Book Quotes - Page 365

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Unlike most readers in Antiquity who read their books aloud, we have developed the convention of reading silently. This lets us read more widely but often less well, especially when what we are reading-such as the plays of Shakespeare and Holy Scripture-is a body of oral material that has been, almost but not quite accidentally, captured in a book like a fly in amber.

Since I was a kid. I had this series by Ballantine Books about the history of World Wars I and II. In my 20s, it was the Vietnam War literature of novelists like Tim O'Brien, Philip Caputo, and Tobias Wolff, and then nonfiction such as "A Bright Shining Lie" by Neil Sheehan and "The Best and Brightest" by David Halberstam . Those are the two best histories of Vietnam.

Whoever, therefore, thinks that he understands the divine scriptures or any part of them so that it does not build on the double love of God and of our neighbor does not understand it at all. Thus a man supported by faith, hope, and charity, with an unshaken hold upon them does not need the scriptures. . . And many live by these three things in solitude without books.

We're at a point nowhere it has to change. We have characters that are not alive that are alive in the book. We have characters that never appeared in the book. We have a lot of events that didn't quite happen the same way in the book. But there's so much in the book, stuff we've passed in the timeline that I really thought was awesome, that I really wanted to get to.

Like flies in amber, like corpses frozen in in ice, that which according to the laws of nature should pass away is by the miracle of ink on paper, preserved. It is a kind of magic. As one tends the graves of the dead, so I tend the books. And every day I open a volume or two, read a few lines or pages, allow the voices of the forgotten dead to resonate inside my head.

The minute I sit down and think 'Okay, this must be KID SAFE!' my Muse develops Tourrette's and goes to lunch with Clive Barker, and my mind plunges into the gutter and I draw an appalling blank on anything that is not violent, gory, profanity laden, or depraved. So I think the only way I can ever do kid's books if I plan not to do kid's books. If that makes any sense.

If written in the three-letter words of the four-letter alphabet,a human being is determined by a genetic narrative long enough to fill the equivalent of 500 Bibles.In the meantime human beings have discovered this for themselves. That's right. They have uncovered our profoundest concept -- namely, that life is ultimately reading. They themselves are the Book of Books.

It's really hard to teach me anything. I can't read music. I never learned how to read music. I read books about things and try to learn - I don't like to learn from anybody. Later on I would, once I'd get the hang of things. Like I ride horses, I'm good at that, Western riding. I learned all about it reading and studying. I'm always learning about horses, I like that.

I get enjoyment out of writing, but I get absolutely no enjoyment out of rewriting, so I don't do much of it. The more you work on something, certainly, the better it gets. But there's also a pretty clear law of diminishing returns. It drives me crazy to do readings of my books, because if I read anything I've written in the past, I'd like to almost rewrite everything.

The Internet is merely a new means of communication, that's all it is. It serves the purpose of getting information, which it is fantastic at. I mean, I live by the Internet in terms of research and it's incredible - there's nothing that you can't find out about. It's not stopped me going to bookshops but I must say that I don't go into as many because any book I want.

First one gets works of art, then criticism of them, then criticism of the criticism, and, finally, a book on The Literary Situation , a book which tells you all about writers, critics, publishing, paperbacked books, the tendencies of the (literary) time, what sells and how much, what writers wear and drink and want, what their wives wear and drink and want, and so on.

Comic books sort of follow with the move - if people see the movie and if they're interested in the character and want to see more of the character, they start buying the comic books. So a good movie helps the sale of the comic books and the comic books help the movie and one hand washes the other. So, I don't think there's any reason to think that comics will die out.

I have come to believe that large print, thick and heavy paper, and wide margins and oversize leading is indicative of the expected intelligence of the reader. … Compare children's books and books on Web Duhsign or other X-in-21-days books. If the reading level of a specification is below college level, chances are the people behind it are morons and the result morose.

My book, Oral History: Understanding Qualitative Research is about how researchers use this method and how to write up their oral history projects so that audiences can read them. It's important that researchers have many different tools available to study people's lives and the cultures we live in. I think oral history is a most needed and uniquely important strategy.

I had many reasons for writing this book but among them was the hope that every Latino child and adult would find something familiar in it. And my hope is that when they finish reading the book, that they will come away with a renewed sense of pride in our culture and in who we are. We get a lot of strength from that [culture and identity] and we should be proud of it.

You have to understand that the Bible is really a library of books and it has different categories of material. There are certain parts which you have to say no to. The Bible accepted slavery. St Paul said women should not speak in church at all and there are people who have used that to say women should not be ordained. There are many things that you shouldn't accept.

