Quotes of All Topics . Occasions . Authors
I would get records by Earl Scruggs... I would tune my banjo down and I'd pick out the songs note by note. Learned how to play that way. I persevered. There was a book written by Pete Seeger, who showed you some basic strumming and some basic picking... And I kind of worked out my own style of playing.
Home to me is the world because my books have been translated into more than 30 languages. People feel they know me and the minute they talk about my life or books I feel at home. Home is where you are appreciated, safe and protected, creative, and where you are loved – not where you are put in prison.
I hate to think of a day where a compelling book or a compelling authorial voice would be lost simply because that person doesn't have a Web site. But I think that, to use the Internet in a positive way, to turn people on to reading, is something that authors shouldn't really shy away from necessarily.
The holy men and women, whose lives are told throughout this book, witness to the fact that the word of God is alive and has the power to transform us. By discovering these saints, readers will learn how to embody Scripture, letting it enlarge their hearts and mold their lives into the image of Christ.
I don't think one can accurately measure the historical effectiveness of a poem; but one does know, of course, that books influence individuals; and individuals, although they are part of large economic and social processes, influence history. Every mass is after all made up of millions of individuals.
I began to draw an invisible boundary between myself and other people. No matter who I was dealing with. I maintained a set distance, carefully monitoring the person’s attitude so that they wouldn’t get any closer. I didn’t easily swallow what other people told me. My only passions were books and music
In a best-selling book, 100,000,000 Guinea Pigs (reprinted nine times by 1935), a pair of consumer-advocate authors complained that American citizens had become test animals for chemical industries that were indifferent to their customers' well-being. The government, they added bitterly, was complicit.
If you don't like my book, write your own. If you don't think you can write a novel, that ought to tell you something. If you think you can, do. No excuses. If you still don't like my novel, find a book you do like. Life is too short to be miserable. If you do like my novels, I commend your good taste.
The concept of a midlife crisis is a well known one perpetuated by books and films. And recently the idea of a quarter-life crisis, between 20 and 30, has also gained a fair amount of media coverage. But there's a surprising lack of robust research on these events, and almost none on later life crisis.
You know, I'm a total perfectionist, and I labor over trying to get things right. Whether we're putting together an opening for the Masters broadcast or when I was writing with my friend Eli Stillman a book about my dad called 'Always By My Side,' I'm always trying to find a way to do something better.
I always write too long in the beginning, then it is a matter of going through it over and over again on subsequent drafts, looking for anything that slows down the narrative. It can be hard, cutting out parts I love, but I try to make the book as tight as possible so that the reader doesn't get bored.
I am of the opinion, and even more so the older I get, that it is more difficult to have hope than it is to despair. And I mean this in the sense that in order to have hope you must acknowledge the despair and then you have to get beyond it. Taken from a radio interview given on BBC Radio 4's Open Book
It takes me about a week and a half to read the typical book. I don't know how many ten-day spans I have left. Eventually the unread books on my shelves will have to be abandoned, or they will join me on the pyre. The book I'm about to purchase may be among them. We all buy books we won't live to read.
I definitely have an affection for detective fiction, and when I first read Dashiell Hammett's 'The Maltese Falcon,' that book and its author made an enormous impression on me as a reader and a writer, and led me to other hard-boiled American writers like Raymond Chandler and Ross McDonald, among many.
Lots of kids in books are only-child orphans, but I think it’s fun to have family as part of the adventure, to have familial love be as important as romantic love, and to show that love can go through fire and darkness - not unchanged, because experiences like that change everyone - but never faltering
As an author, you go into the school, it gets written about in the paper. It sucks that your book was banned, but you almost benefit from it. The bummer is all of the incredible educators. Nobody is writing about them. They are on the frontlines still, to this day, fighting to reinstate those programs.
I’m an atheist. The good news about atheists is that we have no mandate to convert anyone. So you’ll never find me on your doorstep on a Saturday morning with a big smile saying ‘Just stopped by to tell you there is no word. I brought along this little blank book I was hoping you could take a look at.’
