Quotes of All Topics . Occasions . Authors
From the oyster to the eagle, from the swine to the tiger, all animals are to be found in men and each of them exists in some man, sometimes several at the time. Animals are nothing but the portrayal of our virtues and vices made manifest to our eyes, the visible reflections of our souls. God displays them to us to give us food for thought.
There is a certain kind of person who is so dominated by the desire to be loved for himself alone that he has constantly to test those around him by tiresome behavior; what he says and does must be admired, not because it is intrinsically admirable, but because it is his remark, his act. Does not this explain a good deal of avant-garde art?
The city sleeps and the country sleeps, the living sleep for their time, the dead sleep for their time, the old husband sleeps by his wife and the young husband sleeps by his wife; and these tend inward to me, and I tend outward to them, and such as it is to be of these more or less I am, and of these one and all I weave the song of myself.
A line will take us hours maybe; / Yet if it does not seem a moment's thought, / Our stitching and unstitching has been naught... Better go down upon your marrow-bones / And scrub a kitchen pavement, or break stones... For to articulate sweet sounds together / Is to work harder than all these, and yet / Be thought an idler by the noisy set.
To feel oppressed by obligation is only to prove that we are incapable of a proper sentiment of gratitude. To receive favors from the unworthy is simply to admit that our selfishness is superior to our pride. Most men remember obligations, but not often to be grateful for them. The proud are made sour by the remembrance and the vain silent.
As I hope For quiet days, fair issue, and long life, With such love as 'tis now, the murkiest den, The most opportune place, the strong'st suggestion Our worser genius can, shall never melt Mine honour into lust, to take away The edge of that day's celebration, When I shall think or Phoebus' steeds are founder'd Or Night kept chain'd below.
Hadst thou no poison mixed, no sharp-ground knife, No sudden mean of death, though ne'er so mean, But 'banished' to kill me--'banished'? O friar, the damned use that word in hell; Howling attends it! How hast thou the heart, Being a divine, a ghostly confessor, A sin-absolver, and my friend professed, To mangle me with that word 'banished'?
Self-love, the spring of motion, acts the soul; Reason's comparing balance rules the whole. Man, but for that no action could attend, And, but for this, were active to no end: Fix'd like a plant on his peculiar spot, To draw nutrition, propagate, and rot; Or, meteor-like, flame lawless thro' the void, Destroying others, by himself destroy'd.
I'm mostly surprised by the fact he's still alive; given that people have been trying to silence him for almost fifty years, he really shouldn't be. Aged thirty, Abdellatif [Laâbi's ] was kidnapped from his home in Rabat by plainclothes policemen, bundled into the back of an unmarked car, driven to a dingy gaol, and tortured for days on end.
The color red is symbolic of passion and action, so this Vajrayogini, as she's called, comes with a mantra and she comes with these various weapons and accouterments that are all symbolic of the kind of activity that this principle, as it were, this psychological principle, does or activates in the world. And there's text and mantra as well.
When panting sighs the bosom fill, And hands by chance united thrill At once with one delicious pain The pulses and the nerves of twain; When eyes that erst could meet with ease, Do seek, yet, seeking, shyly shun Ecstatic conscious unison, - The sure beginnings, say, be these Prelusive to the strain of love Which angels sing in heaven above?
You know how sometimes you just have a memory of looking up and seeing a face looking over your crib and then remember nothing until tenth grade? - I have one of these early memories where I'm in the back of my parents' car, a place I loved to spend a lot of time as an only child, not having to fight with venomous siblings over the only toy.
The stage I chose--a subject fair and free-- 'Tis yours--'tis mine--'tis public property. All common exhibitions open lie, For praise or censure, to the common eye. Hence are a thousand hackney writers fed; Hence monthly critics earn their daily bread. This is a general tax which all must pay, From those who scribble, down to those who play.
The study of the errors into which great minds have fallen in the pursuit of truth can never be uninstructive. . . No man is so wise but that he may learn some wisdom from his past errors, either of thought or action, and no society has made such advances as to be capable of no improvement from the retrospect of its past folly and credulity.
Give me the end of the year an' its fun When most of the plannin' an' toilin' is done; Bring all the wanderers home to the nest, Let me sit down with the ones I love best, Hear the old voices still ringin' with song, See the old faces unblemished by wrong, See the old table with all of its chairs An' I'll put soul in my Thanksgivin' prayers.
[on going to Sunday school:] It looks like rain, and I hope it will rain cats and dogs and hammers and pitchforks and silver sugar spoons and hay ricks and paper-covered novels and picture frames and rag carpets and toothpicks and skating rinks and birds of paradise and roof gardens and burdocks and French grammars before Sunday school time.
