Quotes of All Topics . Occasions . Authors
There is a difference between something being essential, and it being necessary. If you take your favorite book and strip it down to what is merely essential to tell the story, it would be butchery. The end result would horrify you. Essential is the bones of the story, but the soul lives somewhere else.
From the inheritance series book one Eragon. Broom The sands of time cannot be stopped years pass whether we will them or not, but we can remember.......what has been lost may yet live on in memories, that which you will hear is imperfect and fragmented yet treasure it for without you it does not exist.
I think when people mean that Discworld books have become darker they really mean the series is growing up. In 'The Colour of Magic' most of the city is set alight. It's a joke, in much the same way that the Earth is destroyed almost at the start of Douglas Adams's 'The Hitchhikers Guide to the Galaxy.'
I put down my book, The Meaning of Zen, and see the cat smiling into her fur as she delicately combs it with her rough pink tongue. 'Cat, I would lend you this book to study but it appears you have already read it.' She looks up and gives me her full gaze. 'Don't be ridiculous,' she purrs, 'I wrote it.'
Any student of the New Testament eager to understand its Greco-Roman setting will profit greatly from this excellent book. I commend it highly for its up-to-date perspectives and usefulness. Jeffers writes with a breadth of expertise on the Greco-Roman world that few New Testament specialists can match.
But...books are so much more. Some of them are webs; you can feel your way along their threads, but just barely, into strange and dark corners. Some of them are balloons bobbing up through the sky: totally self-contained, and unreachable, but beautiful to watch. And some of them―the best ones―are doors.
My children threw me a life line: "Return to your roots - food - and rewrite your first book, Diet for a Small Planet." I learned that if I could just show up, in this case, if I could just get myself out of bed, get to the computer in my tiny office at MIT, and start writing, help would start arriving.
Francis Scott Fitzgerald really read culture pretty damn clearly. It was he who understood that artistic achievement, really imaginative work, goes where the money is. Where people can afford to buy books and paintings. He linked money - not always in a positive way - to being able to encourage culture.
A very little boy stood upon a heap of gravel for the honour of Rum Alley. He was throwing stones at howling urchins from Devil's Row, who were circling madly about the heap and pelting him. His infantile countenance was livid with the fury of battle. His small body was writhing in the delivery of oaths.
The understanding between a non-technical writer and his reader is that he shall talk more or less like a human being and not like an Act of Parliament. I take it that the aim of such books must be to convey exact thought in inexact language... he can never succeed without the co-operation of the reader.
Because for me to go fully experimental, it would turn into an artist book actually. And I'm not opposed to that. But I wanted to toy with the conventions of traditional narrative and sometimes to do that all the way, you have to actually utilize traditional narrative, I think - or it's one way to do it.
One of the most famous lines in contemporary Russian poetry is "Erica makes four copies and that's enough." That's the ethos we're aiming for. This is not to say I don't want lots of people to read my book, I do. I especially want people to read it who will feel better, and safer, or at least understood.
If 'Mystery Train' is my Nixon book and 'Lipstick Traces' my Reagan book, 'Invisible Republic' is my Bill Clinton book. I really liked Clinton. He made me proud to be part of this country again. For all of his failings, the way he put all that he'd done in jeopardy, I supported him from beginning to end.
I sometimes have the sense that I live my life as a writer with my nose pressed against the wide, shiny plate glass window of the"mainstream" culture. The world seems full of straight, large-circulation, slick periodicals which wouldn't think of reviewing my book and bookstores which will never order it.
Well-meaning adults can easily destroy a child’s love of reading: stop them reading what they enjoy, or give them worthy-but-dull books that you like, the 21st-century equivalents of Victorian “improving” literature. You’ll wind up with a generation convinced that reading is uncool and worse, unpleasant.
The clock struck half past two. In the little office at the back of Mr. McKechnie's bookshop, Gordon--Gordon Comstock, last member of the Comstock family, aged twenty-nine and rather moth-eaten already--lounged across the table, pushing a fourpenny packet of Player's Weights open and shut with his thumb.
