire my work.
I sit here drunk now. I am a series of small victories and large defeats and I am as amazed as any other that I have gotten from there to here without committing murder or being murdered; without having ended up in the madhouse. as I drink alone again tonight my soul despite all the past agony thanks all the gods who were not there for me then.
Socially and politically, we seem to be living in dire times, worse times than in the past. But there were far worse horrors in our past. The writer's role is to be a truth sayer. I sincerely believe that each society, each country lives by a particular fantasy vision, a fantasy vision of itself. The truth of how they live is hardly ever faced.
We lived in places that we never knew. We could not name the birds perched on our sill, Or see the trees we cut down for our view. What we possessed we always chose to kill. "We claimed the earth but did not hear her claim, And when we died, they laid us on her breast, But she refuses us until we earn Forgiveness from the lives we dispossessed.
There learned arts do flourish in great honour And poets's wits are had in peerless price; Religion hath lay power, to rest upon her, Advancing virtue, and suppressing vice. For end all good, all grace there freely grows, Had people grace it gratefully to use: For God His gifts there plenteously bestows, But graceless men them greatly do abuse.
We all exist in similar systems that mirror and reproduce the same American culture for the most part. What Oscar Wilde said about the lucky author who has a non-literary day job no longer holds, if it ever did. Artists seek validation as much as they seek money. The creation and invention of culture and canon is where most of the trouble lies.
There are worse things than having behaved foolishly in public. There are worse things than these miniature betrayals, committed or endured or suspected; there are worse things than not being able to sleep for thinking about them. It is 5 a.m. All the worse things come stalking in and stand icily about the bed looking worse and worse and worse.
Of all vices take heed of drunkenness; other vices are but fruits of disordered affections--this disorders, nay, banishes reason; other vices but impair the soul--this demolishes her two chief faculties, the understanding and the will; other vices make their own way--this makes way for all vices; he that is a drunkard is qualified for all vice.
Climb the steep Cold Mountain way Roads to Cold Mountain are many and never ending The valleys are long and deep, the peaks piled high The streams are wide, the grass is thick The moss is slippery though there is no rain The pines sigh though there is no wind Who can escape the snares of the world And come to sit with me among the white clouds?
Few white citizens are acquainted with blacks other than those projected by the media and the so--called educational system, whichis nothing more than a system of rewards and punishments based upon one's ability to pledge loyalty oaths to Anglo culture. The media and the "educational system" are the prime sources of racism in the United States.
One listens to a piece of great music, say, and feels deeply moved by it, and wants to put this feeling into words, but it can't be put into words. That's what - the music has already supplied the meaning, and words will just be superfluous after that. But it's that kind of verbal meaning that can't be verbalized that I try to get at in poetry.
Softly sweet, in Lydian measures, Soon he sooth'd his soul to pleasures. War, he sung, is toil and trouble; Honour but an empty bubble; Never ending, still beginning, Fighting still, and still destroying. If all the world be worth the winning, Think, oh think it worth enjoying: Lovely Thais sits beside thee, Take the good the gods provide thee.
'THIS ROOM HAS MYSTERY LIKE A TRANCE' This room has mystery like a trance Of wine ; forget-me-nots of you Are chair and couch, the books your Fingers touched. And now that you Are absent here the silence scrapes A secret rust from everything; While sudden wreaths of sorrow's Dust uncover emptiness like halls To stumble through, and terror falls
My house says to me, "do not leave me, for here dwells your past." And the road says to me, "Come and follow me, for I am your future." And I say to both my house and the road, "I have no past, nor have I a future. If I stay here, there is a going in my staying; and if I go there is a staying in my going. Only love and death change all things."
The only way you can write the truth is to assume that what you set down will never be read. Not by any other person, and not even by yourself at some later date. Otherwise you begin excusing yourself. You must see the writing as emerging like a long scroll of ink from the index finger of your right hand; you must see your left hand erasing it.
It's very hard for students not to be in debt unless they've got big scholarships or rich parents. And it's called investing in your future, but like any investment it's risky because your future is an unknown quantity. However, if you don't invest in your future, you may be flipping hamburgers for the rest of your life. So it's a real dilemma.
I sat in my desolation Withdrawn from all around, Feeling my life was a ruin, a failure. I was empty inside with the utter collapse of my being. I did not care anymore for living or dying. I was alone in my distress and desolation. But as I sat sadly on the ground, The sun reached out his hand to me and touched my face. And so my healing began.