At 13 years old, I realized I could start my own band. I could write my own song, I could record my own record. I could start my own label. I could release my own record. I could book my own shows. I could write and publish my own fanzine. I could silk-screen my own T-shirt. I could do this all myself.
The comic-book industry today is not what it was back then, unfortunately. Kids are no longer interested in reading comic books; they've got television and the electronic games that they can bury themselves in like ostriches. They don't have to pay attention to what's going on in the world around them.
Play the open variation of the Ruy is my advice to all ordinary club players, and I recently even wrote a book about it, seen from Black's point of view. Why does everybody try to copy the grandmasters' strange positional maneuvers in the 5. ... B-K2 variation, instead of fighting for the in intiative?
I think Clinton Foundation is illegal- it's been really well documented in the book «Clinton Cash» and the book has been absolutely approved by so many people. You've had accounting firms going in there, you've had so many people going in. And it's pay for play. I mean, if you look at it's pay for play.
I guess none of the sides of my hyphen are particularly subtle cultures. But perhaps there is also a sense that these characters are all parentless - every character in this book is feral in some way - without any guidance in their upbringing. They find no choice but to seek refuge in extreme behaviors.
I got myself a really nice nib pen, with like 15 kinds of India Ink, and tons of different nibs; I think I was just procrastinating, like, once I have the right nib, the book is just going to jump right out of my fingertips... but then it just ended up looking like the shitty drawings that I usually do.
Often while reading a book one feels that the author wouold heave preferred to paint rather than to wirte; one can sense the pleasure he derives from describing a landscape or a person, as if he were painting what he is saying, because deep in his heart he would have preferred to use brushes and colors.
I thought [books ban] was crazy. Really my thoughts were "This is America, we don't do this here" but of course I know a lot better now. And I wasn't the only one. Norma Klein was writing at the same time. Her books were going. So many of us. When you say to me, no you can't do this I say, oh yes I can.
You're all alone when you're a writer. Sometimes you just feel you need a humanity bath. Even a ride on the subway will do that. But it's much more interesting to talk about books. After all, that's what life used to be for writers: they talk books, politics, history, America. Nothing has replaced that.
John Wooden has been a vital force in the lives of many with his inspirational messages. He represents all the elements necessary to be a winner in the Game of Life, which makes him the perfect person to write this book filled with lessons. Coach Wooden has been a mentor to people in every walk of life.
If we're united, I wouldn't care about a White school board getting me a little something. The hell with the school board; that's the White supremacy board and the White supremacy board wants you reading stupid books rooted in the idea of White supremacy. I don't want a thing to do with White supremacy.
I was brought up in a home where I saw my parents read and I was taken to bookshops and libraries, so I grew up feeling very comfortable around books. Also, Ireland is a country which has honoured its writers and poets, so when someone says they wanted to be a writer, its not mocked or looked down upon.
I had tried writing novels for many years, and they always escaped me. For a long time, I thought, 'It's just not in me to write a novel. It's not something I'm able to do.' It seemed like everything I wrote naturally ended at the bottom of page three. A picture book, three pages; an essay, three pages.
When I'm 18 years old, I'm at a friend's house. And his uncle looks me in me eye - you know, by this time I'm an over achiever, a pretty good student, etc. And he said I have the answer to your problems. I have the solution to your pain. And he held up this book. It's a bible. I didn't know what it was.
I think it is a problem of our society that we don't enjoy (ourselves.) We have these values, like, you have to be rich, you have to get a diploma, you have to work hard, otherwise you are useless, you are nothing but a pariah. And the book asks, 'Is it true? This is what my mom told me, but is it true?
We were pregnant at the time, and while I was out there I started to realize that if I had a daughter, there would come a day when I would have to apologize to her for my profession. I would have to apologize for the way it treats and speaks to women readers, and the way it treats its female characters.
