Quotes of All Topics . Occasions . Authors
O days remember'd well! remember'd all! The bitter sweet, the honey and the gall; Those garden rambles in the silent night, Those trees so shady, and that moon se bright, That thickset alley by the arbor clos'd, That woodbine seat where we at last repos'd; And then the hopes that came and then were gone, Quick as the clouds beneath the moon past on.
Look at this vigorous plant that lifts its head from the meadow, See how its leaves are turned to the north, as true as the magnet; This is the compass-flower, that the finger of God has planted Here in the houseless wild, to direct the traveller's journey. Over the sea-like, pathless, limitless waste of the desert, Such in the soul of man is faith.
The world was so beautiful when regarded like this, without searching, so simply, in such a childlike way. Moons and stas were beautiful, beautiful were bank and stream, forest and rocks, goat and gold-bug, flower and butterfly. So lovely, so delightful to go through the world this way, so like a child, awake, open to what is near, without distrust.
Each man had only one genuine vocation - to find the way to himself....His task was to discover his own destiny - not an arbitrary one - and to live it out wholly and resolutely within himself. Everything else was only a would-be existence, an attempt at evasion, a flight back to the ideals of the masses, conformity and fear of one's own inwardness.
Again, now, now, again Plashes the rain in heavy gouts, The crinkled lightning Seems ever brightening... And loud and long Again the thunder shouts His battle-song, - One quivering flash, One wildering crash, Followed by silence dead and dull, As if the cloud, let go, Leapt bodily below To whelm the earth in one mad overthrow, And then a total lull.
Now musing o'er the changing scene Farmers behind the tavern screen Collect; with elbows idly press'd On hob, reclines the corner's guest, Reading the news to mark again The bankrupt lists or price of grain. Puffing the while his red-tipt pipe He dreams o'er troubles nearly ripe, Yet, winter's leisure to regale, Hopes better times, and sips his ale.
How easy it is to call rogue and villain, and that wittily! But how hard to make a man appear a fool, a blockhead, or a knave, without using any of those opprobrious terms! Tosparethegrossness ofthenames, and to dothe thing yet moreseverely, isto drawa full face, and tomake the nose and cheeks stand out, and yet not to employ any depth of shadowing.
Life's sunniest hours are not without The shadow of some lingering doubt-- Amid its brightest joys will steal Spectres of evil yet to feel-- Its warmest love is blent with fears, Its confidence a trembling one-- Its smile--the harbinger of tears-- Its hope--the change of April's sun! A weary lot--in mercy given, To fit the chastened soul for heaven.
I have a feeling Virtual Reality will further expose the conceit that 'reality' is a fact. It will provide another reminder of the seamless continuity between the world outside and the world within, delivering another major hit to the old fraud of objectivity. 'Real,' as Kevin Kelly put it, 'is going to be one of the most relative words we'll have.'
The most important thing in love is the sense for one another, and the highest thing the faith in one another. Devotion is the expression of that faith, and pleasure can revive and enhance that sense, even if not create it, as is commonly thought. Therefore, sensuality can delude bad persons for a short time into thinking they could love each other.
The anthology meets with two different kinds of reactions in living poets. They will either write toward the anthology or away from it. Anti-anthology poets often overreach themselves, inflicting protective distortions on their work - as parents in old Central Europe often deliberately maimed their sons to save them from compulsory military service.
Because of the dog's joyfulness, our own is increased. It is no small gift. It is not the least reason why we should honor as well as love the dog of our own life, and the dog down the street, and all the dogs not yet born. What would the world be like without music or rivers or the green and tender grass? What would this world be like without dogs?
The woman who needs to create works of art is born with a kind of psychic tension in her which drives her unmercifully to find a way to balance, to make herself whole. Every human being has this need: in the artist it is mandatory. Unable to fulfill it, he goes mad. But when the artist is a woman she fulfills it at the expense of herself as a woman.
There has been in our time a lack of reliance on language and a lack of experimentation which are frightening to anyone who sees them as symptoms. We know the phenomenon of stage-fright: it holds the player shivering, incapable of speech or action. Perhaps there is an audience-fright which the play can feel, which leaves him with these incapacities.
Since you walked out on me I'm getting lovelier by the hour. I glow like a corpse in the dark. No one sees how round and sharp my eyes have grown how my carcass looks like a glass urn, how I hold up things in the rags of my hands, the way I can stand through crippled by lust. No, there's just your cruelty circling my head like a bright rotting halo.
In my younger days I struggled constantly with an overwhelming but pure love affair - my only one, and I would have struggled with it longer had not premature death, bitter but salutary for me, extinguished the cooling flames. I certainly wish I could say that I have always been entirely free from desires of the flesh, but I would be lying if I did.