When you go, if you go, And I should want to die, there's nothing I'd be saved by more than the time you fell asleep in my arms in a trust so gentle I let the darkening room drink up the evening, till rest, or the new rain lightly roused you awake. I asked if you heard the rain in your dream and half dreaming still you only said, I love you.
On top of whatever else I'm doing, I'm usually teaching some form of composition. The benefit of this is I get to read across disciplines. Often enough that work spills over to my creative reading/thinking, and I reach a point of saturation where I can't distinguish between texts and writers and everything starts to blur and smudge together.
Oh, if I had had a friend at this moment, a friend in an attic room, dreaming by candlelight and with a violin lying ready at his hand! How I should have slipped up to him in his quiet hour, noiselessly climbing the winding stair to take him by surprise, and then with talk and music we should have held heavenly festival throughout the night!
Those of us who obsess over every word and action are constantly recalling past events, but that doesn't make them any less painful, nor does it help us transcend them. To write memoir, you have to not only recollect past events, you have to revisit them. You have to get back to the mental and emotional state you were in during those events.
The madness of the eyes is the lure of the abyss. Sirens lurk in the dark depths of the pupils as they lurk at the bottom of the sea, that I know for sure - but I have never encountered them, and I am searching still for the profound and plaintive gazes in whose depths I might be able, like Hamlet redeemed, to drown the Ophelia of my desire.
Your heart like a hawk-mouth in the sun, your heart like a ship on an atoll, your heart like a compass needle driven mad by a little piece of lead, like washing drying in the wind, like a whining of horses, like seed thrown to the birds, like an evening paper one has finished reading! Your heart is a charade that the whole world has guessed.
Assuredly whatsoever things are fabled to exist in deep Acheron, these all exist in this life. There is no wretched Tantalus, fearing the great rock that hangs over him in the air and frozen with vain terror. Rather, it is in this life that fear of the gods oppresses mortals without cause, and the rock they fear is any that chance may bring.
Men are not to be told anything they might find too painful; the secret depths of human nature, the sordid physicalities, might overwhelm or damage them. For instance, men often faint at the sight of their own blood, to which they are not accustomed. For this reason you should never stand behind one in the line at the Red Cross donor clinic.
He's lost something, some illusion I used to think was necessary to him. He's come to realize he too is human. Or is this a performance, for my benefit, to show me he's up-to-date? Maybe men shouldn't have been told about their own humanity. It's only made them uncomfortable. It's only made them trickier, slier, more evasive, harder to read.
There isn't a grand plan at work in the progression of the books with respect to the line. I do want the books to be different from each other, certainly, but I'm more aware of that on the level of theme or structure. I can tell when I'm writing the last of a particular type of poem because the writing is too easy and I start to feel queasy.
And as long as the world lasts, all who want to make progress in righteousness will come to Israel for inspiration, as to the people who have had the sense for righteousness most glowing and strongest; and in hearing and reading the words Israel has uttered for us, carers for conduct will find a glow and a force they could find nowhere else.
I think right now is when we need to hear different voices coming out of all parts of the world. You can't just hear the politicians and the military leaders. You have to hear from the taxi drivers. You have to hear from the painters. You have to hear from the poets. You have to hear from the school teachers and the filmmakers and musicians.
All of Japan once a year will get up on their rooftops, because that's the night that the shepherd boy from one side of the Milky Way gets to meet the weaver girl on the other side of the Milky Way. They all get up on their roofs and watch that night. So they long for 365 days and then on the 365th night, they see the result of that longing.
Truth is far and flat, and fancy is fiery; and truth is cold, and people feel the cold, and they may wrap themselves against it in fancies that are fiery, but they should not call them facts; and, generally, poets do not; they are shrewd, they feel the cold, too, but they know a hawk from a handsaw, a fact from a fancy, as none knows better.
I must discipline myself. I must be imaginative and create plots, knit motives, probe dialogue - rather than merely trying to record descriptions and sensations. The latter is pointless, without purpose, unless it is later to be synthesized into a story. The latter is also a rather pronounced symptom of an oversensitive and unproductive ego.
Be kind. Always. Give love freely and never wait for it to come back. If it breathes, grows, or has even a single cell bouncing around inside it, love it, too. Each and every thing deserves and has earned more respect than it's given so start the trend and I promise, promise that you will feel part of it all when you hold life in your hands.
Follow, poet, follow right To the bottom of the night, With your unconstraining voice Still persuade us to rejoice; With the farming of a verse Make a vineyard of the curse, Sing of human unsuccess In a rapture of distress; In the deserts of the heart Let the healing fountain start, In the prison of his days Teach the free man how to praise.
