Quotes of All Topics . Occasions . Authors
When I left the work world, I started designing my dream house. I dived into architecture and bought seven vacant lots. My plan was to build one house, move in, and build the next. If the next was better, I'd move in and sell the previous one - so on and so forth.
If I was designing a web site for elementary school children, I might have a much higher percentage of older computers with outdated browsers since keeping up with browser and hardware technology has not traditionally been a strong point of most elementary schools.
I don't have a background in design, so I think it's always about what I see in the world and what inspires me. So yes, I am designing for myself. I'm going through this whole evolution, which is a process of growing up and going from modeling to styling to designing.
It was a lot of hard work, but everyone loved my Amy Childs' Collection, so I decided to have a boutique as well as my salon. I love designing my own dresses, and everyone is loving the collection. I can't believe how well the boutique and the clothing online is going.
Form must never trump function. Some objects are made to look so smooth, you don't know where to pick them up or how to turn them on. If I'm designing a garlic press or cheese grater, I need my hand to fit comfortably on it. I like to know, instinctively, how to use it.
I love the mouse, I love designing games for a mouse-based system. I think it's still a way of playing games which, you know, everyone's really excited about the Wii and all that, but for me, the mouse is for the PC an awful lot what that pointing device did for the Wii.
In designing the scenery and costumes for any of Shakespeare's plays, the first thing the artist has to settle is the best date for the drama. This should be determined by the general spirit of the play more than by any actual historical references which may occur in it.
I always find the more you can draw on real life characters, people, situations, it works better. Certainly for designing a character, I prefer to draw on real people rather than other guys I've seen in movies, rather than 'here's my version of Clint Eastwood' or whoever.
I work in film, TV, commercials and do live PR stunts for companies. A lot of my time is spent reading scripts and looking at designing sequences, speaking to directors and producers about how they want the sequences to look, how they will work and budgeting those stunts.
I've been inspired by Coco Chanel. She broke all the rules of her time when she was designing. She pretty much revolutionized the way that women dressed at the time, and in doing that, she modernized the way they looked because they could move more freely in their clothes.
What makes us unique is that we actually build things. Unlike most hotel companies who just manage and have no experience building, designing, and developing a hotel, we started off on the opposite track. We started off building. We're construction guys first and foremost.
When I was designing, I had in mind Jimi Hendrix, and I could hardly find skinny indie black kids to wear my clothes. I remember one telling me he had to swap his skinny jeans for baggy ones in the subway before going home, so he wouldn't get in trouble in his neighborhood.
The Federal Reserve is not charged with designing or evaluating proposals for housing finance reform. But we are responsible for regulating and supervising banking institutions to ensure their safety and soundness, and more broadly for the stability of the financial system.
As a kid, I was obsessed with space. Well, I was obsessed with nuclear science too, to a point, but before that, I was obsessed with space, and I was really excited about, you know, being an astronaut and designing rockets, which was something that was always exciting to me.
While I was designing my home, I was living in different houses all around the world, and I saw thermostats that were just as bad as the ones in the U.S., or houses that needed them but didn't have them. I realised that this was a worldwide problem. I thought, 'Let's fix it.'
Ergonomics is about designing for failure modes and extremes: how things break under repetition, stress or other limits. And the goal of ergonomic designis to create an alignment between the user's limits, the thing you're designing, and how people will ideally use that thing.
I do love the clothes on 'Mad Men' because my character has been so elegant and I would never have had access to these clothes. I think Janie Bryant is a costume designing genius. They'll call and tell me, 'It will only take an hour,' and I'm like, 'I will try on the whole truck!'
Since the 70s and the 80s you see the rise of neoliberalism. The central dogma of neoliberalism was that most people are selfish. So, we started designing our institutions around that idea, our schools, our workplaces, our democracies. The government became less and less important.
What makes us human depends on what place on our evolutionary path we're talking about. If you go back six million years ago, what makes us human is that we were walking upright. That's all. If you go to 2.6 million years ago, it's the fact that we're designing and making stone tools.
While designing, sewing and cutting patterns for clients, my mother was always telling me to make sure the upper part of the body was balanced with the lower part, an A-line skirt to minimize hips or shoulder pads if a client was smaller on top. I was training my eye to create balance.
When I was young, for some reason, I thought a postman's job was quite cool, and once, I even contemplated becoming a lawyer. Finally, I decided to dabble in something creative like fashion designing or photography. Till I joined college, I had no clue that one day, I will face the camera.
Ethiopia has a robust response, designing development policies with a view to mitigating the impact of climate change. I am proud to say that in the fifth edition of the Global Green Economy Index released in September 2016, Ethiopia is ranked 14 globally in terms of climate change performance.
Civil engineers build bridges. Electrical engineers, power grids. Software engineers, apps. From the engineers who created the Great Pyramids to the engineers who are designing and developing tomorrow's autonomous vehicles, these visionaries and their tangible creations are inextricably linked.
I try to just focus on what feels right to me when I am conceiving it, conceptualizing, designing, etc. and then talk it through with the team and listen to what they have to say. This kind of thing is a team effort, and working with a great team is the most important part of filmmaking for me.
Designing a station with artificial gravity would undoubtedly be a daunting task. Space agencies would have to re-examine many reliable technologies under the light of the new forces these tools would have to endure. Space flight would have to take several steps back before moving forward again.
When I started coming to do shows in New York, New York had a pretty electric energy then. It was the early-nineties, and there was a lot of really fun theatrical types that were designing, and so the runway kind of became this stage for all of these mega model personalities to flaunt their stuff.
