Quotes of All Topics . Occasions . Authors
When you find a song that you love, you just have to do it - why would I try to match it? When I wrote more of the songs in the '90s - 'Nick of Time' and other songs I was surprised I came up with - it was because nobody else was saying what I wanted to say.
From the time I moved to San Francisco in 1967 to play with the Steve Miller Band, there was a lot of support in the music community for one cause or another, but this one was special because it was put on by people who understood where musicians hearts are.
I only say this because a lot of people seem to think that if you're a musician you want to be a celebrity. But most musicians in the world aren't celebrities, and pretty much everything about the concept of 'celebrity' is a complete load of bollocks anyhow.
I don't believe in landing on one genre. That's too limiting. I don't think about that when I'm writing and recording. I just make what I feel should happen. Genres almost feel like something that's more for the listener; a need to organize it in categories.
I mean, it's pretty disillusioning for all of us right now, and we feel pretty helpless when Congress, their approval rating is thirteen percent, and across the board, whether you're a Democrat or a Republican, you sort of want to walk in and fire everybody.
I close my eyes And sink within myself Relive the gift of precious memories In need of a fix called innocence When did it begin?The change to come was undetectable The open wounds expose the importance of Our innocence A high that can never be bought or sold
The real hippie is trying to create something inclusive, something holistic, something loving and healthy which isn't in perpetual conflict with authority and actually knows that the only way to disarm the entire game is to step aside and not take any sides.
I don't even know what a hippy is. I mean, hippy is an evolution of the Sixties movement. A time when people were trying to make a difference, trying to write songs that were political. People grow old. The hippy camp kind of breaks off into different sects.
One of the things I'm real proud of is I just made a deal with 20th Century Fox, and I've got my own production company now. I'm developing some television and movies for other people because I have a lot of fresh new ideas. To write is what I love the most.
I think country music is popular - has been popular and will always be popular because I think a lot of real people singing about a lot of real stuff about real people. And it's simple enough for people to understand it. And we kind of roll with the punches.
If I feel like I've completely drained every ounce of energy out of me for this song, and I can't go any further with it, then I stop, even if the song is unfinished. Most of the time, when it's finished, it's because I've used every ounce of me to write it.
Two things I'm obsessed with are the countryside and fields and being in the open space and body parts, so you'll hear me mentioning body parts and human anatomy. I've listened to my songs and I think I am quite visual and I talk about bones and flesh a lot.
I've learned not to let it be the end of the world if a boy doesn't like you. I used to put so much effort into boys. I started playing guitar because I wanted to impress this boy. Then, I ended up in love with guitar and I didn't care about the boy anymore.
Animals have a much better attitude to life and death than we do. They know when their time has come. We are the ones that suffer when they pass, but it's a healing kind of grief that enables us to deal with other griefs that are not so easy to grab hold of.
There's something fun about the road because there's no 9 to 5. But I do find myself making the effort to take some time off. As much as I don't want to, I have to. I need to reset. I love weeks off, because I can go in the studio and just be creative again.
When it comes down to the song writing, I'm just very slow - very slow. Because the songs are about my life, so I'm doing emotional work on myself. As I'm writing these songs, I have to learn these lessons and dig real deep into my heart to write this stuff.
I really don't like to take the easy way out, if I can help it, on anything I do, I like to really make it a challenge. I don't know how to create by taking the easy routes. I've tried, you know, I've tried to let myself, but I always struggle to compensate.
Self-discovery in songwriting, bringing something forth that's instructive to yourself - some of the best songs that you will ever write are the ones where you didn't have to think about any of that stuff, but nonetheless that's what's happening in the song.
I believe that if you work hard and you never get to enjoy it then what's the point. You can't take any of this with you, the money or nothing. The only thing you can take is experiences, memories and good times, so I like to get amongst it as much as I can.
When I was a kid, I wanted to emulate Mel Blanc, who is arguably one of the most legendary voiceover recording artists of our time. I used to watch all the cartoons where he would voice Daffy, Elmer Fudd and Porky the Pig. I knew one day I wanted to do that.
We are just fans of music, we are not fans of a specific kind of music. We just happen to be a rock band. Until we explain ourselves, sometimes people don't understand why we limit ourselves to just being a rock band. It's because that is what we like doing.
Death is not an ending, but a symbol of movement along the path upon which we are all traveling. As it may be painful to lose contact with the physical aspect of one we love, the Spirit can never be lost. We have been and always will be a part of each other.
Roadrunner, roadrunner, going faster miles an hour. Gonna drive past the Stop 'n' Shop, with the radio on. I'm in love with Massachusetts and the neon when it's cold outside. And the highway when it's late at night. Got the radio on, I'm like the roadrunner.
Country music was a part of my life. Now it isn't. We had a good relationship, really, but we wanted each other at arm's length. The people in Nashville didn't want to be responsible for my looks or my actions. But they sure did like the listeners I brought.
Irish folk is probably the biggest influence musically that I've ever had. My mother's Irish. And when I was very young, both my brothers were very into traditional music, English and Irish. They were always playing music, so I was always brought up with it.
