Quotes of All Topics . Occasions . Authors
It is harder to get adult, character-driven material on television than it used to be, but there are lots of other places that you can go to sell it. If you can do it for basic cable or pay cable, we have those outlets.
Yeah, I've done Jim Breuer's radio show a couple times, and I heard from Larry the Cable Guy when I got 'Mike & Molly,' wishing me congratulations. I'm always the last one to the party, man. But that's okay. I got there.
I believe that 'advocacy journalism' is not an oxymoron. If that means that I'm going to disrupt the cable, partisan fracas of obsession over what this means from left and right, then so be it. I will be disruptive of it.
The name of my first comedy album was 'Raised by Cable.' Coming up and watching all of these weird movies on different channels was such an influence on me and an influence on how I do standup. It informs everything I do.
But I really am very active in the choice of the line producer with the producer of record and the distributing company, because I've had some terrible, terrible experiences with some line producers, particularly in cable.
I am working as a co-host on a show called, 'Lifetime Live.' It's on the Lifetime cable network. My co-host is Deborah Roberts. She's a news correspondent with 20/20. We are billed as a news and information show. It's fun.
Unfortunately, considering that we Latinos are really big for movie companies when they have blockbuster releases or new cable shows, when it comes to the dynamic of supporting our own product, it leaves much to be desired.
Look at the Chandra Levy case. It's become a Star Chamber. The major networks, the cable networks, they're being prosecutors. They're judges and jurors and executioners. Well, c'mon, that's ridiculous. But they're doing it.
There's been an unquestionable decline in American culture. The education system is thin on the ground. People don't read as deeply and at length as they used to. And the media has been scattered into so many cable channels.
When Bernie Sanders was announcing that he was going to be a candidate for the nomination of the Democratic Party in Burlington, Vermont, I was the only cable host between FOX, MSNBC, and CNN that was there to cover it live.
I grew up in this tiny town in Rhode Island, and we didn't have cable. We had three TV stations, and one of them would play old movies. That's what I would watch, and I always wanted to be, like, Myrna Loy in 'The Thin Man.'
But by showing us live coverage of every bad thing happening everywhere in the world, cable news makes life seem like it's just an endless string of disasters - when, for most people in most places today, life is fairly good.
FDR once said he was like a cat, that he would pounce and then relax. That's much harder to do in the 24-hour cable world, because it's almost like the press demands of you to be saying something or doing something every day.
Hollywood has known this for quite a while: Cable is the place to go because they truly have a supportive network and they want to do things that cannot be seen on broadcast. That stimulates the writer-producer. Cable is king.
'Suits' fans. I've never met a more diverse audience: across gender, race, class. It's incredible. People who are high-powered lawyers to doormen. A Chinese immigrant cable installer - who barely spoke English - loves 'Suits!'
I did a pilot for Fox years ago called 'Faceless,' with Sean Bean. I always thought it was such a cool show because it was really raw. I thought we were pushing it. This was back at a time before there was the 'cable standard.'
The way the recession has affected Hollywood, a lot of actors that had robust opportunities before in film no longer have such plum options, so cable has done a good job of becoming a happy medium for artists deemed film actors.
The country is polarized. And I think part of it - it is not just social media. We get our facts from different places. People self-select with so many different cable channels and so many sources. I think that is a huge problem.
The 1990 'Goodwill Games' can be another indication that the television world is not divided between commercial and cable. If the viewer thinks highly of our efforts... they will have a higher opinion of cable television and TBS.
Classic cable TV may have hit its peak, but it's still a huge force, and the streaming apps of many cable networks still require you to authenticate that you're a paying cable customer every time you want to use a new such TV app.
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I think you could argue that President Obama could have watched a little cable news... I do think that there is value in understanding where the conversation is and having a little less detachment where the popular conversation is.
I'm doing 5000 seat theaters and audiences are going nuts, it's fantastic and it makes me very happy. I'm dirty, but not like this; I just do comedy that I find funny. I'm working on a new tv show for cable and it's not set up yet.
Now that we've transitioned to more Smart TVs, where people are broadcasting their cable box, I hope that Geek & Sundry is something that people will click on in the future, knowing that they're going to get content that they love.
There are these creative shows, all on cable, that are just so daring and out there. That's the stuff I really want to be a part of, like with 'Sucker Punch' and 'Hangover 2.' Those movies didn't hold back. They really went for it.