You could probably go all the way back to the first books. I bet people said 'why should you read when you could talk to other people?' The point of reading is that you get to deeply immerse yourself in a person's perspective. Right? Same thing with newspapers or phones or TVs. Soon it will be VR, I bet.
In my college years, I would retreat to our summer house for two weeks in June to read a novel a day. How exciting it was, after pouring my coffee and making myself comfortable on the porch, to open the next book on the roster, read the first sentences, and find myself on the platform of a train station.
You know there's always that kid in your class — and every class has one — the kid who draws all the time and is really good? That was not me. I was a lousy draftsman. But as soon as I figured out that I could make things come alive, like using the corners of my math book to make flipbooks, I was hooked.
Do you lend books and DVDs to people? If so, don't you always regret it? All my life I have forced books on to people who have subsequently forgotten all about it. Meanwhile, on my shelves sit many orphaned books loaned to me over the years by trusting, innocent souls - some as long ago as the Seventies.
Every book is an image of solitude. It is a tangible object that one can pick up, put down, open, and close, and its words represent many months if not many years, of one man’s solitude, so that with each word one reads in a book one might say to himself that he is confronting a particle of that solitude
Though the blame cannot be placed entirely on publishers, I do think a more diverse pool of editors would go a long way toward broadening the perspective. Our role is to work together to create books that act as wide-open doors - books that allow all children to walk through and feel safe enough to stay.
Attacking bad books is not only a waste of time but also bad for the character. If I find a book really bad, the only interest I can derive from writing about it has to come from myself, from such display of intelligence, wit and malice as I can contrive. One cannot review a bad book without showing off.
Corliss wondered what happens to a book that sits unread on a library shelf for thirty years. Can a book rightfully be called a book if it never gets read? If a tree falls in a forest and gets pulped to make paper for a book that never gets read, but there's nobody there to read it, does it make a sound?
I remember, as a child, the confusion of not knowing what this place was where I was supposed to spend the night: it's a disquieting experience for a child. And what I would do was quickly unpack my books and go back to a book I knew well and make sure the same text and the same illustrations were there.
What I like best is a book that's at least funny once in a while. What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.
The Lord has never indicated that black skin came because of being less faithful. Now, the Indian; we know why he has changed, don't we? The Book of Mormon tells us that; and he has a dark skin, but he has promise there that through faithfulness, that they all again become a white and delightsome people.
My first company was MicroSolutions. I worked 20 hours a day. I didn't take a vacation for 7 years. I didn't even take the time to read a fiction book. It was all about work. When I sold it, I promised myself I would never wear a watch and only wear a suit to weddings, funerals and to meet the President.
Don't talk to the crazy kids. I longed to shout back that we weren't crazy. I'd mistaken her kid for a ghost, that's all. I wondered whether they had books about his sort of thing. Fifty Ways to Tell the Living from the Dead Before You Wind Up in a Padded Room. Yep, I'm sure the library carried that one.
Religion, it seems to me, has nothing whatsoever to do with any belief, with any priest, with any church or so-called sacred book. The state of the religious mind can be understood only when we begin to understand what beauty is; and the understanding of beauty must be approached through total aloneness.
If there is any kind of legitimate ostalgia, it's for everything we've never even seen, the women we've never slept with, never dreamed of, the friends we haven't made, the books we've never read, all the food steaming in the pots we've never eaten out of. That's the only real kind of nostalgia there is.
Although I don't know Paul McCartney, a mutual friend told me that Paul was reading my book, This Is Your Brain on Music, and stopped after chapter two. McCartney said he was concerned that if he learned more about how he does what he does (as far as composing music), he may not be able to do it anymore!
In the dime stores and bus stations People talk of situations Read books, repeat quotations Draw conclusions on the wall Some speak of the future My love she speaks softly She knows there’s no success like failure And that failure’s no success at all -Bob Dylan, “Love Minus Zero / No Limit” (1965)
I want to stop. I want to stay on Fårö, and read the books I haven’t read, find out things I haven’t yet found out. I want to write things I haven’t written. To listen to music, and talk to my neighbors. To live together with my wife a very calm, very secure, very lazy existence, for the rest of my life.
