Quotes of All Topics . Occasions . Authors
I lost relatives to AIDS. A couple of my closest cousins, favorite cousins. I lost friends to AIDS, high school friends who never even made it to their 21st birthdays in the '80s. When it's that close to you, you can't - you know, you can't really deny it, and you can't run from it.
I've been blackmailed a billion times. I've been sued for ridiculous things. At one point in my life, I was an ATM machine. But I'm used to that. You don't get used to it, but I'm used to the fact that people will do this, even your own family members, and I don't hate none of them.
In England, in France, in no other country would a black man have a chance to get elected. There's no two ways about it. Our country [USA] has been better about dealing with immigration and people who are different from each other than any other country in the world, that I know of.
I have no physical genius about me. I can't dribble a ball and run at the same time, I can't do lay-ups - I'm not an athlete. But my experience as a kid was, I was made fun of so much that what I did then, is, I wouldn't participate. And I think I cheated myself out of a lot of fun.
I think that, to a lot of people, they don't like my brand of whatever I do. And I think that people - the ones that like me, at least - see me as their brother or their older uncle or their friend or their next door neighbour. I am the quintessential boy next door; I feel that way.
What a fine line there is between artistry and insanity. There's no formula for it, and I think a lot of people when they're around you - even those closest to you - when you're in that whirl of creativity and you're grabbing those things out of the air, there's no rational process.
I started my own Pies Descalzos/Barefoot Foundation when I was 18. We provide education to vulnerable children in Colombia and other developing countries. I am an avid believer that education - and especially early childhood development - is the key to breaking the cycle of poverty.
I made a promise to myself to write songs I liked. I'm an acoustic singer/songwriter, and I need to be able play every song by myself on guitar. No matter what the production ends up being on the record, I've got to be able to go out and sell it all on my own. It's about connection.
I can feel things - tap into emotions. When I meet a new person, I know their life straight away. I suppose you could call it a special intuition, but it's my number one quality, and I'm always 99.9 percent right. If I don't like someone, it always turns out to be for a good reason.
When I was 9 or 10, I used to get all the lead roles because I was the tallest person. But my interest in music soon drew me to country music. I was infatuated with the sound, with the storytelling. I could relate to it. I can't really tell you why. With me, it was just instinctual.
I got to play Kim in Bye Bye Birdie, Sandy in Grease, and Maria in The Sound of Music. And it was so much fun for me, but the thing that I looked forward to the most was at the cast parties. After the shows they had karaoke machines set up and that's when I could sing country music.
'Mean' is a song I wrote about somebody who wrote things that were so mean so many times that it would ruin my day. Then it would ruin the next day. And it would level me so many times, I just felt like I was being hit in the face every time this person would take to their computer.
I have a different mentality when it comes to catering to a man, I just won't allow it. Don't get me wrong, I'll do for you but I'm not taking care of no man and catering to him for life; he better be bringing something to the table. I learned that from my mother and my grandmother.
I thought Big Sur would be a great break after the tour. You'd walk down this rickety ladder to this not-very-pretty beach scene; crashing waves, moss-covered rocks, weird ocean life. It was scary. It summed up alot of things in my life, like 'I should be enjoying this, but I'm not.
I urge younger artists to know that you don't have to be anything you don't want. You can do whatever's comfortable for you. From the music I make, to the things I do in my life, I'm true to my R&B core. I have the capability to make pop records and crossover, but that's not my aim.
To me, the best purpose of an interview would be to illuminate some things about how somebody works for the benefit of somebody else who wants to do those things. And that's not where most interviews go at all, so to me, they seem like strange exercises in small talk and wasted air.
The story of my life publicly has been told through 'Alternative Press.' Former employees, people who have worked there - my friend Ryan Downey, who wrote for 'AP' for a long time - I've been able to have really great articles written about me and talk openly about things in my life.
Pop stardom is not very compelling. I'm much more interested in a relationship between performer and audience that is of equals. I came up through folk music, and there's no pomp and circumstance to the performance. There's no, like, 'I'll be the rock star, you be the adulating fan.'
Before Katrina, you didn't see criticism of the Bush administration in the media. Here they are, stealing elections, enacting illegal wars, huge crimes against humanity and democracy, and you didn't even see criticism. It wasn't until Katrina that people started to come down on them.
Life expectancy in many parts of Africa can be something around the age of thirty five to thirty eight. I mean you're very fortunate if you live to that age. In fact when I went to Uganda for the first time one of the things that occurred to me was that I saw very few elderly people.
With 'Someone New', I was at my rawest, and I didn't want to cover it up. And same with 'You Should Know' and 'Under the Table.' I wanted it to be the lyrics and the chord progressions, and the intricacies of the guitar of 'Someone New' are so delicate, sometimes that's all you need.
Sugaring season is the season when you tap the trees for sugar that turns into maple syrup. I've married someone from Vermont, so it's an expression I kept hearing, and I'm like, 'What is that? That's just so beautiful.' I like the idea it's the very, very first murmurings of spring.
For Bobby and I to sing R&B and sound black was probably the stupidest thing we could do. White radio stations wouldn't play us because they thought we were black. Black stations wouldn't play us because they thought we were white. Any time you break ground, you go against the grain.
I suppose Spotify is a good thing. The ads are quite annoying, but a lot of people seem to like it and use it. I don't myself, but it seems like a good idea, and the labels are getting a huge amount of money off it, but the artists aren't, so that must be good for them... but not us.
When the lights go down, that's 30,000 peoples lives colliding. Everyone there working is working for that moment, everyone watching is watching for that moment. It's when you're all in agreement about what you're all doing so it's a wonderful feeling of togetherness and possibility.
