Quotes of All Topics . Occasions . Authors
The idea of politics is just so uninteresting to me - I've never paid much attention to it. I don't believe things can really change. It doesn't matter who's president. Nothing really gets resolved. I don't know. I guess that's not the right attitude to take.
I think pain is the best feeling for song writing. You can write good happy songs, but I think the kind of bruiting, depressing ones are more effective. They are easier to write when I am impassioned and angry. It is a good way to channel that negative energy.
That I even get to play a sold-out show where people know the words and I'm singing about things I'm connected to is such a blessing. It's the equivalent of a nine-year-old saying, 'I want to be an astronaut when I grow up,' and then getting to go to the moon.
And there was a real shedding of the old dogma, like boundaries of morality were being broken down and everybody was into the new party mode of just loving on each other. Which destroyed thousands of us. I lost 16 of my personal friends through that lifestyle.
I think alcohol is a good drug for me when I'm writing. I don't think I've ever had a problem with it. I can stop for a few weeks, so I think it's okay. I don't think it's good for my liver, but I do love it. It's a huge part of my life, and it makes me happy.
We've heard so much about the American dream: well, Trump is the American nightmare made flesh. All the things about 'the ugly American' that we worry about and which the Americans see in themselves, it's all of that. This is a politics of egotistical display.
I jetset around and play these songs and get to hang with some pretty amazing people, then I go home to a really great farm, though actually it's a disaster area of a farm at the moment. But it's certainly a blast. I wouldn't trade lives with anyone right now.
I'm not like a legend that - so I'm sort of in the middle in this sort of gray area where, you know, I'm creating music, and I'm not saying there isn't an audience, because there is; because all of those people go out and spend $80 to $150 on a concert ticket.
And I never forgot this as long as I've ever performed, no matter how crap I had felt before I went on stage. I just remember Tina Turner going up there, singing her heart out for everybody, and meantime she had a 102-degree fever and she was feeling terrible.
I feel like since I've had a child I've become a better problem-solver, because you just have to! I have to be positive for him for sure, but it's not even about thinking about it. It's just how to make this work, and it can get pretty nutty, but it's fun too!
I've seen people that get onstage and sing while they have tears running down their face - I can't do that. When I cry, it starts like in my throat, so when I have something that's really emotional, sometimes if I access that too much, I can't finish the song.
As a married person myself, I don't know what it's like to be told I can't marry somebody I love and want to marry. I can't imagine how that must feel. I definitely think we should all have the right to love, and love publicly, the people that we want to love.
I just always want a new producer. I'm going to have a new producer on the next one. Because I'm the same person, and I feel like, I know I'm going to bring to it a certain sensibility that's me, and I want to have something different coming out on each album.
I like to make people dream and think and imagine and learn and study. Nowadays, music is so literal - it's telling you, "This is how it is," and my music's the opposite. I come from an era where lyrics were full of imagery and metaphor, and that's all I know.
Of all my childhood books, 'The Giving Tree and Hope for the Flowers' really did change my early world, but after reading 'Momo' in my 30s, I thought, Ahhhhhh, this is the one book I wish I had read as a kid! Then reread at every subsequent chapter of my life.
Of course, 'I Will Always Love You' is the biggest song so far in my career. I'm famous for several, but that one has been recorded by more people and made me more money, I think, than all of them. But that song did come from a true and deep place in my heart.
Being on United Artists was almost as bad as not being on any label at all. They were the crappiest in the business. All they did was movie soundtracks. Now, they were making an effort to become much hipper - signing people like Bobby Womack and what have you.
I don't know any Beatles songs. My dad never listened to Elvis or Sting or Bowie. Any band name that's on a t-shirt, I probably won't know their music, like AC/DC or whatever. I don't know what that is. As a kid, I would sing along to artists like Tania Maria.
You know a dream is like a river Ever changing as it flows. And a dreamer's just a vessel That must follow where it goes. Trying to learn from what's behind you And never knowing what's in store Makes each day a constant battle Just to stay between the shores.
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the 'old stuff.'
I’m in a band. I don’t go to church every Sunday. I love punk rock music. Sometimes I use swear words a lot. I respect and admire gay men and women. I’m obsessed with horror films. I know what shame feels like. And guess what old man? Jesus is still my Savior.
All the time I was writing hit songs with my partner David Porter, I always had the yen to perform. Sure did. And when the opportunity came, I took it. The first album, 'Presenting Isaac Hayes,' didn't do so hot, but it was like a prelude for what was to come.
That's what happens nowadays with people working on computers. They can so easily fix things with their mouse and take out all the, 'Oh, somebody coughed in the background; we need to take that out' - or somebody hit a bad note. Those are all the best moments.
Also, right at that particular time in the music business, because of people like the Beatles, people began owning their own publishing. I'll just say this really quickly - they used to divide the money for the music that was written in two, just equal halves.
I'm gonna be a happy idiot and struggle for the legal tender. Where the ads take aim and lay their claim to the heart and the soul of the spender. And believe in whatever may lie in those things that money can buy, though true love could have been a contender.
