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A rule against paid fast lanes would encourage additional capacity; a rule permitting paid fast lanes would simply encourage cable companies to create congested slow lanes on the Internet so they could make money by selling fast lanes to big companies.
The cable package continues to be the greatest value in the history of entertainment. The average hour watched on cable television costs between 15 and 25 cents. For most people who cannot afford other kinds of entertainment, it is their entertainment.
We now assume that when people turn on the evening news, they basically already know what the news is. They've heard it on the radio. They've seen it on the Internet. They've seen it on one of the cable companies. So that makes our job a bit different.
'Network neutrality' is sometimes called 'Internet freedom' or 'Internet openness' and is a legal principle that would forbid cable and phone companies like AT&T, Verizon, and Comcast from blocking some websites or providing special priority to others.
Goats are the cable talk show panelists of the animal world, ready at a moment's notice to interject, interrupt, and opine. They have something to say about everything, little of it complimentary. They are the most impertinent animals I have ever known.
Network's rating dependent. A show might not stick. A lot's timing. Like, my Bradley Cooper in 'Kitchen Confidential' didn't always work. Cable supports young shows. TV Land, which you can find on Hulu, Amazon, iTunes, wanted 'Younger.' They came to me.
Streaming TV shows, movies, and other types of video over the Internet to all manner of devices, once a fringe habit, is now a squarely mainstream practice. Even people still paying for cable or satellite service often also have Netflix or Hulu accounts.
Broadcasting for advertisers is still the best game in town, and they know it. Look, I admire a lot of the shows on cable. I think 'Mad Men' is wonderful. I think 'Breaking Bad' is wonderful. But let's remember they're about one-tenth the audience of NCIS.
I guess probably in my time in politics, it continued to be affirmed to me that the African-American community, despite being subscription television's most valuable customers, they are very underserved by cable and satellite television programming options.
Living in a community with very wounded people, I came to see that I had lived most of my life as a tightrope artist trying to walk on a high, thin cable from one tower to the other, always waiting for the applause when I had not fallen off and broken my leg.
The 8 P.M. hour in the cable news world is currently driven by the indomitable Bill O'Reilly, Nancy Grace, and Keith Olbermann. Shedding my own journalistic skin to try to inhabit the kind of persona that might coexist in that lineup is just impossible for me.
I think for business reasons, fiscal reasons, I think these cable networks can take greater risks and I think with a risk comes better programming. And I think USA has got an amazing identity to it now that is clearly defined with its 'Characters welcome' tag.
Everyone talks about reality TV and that there are no roles left. That's false. Years ago, there were three networks. Now there are 20 cable networks and so many ways for films to be exhibited. It's an exciting time for actors, writers, directors, and producers.
The current FCC chairman, Tom Wheeler, is highly regarded, but some distrust him because he is the former head lobbyist of both the cable and wireless phone industries. He's also made some statements suggesting he doesn't understand or opposes network neutrality.
I grew up in a pretty strict household in the sense that we just didn't have cable, so I wasn't familiar with what stand-up comedy was. I remember telling my friends that I thought stand-up comedy was like the thing that happened before the episode of 'Seinfeld.'
I don't have ADD, but I only like to pay attention to the things I like to pay attention to, and things like getting a TV and getting the cable working are beyond me, and so I let such things lapse, sometimes for years. This applies to keeping my apartment clean.
I get really frustrated during a crisis when I go through all the cable channels and find - very often with the exception of CNN - that I'm not watching news at all. You think, 'Well, God... there are talk shows, talk shows, talk shows and everyone is an expert!'
Rarely, if ever, has a cable news channel employed a host who has previously campaigned for the business goals of the channel's parent company. But as channels like MSNBC have moved to more opinionated formats, they have exposed themselves to potential conflicts.
I'm officially near-famous. If you've got four year old kids and you've got cable, then you've got no choice but to know who I am. But if you're one of my peers - a 26-year old guy who lives in Manhattan - you have no idea who I am. I'm only famous if you're four.
We've made so much headway with storytelling - mostly on cable, let's be honest - but also on the networks and, you know, I think it's about time that the leads are women. I'm not a woman, so I'm a bit biased - I wouldn't mind if a few roles were left over for men.
A father and two sons run Adelphia. It's a cable company. And they took from that company a billion dollars. A billion. Three people - three people took a billion dollars. What were they gonna do, start their own space program? 'Let's send the monkey to Mars, Dad!'
I went door-to-door selling cable television subscriptions when I was in college. Not to date myself, but cable was just coming on. I had terrible territories, and they would give me $25, if I got somebody to let them come and just put the little cord in their house.
There's discussion in athletics about how sport - where they say 'SportsCenter' has ruined the fundamentals of basketball because it's - it only applauds dunks and three point shots and blocks, and I think, you know, the cable news has done the same thing for politics.
All of the people who are using their BlackBerries or their iPhones, Facebook, all of the people who are sitting in cafes and hotels rooms doing their work, they're all using wireless technology, and we shouldn't assume that the only way of the future is high speed cable.
I got the Fire Stick as a gift at the Amazon Emmys after-party in 2015, and because I haven't lived in a house with cable television since I lived with my parents as a child, I've just streamed everything. I can afford cable. I have a television. But I only stream things.
With drama, especially, it seems like the bigger the budgets and the edgier the characters, the more interesting they are. We're very lucky because 'Modern Family' wouldn't fit on cable: they'd want us to push it more and be edgier and turn it into something that it's not.