That's what all art's about - a sense of moving away from boundaries that you can't in real life. Like a dancer is always trying to fly, really - to do something that's just not possible. But you try to do as much as you can within those physical boundaries.
Most of the younger people I knew didn't seem to have a handle on things; they hadn't found their place, they didn't understand how the world works, they didn't understand how to treat other people, and they didn't know how to stop thinking about themselves.
All I know is when I start getting serious about songwriting... it's like a playground. All responsibilities slip away and you're with your essence. There can be delight there and self-discovery. You can dance there... I think of it as my serious playground.
My troubles are many They're deep as a well I swear there ain't no Heaven And I pray there ain't no hell But I'll never know by living only my dying will tell. And when I die and when I'm gone There'll be, one child born And a world to carry on, to carry on.
The sweetest thing I've ever known was like the kiss on the collarbone, the soft caress of happiness, the way you walk, your style of dress, I wish I didn't get so weak, oh baby just to hear you speak, makes me argue just to see how much your in love with me
i would like to remind the management that the drinks are watered and the hat-check girl has syphilis and the band is composed of former ss monsters However since it is new year's eve and i have lip cancer i will place my paper hat on my concussion and dance
And, it seems like a whole new generation of kids have discovered his genius and are bringing him to life again. I hope that wherever Michael is right now he is smiling about this. Yes, Michael Jackson was a human being but he was a king. Long live the king.
This will be a revolution of inquiring further, of not worrying about winning other people's approval, of not wishing you were someone else but perfectly content to be who you are. Someone unique, and rare, and fearless. I want to start a revolution of love.
The ultimate moment where I most felt like a rebel was in St. Petersburg, Russia [in 2012 during the MDNA Tour] when I was told they were going to arrest anyone who was openly or obviously gay and they came to my shows and I spoke out against the government.
I think I had the most fun making a movie with 'Dedication,' just because you knew that it was a passion project for everyone involved. We had X amount of days to shoot New York in the cold. No trailers. Just sort of kind of doing it guerilla style in a way.
I've never... when I was having songs on the airwaves, and that sort of thing, I never felt a sense of pressure anywhere except from myself, to do things the way I wanted to do them; to feel authentic; to feel like I was presenting my true self to the world.
I've worked since I was 11 years old, playing music and following the dream, and shaking and moving and doing it. And then, you have cancer and it was like 'Ooooohh.' It was like a big eraser. It was the only thing in my life that had ever made me just stop.
People think that since we're on a major label, all of a sudden everyone's telling us what to do and it's really not like that at all. They're just saying you should tour because you can finally get out of debt and everyone's coming out to the shows we sold.
We are all creators. Whether or not we create is not up to us. We are human, and creating is what we do. Every interaction, movement, and decision is creativity at work. We are all artists. We all order creation around us into the world that we want to make.
Children are loving, they don't gossip, they don't complain, they're just openhearted. They're ready for you. They don't judge. They don't see things by way of color. They're very child-like. That's the problem with adults: they lose that child-like quality.
The world is too big and too intricate to conform to our ideas of what it should be like... Just because we invent myths and theories to explain away the chaos we're still going to live in a world that's older and more complicated than we'll ever understand.
More often than not, whenever gossip has been written about me, the gossip is more interesting than the reality. I know some public figures hate gossip, but personally I like it because it makes my life sound more glamorous and interesting than it really is.
'Insatiable', the album, was more of a project, really... it was more like a songwriting excursion and an exclusive deal that hadn't really ever been done that often before... me being like, 'ooh I'm an entrepreneur', rather than 'this is my singing career'.
When I did 'Unforgettable,' it wasn't appropriate for us to take liberties with that music. There had to be kind of a fine line between what had made it so great and the fact that a woman was singing it. We changed some of the arrangements, but not too much.
I've always looked for ways to inspire people, especially young people, to play guitar. When I first saw Fretlight, I immediately connected with the vision. Today's kids expect technology to help them on their journey, and that's exactly what Fretlight does.
We plan tours months in advance, and you leave a few days off here and there where you feel you'll be tired after some shows, but if other opportunities keep coming in, those days get swallowed very quickly, and it's an impossibility to get this stuff right.
The film [Dream of Life], in the end, is life-affirming, and I think it's always useful for people to be reminded that no matter how rough things get, no matter what kind of twists and turns our lives can take, we can keep going, we can create something new.
For life is the best thing we have in this existence. And if we should desire to believe in something, it should be a beacon within. This beacon being the sun, sea, and sky, our children, our work, our companions and, most simply put, the embodiment of love.
I think really that's just the basic Christian lesson that sometimes takes us years and years to understand - have equal concern for another human being as you have for yourself or perhaps even more concern for another human being than you have for yourself.
The Bible is very resonant. It has everything: creation, betrayal, lust, poetry, prophecy, sacrifice. All great things are in the Bible, and all great writers have drawn from it and more than people realise, whether Shakespeare, Herman Melville or Bob Dylan.