I always look forward to roles that excite me as an actor.

In a collaborator, I always look for someone who's going to push me a little bit.

If people ask me to describe my look, I always say: 'Quite classic with an edge.'

I'm always happy-go-lucky, and people look at me and find it shocking that I could be depressed.

The look of being too deliberately dressed, with everything cautiously matching, always bores me.

I've always been curious about the things that I'm afraid to look at, that make me embarrassed or bother me.

I do care a lot about what I wear, but in a way that is about comfort and practicality, and I always want to look like me.

I always come out playing like I'm the underdog on the court. I never want anyone to catch up to me; that's just how I look at it.

I've dyed my hair a million times and it looks terrible, always. It just looks fake. And it doesn't make me look that much younger.

I'm not interested in clothes that just convey a certain look or fashion. Clothes for me have always been a form of self-expression.

People look at me, and they don't see what they think is a typical Aboriginal. I always thought I'd be the white person in a black play.

People would look at me weird. You know, like, 'Why is this guy's hands always in his pockets?' But I was embarrassed by the size of my hands.

I have always accepted films based on what my role is. Of course, I do look at who is playing the lead opposite me, the producer and the director.

You all look like happy campers to me. Happy campers you are, happy campers you have been, and, as far as I am concerned, happy campers you will always be.

I want to push the boundaries on the roles that have historically been given to actresses who look like me. There is so much more we can do. There always has been.

One reason I've never been a fan of graphic novels is because a central aspect of literature for me has always been imagining what the things I'm reading about look like.

Acting coaches in Hollywood were always telling me to use my hands and body more. But that was never me. I just breathe and sometimes it doesn't look as if I'm doing that.

I am very petite and feel that structured clothes look very flattering on me. That's why I always pick up clothes which are neat, pretty, have lace or made of soft fabrics.

I've always worn a lot of Ralph Lauren, and plaid shirts in general have been a signature piece for me. With plaid, you can look super-relaxed or you can look a bit dressed up.

The president of CBS handpicked me for the 'Star Search' revival, which Arsenio Hall hosted. He picked 12 comics, and I was the only female. I always look to that as inspiration.

Queen has always been my favorite band. Freddie is the greatest singer, ever, is the way I look at it. The other thing about Queen for me is they embraced so many different styles.

Like all girls, when I was growing up, I always worried about this bit of me being too fat or that bit. But I look back at pictures of me when I was young, and I was thin and gorgeous.

There aren't as many roles for people who look like me, and it was always complicated when it came to casting my parents. But now I couldn't be more grateful that I have a different look.

The photographers are always around. Wherever I go, they start clicking incessantly. I am always like, 'At least give me a heads-up, as, many times, I look so disheveled. What will people think?'

I was over-confident while growing up. I think when you look a certain way, you try and compensate by something else. I was always a strong child, was always confident, but looks never mattered to me.

I always thought I looked kind of like Keith Richards, and sometimes I think I look like Michael Jackson in his mug shot. But as I think Keith Richards is pretty great-looking, I'm embracing that part of me.

It's hard for me to be happy because I'm always worried about something going awry or what could happen to screw it up. It's hard for me to sit and look around, going, 'Ah, I'm really happy.' I'm not that kind of person.

People are always surprised when they meet me. I was in Nigeria and I went to one of the radio stations and they were like, 'Aww you look cute!' They were expecting me to look more rough, and I was like: 'Yeah, I'm polite!'

I've always wondered what it would be like if somebody from outer space landed with three heads. Then all of a sudden everybody else wouldn't look so bad, huh? Well, OK you're a little different from me but, hey, ya got one head.

I've always known that I wanted to be different. I wanted to stand out, so my gear is very elaborate, very blingy, very loud, because I want people to notice me, want to look like me. The Boss necklace, the ring. I want everything big.

I've always wanted to tackle the casual part of dressing. Knits to me are always just easy. I've fantasized about packing a suitcase of only knits: You just throw them in, roll them in a ball, pull them out and they still look fabulous.