Cable companies aren't bad because they're parts of unwieldy media conglomerates. They're bad because they're monopolies (even where they are no longer legally exclusive) and because the government policies that made them monopolies rewarded lobbying over customer service.
There's probably a little more creative freedom in cable versus network, a little less of a committee looking over everyone's shoulder, but it depends on the network; it depends on the show; it depends on who the head writer or show runner is and what track record they have.
I would like to thank those who spoke boldly against the 'gay marriage float' in the 2014 Rose Parade. Apparently, that vigorous opposition came from perhaps millions of people, and it had a significant influence on how the matter was handled on network and cable television.
It's been possible for years to use a PC to watch and record over-the-air television broadcasts, and unencrypted cable television tuners have been available almost as long. But for a long time, you could only watch copyright-protected channels with a cable company-leased box.
I've always liked adventure television. Pre-'Survivor,' I did a series on cable called 'Eco-Challenge,' an adventure race with experts mainly, and here we have 'Expedition Impossible.' I like the outdoors and I like doing something fresh for television you haven't seen before.
It's not like Alaska isn't wilderness - it mostly is. But most Alaskans don't live in the wild. They live on the edge of the wild in towns with schools and cable TV and stores and dentists and roller rinks sometimes. It's just like anyplace else, only with mountains and moose.
With the rise of cable, network is clearly floundering because the characters on cable are far more fascinating than they are on network. Network television is trying to figure it out. Network television really relies on story rather than character, and cable relies on character.
We did some soul-searching. Was the cable industry obsolete? Was it an opportune time to get out? Our conclusion was that if you rebuilt your system with this new fiber-optic coaxial hybrid - which we now call broadband - the glass was half full, not half empty. We could compete.
This generation is so dead. You ask a kid, 'What are you doing this Saturday?' and they'll be playing video games or watching cable, instead of building model cars or airplanes or doing something creative. Kids today never say, 'Man, I'm really into remote-controlled steamboats.'
Net neutrality sounds wonky and technical but is actually quite simple. It would keep the Internet as it has always been - cable and phone companies would remain mere gateways to all sites, rather than gatekeepers determining where users can go and what innovators can offer them.
Prior to 'The Shield,' basic cable was just a wasteland of reruns and NASCAR. When we came along, I think there was a collective, 'Hey, if they can do that, why can't we?' from the basic-cable networks of the world. We ended up being the cornerstone for a network, and a great one.
Where I grew up, we had the three TV networks, maybe two radio stations, no cable TV. We still had a long-distance party line in our neighborhood, so you could listen to all your neighbors' phone calls. We had a very small public library, and the nearest bookstore was an hour away.
The network shows have this very commercial voice that you have to adhere to, and the cable shows, it's kind of like winning the lottery. The independent film world is a world you can actually get to. You can get the under-a-million-dollar film by finding a good cast and financing.
My mom has this thing where if I'm doing anything doing dirty or crazy, she sniffs it out and yells at me. But the good thing is my mom doesn't have cable, and so much of the stuff I've done was on cable, so many times she'll miss it. I tend to gloss over the crazier things I shoot.
In theater, you can be free. That's how Lin-Manuel Miranda got to do the most revolutionary piece of theater with 'Hamilton': color-blind casting in roles in which they would never cast Latinos if it were a film or TV show. It just goes to show that Hollywood and cable are way behind.
Comics are a dying art. If you ask a little kid to choose between a video game with insane graphics or comic books... you have to compete with cable, satellite TV with its thousands of channels, and with video games that are like movies, with CGI explosions where you can blow up worlds.
I don't revisit anything unless there's a really good occasion, like BAM screened 'This Is My Life', with Lena Dunham and Nora Ephron before she died. It also screened 'Uncle Buck', so I took my niece. I don't have a TV, so I don't happen upon old movies like you would if you had cable.
Cable news is force-feeding you an endless back and forth of pundits who consistently get everything wrong, while at the same time, they mask their opinions as facts and argue about the endless minutia of a broken Washington, D.C., instead of arming you with real knowledge and new ideas.
A great thing is happening on cable TV. You see characters change in stories over years, like in Tolstoy. That's a whole, thrilling new form that I really enjoy. They are Tolstoy-an in their endless character development and narrative changes... a show like 'Breaking Bad' is astonishing.
Eighteen fifty-eight was a year of great technological advancement in the West. That was the year when Queen Victoria was able, for the first time, to communicate with President Buchanan, through the Transatlantic Telegraphic Cable. And they were the first to 'Twitter' transatlantically.
Cable is a dynamic and highly innovative industry, providing cutting edge services and content that Americans love. The broadband platform the industry has deployed is a critical part of the infrastructure needed to realize our national ambition to be a great nation in the Information Age.
Television and cable have become the new independent films, in a sense, for writers and actors to gravitate towards. That's why I like short films, too; I love doing readings, audio books, working with young filmmakers; anything that keeps you from getting blase about yourself or in a rut.
Obviously sex and nudity sells, but that's what people go to cable for but that's not going to happen on network daytime television... so I think it really is always going to come down to story. How do you make a story interesting enough so people will tune in? That's always going to be it.
There seems to be a vulnerability at the networks in late night. They are losing more and more audience, particularly young viewers who are now looking at cable television. 'Tonight' is an old show. CBS has reruns, and having a public affairs series like 'Nightline' on ABC is a big mistake.