I spent a year pulling all-nighters and driving around in a really tiny fuel-efficient car relying on the kindness of strangers and seeing this incredible range of landscapes throughout the United States. That's what happened with The Honesty Room. It was a huge night and day switch.
I like to think I'm a night person, because that's my job, but now I'm a father of three. I'm trying to become more of a morning person. I don't know if it will last. I have two choices, right? Either I'm bitter about getting up early, or I start drinking wine earlier and get to bed.
My parents were not affluent people and were not - didn't come from the extremities of education. My mother had a high school diploma. I often think I so wish she'd come out of the hills in Appalachia and been able to go on to college. I think she would have made a wonderful teacher.
I have advice for people - period - who are in unhealthy relationships: Follow your heart. It will get you to where you need to be. Sometimes it's hard, sometimes it's easy, the places that your heart takes you. But continue to follow it. Where the train leads you - you'll get there.
I love watching Rihanna in fashion. I like to see her take chances and risks. I like seeing Naomi Campbell in the forefront. They're both women who stand out and use their bodies as canvases to introduce this functional art to the world. They carry it in a way that is very inspiring.
When I get ready to do an album, that means I have something to say for the sake of words, and I listen back to all of the things I've been creating and pull things from out of the air to go with them. It's almost like I start creating the album before I even think about creating it.
Life is all about the friendship and the love and the music. It sounds silly, but it is. I want to have that experience as much as I can as an adult, not as a kid doing something that people are telling her she has to do. If anyone gets in my way, I'm going to get them out of my way.
It wasn't not being famous any more, or even not being a recording artist. It was having nobody who needed me, no phones ringing, nothing to do. Because I'm still too young to do nothing. I was only 24 when all that happened. Now, at 40, I feel I've got more to give than I ever have.
The last 15 years we had one of the biggest economic booms. But I think a few bubbles have burst in a few countries. So we are all going through the same things. But let's say Ireland, in the '70s and the '80s was tough, but if you grow up with a tough background it makes you strong.
My opinion of covers is that unless you're going to change and take a cover in a new direction, it's gonna get put up against the old one, and you're gonna lose. It's like, which would you rather listen to? The Righteous Brothers' 'Loving Feeling' or Hall and Oates' 'Loving Feeling?'
You either evolve or you don't. I don't like old people on a rock n' roll stage. I think they look pathetic, me included. And the fact that I represent an era means I can't just go out there and do all new stuff. They would all say, 'Sing 'White Rabbit,'' and I'd say no? That's rude.
Yeah, like, when I look back on my life, I just remember back what happened in '74, or something. It seems like only the real good stuff comes to mind. I don't think of all the tragedies and all the funerals. That just doesn't come to mind at all. I guess I'm really blessed that way.
The last time I went to a festival without a hat, two things happened. One: I got sunstroke. Secondly, I had to buy what can only be described as a Jamiroquai hat, which was sartorially incorrect - I'm saying that as a Jamiroquai fan. That was a disaster. I looked like a small clown.
I tour alone. There's no sound check, no back up. I stay with the hosts; I am in a family home and it's really nourishing. I just have to remember after the show not to run out into the living room in my pyjamas. Every day, it's a new relationship being built. It's odd and wonderful.
I didn't know what to expect when we first started touring behind 'Southeastern' because you don't want to lull anybody to sleep or lose their attention. But it's really been incredible how the crowds seem to be just as excited for the slow, sad songs as they are for the old rockers.
When I was writing 'Southeastern,' I'd just recently gotten sober. For me, that was a major turning point in my life. It changed things I did on a day-to-day basis. My whole routine was upended. It took me some time to get used to that and figure out how do I keep myself entertained.
I felt like onstage I have to have a certain amount of anonymity, like, personal anonymity, to feel loose and free. When you're up there with people who've known you for a decade, and you make a bad joke and you hear the cackling behind the drums, it's hard to get lost in the moment.
At times I've got a really big ego. But I'll tell you the best thing about me. I'm some guy's dad; I'm some little gal's dad. When I die, if they say I was Annie's husband and Zachary John and Anna Kate's father, boy, that's enough for me to be remembered by. That's more than enough.
As far as friendships go, things change even without the fame. People start moving on. I have a few friends that are married and are starting to have kids and I'm like, 'Oh my goodness gracious — that's so insane.' I also have friends who are just doing their own thing which is cool.
When I do a festival, I want everyone to have a party, I think it is kind of similar to a club where everyone is there to have a good time and celebrate not being at work or just being able to have fun. I love people dancing to my music as well; if I can make them dance I feel happy.
There were so many different influences in my life: being half Mexican and half Irish, growing up an only child of immigrant parents, being bullied in school, feeling alienated and lonely, this undertone of darkness. All that culminated and came out in my music and made it different.
My heart goes out to the families of innocent children who were killed today in Pakistan!! I do not accept a world where kids are killed for wanting an education! This violence and ignorance has to stop!!!! It starts with all of us treating all human beings with dignity and respect!!
[Being in the States] is almost like being on a holiday. It's kind of annoying because everyone's like "Oh, you're so obsessed with America," but it's not really that. I just really enjoy being here - I'm not the first British artist to make music here and be inspired by the country.
I do think that marriage can be a wonderful thing if it's the right thing for the two people involved. I believe in love - very much so - how can you not believe after you've experienced it? I believe in relationships. One day, I know I'll find the right woman and get married myself.
Doing reality TV is hard. You get lost. You are shooting three months before anybody sees it. So you are past [the emotions]. Then when it airs and the public sees it, they react and it drags you back. It feels you have grown, but then you suddenly feel like you haven't moved at all.