Quotes of All Topics . Occasions . Authors
I certainly wanted to write a book that was honest about New Orleans without explaining it to death, so much so that the first draft contained references absolutely incomprehensible to anyone who hasn't lived here for several years.
When I was in the sixth grade my friend and I always won writing contests, and we read a lot of books. We were always the ones that read the most books in class. I thought about writing but visual arts weren't part of my vocabulary.
I write all the time, I've got a big, thick, old ledger book that I write stuff down in. I used to watch TV and write things that people would say and now I tend to get it more out of books and from conversations with people I meet.
I have a lot of spiritual books that I read that I really, really love - everything from the Bible to Joseph Campbell, who I love. He wrote The Hero of a Thousand Faces. It's about exploring what is heroic in you. It helps me a lot.
Where is the woman who has ever really torn from her heart the image that has been once fixed in it by a true love? Books tell us that such unearthly creatures have existed - but what does our own experiences say in answer to books?
I have three kids who like Harry Potter so I was sort of aware of it. You can't really move from it: it's on buses, in stores, it's everywhere. One of my kids has read the books; the other two are too small but they like the movies.
It's good when someone comes to a book or a movie and interacts with it. It's the difference between an illustration and a painting. An illustration serves a specific purpose, and a painting is something you can immerse yourself in.
I called my book 'When I Stop Talking, You'll Know I'm Dead' because that's the truth. I will keep talking until the big hand comes down from Heaven. But I am a spiritual man and I believe that even that does not have to be the end.
Adventure books are my personal favorites. 'The Endurance,' a story about Ernest Shackleton's legendary Antarctica expedition, or 'Into Thin Air,' Jon Krakauer's personal account of the 1996 disaster on Mt Everest, are two notables.
This must be what an addict feels like, I think, trying to fight the pull of one last, quick read. My fingers itch toward the binding, and finally, with a sigh of regret, I just grab the book and open it, hungrily reading the story.
I'm a Virgo and I'm more - I don't want to say 'negative' - but I'm the girl who thinks no one's coming to my birthday party, no one's buying my clothes, no one's reading my book, no one's watching my show - that's just how I think.
But to make the intangible tangible, to pick the emotion out of the air and make it true for others, is both the blessing and the curse of the writer, for the thing between book covers is never as beautiful as the thing he imagined.
I was approached by this guy Chris Renshaw, who had read my book and had read Leigh's book. He wanted to incorporate both characters - he probably felt Leigh wasn't famous enough and he realized Leigh [Bowery] and I were associated.
Your image as a model is your currency. That's the only thing you've got. No one cares what you look like in real life. Nobody is going to say the make up guy was terrible. They will say, you look awful and let's not book her again.
Like me, he has a searing belief that books are sacred. They might not be to other people, but when you have a passion, you hold on to it. You defend it. You dont pretend it isn't important at the risk of offending others." -Carrie.
I have been doodling since childhood. I have a passion for illustrating but cannot paint or colour for that matter. I illustrate what I am trying to communicate through my writing. My images are like drawings in a science text book.
When I take up a book I have read before, I know what to expect; the satisfaction is not lessened by being anticipated. I shake hands with, and look our old tried and valued friend in the face,--compare notes and chat the hour away.
I spent my first two years at a small all-male college in Virginia called Hampden-Sydney. That was like going to college 120 years ago. The languages, a year of rhetoric, all of the great books, Western Man courses, stuff like that.
For each book, there's a back story of where the idea came from. Sometimes it's derived from a current event or topic of discussion. Often it begins with a character. And often, I have NO idea what sparked the idea. It's just there.
I knew if I evoked that stuff too easily or gratuitously, as a way of assuaging my fears of not being edgy or whatever, the writing would fall apart. This book [Lincoln in the Bardo] was going to have to have some earnestness in it.
Of course. I was on the run from evil spirits that wanted to kill me and now, according to the local paper, the law. Yet Richard Smith, cemetery sexton and death deity scholar, had a book for me to read in all my copious spare time.
I am not so naïve as to believe that this slim volume will change the course of history or shake the conscience of the world. Books no longer have the power they once did. Those who kept silent yesterday will remain silent tomorrow.
The books that help you most are those which make you think that most. The hardest way of learning is that of easy reading; but a great book that comes from a great thinker is a ship of thought, deep freighted with truth and beauty.
The good of a book lies in its being read. A book is made up of signs that speak of other signs, which in their turn speak of things. Without an eye to read them, a book contains signs that produce no concepts; therefore it is dumb.