Can one be passionate about the just, the ideal, the sublime, and the holy, and yet commit no labor in its cause? I don't think so. All summations have a beginning, all effect has a story, all kindness beings with the sown seed. Thought buds toward radiance. The gospel of light is the crossroads of - indolence, or action. Be ignited or be gone.
Much of Hamlet is about the precise kind of slippage the mourner experiences: the difference between being and seeming, the uncertainty about how the inner translates into the outer, the sense that one is expected to perform grief palatably. (If you don’t seem sad, people worry; but if you are grief-stricken, people flinch away from your pain.)
My father was very disappointed by war and fighting. And he thought language could help us out of cycles of revenge and animosity. And so, as a journalist, he always found himself asking lots of questions and trying to gather information. He was always very clear to underscore the fact that Jewish people and Arab people were brother and sister.
You have had many sadnesses, large ones, which passed. ... But please, ask yourself whether these large sadnesses haven't rather gone right through you [that is, passed through you]. Perhaps many things inside you have been transformed; perhaps somewhere, someplace deep inside your being, you have undergone important changes while you were sad.
I know I'll keep writing poems. That's the constant. I don't know about novels. They're hard. It takes so much concentrated effort. When I'm writing a novel it's pretty much all I can do. I get bored. It takes months. Movies do the same thing. It's all-encompassing. It feels like I'm going to end up writing poems, short stories and screenplays.
The process of growth is, it seems, the art of falling down. Growth is measured by the gentleness and awareness with which we once again pick ourselves up, the lightness with which we dust ourselves off, the openness with which we continue and take the next unknown step, beyond our edge, beyond our holding, into the remarkable mystery of being.
Yet nor the lays of birds nor the sweet smell Of different flowers in odour and in hue Could make me any summer's story tell, Or from their proud lap pluck them where they grew; Nor did I wonder at the lily's white, Nor praise the deep vermilion in the rose; They were but sweet, but figures of delight, Drawn after you, you pattern of all those.
whats here a cup closed in my true loves hand poisin i see hath been his timeless end. oh churl drunk all and left no friendly drop to help me after. i will kiss thy lips some poisin doth hang on them, to help me die with a restorative. thy lips are warm. yea noise then ill be brief oh happy dagger this is thy sheath. there rust and let me die.
Social media is alluring, tempting, frustrating, etc. We mistake our interactions in social media as community, but is community possible when you don't even know what someone looks like or what his or her voice sounds like? I've enjoyed connecting with a lot of poets through social media, but do I truly know them if I haven't even met them yet?
Natural thunder heralds the wetness of fresh water high clouds to quench the thirst of fields gone dry and parched, a messenger of blessed rain, but this was as dry as hell must be. My distraught perception refused to believe it, because of the insane suddenness with which it sounded, swelled and hit, and how casually it came to murder my child.
Idea that all the beats are wildly liberal and progressive is ridiculous. You have people thinking for themselves and having certain affinities because of their upbringing and who their family are, their own people who were close to them who fought in these wars and so on. It's complicated. But they had that ability to continue the conversation.
Through me the way into the suffering city, Through me the way to the eternal pain, Through me the way that runs among the lost. Justice urged on my high artificer; My maker was divine authority, The highest wisdom, and the primal love. Before me nothing but eternal things were made, And I endure eternally. Abandon every hope, ye who enter here.
Poetry is an intimate act. It's about bringing forth something that's inside you--whether it is a memory, a philosophical idea, a deep love for another person or for the world, or an apprehension of the spiritual. It's about making something, in language, which can be transmitted to others--not as information, or polemic, but as irreducible art.
I won't telephone him. I'll never telephone him again as long as I live. He'll rot in hell, before I'll call him up. You don't have to give me strength, God; I have it myself. If he wanted me, he could get me. He knows where I am. He knows I'm waiting here. He's so sure of me, so sure. I wonder why they hate you, as soon as they are sure of you.
Mine is the Month of Roses; yes, and mine The Month of Marriages! All pleasant sights And scents, the fragrance of the blossoming vine, The foliage of the valleys and the heights. Mine are the longest days, the loveliest nights; The mower's scythe makes music to my ear; I am the mother of all dear delights; I am the fairest daughter of the year.
Americans would have a right to go to war with the Iraqis if we could name one author from Iraq. It disturbs me that we're going to war with somebody we know absolutely nothing about. Name one Iraqi poet, one Iraqi woman activist, one Iraqi singer. Name one Iraqi novelist. You can't. And how can you go kill someone you don't know anything about?
Daisy was a consciously happy young woman without any of the usual endowments that make for conscious happiness, money apart. She was not pretty, she was not clever, she had no friends, no talents, nor even an imagination to make her think she was happy when she was really miserable. As she was never miserable, she had no need of an imagination.