The book exists for us perchance which will explain our miracles and and reveal new ones. The at present unutterable things we may find somewhere uttered. These same questions that disturb and puzzle and confound us have in their turn occurred to all the wise men; not one has been omitted; and each has answered them, according to his ability, by his words and his life.

Out of a human population on earth of four and a half billion, perhaps twenty people can write a book in a year. Some people lift cars, too. Some people enter week-long sled-dog races, go over Niagara Falls in a barrel, fly planes through the Arc de Triomphe. Some people feel no pain in childbirth. Some people eat cars. There is no call to take human extremes as norms.

Note to self: being Kurt's son, being an ex-mental patient, getting into Harvard, having written a book, and being a doctor are all things that in and of themselves do not make a life. If you lean on them too hard, you'll find that there's not much there. But if you add up a lot of things that aren't in and of themselves enough, it almost starts to add up to something.

I never think of my work as writing for a young audience, frankly, because I think it risks talking 'down' to them. The idea is for these books to work just as well as for adults as kids. As for what readers will take away, I just want them to love being in the world and see it as a safe place to explore things that adults are often uncomfortable talking to them about.

Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.

Reading is human contact, and the range of our human contacts is what makes us what we are. Just imagine you live the life of a long-distance truck driver. The books that you read are like the travelers you take into your cab. If you give lifts to people who are cultured and profound, you'll learn a lot from them. If you pick up fools, you'll turn into a fool yourself.

Certain streets have an atmosphere of their own, a sort of universal fame and the particular affection of their citizens. One of such streets is the Cannebiere, and the jest: "If Paris had a Cannebiere, it would be a little Marseilles" is the jocular expression of municipal pride. I, too, I have been under the spell. For me it has been a street leading into the unknown.

Great women scholars like Jane Harrison and Gisela Richter were produced by the intellectual discipline of the masculine classical tradition, not the wishy-washy sentimentalism of clingy, all-forgiving sisterhood, from which no first-rate book has yet emerged. Every year, feminists provide more and more evidence for the old charge that women can neither think nor write.

Once you have some sort of reputation in the outside world, they will try to woo you. They will say, "Won't you come and be on a talk program about books? That's not political." Then they can say to the outside world, "See how free it is, she appears on television. See how free it is." So I refused to have anything of mine read or dramatized on South African television.

North Carolina Senator Jesse Helms has signed a deal with Random House to write his memoirs. Scholars will no doubt benefit from the reflections of a man who was wrong on every major issue for 40 years. Helms' aides say the proceeds from the book will be donated to the non-profit Jesse Helms Center where they apparently have more experience burning than publishing them.

I don't know but a book in a man's brain is better off than a book bound in calf--at any rate it is safer from criticism. And taking a book off the brain, is akin to the ticklish & dangerous business of taking an old painting off a panel--you have to scrape off the whole brain in order to get at it with due safety--& even then, the painting may not be worth the trouble.

The news of the days it reaches the newspaper office is an incredible medley of fact, propaganda, rumor, suspicion, clues, hopes, and fears, and the task of selecting and ordering that news is one of the truly sacred and priestly offices in a democracy. For the newspaper is in all literalness the bible of democracy, the book out of which a people determines its conduct.

I could not write my books without the library's help. Even with the ease of Internet research, I find books to be indispensable when I am writing. ... Books make me laugh, cry, and think. They give me insight into history, and into the lives of people in other cultures. They help me make important decisions, and they provide endless entertainment. Hooray for libraries!

I relished the sweet sense of keeping a unique secret in my mind - a wonderful magical universe that I could go to any time, any place, and no one had to know. It was my personal place, better than any I've read about in any other book. And when I wrote, I was in the process of pulling that personal universe out of nothing and into the cold reality of the greater world.

When I sit down to write, which is the essential moment in my life, I am completely alone. Whenever I write a book, I accumulate a lot of documentation. That background material is the most intimate part of my private life. It's a little embarrassing - like being seen in your underwear It's like the way magicians never tell others how they make a dove come out of a hat.

So much is wrapped up in our work and each book of the Bible points to Christ and the good news of what he's done that impacts the whole of our lives and the whole of our world. When our eyes are opened to see how each book of the Bible points us to the gospel, the relevance to our work and the need for this good news to enter into our work becomes increasingly evident.

Feed the growing human being, feed him with the sort of experience for which from year to year he shows a natural craving, and he will develop in adult life a sounder sort of mental tissue, even though he may seem to be 'wasting' a great deal of his growing time, in the eyes of those for whom the only channels of learning are books and verbally communicated information.

When every event was a miracle, when there was no order or system or law, there was no occasion for studying any subject, or being interested in anything excepting a religion which took care of the soul. As man doubted the primitive conceptions about religion, and no longer accepted the literal, miraculous teachings of ancient books, he set himself to understand nature.