The essential fault of surrealism is that it invents without discovering. To make a clam play an accordion is to invent not to discover. The observation of the unconscious, so far as it can be observed, should reveal things of which we have previously been unconscious, not the familiar things of which we have been conscious plus imagination.
Four billion people on this earth, but my imagination is still the same. It's bad with large numbers. It's still taken by particularity. It flits in the dark like a flashlight, illuminating only random faces while all the rest go blindly by, never coming to mind and never really missed. . . . I can't tell you how much I pass over in silence.
What is it in absinthe that makes it a separate cult? The effects of its abuse are totally distinct from those of other stimulants. Even in ruin and in degradation it remains a thing apart: its victims wear a ghastly aureole all their own, and in their peculiar hell yet gloat with a sinister perversion of pride that they are not as other men.
one must verge on the unknown, write toward the truth hitherto unrecognizable of one’s own sincerity, including the avoidable beauty of doom, shame, and embarrassment, that very area of personal self-recognition,(detailed individual is universal remember) which formal conventions, internalized, keep us from discovering in ourselves and others
It's a complex thing when you're writing a novel, because so much of it is conscious and planned and deliberate, and so much of it is not, and it has to be a dance between the conscious and the unconscious. I bring my best instincts to my work. For instance - and I come by this naturally, or I think I do - I am a very good judge of character.
Wolves and women are relational by nature, inquiring, possessed of great endurance and strength. They are deeply intuitive, intensely concerned with their young, their mate and their pack. Yet both have been hounded, harassed and falsely imputed to be devouring and devious, overly aggressive, of less value than those who are their detractors.
No, he was no such charlatan-- Count de Hoboken Flash-in-the-Pan-- Full of gasconade and bravado, But a regular, rich Don Rataplane, Santa Claus de la Muscavado, Senor Grandissimo Bastinado! His was the rental of half Havana And all Matanzas; and Santa Ana, Rich as he was, could hardly hold A candle to light the mines of gold Our Cuban owned.
Marriage...one of the most civilized institutions in the world...But...swimming is one of the most wonderful of sports, and yet there are always some people who cannot swim who insist on going into the water and getting drowned. Many people spoil marriage in a like manner. One should be sure she knows how to be married before rushing into it.
I was once doing a question and answer period with the novelist Jane Smiley in a bookstore and someone asked us what our processes were and Jane said hers and then I said mine and Jane said, "Well, if I had a student like that I'd force him never to write like that again because you could never write a novel in the way that you write poetry."
Labor, with its coarse raiment and its bare right arm, has gone forth in the earth, achieving the truest conquests and rearing the most durable monuments. It has opened the domain of matter and the empire of the mind. The wild beast has fled before it, and the wilderness has fallen back.... its triumphal march is the progress of civilization.
You spoke about things they couldn't see and so they laughed. Yet to row up the dark river against the current, to take the unknown road blindly, stubbornly, and to search for words rooted like the knotted olive tree- let them laugh. And to yearn for the other world to inhabit today's suffocating loneliness, this ravaged present- let them be.
Authors have a greater right than any copyright, though it is generally unacknowledged or disregarded. They have a right to the reader's civility. There are favorable hours for reading a book, as for writing it, and to these the author has a claim. Yet many people think that when they buy a book they buy with it the right to abuse the author.
Tailor's work--the finishing of men's outside garments--was the "trade" learned most frequently by women in [the 1820s and 1830s],and one or more of my older sisters worked at it; I think it must have been at home, for I somehow or somewhere got the idea, while I was a small child, that the chief end of woman was to make clothing for mankind.
at last you, will say (maybe without speaking) (there are mountains inside your skull garden and chaos, ocean and hurricane; certain corners of rooms, portraits of great-grandmothers, curtains of a particular shade; your deserts; your private dinosaurs; the first woman) all i need to know: tell me everything just as it was from the beginning.
In the First World War, people would be receiving letters from loved ones who had been dead for weeks, and they would not know until that black-bordered telegram arrived. I remember, of course, when it was letters only, or the telephone, and you did not make expensive long-distance calls unless it was, "Come home to the funeral," or the like.
Poetry is a river; many voices travel in it; poem after poem moves along in the exciting crests and falls of the river waves. None is timeless; each arrives in an historical context; almost everything, in the end, passes. But the desire to make a poem, and the world's willingness to receive it--indeed the world's need of it--these never pass.
If we are to understand the human condition, and if we are to accept ourselves in all the complexity, self-doubt, extravagance of feeling, guilt, joy, the slow freeing of the self to its full capacity for action and creation, both as human being and as artist, we have to know all we can about each other, and we have to be willing to go naked.