Quotes of All Topics . Occasions . Authors
Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, “and what is the use of a book,” thought Alice, “without pictures or conversation?
Censoring books that deal with difficult, adolescent issues does not protect anybody. Quite the opposite. It leaves kids in the darkness and makes them vulnerable. Censorship is the child of fear and the father of ignorance. Our children cannot afford to have the truth of the world withheld from them
You need a good editor because every writer thinks he can write a War and Peace, but by the time he gets it on paper, it's not War and Peace anymore; it's comic-book stuff. Your manuscript is both good and original. But the part that is good is not original, and the part that is original is not good.
The waitress comes over to me like, 'What'chu readin' for?' I had never been asked that. Not 'What am I reading?' but 'What am I reading for?' Goddammit, you stumped me. Hmm, why do I read? I suppose I read for a lot of reasons, one of the main ones being so I don't end up being a... waffle waitress.
This girl shivers and crawls under the covers with all her clothes on and falls into an overdue library book, a faerie story with rats and marrow and burning curses. The sentences build a fence around her, a Times Roman 10-point barricade, to keep the thorny voices in her head from getting too close.
'Joker' was a violent, dark, and brutal book, so I wanted to do something a little less heavy. I played around with the idea of a children's book, and that eventually became 'Noel.' And I just kept finding these parallels between things I could do with Batman and Charles Dickens' 'A Christmas Carol.'
I came to think that nobody from England could draw American comic books, because they were clearly all done by this sort of Mafia, all these guys with Italian and Irish names who had the whole thing sewn up. It was actually seeing a comic book drawn by Barry Smith, who was about my age, and English.
My readers have to work with me to create the experience. They have to bring their imaginations to the story. No one sees a book in the same way, no one sees the characters the same way. As a reader you imagine them in your own mind. So, together, as author and reader, we have both created the story.
I do not enjoy the promotional side of being a writer, to be blunt about it. Even with the little amount that is expected of me, which is nothing compared to the life of an artist. Writers can live in obscurity and come out of the woodwork with a book, then go back in. Artists don’t have that luxury.
Thought without language, says Lavelle, would not be a purer thought; it would be no more than the intention to think. And his last book offers a theory of expressiveness which makes of expression not "a faithful image of an already realized interior being, but the very means by which it is realized.
Some things definitely work better on film than in books. Introspection is great in books but it doesn't work on film. Anything with high intensity, whether it's a love scene, a car chase, a fight scene - those things work so well on film and oftentimes they can tell a much broader part of the story.
What can I expect from myself? My sensation in all their horrible acuity, and a profound awareness of feeling. A sharp mind that only destroys me, and an unusual capacity for dreaming to keep me entertained. A dead will and a reflection that cradles it, like a living child. From, The Book of Disquiet
I dumped out the bag and found what had been inside was a bunched-up police uniform, complete with the vest. "Where did you get this?" Boo asked. "It's Callum's," he said. "What's he wearing?" "At the moment, not much of anything. Put it on." I noticed Book perk up a bit at this piece of information.
The first command given by God when Adam and Eve were pitched out of the Garden of Eden in the Book of Genesis is, "Be fruitful and multiply, and subdue the Earth." We've been trying to do that for a long time, and now the Earth is fighting back. I'm not sure that we're going to survive as a species.
I was given some Harry Potter books by a young friend. I wanted to know why young people liked it so much. And I noted that there were some values in Harry Potter that are common to many books that are popular all over the world. In the end, I think people prefer the good to win, rather than the bad.
Do not accept anything simply because it has been said by your teacher, or because it has been written in your sacred books, or because it has been believed by many, or because it has been handed down by your ancestors. Accept and live only according to what will enable you to see truth face to face.
When the Irish novelist John McGahern was a child, his sisters unlaced and removed one of his shoes while he was reading. He did not stir. They placed a straw hat on his head. No response. Only when they took away the wooden chair on which he was sitting did he, as he puts it, 'wake out of the book'.