Having made a real 3D movie, you realize that, right from the production design, you're designing sets that complement the 3D. You're designing interactive elements, like rain or smoke - all this particulate matter in the air enhances the 3D. But if you're shooting in 2D, you don't know about that.
I moved out to Los Angeles with the idea of becoming a director, which thousands, if not tens and hundreds of thousands, of people do, every year. It's a very competitive field, of course. I immediately got swept away into the visual side of things, starting with visual effects, and then designing.
Actually, I never liked the idea of bags. I would say, 'Why do so many of my friends spend so much money on these bloody bags?' But once I started designing them, I was completely hooked. There are all of these blogs about bags. It's a whole other industry, and I'm really excited to be a part of it.
A few years ago, I realized I was decorating and designing my house around what was beautiful rather than practical for my family. When I made that realization, everything kind of clicked for me. I started being intentional about designing spaces with my kids in mind rather than picture-perfect rooms.
I was the Playmate editor for 'Playboy' for two years. I produced two years' worth of centerfolds. I did everything on that, from picking the girls to designing the sets to picking the wardrobe, coming up with themes, assigning the photographer, down to editing the photos and approving the retouching.
When you work with web design companies in San Francisco, you end up with a bunch of twenty-somethings who have their own cultural peculiarities, including obscurity for its own sake. You give those guys a website for a banking institution and they screw it up, because they are designing for themselves.
There is an urgent need for regeneration of fisheries and fostering a sustainable fisheries programme. What I mean is, designing new fishing vessels and nets so that they do not disrupt the fish lifecycle by catching young ones and also do not destroy sea grass beds, which serve as habitats for dugongs.
I try to be a positive person, but I'm also always looking and wondering, 'Maybe this could be done differently.' As soon as your mind is in a critical mode, you're halfway through designing; as soon as you start thinking about whether something could be better, you're already halfway through a solution.
At Roden Crater, I was interested in taking the cultural artifice of art out into the natural surround. I wanted the work to be enfolded in nature in such a way that light from the sun, moon and stars empowered the spaces. I wanted to bring culture to the natural surround as if one was designing a garden.
I have a cell phone that doesn't behave like a phone: It behaves like a computer that makes calls. Computers are becoming an integral part of daily life. And if people don't start designing them to be more user-friendly, then an even larger part of the population is going to be left out of even more stuff.
Designing is a matter of concentration. You go deep into what you want to do. It's about intensive research, really. The concentration is warm and intimate and like the fire inside the earth - intense but not distorted. You can go to a place, really feel it in your heart. It's actually a beautiful feeling.
We're a very active family, and I like everything in its place. I'm all about designing every little space. It will help me in the business of being a mom. Every single day is so crazy with my work that I just need to be able to come home and do that business as efficiently as I try to do my professional work.
Formal is formal. I can't wear sneakers all the time. Sometimes, I wear other shoes. It's not my challenge designing formal - it's so boring - but it's still important. I sell a lot of classic black sneakers made from every material because everyone loves black, and if you mix and match material, you get an opera.
Airplanes were invented by natural selection. Now you can say that intelligent design designs our airplanes of today, but there was no intelligent design really designing those early airplanes. There were probably at least 30,000 different things tried, and when they crash and kill the pilot, don't try that again.
I'd always been acutely sensitive to my surroundings - and aware that I could make them rather than just observe them. So I began by designing interiors for myself, for friends, for clients - I just felt that I'd discovered my element, and those who really looked at what I was doing liked it - and the rest followed.
My biggest word of advice that I could give to people that are dealing with a home renovation or decoration is to not think about design as it's been presented to you before. I think everybody needs to start designing based on the moments they imagine having in their home and that is what has guided me as a decorator.
I like to think of my customer and make sure that season after season she is getting what she wants. Ultimately, I suppose I have an image of myself. That is the person I am designing for - a woman who loves and appreciates fashion and luxury, and somebody who wants to feel empowered with the best version of themselves.
When I began designing my Spring '13 collection, it wasn't even Spring '12 yet. Snow was actually still on the ground in New York, but I knew I wanted this particular spring season to be freer, more colorful, easier, more about feeling good, and I wanted there to be a sexier feeling than we've been known for in the past.
My girlfriend suggested a bathing suit line, and we are creating it together. We are calling the line Sew Unique Bathing Suits. My girlfriend and I are designing, and there will be some unique pieces. For example, you might find jewelry on some of the suits. Some of the line will just be for show - you do not swim in them.
I have a way of filming things and staging them and designing sets. There were times when I thought I should change my approach, but in fact, this is what I like to do. It's sort of like my handwriting as a movie director. And somewhere along the way, I think I've made the decision: I'm going to write in my own handwriting.
I think the fact that my parents weren't conventional - especially considering their position - had a big influence on the way that I conduct myself now in design and business. It had a huge impact on my wanting to do something a bit more than just designing a pretty dress and putting it on a runway and making it glamorous.
For my first apartment, when I was first married, I went to the lumberyard and bought stuff and made couches. My then-wife made cushions. I was really very interested in furniture. I was in school for architecture, but I had to live, and making furniture was different from designing buildings, which I couldn't do for myself.
My mom teaches sixth grade and also taught first grade at one point. She's into dressing up and costumes and designing her own curriculum that way. She stayed home for about eight years with me and my sister when we were young before going back to teaching, so we had a lot of time with her. She taught us to read really early.
My personal fascination with the power of the crowd has been growing: Exactly what can a 'crowd' accomplish? We know crowds can raise billions of dollars, create Wikipedia, and even design and build small autonomous drones. But how about something large and complex like designing a new car, and maybe someday even a spaceship?