If I can avoid doing freelance work, I prefer to. Not just because it takes me away from drawing comics, but also because it's just annoying having to deal with art editors, and having to read people's articles or books or whatever.
I have a lyric journal that I write in a lot. When I’m going to play, I just sit down and have my books with me and my notes and tapes and whatever I need to refer to. I just play and try different things. It’s a kind of discipline.
I like to joke that you usually write more books before death than after death, so that's why I'm doing it. But really, I remain engaged with ideas. There are so many things happening that turn me on and I just want to examine them.
I write romance, women's fiction, chicklit. I think it all fits very comfortably under the same umbrella. Basically, I write books for women - books about relationships, books that make you laugh and sometimes make you cry a little.
I didn't write with a target audience in mind. What excited me was how much I would enjoy writing about Harry. I never thought about writing for children - children's books chose me. I think if it is a good book anyone will read it.
Well yes so far, I was recently in Germany and they had me do six book signings a day and that was too much so I had them cut it down to about three. It becomes taxing at times but its a lot of fun and you meet a lot of nice people.
Once, I compared poetry to mothers in my book called To Write as a Woman, because my mother is someone who captures me in her body and gave birth to me out of her desire but washed her hands of me after giving birth to me as a poet.
The BBC's aim, along with schools, libraries and literacy groups, to involve more people in reading groups is an exciting idea and one that I hope will keep readers all over the UK exploring and sharing the wonderful world of books.
I've been a fan of movies longer than anything else. One thing I learned a long time ago is that you can't translate a book literally to the screen. It won't work because it's a different medium. And it would be the same in reverse.
Empire of Deception is a sure thing--a book guaranteed to entertain and make you rich (in knowledge, that is). Dean Jobb has found a fascinating yet little-known jazz-age tale and told it with style and smarts. Get in on the action.
Self-doubt is common, but when it impedes you from attaining your goals it’s time to take action. This book shows you how to move beyond feeling like an imposter so that you can achieve your full personal and professional potential.
I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book.
While I was thinking about that, the military, I read a book called On Killing, about the obstacles people have to pulling the trigger in combat. So sometimes you just absorb all this stuff without realizing you were doing research.
As a child, I wanted only two things - to be left alone to read my library books, and to get away from my provincial hometown and go to London to be a writer. And I always knew that when I got there, I wanted to make loads of money.
Trump is an open book. You look at him and all you have to do is listen. He'll tell you who he is. He'll tell you what he thinks. He'll tell you what he's thinking about. He'll tweet it out, and it will be honest and from his heart.
My pessimism (which, by the way, is far from absolute) originated with my despair in the lack of perfection to be found in human nature. I was attempting in my successive books to show the inevitable handicap of the human condition.
Keep reading and writing, learn how to revise, and push through rejections. My second book, Monsoon Summer, was rejected over 20 times and finally came out 11 years after my first book! I'm glad I didn't give up. Neither should you.
The biggest influence on my writing, besides snagging some ideas about black humor, was that the paper mill had a program where they paid 75 percent of the tuition and book [costs] for employees who wanted to go to college part-time.
The subordinate's job is not to reform or reeducate the boss, not to make him conform to what the business schools or the management book say bosses should be like. It is to enable a particular boss to perform as a unique individual.
I love to read. I love to stretch. In the morning, I get up, and if I'm not in a hurry, I will lie on the floor on a rug, look through some books and magazines, and maybe listen to music and try to do stretching exercises to tune up.
Pastoralia by George Saunders. Possibly my favorite book. Its one of the weirdest books Ive ever read. If Monty Python and Thomas Pynchon had a love child, and it was raised by Frank Zappa on a weird commune, that would be this book.
Chapter books are often written in series and kids have come to expect that they'll come out once a year, so publishers want to keep the momentum going. It's the kind of art I love to make, except that the time frame is really nutty.
In a certain sense, this guy - who is one of the most evil people in the book - he's not really that bad at running the show, because he knows what he's doing, he's smart and he's got the big picture in mind. He's like the Godfather.
It is, I believe, no exaggeration to say that all the historical information which has been collected in the Sanskrit language is less valuable than what may be found in the paltry abridgements used at preparatory schools in England.
Mais enfin, bande de critiques, les livres que vous ne comprenez pas ne vaudraient-ils pas au moins que vous les signaliez? For heaven's sake, gang of critics, don't the books which you do not understand at least deserve recognition?
For 179 years [The Book of Mormon] has been examined and attacked, denied and deconstructed, targeted and torn apart like perhaps no other religious history – perhaps like no other book in any religious history- and still, it stands.