Swords have been my life, not books. But every child knows that the Targaryens have always danced too close to madness. Your father was not the first. King Jaehaerys once told me that madness and greatness are two sides of the same coin. Every time a new Targaryen is born, he said, the gods toss the coin in the air and the world holds its breath to see how it will land.

She once said, 'I'm really a little prudish, which people may think incongruous'. I take a prudish point of view on certain films, books, and trends. Then, I pull myself up short and ask myself how Gypsy Rose Lee could possibly be this way.I thought that quote was so telling, a key insight into the way she so carefully separated who she was from her meticulous creation.

I was really interested in the fact that blacks have high blood pressure, heart disease, and diabetes at a higher percentage than the rest of the population. That didn't stay very aggressively in the book, but that's how it started. I began to document these moments as support for this other thing I was thinking about, and then the moments themselves began to take over.

I never stopped believing in us and I never felt like I was wanting for anything, except for my father, and that was not going to be. I describe in the book [that] I don't think I ever felt young again in that way. I never felt I had my 15, 16, 17 kind of years the way I maybe should have. It's a huge dent in you that it's hard to knock out and make it all smooth again.

As time has gone on and we're at the end of the 20th century and major publishing is a big business, yes, of course we're going to get a lot of plain, mediocre trash. There are a lot of writers who get huge advances for books that don't go anywhere and they have to burn them somewhere or throw them away. I always think about all the poor trees that have been sacrificed.

I feel like my life is at its happiest when I don't have a looming deadline. There's some really groovy wonderful times, when I'm like, "I have a new piece, I'm excited about it, I'm reading all these books about it, but there's not a lot of time pressure, and I'm financially stable enough right now that I don't have to be trying to get another job." But that's so rare.

You know how some people are upwardly mobile? I'm sort of downwardly mobile in the publishing world, because of my sales figures and also because of the kind of books I write. Everything really counts on sales. I started out with a bigger press, my first few books. But I've always done some things with independent and small presses and small magazines and I always will.

I wanted to bring the book out right now because I think anyone who cares about Tibet knew there would be disturbances in the run up to the Olympics [2008]. Many Tibetans feel it's their last chance to broadcast their suffering and frustration and pain to the world before the Olympics take place and China is accepted as a modern nation and the world forgets about Tibet.

I love this book! Cathy Malkasian's Percy Gloom swirls with echoes of cartoon landscapes from the past and present. You can almost hear Percy Gloom's meek, docile little voice. Her writing is so full of wit and charm that we, like the title character, walk dutifully to the edge and fall in. And like Percy, we are rewarded equally with night terrors and secret treasures.

Spirit discernment is rare because it is expensive. It means a sensitive conscience, an instructed understanding through study of the Book of God. It means a passion for purity, for truth, for the right, for Christ Himself, and for living uncompromisingly true in the daily habit. All this lies back of a seeing spirit eye. And these things cost. Discernment is expensive.

When you're writing a book, it's rather like going on a very long walk, across valleys and mountains and things [...] The highest mountain on the walk is obviously the end of the book, because it's got to be the best view of all, when everything comes together and you can look back and see that everything you've done all ties up. But it's a very, very long, slow process.

One cannot simply read the Bible, like other books. One must be prepared really to enquire of it. Only thus will it reveal itself. Only if we expect from it the ultimate answer, shall we receive it. That is because in the Bible God speaks to us. And one cannot simply think about God in one’s own strength, one has to inquire of him. Only if we seek him, will he answer us.

It took years after I’d graduated from Amherst to realize that people were actually far more complicated and interesting than books, that almost everyone else suffered the same secret fears and inadequacies as I, and that feeling alone and inferior was actually the great valent bond between us all. I wish I’d been smart enough to understand that when I was an adolescent.

I didn't set out to write a book with no real male characters, but men were not important to my narrator, who was much more interested in maternal and pseudo-maternal love, so they were unimportant to me. I didn't even notice the lack of men in the story until I finished it. But once I did notice it, I was kind of delighted. Apparently, my subconscious is totally sexist.

Nearly all literature, in one sense, is made up of guide-books. Old ones tell us the ways our fathers went, through the thoroughfares and courts of old; but how few of those former places can their posterity trace, amid avenues of modern erections; to how few is the old guide-book now a clew! Every age makes its own guide-books, and the old ones are used for waste paper.

The Place of Religion in Chicago is a clearly written account of a little-studied aspect of American landscape. Based on unique field surveys and supported by photographs, tables, and beautifully crafted maps, the book will form a lasting contribution to our understanding of an overlooked element of the American urban scene: the religious landscape of a major metropolis.

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