A book consists of two layers: on top, the readable layer ... and underneath, a layer that was inaccessible. You only sense its existence in a moment of distraction from the literal reading, the way you see childhood through a child. It would take forever to tell what you see, and it would be pointless.
I used to be an editor and I was editing young adult series. I didn't really like the books that I was reading, so I decided that I would write a book about something I'd want to read if I was 16. It turned into a Cinderella story... I developed a proposal and the characters of 'Gossip Girl' for my job.
I feel, holding books, accommodating their weight and breathing their dust, an abiding love. I trust them, in a way that I can't trust my computer, though I couldn't do without it. Books are matter. My books matter. What would I have done through these years without the library and all its lovely books?
Reading old travel books or novels set in faraway places, spinning globes, unfolding maps, playing world music, eating in ethnic restaurants, meeting friends in cafes . . . all these things are part of never-ending travel practice, not unlike doing scales on a piano, shooting free-throws, or meditating.
The Enormous Room seems to me to be the book that has nearest approached the mood of reckless adventure in which men will reach the white heat of imagination needed to fuse the soggy disjointed complexity of the industrial life about us into seething fluid of creation. There can be no more playing safe.
Miss Abigail, I want to be an author because writers know when a person is lonely. I mean, when Molly read me some books, those writers reached out and said, Look Gideon, we know about your loneliness and we know you're feeling downtrodden. And they said...I'll stand up for you. You're not lone anymore.
Have you thought of an ending?' 'Yes , several, and all are dark and unpleasant,' said Frodo. 'Oh , that won't do!' said Bilbo. 'Books ought to have good endings. How would this do: and they all settled down and lived together happily ever after?' 'It will do well, if it ever comes to that,' said Frodo.
I create books for six-year-olds. I don't know why that time of my life was so important to me, but no matter what I draw, it always looks like it comes from a children's book. I can't resist. I'll set out to paint a serious picture then think, "Well, maybe there would be a little bunny in that corner."
The constant habit of perusing devout books is so indispensable, that it has been termed the oil of the lamp of prayer. Too much reading, however, and too little meditation, may produce the effect of a lamp inverted; which is extinguished by the very excess of that ailment, whose property is to feed it.
A book , once it is printed and published, becomes individual. It is by its publication as decisively severed from its author as in parturition a child is cut off from its parent. The book "means" thereafter, perforce, both grammatically and actually, whatever meaning this or that reader gets out of it.
Besides the alternate universe offered by a book, the quiet space of a museum was my favorite place to go. My mom said I was an escapist at heart . . . that I preferred imaginary worlds to the real one. It’s true that I’ve always been able to yank myself out of this world and plunge myself into another.
I'm so happy that James Baraz's AWAKENING JOY class is now available in book form. His class has been helpful to thousands of people. I plan to give it to all my clients who are struggling with creating a life of meaning and happiness. Joyfulness is our birthright. This book shows you how to reclaim it.
I'm reading a lot of different books, but I always think I have to switch it up a little bit. It's like food - everything in moderation, same with my books, same with my reading. You read books that are good for you and you learn a lot of stuff, then you read 'Fifty Shades of Grey,' which is like candy.
To use books rightly, is to go to them for help; to appeal to them when our own knowledge and power fail; to be led by them into wider sight and purer conception than our own, and to receive from them the united sentence of the judges and councils of all time, against our solitary and unstable opinions.
The object we call a book is not the real book, but its potential, like a musical score or seed. It exists fully only in the act of being read; and its real home is inside the head of the reader, where the symphony resounds, the seed germinates. A book is a heart that only beats in the chest of another.
I don't believe that murders can be "solved." I think that this is the big lie of the mystery novel, that you should close the book and feel that the world is back in order and everything's all right. I want the reader to know that the world is not all right, and maybe we ought to do something about it.
A picture book is a motorcycle: small, loud, fun, and zippy. An easy reader is a chartered bus: obliged to carry a rather dull passenger roster of sanctioned curriculum, plus the baggage of an approved, limited vocabulary. The trick is to design your chartered bus to be as cool and sexy as a motorcycle.