I watch every single reality show on Bravo.

I wrote on a show called Johnny Bravo when I was at Hanna-Barbera.

I love, love, love the reality shows on Bravo. It's great mindless television.

Bravo, Marc-Andre ter Stegen, and Jordi Masip are three goalkeepers of the highest quality.

I wrote on a show called Johnny Bravo when I was at Hanna-Barbera and he guest-starred as himself.

Bravo can't be responsible for the mental state of every single person that comes onto their network.

I have terrible taste in things: music, movies, TV shows. I love all the guilty pleasures: Bravo, 'Real Housewives.'

People in the movie division hate the people in the cable group... Ultimately, you work for NBCUniversal, not Bravo or Syfy.

I didn't want to come up with some generic Johnny Bravo type name. I'm not that cool, so I might as well stick with my birth name.

I'm forever grateful for 'The Real Housewives of Atlanta' and Bravo for all the opportunities it has brought me and my growing family.

I watch a lot of shows on Bravo - I'm not just saying that. I love 'Top Chef.' I love 'Real Housewives of Atlanta.' That's my favorite.

I love 'Gossip Girl.' I used to hang out with Blake Lively and Jessica Szohr. I'm also addicted to Bravo and reality shows like 'Top Chef.'

Bravo's 'Real Housewives' series isn't just entertainment for devoted fans like me - it's an entire all-absorbing universe of pride and passion.

In the case of music, Apple got out early. They were the first to really recognize that you couldn't just think about the device and all the pieces separately. Bravo.

I made 'Rio Bravo' with John Wayne. It worked out pretty well and we both liked it, so a few years later we decided to make it again. Worked out pretty good that time, too.

We are all blessed to be on the Bravo train because it's a fantastic platform for meeting new people, getting our messages out there, and connecting with fans around the world.

One of my co-workers at Ralph Lauren heard about the show, and when she got back to the office, said; Carson, you have to call Bravo. They're doing a show. You're perfect for it.

I think the Bravo test is really important for a number of reasons. It's kind of symbolic. It raises a lot of the issues that are related to the whole controversy over nuclear testing.

I'm in love with 'Bravo.' Me and my girlfriends love 'Bravo-ing,' which doesn't necessarily mean watching 'Bravo.' It's when you're a bum and you're on your couch watching reality shows.

When I was a little boy, I was reading Dante and I was saying to myself 'Bravo, Dante, Bravo.' It's so beautiful, the music, the sound, the meaning. I felt like calling him by phone, like a friend.

I'm a planner, and most networks don't plan. Bravo doesn't plan. Bravo is lucky in a lot of ways - they've got a lot of great talent, but at the same time, they don't nurture it. They lost 'Project Runway.'

There are new words now that excuse everybody. Give me the good old days of heroes and villains, the people you can bravo or hiss. There was a truth to them that all the slick credulity of today cannot touch.

I never call myself a Kennedy cousin. In fact, when I signed my contract with Bravo, I made it very clear that they were not allowed in promos to refer to me as a Kennedy cousin. I'm not that person. I don't feel it.

You know, 'Project Runway' was a really special show, and we had a great five seasons with it. We loved that show, and we loved the stories that it brought to Bravo and the creativity. And it was a magic five seasons.

I landed the role of Bravo 5, the only female fighter pilot in 'Star Wars: Episode I - The Phantom Menace.' I did my bit and fired my guns, but I haven't a notion of which side I was on or who I was firing the guns at.

I wanted to make a late-night-type show that happened to be in the morning for moms. Bravo was more interested in a blend of my books 'Momzillas' and 'Sometimes I Feel Like a Nut,' which is a collection of nonfiction essays.

In Rio Bravo when Duke makes love to Feathers, the scene dissolves to the next morning where we see him putting on his vest and almost humming. It was subtle, but you knew what happened. Give me a towel and some blankets any day!

I was familiar with that and 'Rio Bravo.' 'Rio Bravo' was what John Carpenter did, that brilliant move of taking a western and turning it into an urban flick. And from there you got, you know, all the cop genre movies of the time.

When I was working at Trio, I was pitched 'Queer Eye for the Straight Guy' and I knew, whoever gets this, this is a game changer. When I started at Bravo in 2005, it was a hit, and Season 1 of 'Project Runway' was in postproduction.

But if one could go back in time, I'd love to have been directed by Howard Hawks, who's one of my great heroes. One of the greatest directors there ever was. He directed probably one of the greatest westerns of all time in 'Rio Bravo'.

If you look at the people who make up the Bravo landscape from Jeff Lewis to Rachel Zoe and Padma Lakshmi and Tabatha Coffey and the 'Millionaire Matchmaker,' these are very strong personalities that people love to watch and that you... don't see anywhere else.

Ultimately, it's not my job to judge the 'Housewives' - we don't editorialize on the show; we really leave it to the audience. We have a certain wink, which is the Bravo wink. We may linger on a shot or we may let something play out longer, but we leave it to you.

There was a lot of protest after Bravo, from countries like India, for example. India was the first country which came forward and proposed at the United Nations that all of these nuclear tests should be stopped, that there should be a complete ban on nuclear testing.

I started working at Bravo in 2005, when I was offered a job by Lauren Zalaznick, the network's chairman. She encouraged me to start a blog. I wrote behind-the-scenes gossip about 'Battle of the Network Reality Stars,' the first show I took on as head of current programming.

I'm a big fan of Clint Eastwood, but the Westerns I draw from most directly come from an earlier period in Hollywood. I actually look back at movies like 'Rio Bravo' and others I've liked over the years, and I capture pictures from the movies and use them as a reference for the scenes I create.

You know, we've got so much on Bravo and coming up on Bravo, and I think we have so much more going on than 'The Real Housewives.' And I think 'The Real Housewives' is a great, you know, great addition to the portfolio. I think it brings a lot of viewers under our umbrella. And I think they stay and sample other shows.

In my real life, both my bosses are gay. On the 'Real Housewives of Atlanta,' Andy Cohen is gay, everybody at Bravo is gay - we call them the gay mafia. Over at 'Glee' and 'The New Normal,' my boss Ryan Murphy is gay. On the show, my boss, played by Andrew Reynolds, is gay in real life. I'm surrounded by all my gay bosses.

I love the 'Housewives.' I don't watch 'American Idol' or 'X Factor.' I guess I don't like network reality: I like my Bravo; I like documentary programming - I love 'Intervention' and some things on TLC more than others - but the 'Real Housewives' to me are really revolutionary, in terms of giving camera time to women of a certain age.

Back in the late '90s, I put together a humorous newsmagazine program called 'The Awful Truth' for Bravo. We helped one guy get an organ transplant whose insurance company had refused to pay. I thought, if we could save a guy's life in a 10-minute segment on cable, what could we do if we devoted a whole movie to a whole bunch of people?

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