We speak of persons as jovial, as being born under the planet Jupiter or Jove, which was the joyfullest star and the happiest augury of all. A gloomy person was said to be saturnine, as being born under the planet Saturn, who was considered to make those who owned his influence, and were born when he was in the ascendant, grave and stern as himself.
When a friend calls to me from the road And slows his horse to a meaning walk, I don't stand still and look around On all the hills I haven't hoed, And shout from where I am, What is it? No, not as there is a time to talk. I thrust my hoe in the mellow ground, Blade-end up and five feet tall, And plod: I go up to the stone wall For a friendly visit.
Is it not easy to conceive the World in your Mind? To think the Heavens fair? The Sun Glorious? The Earth fruitful? The Air Pleasant? The Sea Profitable? And the Giver bountiful? Yet these are the things which it is difficult to retain. For could we always be sensible of their use and value, we should be always delighted with their wealth and glory.
In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. American -- on the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.
Cover them over with beautiful flowers, Deck them with garlands, those brothers of ours, Lying so silent by night and by day Sleeping the years of their manhood away. Give them the meed they have won in the past; Give them the honors their future forcast; Give them the chaplets they won in the strife; Give them the laurels they lost with their life.
Okay, here is the uplifting part: Your life isn't and has never been about you....about what you accomplish, how successful you are or are not, how much money you make, what sort of position you ascend to,...or how much good you do for others or the world at large. Your life, like mine, and like everyone else's has always been about one thing: love.
Let us confess a truth, humiliating to human pride; - a very small part only of the opinions of the coolest philosopher are the result of fair reasoning; the rest are formed by his education, his temperament, by the age in which he lives, by trains of thought directed to a particular track through some accidental association - in short, by prejudice.
For a moment, I thought of the word happy and it was a word that just, well, it felt like it was visiting me. I knew it wouldn’t last for very long and I’d be sad again and then it would be worse because it’s one thing to be sad and it’s another thing to be sad once you’ve been happy. Being sad after you’ve been happy is the worst thing in the world.
By clarity I don't mean that we're always in kind of a simple area where everything is clear and comforting and understood. Clarity is certainly a way toward disorientation because if you don't start out - if the reader isn't grounded, if the reader is disoriented in the beginning of the poem, then the reader can't be led astray or disoriented later.
And hate the bright stillness of the noon without wind, without motion. the only other living thing a hawk, hungry for prey, suspended in the blinding, sunlit blue. And yet how gentle it seems to someone raised in a landscape short of rain- the skyline of a hill broken by no more trees than one can count, the grass, the empty sky, the wish for water.
It's actually quite common for presidents to believe that future generations will render a verdict on their presidencies that is more lasting or definitive than the judgments of their contemporaries. The reason is that although history is certainly "an argument without end" - we're still debating many age-old questions - time does help settle others.
dive for dreams or a slogan may topple you (trees are their roots and wind is wind) trust your heart if the seas catch fire (and live by love though the stars walk backward) honour the past but welcome the future (and dance your death away at this wedding) never mind a world with its villains or heroes (for god likes girls and tomorrow and the earth)
Even yet Christ Jesus has to lie out in waste places very often, because there is no room for him in the inn--no room for him in our hearts, because of our worldliness. There is no room for him even in our politics and religion. There is no room in the inn, and we put him in the manger, and he lies outside our faith, coldly and dimly conceived by us.
I here present thee with a hive of bees, laden some with wax, and some with honey. Fear not to approach! there are no wasps, there are no hornets here. If some wanton bee chance to buzz about thine ears, stand thy ground and hold thy hands-there's none will sting thee, if thou strike not first. If any do, she hath honey in her bag will cure thee too.
How astonishingly does the chance of leaving the world improve a sense of its natural beauties upon us. Like poor Falstaff, although I do not 'babble,' I think of green fields; I muse with the greatest affection on every flower I have know from my infancy - their shapes and colours are as new to me as if I had just created them with superhuman fancy.
Helen Vendler calls this kind of interrogation of a work "roads not taken," suggesting that it's useful, when writing critically, to consider what differences it makes to the work or the encounter with the work if changes are made. It's one way of better understanding your experience, comparing it to other possible experiences you can imagine having.
Gardening is one of the rewards of middle age, when one is ready for an impersonal passion, a passion that demands patience, acute awareness of a world outside oneself, and the power to keep on growing through all the times of drought, through the cold snows, towards those moments of pure joy when all failures are forgotten and the plum tree flowers.