Children have to have access to books, and a lot of children can't go to a store and buy a book. We need not only our public libraries to be funded properly and staffed properly, but our school libraries. Many children can't get to a public library, and the only library they have is a school library.
My theory on literature is an author who does not indulge in trashiness-writes about people you could introduce into your own home...he did not care to read a book or go to a play about people he would not care to meet at his own dinner table. I believe we should live by certain standards and ideals.
Zombie books were going to be my passion projects, but certainly not pay the bills. I thought I was going to have to get a real job on a sitcom or something, and have my zombie books to remind myself I was still a writer at heart. I never thought I could actually pay my bills and write what I wanted.
The book of the moment often has immense vogue, while the book of the age, which comes in its company from the press, lies unnoticed; but the great book has its revenge. It lives to see its contemporary pushed up shelf by shelf until it finds its final resting-place in the garret or the auction room.
Basically, I'm a perpetual student. I start by finding a subject I really don't know very much, but that I'm curious about. I learn about it through books in a library, by doing interviews with people who know a lot about the subject, and by going out on my own and seeing for myself what's happening.
Just about every children's book in my local bookstore has an animal for its hero. But then, only a few feet away in the cookbook section, just about every cookbook includes recipes for cooking animals. Is there a more illuminating illustration of our paradoxical relationship with the nonhuman world?
So, you see, it's a real chore for me to write a book review because it's like a contest. It's like I'm writing that book review for every bad book reviewer I've ever known and it's a way of saying [thrusts a middle finger into the air] this is how you ought to do it. I like to rub their noses in it.
Managers of hospitals, over the years have been increasingly recruited from outside the health service and although their experience of running a supermarket chain might allow them to balance the books, it does not mean they have any insight into how a ward should be managed and patients best served.
If we cannot find our way to a time when most of us are willing to admit that, at the very least, we are not sure whether or not God wrote some of our books, then we need only count the days to Armageddon-because God has given us far many more reasons to kill one another than to turn the other cheek.
Looking back over the years, I realize the Bible isn't magic, but it is corrective; it isn't an answer book, it is a living book; it isn't a fix-it book, it is relationship book. When I confront God's word, I am confronted; when I read God's word, it reads me; when I seek God's presence, He seeks me.
Comic books are just a way to show a story. Then there are the movies, and television and exhibits like this that take the stories and make them seem so realistic. In the comic book, you're just reading a story - hopefully a good, exciting story that whets your appetite for all of this stuff to come.
I can't wait for both my daughters to be old enough to read all my books. I loved it every time I saw my parents acting like more than just my parents. And I'm looking forward to that with my daughters too. I am looking forward to having them discover me as someone completely other than their mother.
...she wasn't reading Deathly Hallows at all. Her book wasn't orange but rose and water and sand, and featured a kid on a broomstick and white unicorn. Harry Potter and the Sorcerer's Stone. She didn't notice me staring at her. 'Oh, I envy you,' I thought, but was smiling for her. She had just begun.
Albert Murray's The Omni-Americans is the most valuable non-business book because it discusses how you have to draw upon everyone's creativity. America is a mash-up of cultures and traditions, and great businesses know how to tap the strengths of all their employees, whatever their background may be.
'Holes' was my favorite book ever. So you know when you love a book and you hear it's being made into a movie and it makes you a little annoyed at first? But I would've loved to play the Shia LaBeouf role in that movie when I was younger. I just wanted to be the rebellious kid on the old digging camp.
I've always been fascinated, obsessed even, with books and TV shows about unsolved murders, cold cases, forensic science, mysteries, and so on. Many times when I get inspiration for my work, it's from something in one of these books or TV shows, or perhaps some newspaper article about a specific case.
If I were doing somebody else's script or I adapted a book by Philip Roth, on set there could be a million different interpretations of the material and people could argue with me. Certainly on Synecdoche, New York we had discussions and arguments, but I felt like I had authority because I'm a writer.