If there's one thing that I love as an entertainer, it's a spectacle. We all have looked up to either Michael Jackson or Madonna or Janet Jackson or anyone of those things. When I was in *N SYNC, I would watch any concert video ever and really drink it all in.
I'm actually the son of Mary Guibert. My mother was born in the Panama Canal zone and came to America when she was five with my grandmother and grandfather, and that was the family I knew. Everybody sang; everybody had songs all the time, and they loved music.
My earliest influence was Quincy Jones. I thought 'The Wiz' soundtrack was the most amazing thing I'd ever heard. It was my first record and you had Michael Jackson, Ted Ross, Nipsey Russell and Diana Ross on it. I even took it to show and tell in third grade!
[Sam Phillips] laughed at me. I just didn't like the way I Walk The Line sounded to me. I didn't know I sounded that way. And I didn't like it. I don't know. But he said let's give it a chance, and it was just a few days until - that's all it took to take off.
When I got to write for the 'Battlefield' record, it was almost therapeutic. I had gone through a few things in the two years prior and it was really nice to take those thoughts and emotions and get them out. I definitely want to hone that side of my artistry.
If you believe in what you do and you really want to be in music, just stick at it. It's always a learning process. Enjoy it because I think making music is a privilege, really. In an ideal world, it should also always be fun. As much as possible, make it fun.
I think probably the only thing that is around in these songs is that I was really lonely when I wrote a lot of them. But it was really by my own choosing because I was devoting myself to songwriting and dancing and I wasn't really going out and seeing people.
I needed a break, and going to culinary school turned a lightbulb on that I didn't have to make music. The people in the music business forget that not only is there an entire world of people out there who do not care what we do, we are not creating the wheel.
I just love animals, and I'm an advocate for animals rights, and my family has rescued dogs from all over the world. I don't believe in animal testing. If you see me in fur, it's always fake. Sometimes you see me wearing skulls, but those are all from roadkill
My dad is an art director for BBC TV shows, and my mum does screen printing workshops. Both of my parents played instruments, too, and my mum used to have crazy house parties when me and my brother were young - dub and garage would be banging through my house.
I wanted a name I could shape the music towards. I was going to Miami quite a lot at the time, speaking a lot of Spanish with my friends from Cuba - 'Lana Del Rey' reminded us of the glamour of the seaside. It sounded gorgeous coming off the tip of the tongue.
Lots of people think I'm telling porky pies when I say how nervous I get about singing. I was good at working out how music was put together, and I was good at being at the back, but if you asked me to sing up front, then I looked like I was going to pass out.
But there's a decision that I find God is asking us to make: whether we are going to choose to interpret our circumstances based on what we hold to be true about God, or whether we're going to judge what we hold to be true about God based on our circumstances.
With The Fugees initially, and even with 'Miseducation', it was very hip-hop - always a singing over beats. I don't think people have really heard me sing out. So if I do record again, perhaps it will have an expanded context. Where people can hear a bit more.
Britney Spears is a big influence. Huge. I think people thought I was joking about that for a long time. But when I was a teenager, there was a genuine connection with this sweet girl who also had this very sexual side that people didn't really want to accept.
When I think of the artists I admire and seek out musically. It's because I'm curious about where they're going to go the next time they have a chance to put a record out. It's not about where I find them on the radio dial, or how many records they're selling.
I think that video content is really important for artists these days. Not necessarily for MTV, but to really just get your name out there as a business card. Nowadays, when people want to hear a new song by an artist they immediately go to YouTube. Stream it.
When I'm not shooting, I love going on adventures with friends. I love zip-lining through rainforests and different natural habitats, and I love writing music on the side, and I love drinking coffee. I'm a big coffee drinker and go to a lot of cafes and stuff.
I'm generally quite active and try to squeeze in a workout when I'm waiting for stuff. Like if you're cooking dinner, try to squeeze in a few squats or a few yoga moves. Or if you're brushing your teeth. You know, just trying to do more than one thing at once.
I probably wouldn't be singing if not for Michael Jackson. When I started singing, I didn't like my tone until my mom put me on to Michael Jackson and Stevie Wonder, so listening to the way they used their instrument helped me get more comfortable with my own.
As I was growing up, I did a lot of talent shows. I won fifteen Sunday nights straight in a series of talent shows in Macon. I showed up the sixteenth night, and they wouldn't let me go on any more. Whatever success I had was through the help of the good Lord.
As a child I was such an intense daydreamer; I could be so gone that I had to be smacked to come back. They were really worried that I had some kind of catatonia or something because I would go so far out. Because all I wanted to do was talk to god as a child.
We're going to start seeing that it's actually less about race and more about class in the future. As much as we complain about the establishment discriminating against black people, we're going to start seeing that more of us are already in the establishment.
I've actually been compared to every female singer going from Britney, Christina, Mariah, Duffy, Amy Winehouse, everyone. And they are so different, so I think it's cool that people see me as so many different artistes but I think I'm a little different, yeah.
It's easy for me to be vulnerable and craft songs when I'm being a hermit in my woods loft, secluded. When I get attention for it, whether it's on stage or in life - I have sort of a love-hate relationship with all of it. That makes me feel really stark naked.