Out of the night you burn, Manhattan, In a vesture of gold-- Spun of innumerable arcs, Flaring and multiplying-- Gold at the uttermost circles fading Into the tenderest hint of jade, Or fusing in tremulous twilight blues, Robing the far-flung offices, Scintillant-storied, forking flame, Or soaring to luminous amethyst Over the steeples aureoled.
For of course one is never safe when in love. Growth is demanding and may seem dangerous, for there is loss as well as gain in growth. But why go on living if one has ceased to grow? And what more demanding atmosphere for growth than love in any form, than any relationship which can call out and requires of us our most secret and deepest selves?
Gentleness, Virtue, Wisdom, and Endurance, These are the seals of that most firm assurance Which bars the pit over Destruction's strength; And if, with infirm hand, Eternity, Mother of many acts and hours, should free The serpent that would clasp her with his length; These are the spells by which to reassume An empire o'er the disentangled doom.
And now let us believe in a long year that is given to us, new, untouched, full of things that have never been, full of work that has never been done, full of tasks, claims, and demands; and let us see that we learn to take it without letting fall too much of what it has to bestow upon those who demand of it necessary, serious, and great things.
We are living at an important and fruitful moment now, for it is clear to men that the images of adult manhood given by the popular culture are worn out; a man can no longer depend on them. By the time a man is thirty-five he knows that the images of the right man, the tough man, the true man which he received in high school do not work in life.
Of course there is matter for remark in poems. Nobody denies that. But it must be solemnly laid on everybody in this world to make his own observations and remarks. That's what we mean by thinking, and that's about all we mean. A teacher says to a pupil "Watch me notice a few things in the next few months: let's see you notice a few things too."
Love is universal migraine, A bright stain on the vision Blotting out reason. Symptoms of true love Are leanness, jealousy, Laggard dawns; Are omens and nightmares - Listening for a knock, Waiting for a sign: For a touch of her fingers In a darkened room, For a searching look. Take courage, lover! Could you endure such pain At any hand but hers?
Every object and being in the universe is a jar overflowing with wisdom and beauty,a drop of the Tigris that cannot be contained by any skin. Every jarful spills and makes the earth more shining, as though covered in satin... Make peace with the universe. Take joy in it. It will turn to gold. Resurrection will be now. Every moment, a new beauty.
We were green: we ripened and grew golden. The Sea terrified us: we learned how to drown. Squat and earthbound, we unfolded huge wings. We started sober: are love's startled drunkards. You hide me in your cloak of nothingness Reflect my ghost in your glass of being I am nothing, yet appear: transparent dream Where your eternity briefly trembles.
In this particular tub, two knees jut up like icebergs, while minute brown hairs rise on arms and legs in a fringe of kelp; green soap navigates the tidal slosh of seas breaking on legendary beaches; in faith we shall board our imagined ship and wildly sail among sacred islands of the mad till death shatters the fabulous stars and makes us real.
I don't know what started me, I just wrote poetry from the time was quite small. I guess I liked nursery rhymes and I guess I thought I could do the same thing. I wrote my first poem, my first published poem, when I was eight-and-a-half years old. It came out in The Boston Traveller and from then on, I suppose, I've been a bit of a professional.
Because of a friend, life is a little stronger, fuller, more gracious thing for the friend's existence, whether he be near or far. If the friend is close at hand, that is best; but if he is far away he still is there to think of, to wonder about, to hear from, to write to, to share life and experience with, to serve, to honor, to admire, to love.
I think of poetry as something out there in the world and within each of us. I don't mean that everyone can write poetry - it's an art, a craft, it requires enormous commitment like any art. But there's a core of desire in each of us and poetry goes to and comes from that core. It's the social, economic, institutional gap that makes it difficult.
The belief that established science and scholarship--which have so relentlessly excluded women from their making--are "objective"and "value-free" and that feminist studies are "unscholarly," "biased," and "ideological" dies hard. Yet the fact is that all science, and all scholarship, and all art are ideological; there is no neutrality in culture!
Then she told herself to stop her nonsense. If you looked for things to make you feel hurt and wretched and unnecessary, you were certain to find them, more easily each time, so easily, soon, that you did not even realize you had gone out searching. Women alone often developed into experts at the practice. She must never join their dismal league.
Do not think too much of the dead husk of your friend, or mourn too much over it, but send your thoughts out towards the real soul or self which has escaped — to reach it. For so, surely you will cast a light of gladness upon his onward journey, and contribute your part towards the building of that kingdom of love which links our earth to heaven.