The wonderful thing about books is that they allow us to enter imaginatively into someone else’s life. And when we do that, we learn to sympathize with other people. But the real surprise is that we also learn truths about ourselves, about our own lives, that somehow we hadn’t been able to see before.
It wasn't until my teenage years that a book really left a mark, and that was George Orwell's 'Nineteen Eighty-Four.' It was on the syllabus at school when I was about 16, and I went on to read more of his books. It was the height of the Cold War, so a lot of the messages really resonated at the time.
I did a lot of this through writing flashbacks. Many of the flashbacks took place at Cal's school and I eventually cut them because they didn't seem essential and they slowed the pace of the story in the first third of the book. They were essential to me, though, in that I learned about my characters.
Most of us who turn to any subject we love remember some morning or evening hour when we got on a high stool to reach down an untried volume, or sat with parted lips listening to a new talker, or for very lack of books began to listen to the voices within, as the first traceable beginning of our love.
The Bible is the Only Book That Can Make Us Wise unto Salvation. The Bible is not a book to be studied as we study geology and astronomy, merely to find out about the earth's formation and the structure of the universe; but it is a book revealing truth, designed to bring us into living union with God.
In a place like Israel, they're very concerned with Iran, so there's a lot of interest. So they want to see what this Iranian from France has to say in her comics. I guess that's good. My the books are coming out in other countries. And each time, they discover something different to be interested in.
You just have to work, we all have to work really hard to take care of ourselves and feed ourselves good information, just like we feed ourselves good food. Feed ourselves good books and good messaging and the things that make us feel like we can be connected with ourselves and others in a deeper way.
This book is not about heroes. English poetry is not yet fit to speak of them. Nor is it about deeds, or lands, nor anything about glory, honour, might, majesty, dominion, or power, except War. Above all I am not concerned with Poetry. My subject is War, and the pity of War. The Poetry is in the pity.
The thing is that I don't normally think in terms of manga when I'm writing. Sounds odd from someone who has is getting a reputation for doing manga related work. But I would say that my scripts are NOT manga at the stage of my writing process, they are just comic book stories in a more general sense.
Now, if the book of Genesis is an allegory, then sin is an allegory, the Fall is an allegory and the need for a Savior is an allegory - but if we are all descendants of an allegory, where does that leave us? It destroys the foundation of all Christian doctrine-it destroys the foundation of the gospel.
We still leave unblotted in the leaves of our statute book, for the reverence and admiration of successive ages, the just and wholesome law which declares that the sturdy felon shall be fed and clothed, and that the penniless debtor shall be left to die of starvation and nakedness. This is no fiction.
Long experience has taught me that people who do not like geraniums have something morally unsound about them. Sooner or later you will find them out; you will discover that they drink, or steal books, or speak sharply to cats. Never trust a man or a woman who is not passionately devoted to geraniums.
Heroine: Girl in a book who is saved from drowning by a hero and marries him next week, but if it was to be over again ten years later it is likely she would rather have a life-belt and he would rather have her have it. Hero: Person in a book who does things which he can't and girl marries him for it.
Westward, beyond the still pleasant, but, even then, no longer solitary, hamlet of Charing, a broad space, broken here and there by scattered houses and venerable pollards, in the early spring of 1467, presented the rural scene for the sports and pastimes of the inhabitants of Westminister and London.
Compared to men writers of like distinction and years of life, few women writers have had lives of unbroken productivity, or leave behind a 'body of work.' Early beginnings, then silence; or clogged late ones (foreground silences); long periods between books (hidden silences); characterize most of us.
It is, I believe, impossible to find in any story upon record so many and such glaring absurdities, contradictions, and falsehoods, as are in the books [The Gospels of Matthew, Mark, Luke & John]. They are more numerous and striking than I had any expectation of finding, when I began this examination.