Quotes of All Topics . Occasions . Authors
As part of my research for An Anthology of Authors' Atrocity Stories About Publishers, I conducted a study (employing my usual controls) that showed the average shelf life of a trade book to be somewhere between milk and yoghurt.
Sometimes, I look outside, and I think that a lot of other people have seen this snow before. Just like I think that a lot of other people have read those books before. And listened to those songs. I wonder how they feel tonight.
We [ with Italo Calvino] had a great relationship. I don't think it's a coincidence that his only daughter's name is Giovanna. I loved his book dedications to me: "To Giovanna Cau, another book that won't be turned into a movie."
A highly worthwhile read with prescriptive examples for authentic sustainability and social justice initiatives at companies - not all about the brand, the celebrity or corporate self-interest (about the book 'Compassion, Inc.').
This time, there have been a lot of interesting discussions about the subject matter, and I've had a good time talking about it. And in some of the cases, I'm not just signing books - I'm showing slides and talking about the work
... one of those librarians who rules the stacks with an intimidating scowl, whispers quiet sharply enough to lacerate the tender inner tissues of the ear, and will pursue an overdue-book fine with the ferocity of a rabid ferret.
I come out of journalism, and then book writing. There, it's just you and your editor and maybe a copy desk, looking over your editor's shoulder, and that's the story. It's right there. I can show it to you because it's on paper.
"What if I like watching television? What if I don't want to do much else other than read a book?"... "What if I'm tired when I get home? What if I don't fill my days with frenetic activity?" "But one day you might wish you had."
I don't write literary fiction - I write books that are entertaining, but are also, I hope, well-constructed and thoughtful and funny and have things to say about men and women and families and children and life in America today.
Blue Book was now under direct orders to debunk. . . I remember the conversations around the conference table in which it was suggested that Walt Disney or some educational cartoon producer be enlisted in [the] debunking process.
There was no really good true war book during the entire four years of the war. The only true writing that came through during the war was in poetry. One reason for this is that poets are not arrested as quickly as prose writers.
Perfection is something we should all strive for. It's a duty and a joy to perfect one's nature... The most difficult thing is love. A loveless, driving person that just competes in the rat race is far from perfection in my book.
Hardcover books are fairly expensive these days and to read one requires a significant commitment of time in our busy society. So I want to make sure that when readers buy one of my books they get something they're familiar with.
In the present age, alas! our pens are ravished by unlettered authors and unmannered critics, that make a havoc rather than a building, a wilderness rather than a garden. But, a lack! what boots it to drop tears upon the preterit?
I write the book for one person — for Fiona [Staples, the artist]. I spend a lot of time just thinking how she'll react to things and manipulating her into drawing perverse, horrific things. It's a really weird job but I enjoy it.
Good writing and dark wit always excite me and they come together thrillingly in this book. It has a quiet grip on the strangeness of the interior and exterior worlds of love and politics. I delighted in the writing and the scope.
Most of you probably didn't know that I have a new book out. Some guy put together a collection of my wit and wisdom - or, as he calls it, my accidental wit and wisdom. But I'm kind of proud that my words are already in book form.
I decided that I would do my best in the future not to write books just for money. If you didn't get the money then you didn't have anything. If I did the work I was proud of and I didn't get the money, at least I'd have the work.
I start a book and I want to make it perfect, want it to turn every color, want it to be the world. Ten pages in, I've already blown it, limited it, made it less, marred it. That's very discouraging. I hate the book at that point.
But that initial, comet-blazing-across-the-sky, Big Idea is only the beginning. Each book is composed of a mosaic of thousands of little ideas, ideas that invariably come to me at two in the morning when my alarm is set for seven.
There's only one test of a great children's book, or a great children's film, and that is this: If it can be read or viewed with pleasure by adults, then it has the chance to be a great children's film, or a great children's book.
The reading of all good books is indeed like a conversation with the noblest men of past centuries who were the authors of them, nay a carefully studied conversation, in which they reveal to us none but the best of their thoughts.
Consider what you have in the smallest chosen library. A company of the wisest and wittiest men that could be picked out of all civil countries, in a thousand years, have set in best order the results of their learning and wisdom.
I have found that the characters in my novels stay with me after a book has ended. I know them in some sense. I never map anything out. I just think until I am secure in the voice of one of them, and then let the character unfold.