Over the years, TV has gotten so much better, especially with the advent of cable. The bar has been raised. I think HBO really set the standard with 'The Sopranos,' and then on mainstream TV, shows like 'Lost' broke amazing ground.
The hardware manufacturers, game designers, cable companies and computer companies and, in fact, film studios are going to ensure that this thing marches on. They know that they are going to make an enormous amount of money from it.
I don't think that swearing or gratuitous violence or sex make a show better. I just think there are natural rhythms to a human being in these situations, and what happens in these situations that cable allows is a natural reaction.
And I was asked if I would come and help with the recovery of this great British company, Cable and Wireless, and I'm delighted to become part of the new and very talented management that have been brought in to that company as well.
There was no way to focus on the movement of the cable. If I looked down at the cable there was water moving everywhere. And if I looked up there was heavy mist blowing in front of my face. So it was a very unique, a weird sensation.
I've worked in network and cable on and off for a number of years, and you just understand what your parameters are. A lot of times, I think the best work that my team has come up with comes from having to deal with certain boundaries.
Our legislation addresses broadcasts over the public airwaves, but I hope the cable and satellite industries see the importance of this issue and voluntarily create a family tier of programming and offer culturally responsible products.
It's very difficult to break into motion pictures, but it's oddly easier for directors today because of independent films and cable, who have inherited for the most part those films of substance that the studios are reluctant to finance.
We are in a time, because of the proliferation of online media and a hundred channels on cable, where teenagers and young adults and eight- and nine-year-olds do not read enough. And the SAT is very unforgiving for students who do not read.
I got a cable from New York saying that what I'd written about the growth of Soviet agricultural production didn't make sense because the same levels were reached under the czars. I wanted to confirm it, but by then the censors were on to me.
Amy Rapp, my producing partner, and I are drawn to character-driven material. We're developing and producing movies and TV, fiction and non-fiction, studio and independent, broadcast and cable, theatre, and web so our slate is really diverse.
Human attention is limited, and a massive number of newly browsable books from the long tail necessarily compete with the biggest best-sellers, just as cable siphons audience from the major networks, and just as the Web pulls viewers from TV.
I watch too much cable, I admit. Day after day it gets frustrating. Yesterday I watched as someone called legislation to prevent teacher layoffs a bailout - but I know that's not a view held by many, nor were the views I was frustrated about.
I didn't have cable when 'Breaking Bad' started, so I came to it late and kept waiting for a friend to watch it with, and could not find a single person who was not already into Season 3 and didn't refuse to start watching it from the beginning.
When you're wanting to delve into something, it's the one thing that cable television lets you achieve, in a way where you can have long form. There are no defined chapters. There are scenes, but everything's not bookended by a Chevy commercial.
It's much easier to get your material out to the public now than it was in 1988, when you basically had to get onto cable to have a joke heard across the country. Now all you need is an iPhone, and you can get your joke heard across the country.
The thing is when I started doing standup, you had to have a clean act because that's how you got on television. There weren't all these cable shows. Also, I didn't want to have that kind of act in case my family came to see me or my kid one day.
How do you do something where you're able to be specific and edgy enough to compete with what the cable networks are doing and, at the same time, appeal to a broader audience? That's the line that everyone in network television is trying to tread.
For the cable news guest, nothing happens for a while until suddenly everything happens very quickly. After you receive your television face, you stand around for a while, ignored, until you're sat down at a desk and asked to argue with strangers.
I feel like my competition is everything else that's competing for people's attention, not just other print magazines, newspapers and cable. It's your kid's report card and the games you want to play, all the things that compete for people's time.
I remember when cable happened and everyone said broadcast was dead, and then satellite happened and everyone said cable was dead, and then DVDs happened and everyone said everything was over. Nothing was over. I'm very optimistic about the future.
Robert Osborne either has the best job in the world, or comes very close. As millions of viewers know, Osborne is the resident host of the great Turner Classic Movies (TCM) channel, the most reliable source of pure enchantment in the cable universe.
I prefer to do cable TV because it allows you the time to do other things. I definitely have an eye on doing more work in features and playing different characters, but I am also a big fan of going on vacation and playing golf and going to the beach.
Yeah, there's probably been times when I'm watching cable and seeing there's like three movies that Jack's in and I'm sitting hogging a bag of Cheetos in my underwear and I think 'God, what happened to me? Why can't I be something special like Jack?'
A lot of cable television is shot on a single camera. Our eyes are more trained to that. It takes the camera off the crane, away from observing the action, to becoming a character in the story along with everyone else. People are getting used to that.