There is that lovely feeling of one reader telling another, 'You must read this.' I've always wanted to write a book like that, with the sense that you are contributing to the discourse in middle America, a discourse that begins at a book club in a living room, but then spreads. That is meaningful to me.
I always wanted to read. I always thought I was going to be a historian. I would go to school and study history and then end up in law school, once, I ran out of loot trying to be a history high school teacher. But my dream was always to place myself in a situation where I was always surrounded by books.
White America has seen to it that Black history has been suppressed in schools and in American history books. The bravery of hundreds of our ancestors who took part in slave rebellions has been lost in the mists of time, since plantation owners did their best to prevent any written accounts of uprisings.
there are people who are born superficial ... They prefer not to have to deal with more than a limited number of oversimplified ideas - they prefer the book reviews to the books, the headlines and the leading paragraph to the full report, the generalization to the facts, and the negative to the positive.
Truth and Truthfulness is an ambitious work, and its journeys into history give it a breadth unusual in these days of increased academic specialization. . . . William's book combines real history and fictional constructs to tell a revealing story that makes us reconsider the meaning of familiar concepts.
She told me later that she had made a kind of note of me in her mind, as, scanning the shelf for a particular book, one will sometimes have one's attention caught by another, take it down, glance at the title page and saying "I must read that, too, when I've the time," replace it and continue the search.
Preparing the animation is close to the comic book process but there are plenty of problems. It's very interesting, but it's also sometimes a pain in the arse, especially because it's so very long. Something that takes 10 minutes in comic book form can take 10 months in film form. But I love the results.
Where would you like to go, what would you really like to do with your life? See Istanbul, Port Said, Nairobi, Budapest. Write a book. Smoke too many cigarettes. Fall off a cliff but get caught in a tree halfway down. Get shot at a few times in a dark alley on a Morrocan midnight. Love a beautiful woman.
I am a person that is very curious about what is going on in the world and there are a lot of subjects to write about, you meet a lot of interesting people. But one idea will be there and it will show up without any logic. It is a book that has been written in my heart before it is written into sentences.
When I write a book, I don't have a plan or an outline. The characters move the action, and the action develops the characters. When I write a book, I become an actor, really, taking the role of the person who is speaking or acting at the time, and so their reactions to whatever they see are my reactions.
I am aware there are books that instruct you on how to manipulate the market, stocks and people... they might even help you get money. But, let me caution you... when there is no spiritual growth... there is no spiritual strength... there is no lasting happiness... and, there is no real or lasting wealth.
The nineteenth century is a turning point in history, simply on account of the work of two men, Darwin and Renan, the one the critic of the Book of Nature, the other the critic of the books of God. Not to recognise this is to miss the meaning of one of the most important eras in the progress of the world.
I was pretty nervous when I met Robert Kirkman. It's very strange to meet someone who created you. Andrea [ from The Walking Dead] is still very much alive and kicking, seven years into the comic book, so to meet Robert and be like, "Hi, I'm Andrea," I had to just hope that he was happy with the decision.
The flavors of the peach and the apricot are not lost from generation to generation, neither are they transmitted by book learning. The mystic tradition, any mystic tradition, is of a similar nature, that is, it is dependent on direct perception, a 'knowledge' as permanent as the faculty for receiving it.
Anyone can tell you that how you're raised as a child has a great deal to do with how you behave as an adult and whether you have complexes or whether you need to prove yourself or all that kind of stuff and yet the mother in a traditional family who has raised a child never makes it in the history books.
Because I wrote a book about Goldman Sachs. And I know that, from talking to people at Goldman Sachs, that Trump is the poster child for the kind of client they don't want to do business with, mainly because he would borrow all this money from Wall Street to build his casinos, and then didn't pay it back.