It feels intimate and life affirming to me when someone tweets things that appear to just be insane thoughts they had and typed out then tweeted immediately, with little or no regard for how others might perceive them, simply because they were in a state of emotional desperation and felt like they didn't want to express those thoughts to anyone else.
I'm terrified of the thought of time passing (or whatever is meant by that phrase) whether I 'do' anything or not. In a way I may believe, deep down, that doing nothing acts as a brake on 'time's - it doesn't of course. It merely adds the torment of having done nothing, when the time comes when it really doesn't matter if you've done anything or not.
Sentences are not different enough to hold the attention unless they are dramatic. No ingenuity of varying structure will do. All that can save them is the speaking tone of voice somehow entangled in the words and fastened to the page for the ear of the imagination. That is all that can save poetry from sing-song, all that can save prose from itself.
They who once engage in iniquitous designs miserably deceive themselves when they think that they will go so far and no farther; one fault begets another, one crime renders another necessary; and thus they are impelled continually downward into a depth of guilt, which at the commencement of their career they would have died rather than have incurred.
Whatever strengthens our local attachments is favorable both to individual and national character, our home, our birthplace, our native land. Think for a while what the virtues are which arise out of the feelings connected with these words, and if you have any intellectual eyes, you will then perceive the connection between topography and patriotism.
Poetry, even that of the loftiest, and seemingly, that of the wildest odes, [has] a logic of its own as severe as that of science; and more difficult, because more subtle, more complex, and dependent on more and more fugitive causes. In the truly great poets... there is a reason assignable, not only for every word, but for the position of every word.
I thought of you and how you love this beauty, And walking up the long beach all alone I heard the waves breaking in measured thunder As you and I once heard their monotone. Around me were the echoing dunes, beyond me The cold and sparkling silver of the sea -- We two will pass through death and ages lengthen Before you hear that sound again with me.
Ourchestra: So you haven't got a drum, just beat your belly. So I haven't got a horn-I'll play my nose. So we haven't any cymbals- We'll just slap our hands together, And though there may be orchestras That sound a little better With their fancy shiny instruments That cost an awful lot- Hey, we're making music twice as good By playing what we've got!
What feeling feels like over time. An attempt to screw up what feeling feels like over time. Heartbreak and a high C.... The often welcome melodic lie.... The soul's undersong. The orchestration of randomness, a flirtation with the boundaries of silence and space.... a reminder that the self wants to disappear, be taken away from itself and returned.
At this rate, I'd be lucky if I wrote a page a day. Then I knew what the problem was. I needed experience. How could I write about life when I'd never had a love affair or a baby or even seen anybody die? A girl I knew had just won a prize for a short story about her adventures among the pygmies in Africa. How could I compete with that sort of thing?
Mysticism has been in the past and probably ever will be one of the great powers of the world, and it is bad scholarship to pretend the contrary. You may argue against it but you should no more treat it with disrespect than a perfectly cultivated writer would treat (say) the Catholic Church or the Church of Luther no matter how much he disliked them.
To sit beside the board and drink good wine And watch the turf smoke coiling from the fire And feel content and wisdom in your heart, This is the best of life; when we are young We long to tread a way none trod before, But find the excellent old way through love And through the care of children to the hour Forbidding Fate and Time and Change goodbye.
Wooing, wedding, and repenting is as a Scotch jig, a measure, and a cinque-pace: the first suit is hot and hasty like a Scotch jig--and full as fantastical; the wedding, mannerly modest, as a measure, full of state and ancientry; and then comes repentance and with his bad legs falls into the cinque-pace faster and faster, till he sink into his grave.
All that glitters is not gold; Often have you heard that told: Many a man his life has sold But my outside to behold: Gilded tombs do worms enfold Had you been as wise as bold, Your in limbs, in judgment old, Your answer had not been in'scroll'd Fare you well: your suit is cold.' Cold, indeed, and labour lost: Then, farewell, heat and welcome, frost!
I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, Make thy two eyes like stars start from their spheres, Thy knotted and combined locks to part, And each particular hair to stand on end Like quills upon the fretful porpentine. But this eternal blazon must not be To ears of flesh and blood. List, list, O list!
Promising is the very air o' th' time; it opens the eyes of expectation. Performance is ever duller for his act; and, but in the plainer and simpler kind of people, the deed of saying is quite out of use. To promise is most courtly and fashionable; performance is a kind of will or testament which argues a great sickness in his judgment that makes it.
The job of the linguist, like that of the biologist or the botanist, is not to tell us how nature should behave, or what its creations should look like, but to describe those creations in all their messy glory and try to figure out what they can teach us about life, the world, and, especially in the case of linguistics, the workings of the human mind.