On the wall next to the table, next to the scones that provided each table with its own circle of lamplight were quotations about reading, her favorite of which was from Kafka: 'A book must be the axe for the frozen sea within us.
Computers allow us to squeeze the most out of everything, whether it's Google looking up things, so I guess that tends to make us a little lazy about reading books and doing things the hard way to understand how those things work.
I like the idea that every page in every book can have a gem on it. It's probably what I love most about writing - that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around.
My age is my own private business and I intend to keep it so - if I can. I am not so old that I am ashamed of my age and I am not so young that I couldn't have written my book and that is all the public needs to know about my age.
If I could go back in time and tell my younger self that eventually that I'd become very successful writing Dune books after Frank Herbert's death, I would have laughed myself silly, I think, at how strange that prospect would be.
I remember finding a Houdini book at the library and seeing an image of him chained on the side of a building. He looked so intense and scary, and I couldnt get that image out of my head. That started building up my love of magic.
I want to engage the reader. I'm an emotional writer, in the sense that I would be happy if you re-read a book for the intellectual or the mental part of it, but, the first time, I just like to reach out and grab you, pull you in.
Mountains were once my big adventure but is is over since a long time; I still dream from the wonderful days sometimes, read also a few pages from a mountain book. But the thought of doing again active mountain climbing has faded.
I won't read a new graphic comic novel until the writer has completed the entire series. I got burned a few times when I got turned on to a book, plowed through it only to find out the author was in the middle of writing the next.
The Tibetan Book of Living and Dying says that death is the graduation ceremony, while living is just a long course in learning and preparing for the next journey. If we acknowledge death as the beginning, then how can we fear it?
I like to get ten pages a day, which amounts to 2,000 words. That’s 180,000 words over a three-month span, a goodish length for a book — something in which the reader can get happily lost, if the tale is done well and stays fresh.
You don't want to dwell on your enemies, you know. I basically feel so superior to my critics for the simple reason that they haven't done what I do. Most book reviewers haven't written 11 novels. Many of them haven't written one.
I think the fun thing about doing a project under your own name is that literally anything could be a follow up, it doesn't necessarily need to be a record, it could be film related, it could be book related, it could be anything.
the pleasure of possession, whether we possess trinkets, or offspring - or possibly books, or prints, or chessmen, or postage stamps - lies in showing these things to friends who are experiencing no immediate urge to look at them.
I have a very positive outlook on things. It's hard to predict how actual books are going to do but I'm not freaked out about ebooks taking over. I think there are probably more active readers now because of computers and iPhones.
Behold the works of our philosophers; with all their pompous diction, how mean and contemptible they are by comparison with the Scriptures! Is it possible that a book at once so simple and sublime should be merely the work of man?
After working as a journalist I went to a writing program at Johns Hopkins. It was interesting because it was neither journalistic nor historical, but it emphasized writing style, and afterwards I was asked to write my first book.
"He Stopped Loving Her Today" a fascinating book about the making of a record. Really, to be honest, it has some of the best George Jones anecdotes I've ever read, like cocaine psychosis causing this personality called "the Duck."
History no longer shall be a dull book. It shall walk incarnate in every just and wise man. You shall not tell me by language and titles a catalogue of the volumes you have read. You shall make me feel what periods you have lived.
I have written 13 books, full of my ideas about a variety of issues - from black women, to hip-hop culture, to the civil rights struggle. Even when I address such figures as Tupac Shakur and Bill Cosby, my ideas are quite evident.
Ever since I was twelve, I dreamed of being an author. I just never had the fortitude to see any of my stories through to completion. I would start a book, get a few chapters in, and grow bored or get distracted by something else.
There aren't that many people who have written seven-book series, taken them 17 years. Actually finishing was (the) most remarkable feeling I've ever had. (I) couldn't tell you which was uppermost - euphoria or feeling devastated.
What has always surprised me when I walk into a bookstore is the number of books that you can find that are written with certainty. The authors tell some story as though it's true, but they don't have any evidence that it is true!
The best moment in writing any book is when you just can't wait to get back to the writing, when you can't wait to re-enter that fictional place, when your fictional town feels even more real than the town where you actually live.
My advice to photographers is to get out there in the field and take photographs but also if they are students to finish their course, learn as many languages as possible, go to movies, read books visit museums, broaden your mind.
The Old Testament is responsible for more atheism, agnosticism, disbelief - call it what you will - than any book ever written; it has emptied more churches than all the counterattractions of cinema, motor bicycle and golf course.