I've never really felt like a veteran. I've never felt like the guy who's like, 'OK, everyone needs to look up to me and respect me.' I've always just been one of the guys that people are excited to get in the ring with. That's all I want.

As for what I might wear, my mantra is that, no matter how chic the event, I don't want to look too prim. I like wearing short cocktail frocks to black-tie events; it just always feels more like me, and a bright red lip is always a staple.

I've always felt a bit of an outsider. It used to worry me that, in terms of TV, I did not look like 'the girlfriend' or 'the daughter'. That pushed me to write my own stuff, as I thought no one else was going to write me a lead in the sitcom.

I would always just get DMs from my fans, because people know I'm an advocate for anti-bullying. So I would always just look at my messages and see a bunch of my fans saying, 'Look at what this person said to me, I don't know how to deal with this.'

I always write my first draft in longhand, in lined notebooks. I move around the house, sitting where I like, and watch the words spool out in front of me, actually taking a lot of pleasure in the way they look in my strange handwriting on the page.

People always had something to say about the fact I was odd looking, bigger than other people, that I was awkward. When I discovered punk, I bought into it. That look, combined with being fat, made me even less of what people thought a young woman should be.

When I do a workshop, there is always at least one author who comes up afterward and asks if I'll take a look at his or her book and consider blurbing it. For some reason, I can turn someone down in e-mail, but when he or she is looking me in the eye, I cave.

It's always interesting for me to watch the pilot of an established show because you see how the writers and actors weren't really sure what the show was and what the dynamics were. If you look at the pilot for 'Seinfeld,' for example, it's practically unrecognizable.

I just always feel that you need Degree deodorant when you have those moments whether they are embarrassing or whatever, but every day you should be protected. I wish that maybe I had a type of celebrity to look up to when I was young telling me what to use and stuff.

If I go anywhere where there are people who vaguely look like me, there is always that feeling of, 'Actually I do look quite similar to everyone else.' At moments like that, I become very, very British. My accent gets more clipped, and I stride around as if I've got an empire.

The two sensibilities, the visual and the verbal, have always been linked for me - in fact, while reading a particularly evocative passage, I will imagine what the photograph I'd take of that scene would look like, even with burning and dodging notes. Maybe everyone does this.

People always want you to look pretty. I would like to live in the Midwest in a small town and never put makeup on. But they won't let you do that. Once I went through a period when I did do that, wore no makeup, wore my hair any which way, and people looked at me like I was a bum.

When I look for the next project, it's always about, 'Is it going to push me out of my comfort zone? Am I doing something different? Am I working with people who are passionate about what they're doing?' At the end of the day, if I'm going to be bored on set, then I'm not gonna be happy.

The American cinema in general always made stories about working-class people; the British rarely did. Any person with my working-class background would be a villain or a comic cipher, usually badly played, and with a rotten accent. There weren't a lot of guys in England for me to look up to.

Well, unfortunately, my father passed away before my first book was published, so he never lived to see me as an author. But I think my mum was suitably pleased because she was mad about words. If she ever came across a word that she didn't know, she would always look it up in the dictionary.

I decided I would open this little actors' workshop I always told actors to look for. That gave me something to do on Wednesday nights, and after about a year of that, I realized that some of the things I was saying to actors probably had broader application. I ran into a magazine called 'Speakers For Free.'

I really liked to perform. My mother always tells this story: I was five. They had a party, and they'd put me to bed. I heard everyone on the rooftop, and I went upstairs. No one paid any attention to me, so I took a hose and sprayed everyone. Very elegant, right? 'It's me! Look at me!' I loved the attention.

I'm Irish and always will be, but America has taught me so much. Maybe it's here in the U.S. that we find a healing, for in the broader melting pot we get to look at some of these self-destructive attributes that we bring to bear upon our own quarrels and begin to solve them in ways other than just splitting apart.

I've always been kind of uncomfortable just on the beach in a swimsuit. I'm never my most confident in a bikini on the beach, especially when you know people are looking at you, and they expect one thing because of what they see in the magazines, and you might not look that way. It's always been a scary thing for me.

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